Posts Tagged ‘Surrealism’

Jewish Voice for Labour Sends Report on Real Labour Anti-Semitism to EHRC and Forde Enquiry

August 29, 2021

Starmer’s continuing purge of the Labour left, and especially left-wing Jews critical of Israel, is meeting resistance. As Mike put up yesterday, Pamela Fitzpatrick has put the bargain basement Stalin on notice that she may take legal action against the Labour party for her ‘autoexclusion’. Starmer wants to expel because last year she gave an interview to Socialist Appeal, one of the four groups he wants to expel from the Labour party. But this was at a time when Socialist Appeal was still perfectly acceptable. This is retroactive justice, the criminalisation of individuals and groups for actions that were perfectly legal at the time they were committed. It’s a hallmark of tyrannies and dictatorships from Nazi Germany to Stalin’s Russia, as Fitzpatrick herself has pointed out. She tweeted

I am starting to wonder, given my line of work, as to whether the practice of introducing laws with retrospective effect, the presumption of guilt until proven innocent, the denial of appeal rights and lack of fair process is to be future Labour policy for our justice system.

This is, of course, grossly hypocritical coming from Starmer. As Steve Sammut pointed out, between 1986 and 1988 Starmer was editor of Socialist Alternatives, a magazine published by the International Marxist Tendency. Labour Party Marxists are another group Starmer has decided to expel, despite the fact that, unlike Militant Tendency in the 1980s, I’ve seen zero evidence that they are an entryist group trying to take over the party. Indeed, many of the socialist societies that came together to form the Labour party were either Marxist or Marxist influenced. And when the scandal about Militant hit Labour in the 1980s, the Swedish Social Democrats responded by saying that they had absolutely no problem with the Marxists remaining in their party, providing that they didn’t engage in those tactics. These tactics, used to subvert democracy in the party, have been taken over and applied wholesale by the real entryists, the Blairites now headed by Starmer and David Evans in the NEC.

And let’s be clear – this is an inquisition. Starmer is actually using the language used by the Christian and Roman Catholic church to excommunicate heretics. The concept of ‘autoexclusion’ was devised in the fourth century to justify the excommunication of the Donatist schismatics of north Africa. The argument was that the Church isn’t excommunicating them. Rather they are excommunicating themselves through their beliefs and actions. It’s a doctrine that isn’t confined to the sphere of religion, however. Andre Breton, the ‘Pope of Surrealism’, used it when he wanted to throw dissident artists out of his artistic movement. His victims included a group of Christian artists interested in using the techniques of Surrealism to explore their religion, which caused the militant Marxist atheist to go berserk.

But Jewish Voice for Labour are also showing the real anti-Semitism behind these purges.

They have just submitted a report to the Equalities and Human Rights Commission and the ongoing Forde Inquiry showing that the vast majority of the witch hunt are Jews. Four out of five of those accused of anti-Semitism are Jewish. If we had a decent media in this country, this would be reported and more than demonstrate that these accusations have nothing to do with real anti-Semitism. Instead, it’s all about protecting Israel and presenting the Board of Deputies as the real representatives of Britain’s very diverse Jewish community. Of course, the Board are nothing of the sort. Tony Greenstein and other great Jewish activists and bloggers have demonstrated that the Board really represent only the United Synagogue, who seem to be the Jewish members of the Conservative party at prayer, just as the old adage said that the Anglican Church is for Christians.

Mike reports that JVL’s statement, submitted on the 24th August 2021, runs

“We have become aware of seven new investigations of Jewish Party members. Notifications of new investigations and auto-exclusions are arriving on a daily basis.

“This means it would appear that over four times more Jewish than non-Jewish Labour Party members have faced actioned complaints of antisemitism.  The disproportion is even greater in relation to JVL Committee members and officers. The staggering numbers suggest that these Jews are nearly three hundred times more likely to be investigated than non- Jewish Labour Party members. In all these cases the charges of so-called antisemitism are deeply offensive.

“Dozens of Jewish members are now being targeted by Labour as antisemites, for voicing an understanding of antisemitism that is a direct product of our Jewish political and personal heritage.

“The effect of rejecting or ignoring complaints made by JVL members of antisemitism; our experience of bullying and harassment; and the refusal to consult or involve JVL in, for instance, the EHRC required Action Plan; all show disdain for our status and roles as Jews.”

Their personal understanding of real anti-Semitism appears to me to be absolutely incontrovertible and corresponds to what the founders of modern anti-Semitism actually said. Slugs like the Austrian anti-Semitic politico, Carl von Schoenerer, stated that they hated Jews simply for being Jews. Their religion or other opinions were immaterial. Indeed, there was a nasty little rhyme they sang that said that Judaism wasn’t the issue. The ‘swinishness’ was in the blood. This is quite different from the verbose, convoluted and extremely flawed definition of anti-Semitism formulated by the International Holocaust Remembrance Alliance and used to chill criticism of Israel, as one of its authors, Kenneth Stern, has admitted.

And Jewish Labour members like Andrew Feinstein have pointed out the massive injustice in smearing decent, anti-racist Jews as anti-Semites when so many of them have been personally affected by the Holocaust. He regards their persecution by a reactionary Labour party leadership as indefensible.

And he’s right. I’ve read that half of the British Jewish population lost family members in the Shoah. And the victims of the NEC’s and now Starmer’s witch hunt has included proud, decent Jews, who have personally experience anti-Semitic abuse and violence, as well as anti-racist gentiles who have also suffered the same for their activism in support of the Jewish community.

The overwhelming preponderance of Jews as victims of the anti-Semitism witch hunt should absolutely put the lie to any claim that these people are really self-hating and anti-Semitic.

This is all about silencing criticism of Israel, and particularly Jewish critics, because their simple existence refutes the lies and propaganda by Netanyahu and his British supporters that all Jews everywhere are proud Israelis, and that the British Jewish community uncritically supports Israel.

And the witch-hunt against left-wing Jews in the Labour party is part of a strain of political anti-Semitism stretching back to the wretched Protocols of the Elders of Zion. One of the accusations levelled by the right against their opponents on the left is that they follow the classic anti-Semitic conspiracy theories by confusing Jews with capitalism and the control of the government and the economy. But the Protocols of the Elders of Zion also claimed that Jews were also responsible for socialism and communism. A little while ago I blogged about a letter from Craig Ferguson published by the JVL at their site, which pointed out that British anti-Semitism was originally targeted at left-wing Jews. The British newspaper magnate who published the Protocols in the 1920s himself drew a distinction between loyal, patriotic British Jews, and radical, communist Jewish immigrants flooding in from the continent. The witch-hunters clearly seem to be guided by that kind of anti-Semitism in their attacks on JVL. The Labour MP Neil Coyle even called for their expulsion along with other ‘commies’.

And Michelle Laufer clearly showed Starmer’s personal hypocrisy in targeting entirely decent left-wing Jews considering his own dismal record of lies and intriguing as party leader in this tweet:

I’ve just heard Starmer on the radio saying he and Labour need to be honest with the British public so they can learn to trust the Labour party again. As a Jewish member of the Labour party who has had to watch other Jewish members abused, suspended and expelled as anti-
Semitism has been weaponised, I’d like to know if he’s going to be honest about this. Is he going to be honest about the fraudulent way he in which he became leader, his broken pledges, the gerrymandering of Party democracy, the silencing of members of criticise apartheid Israel, his fawning obedience to the Board of Deputies who do not represent the views of the majority of Jews in this country and the imposition of antisemitism training by the Zionist Jewish Labour Movement.

Well no, of course Keef Stalin isn’t. He’s an authoritarian liar, and this would destroy him and the other Thatcherite entryists driving this witch-hunt, as well as his attempts to ingratiate himself with all those Tory voters out there.

Mike concludes his article with these comments

And the problem isn’t anti-Semites; it’s him – and the entryists who are supporting him because they know falsely accusing Labour socialists (the people for whom the party was originally created) of a heinous offence will make the party unelectable, leaving the way clear for the Tory corruption that we have seen under Boris Johnson.

I think it’s just a matter of time until this particular house of cards comes crashing down around Starmer and his allies.

I hope so. And I hope it brings down everyone else who was involved in this vicious vilification and persecution of decent people, including David Evans and the woefully misnamed Jewish Labour Movement.

Videos of CGI Recreations of Vehicles and Castle for Jodorowski’s ‘Dune’

January 31, 2021

Alejandro Jodorowski’s Dune is one of the great, unmade films. Jodorowski himself is a Chilean-French film director and comics writer. A Surrealist, he made a series of very bizarre films, such as the western El Topo. In the early ’70s he set about making a film version of Frank Herbert’s classic SF novel, Dune, despite never having read it. This would have starred Mick Jagger as Feyd Rautha, Orson Welles as Baron Vladimir Harkonnen and the great, bonkers Surrealist artist Salvador Dali as the Emperor of the Known Universe. Equally impressive were the artists he hired to produce the concept art and designs for the spaceships and other vehicles and settings for the film. These included H.R. Giger, the creator of the infamous Alien, French comics artist Jean ‘Moebius’ Giraud, and Chris Fosse, the force behind a thousand SF paperback covers. The film was never made, as the producers cut its funding at the last moment. However, the work on the movie was never wasted, as Jodorowski and Moebius used it as the basis for their comic The Incal and The Metabarons. It has also been immensely influential on later SF movies, including Ridley Scott’s ’80s classic, Bladerunner.

These two videos have been made and put up on YouTube by Monochrome Paris, a group that wishes to recreate in CGI Jodorowski’s aborted film. They have so far managed to recreate Duke Leto Atreides’ car, which was designed by Fosse, and Baron Harkonnen’s castle, which was the suitably horrific work of Giger.

Here’s the link to the car video:

Reviving Jodorowsky’s Dune in Virtual Reality [Chris Foss Vehicle test – Real-time 3D] – YouTube

And this is for Harkonnen’s Castle:

Reviving Jodorowsky’s Dune in Virtual Reality pt II [HR Giger – Real-time 3D] – YouTube

I think the two videos are great, and it would be really superb if they were able to recreate the entire movie in CGI. Unfortunately the videos are from 2019 and so I don’t think their proposed movie will ever be made. It would still be good if they were able to produce more videos of some of the other designs for the movie, such as the space tugs towing the containers of spice through space, a space pirate ship and the Harkonnen’s own spaceship, which were all designed by Chris Fosse. They’re included along with his other art, included concept designs for Bladerunner, Alien and Superman 2 in the book 21st Century Fosse.

Starmer’s Purge Dictated by Board of Deputies’ Hit List

December 8, 2020

This comes from a piece on The Electronic Intifada from 20th November 2020, by their main man, Asa Winstanley. Winstanley’s another decent, committed anti-racist, who was purged due to accusations of anti-Semitism. The reality is that he’s no such thing. But he is a pro-Palestinian activist, as you can tell from the title of the online magazine he contributes to. The article reports the finding by another pro-Palestinian activist, Becky Massey, that she and ten other members of the Labour party were expelled on the demands of the Board of Deputies of British Jews in a hit list the Board submitted to Starmer on 11th May 2020. Massey discovered she was on the Board’s list of people they wanted expelled and on a Labour party email chain discussing her after making a subject access request for the information the party hold on her. Massey was sent the letter of expulsion on the evening of the day of the email chain. Coincidentally, Starmer had also paid a visit that day to the Jewish Labour Movement. A Labour party spokesperson at the time categorically denied that the meeting had in any way been connected to Massey’s or anybody’s expulsion. That can be taken with a pinch of salt, as the Jewish Labour Movement, previously Paole Zion, has been demanding the expulsion and suspension of left-wing members and pro-Palestinian activists for years. And there is hints that the two are connected. The Board later wrote that they had sent the Labour Party a list of eleven people they wanted expelled, and were heartened that Starmer had met the JLM.

Labour party apparatchiks in the email chain discussed suspending Massey with a view to her ‘autoexclusion’. Like all authoritarian movements, the party deliberately uses language to imply that they’re not at fault, but the victim. The term ‘autoexclusion’ means to state that somehow, those expelled did it all themselves. Andre Breton, the ‘pope of Surrealism’, used to say the same thing whenever anyone queried him for expelling people from his movement. The letter sent to Massey herself simply said that she had been suspended subject to the approval of the NEC’s next meeting. Another line in the email chain, which somehow escaped redaction, indicates that Starmer was actively involved in the expulsion, or at least knew full well about it. It reads “Subject: RE: For LOTO: Rebecca Massey.” LOTO’s an acronym for ‘Leader Of The Opposition’. In other words, Starmer appeared to have interfered politically in the case, which is one of the accusations levelled at Jeremy Corbyn.

The Board’s Hit List

Strangely, neither the Board nor the Labour party offered any comment when they were contacted about this The Electronic Intifada. The article states that although the Board claims to represent the Jewish community, much of its activity is protecting Israel’s crimes and that in 2013 its president wrote ‘We lobby unashamedly for Israel’.

Revealed: the Israel lobby’s Labour hit list | The Electronic Intifada

The article descibes Massey as ‘a leading activist in one of the Palestine Solidarity Campaign’s most visible branches, in Brighton on the south coast.’

I don’t know her, but Tony Greenstein appears to be a member of the same branch. He’s also been expelled and smeared as an anti-Semite, despite being Jewish. From what I’ve read of the Palestine Solidarity Campaign on Tony’s and other websites – many of which are also by Jewish supporters of the PSC – the organisation most definitely does not accept real anti-Semites. They’ve also been highly successful in boycotting local shops selling goods made in the occupied West Bank or which are owned by businesses based there. They’ve also embarrassed the local, Sussex Friends of Israel outfit, or however they describe themselves. There are videos up on the net showing the pro-Israel activists threatening and abusing the pro-Palestine demonstrators, despite claiming in their literature that they stand for peaceful and respectful debate. The Sussex pro-Israel bunch also seem to have some very bizarre members. One is a balding, clean-shaven bloke, who claimed on his website to be an Orthodox Jew, despite his appearance to the contrary. Massey is almost certainly no kind of anti-Semite, but another victim of the Blairite’s and the Israel lobby’s campaign to purge the party of left-wingers and pro-Palestinian activists.

This also seems to show that Starmer himself is deeply implicated in these expulsions. Which should come as no surprise considering the revelation by The Canary that two organisations devoted to attacking left-wing sites and blogs as ‘fake news’, the Center for Countering Digital Hate and Stop Funding Fake News, were set up and run by Blairites with links to him.

As for the Board of Deputies, they are an unrepresentative organisation that smears and persecutes left-wing, pro-Palestinian Jews and gentiles. They are not a part of the Labour party, but through the smears and lies of the political and media establishment, have been allowed dictatorial control over it.

This needs to end now. It should be Starmer who is on trial for his crimes against Labour, not these decent people. And the control of the Board should be resisted and them shown up for their malign interference, smears and libels.

Darren Grimes: Respectable Journalist or Shape-Changing Alien Invader?

September 2, 2020

The Sunday before last, August 23rd 2020, Zelo Street put up a piece reporting the outrage when Sunday Morning Live decided to hold a debate about education. Unfortunately, one of the so-called ‘experts’ they invited on was professional Guido Fawkes windbag was Darren Grimes. A man, who can fairly be said to be one of the most ignorant people in journalism, and that’s against stiff competition like Sarah Vine, Julia Hartley-Brewer and Harry Cole, political editor of the Scum. Way back in the 1930s when the great Surrealist painter Salvador Dali fled to America to escape the Spanish Civil War, he declared that his mission was to cretinise the public. Well, Dali passed away in the late 70s, but he left his great mission to the Tory party. Back in the 1980s Private Eye reviewed one book by the new Tory thinkers that were coming through. I think it was by the late Roger Scruton, but I’m not sure. The book stated that Conservatism, based as it is on tradition, is silent and incoherent until forced into action. This was a clear statement of the anti-intellectualism that’s at the heart of Tory politics. It forced the Eye to ponder whether there was an optimum level of cretinisation. Had Prince Philip reached it? And one those seeming to carry on this mission to misinform the public spreading lies and sheer ignorance is Darren Grimes.

How Grimes gets invited onto the Beeb as any kind of authority is something of a mystery. He’s working class, and has something of a chip on his shoulder about his origins, feeling that he is looked down upon because of this and the fact that he has a northern accent. But this is what happens when you support a party run by elite public school types on behalf of elite public school types. They have elocution lesson at school deliberately to lose any regional accent they have. And this automatic connection between received pronunciation and leadership is explicitly stated by the British military. One spokesman for the British army, quoted in an article back in the 1980s stated very clearly that if you want to be a British officer, you should lose your regional accent otherwise you wouldn’t be respected by the troops. I’ve met a lot of squaddies, and in general they don’t respect the officers because of the bullying, sneering attitude so many of them have towards their men and women, along with stories of stupid orders that have led to disaster given by commanders against the advice of their NCOs.

Grimes also feels he’s despised because he didn’t complete his degree. He’s a failed fashion student. Okay, academic intelligence doesn’t automatically equate to being generally well-informed and intelligent. It’s just one form of it. When I was at school we were told that only 5 per cent of the British population went to university. That changed rapidly with the expansion of higher education in the 1990s with the creation of the new universities out of the older colleges and polytechnics. Then came Blair and New Labour, who wanted 50 per cent of the population to attend university. The result is that something like 46 per cent of the school leavers now go on to university. But this also means that there are plenty of older people, who are naturally very intelligent, but didn’t get a chance to go when they were children. Their intelligence shouldn’t be underestimated. But Darren Grimes isn’t one of them either.

In one of his pieces, he praised the Tories for breaking out of the old New Labour Oxbridge elite. It’s another falsehood, and the truth is exactly the opposite of what he said. New Labour senior figures came from a range of different universities. Blair attended Aberdeen, Gordon Brown Edinburgh. Another senior cabinet minister went to Newcastle Upon Tyne, I believe. It is the Tory administrations of Dave Cameron, Tweezer and now Boris Johnson that’s stuffed full of the Oxbridge elite. And then there’s that little incident of Grimes’ interview with David Starkey, in which he let the Tudor historian get away with all manner of racist nonsense. Including the really offensive statement that slavery couldn’t be a holocaust, because there are ‘too bloody many of them’ now around. Grimes’ appearance on Sunday Morning Live resulted in a number of peeps going on Twitter to ask the obvious question: how did someone as stupid and ignorant as Grimes get invited onto the Beeb. Zelo Street quotes a number of them, beginning with Mic Wright, who said  “I studied Education at Cambridge University (2:1). I am a school governor. I have written about education issues for 15 years. I am the first in my family to attend university. I have lots of broadcast experience. And now on [SML] … Darren Grimes, an expert in nothing”. Rosa P asked

What the hell does [Darren Grimes] actually know about anything? Surely you should have some expertise in any area to give an opinion on the BBC. Grimes, you had little to offer to the discussion other than telling us you did an apprenticeship in media studies … Made the mistake of putting [SML] on. Their expert panel discussing education includes Darren Grimes, whose sole qualification is that he once attended a school. I try to defend the BBC but they do themselves no favours with this nonsense”.

‘Pad’ pointed out the hypocrisy of Grimes himself for appearing on the Beeb when he wants to defund it. “Is Brexit gobshite Darren Grimes, whose Twitter header is a photo of him appearing on the BBC and who was, once again, on the BBC this morning talking utter bollocks, still a part of the ‘grassroots’ campaign to [Defund the BBC]?

John Traynor’s answer to this conundrum was succinct: “BBC has arsehole Darren Grimes on because it doesn’t understand balance in broadcasting”.

Zelo Street concluded his article with this:

‘What, one has to ask, is the point of inviting pundits with some expertise, who are prepared to research their subject, just to find they have to debate with Darren Grimes, whose USP is to whine about people calling him an idiot. Because he is one.

Having an opinion is not the same as knowledge. Know the difference, BBC people.’

See: https://zelo-street.blogspot.com/2020/08/bbc-and-darren-grimes-oh-dear.html

 

The mention of Grimes reminded of the very brief description of an evil alien race in Ed McNab’s The Alien Spotter’s Handbook or How to Save the Earth. This was a children’s humorous book published in 1982, which mixed real astronomy with a less than reverent treatment of astrology, as well as Fortean phenomena like frog falls and the Devil’s hoof prints in Devon, the Mary Celeste and so on, with simple stage magic tricks and instructions how to make your own simple telescope and periscope around the fictional narrative that there is an alien plot to take over the world. This was discovered by the fictional Dr. Qwax. Evidence for this malign plot came when experts examined an alien probe that landed in Peterborough. Ostensibly friendly, further investigation revealed that it was far more sinister, with a secret compartment containing computer games like ‘Kill the Human’. It’s written as a guide to uncovering these covert alien invaders, including those who have taken over members of your family, like your dad or granny. There are plenty of the kind of daft jokes children of all ages love, and 2000 AD and the mighty Tharg also get a mention. One of the jokes is a spoof list of pop songs secretly written by aliens. And one of them is The Grymes They Are a-Changin’ by the Metamorphs. This has a footnote helpfully explaining that they are ‘Shape-Changers from a very dense planet. Grymes specilise in Heavy Metal Rock musicians.’

Gyrmes/Grimes – this must be it then. Grimes is really a Gryme, a shape-changing alien from a very dense planet, who has disguised himself as a human as part of this insidious alien plot. It has to be! It can’t be because he actually has any real journalistic talent.

The CAA and the JLM are the Israel Lobby’s Version of the ‘Anti-Paki League’

February 24, 2018

The Anti-Paki League were another bunch of extreme right-wing racists, who goose-stepped up and down our green and pleasant land in the 1970s campaigning against coloured immigration, and terrorising Blacks and Asians. They had an ugly name, which exactly expressed the ugliness of the organisation. I first became aware of the Leagues existence when I saw a book on them in the former Midland Educational bookshop in Bristol’s Broadmead in the ’70s or early ’80s. The cover showed a crowd in Klan robes about to behead a prone and screaming Black man.

I’ve chosen the Anti-Paki League to focus on here, rather than other, larger anti-immigrant and racist organisation, like the National Front or BNP, because their name also carries with it undertones of Islamophobia. Pakistan is a Muslim state. It was explicitly set up to be the country where Muslims, who felt excluded by the dominant Hindus in India, could live in according with Qu’ran and the Sunna. Not all Pakistani immigrants are Muslim, however. Many of them have been Christians, who have left their homeland because of the increasing violence and intolerance of their Muslim compatriots.

And Islamophobia and connections to other, nakedly Fascistic British anti-Muslim organisations, run right through the Israel lobby and its organisations like the Campaign Against Anti-Semitism and the Jewish Labour Movement. The racism and Islamophobia at the heart of the Campaign Against Anti-Semitism is very clear in its statement that Muslims are more likely than the rest of the British population to be anti-Semitic, whom they also smear as sharing the same Jew hatred.

As for the JLM, their head, Jonathan Newmark, an unconvicted embezzler from Jewish charities, if the allegations against him are true, turned up to disrupt a film on the sufferings of the Palestinians under Israeli occupation, held at the SOAS university. They did so in the company of the Jewish Defence League, the Jewish branch of the Fascist English Defence League, screaming, hurling abuse and waving flags.

Mike’s been unfairly accused of being an anti-Semite, because the uncomfortable facts he covered about Shai Masot’s attempts to plot the removal and replacement of prominent cabinet ministers, which he rightly described as a conspiracy, was held to be an ‘anti-Semitic trope’.

Well, turning up to a screening of film to disrupt it by flag-waving racial nationalists is a Fascist trope. Since the time of Mosley’s BUF, the stormtroopers of the British Nazi right have used appropriated the Union Flag and other emblems of Britishness for their insignia and rallies. The National Front despised Mosley, but they adopted the same tactic to try to win over members.

And Fascists also aggressively disrupt anti-racist and left-wing gatherings, including films. The parallel to their JDL’s disruption of the film on the Palestinians that comes to my mind is the attack Christian Fascists in France in the 1920s made on the screening of Bunuel’s and Dali’s Surrealist film, L’Age d’Or. As Marxists, the Surrealists were extremely anti-religious with a bitter hatred of Christianity. The French Christian far right objected to the film because it showed a monstrance being thrown into a river, and ended with a group of skeletons lying on a rock wearing clerical vestments such as bishop’s mitres.

And the Israel lobby’s connection to mainstream British Islamphobic Fascism don’t end there. A few months ago Jonathan Hoffman, another prominent member of the Israel lobby was photographed getting very chummy with Paul Besser, the intelligence officer of Britain First, if ‘Intelligence officer’ in this context isn’t a contradiction in terms.

These are fake anti-racist organisations. They don’t exist to protect Jews from real anti-Semitism. They exist to defend Israel and its racist oppression of the Palestinians by pretending to defend Jews from anti-Semitism. And they do this by smearing Israel’s critics, including self-respecting secular and Torah-observant Jews, as anti-Semites.

They are Fascists. The CAA should lose its charitable status, and the Jewish Labour Movement, as a Fascist organisation, should be closed down. Real socialists and anti-racist activists should not be tolerating any racist organisation, no matter what it’s ethnicity is, in their party.

Blade Runner 2049: ‘Time to Live’

September 1, 2017

This is another trailer for the forthcoming sequel to Blade Runner, Blade Runner 2049. Described as a ‘featurette’, it’s a short film mixing scenes from the film with soundbites from the stars Harrison Ford and Ryan Gosling, the director Denis Villeneuve, and various members of the production crew, including its art director, and the director of the original classic himself, Ridley Scott.

It begins with Ford describing the immense impact of the scope and look of the original movie, and says it’s great to be back in his character’s, Deckard’s, old clothes. He’s glad they fit. Ridley Scott says he had no idea at the time the first movie came out that it would be so iconic. Later he says that it was meant to be a stand-alone movie, but there’s always more than you can tell in a two hour film. The production team tell how they wanted to preserve the look of the original, while also doing something that was ‘divergent’. And Villeneuve says that he never felt anxious while making it that Scott was watching over his shoulder.

I put up a previous trailer for Blade Runner 2049, the short prequel, Nexus Dawn, yesterday, and said that, while I’m looking forward to the film’s release in October, I also have mixed feelings about it. The film is now rightly regarded as one of the classics of science fiction cinema. It was a dark, dystopian vision of the future, that also mixed in French film noir, to create a dismal but stylish ‘Future Noir’. I’m afraid that the original is such a classic, and has set the standards so high for its sequel, that it will be simply impossible for the film to fulfill them, no matter how good it is. I think part of the problem many people were disappointed with the Star Wars prequels, and Scott’s prequels to the original Alien film, Prometheus and Covenant, is partly because these films are also cinematic classics.

There’s also the problem that part of what made these films classics was that at the time, they had a unique quality or vision that set them far apart from other films of the same type. In the case of Star Wars, it was Lucas’ creation of an entire galactic society, complete with its own form of mystical religion in the force, as well as the superb special effects. The spaceships and robots looked good. The film also broke with previous SF movies in that the technology looked used. I can remember reading in Starburst that it was the first SF movie to ‘dirty up’ the spacecraft. Rather than everything appearing antiseptically clean, the ships in Star Wars looked like people actually flew and maintained them in real conditions, in working hangers full of grease and whatever people in A Galaxy Far, Far Away use for enjoy oil.

In Alien, you also had the dirty, worn look of the spaceship Nostromo. It was dark, and dingy, stacked with equipment, and looked like what it was supposed to be: a functioning industrial complex, built for work, not beauty. And then there was the weird, biological design of the alien spacecraft the Nostromo’s crew encounters and explores, with the space jockey and the Alien itself, all designed by the Austrian surrealist, H.R. Giger.

The imagery and designs of these films have been so influential that they’ve become part of the stock visual language of much of the science fiction that followed them, to the point where it might be difficult for some younger film enthusiasts to understand just how exciting and revolutionary they were when they first came out.

As for Ridley Scott’s comment that he had no idea that Blade Runner would become the classic it is, this is very true. It flopped in the cinemas. This was partly because the studio didn’t think audiences were intelligent enough to work out what was going on, or understand some of the future slang, so they insisted that Ford also did a voiceover during certain scenes. There’s a rumour that Ford thought it was such a bad idea, that he deliberately made his voice as flat and monotone as possible in the hope the result would be so terrible the studio wouldn’t use it. But they did. And unfortunately it did affect the way audience received it. Put bluntly, it made the film a laughing stock. A friend of mine went to see it – he was a few years older than me – and he said that people in the cinema were laughing at the voiceover.

What saved the movie were the fans, who discovered it on video, who turned it into a cult movie, so that its audience and reputation increased. This reached the point where it allowed Scott to do something that had never been done before: he released a director’s cut of the film. Which critically removed that stupid voiceover.

And the result of that long process of rediscovery and growing appreciation is that the original movie is a cinematic classic. Blade Runner 2049 has a lot to live up to, but I’m really looking forward to it.

Chris Foss on Working with Giger and Moebius on ‘Dune’

April 24, 2017

Chris Foss is one of the great masters of British SF art. Apart from painting numerous book covers, he also worked as the concept artist for Alien, Superman, and the version of Dune that was being made by the Franco-Chilean surrealist, Alejandro Jodorowsky. Sadly, his work for Alien and Dune was never seen. Ridley Scott rejected his depictions of the ‘Nostromo’ for alien, as he thought it was far too interesting and would distract the audience from the main action. And despite extensive preparation, Jodorowsky’s Dune was never made. The studio pulled the plug at the last minute. It wasn’t a wasted effort, however, as the work Jodorowsky and the French comic artist, Moebius, had put into Dune was used by them as the basis for the comic book series, the Metabarons.

A documentary came out a few years ago about the making of Jodorowsky’s Dune. Jodorowsky states that he wanted it to blow the audience’s mind. It was to have the effect of taking LSD, but without actually using the drug. Certainly the concept art looks truly awesome. Apart from Foss and Moebius, Jodorowsky also employed as concept artist H.R. Giger, the creator of the ‘Alien’. Giger produced various designs for Vladimir Harkonnen’s cast, and for a train, very much in his distinctively nightmarish style. Among the actors lined up for the film were Orson Welles as Vladimir Harkonnen and Mick Jagger as Feyd Rautha. Jodorowsky’s son, Brontes, was to play Paul Atreides. And the Emperor of the Galaxy would be played by the great surrealist egotist himself, Salvador Dali. But only for half an hour. So Jodorowsky and his team intended to fill in the rest of the time, that have been occupied by Dali, by using a robotic version of him. It’s a pity that the film was not made, as with those artists and performers, it truly would have been a genuinely mind-blowing experience.

In this clip, Foss talks about how wonderful it was working with Moebius and Giger, but says that he enjoyed it because what he was doing did not interfere with them, and their work did not interfere with his own. Looking on YouTube a few years ago, I found that Foss had put up a series of short videos about himself and his work, so if you’re interested, try looking to see if they’re still there.

Trailer for Ridley Scott’s Alien: Covenant

December 26, 2016

Looking through YouTube on Christmas Day, I found a trailer for the next instalment in the Alien franchise, Alien: Covenant. Directed by Ridley Scott, this follows on from his not-quite Alien prequel, Prometheus, which came out in four years ago in 2012. The blurb for this runs

Ridley Scott returns to the universe he created, with ALIEN: COVENANT, a new chapter in his groundbreaking ALIEN franchise. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

Directed by Ridley Scott

Starring Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Amy Seimetz, Jussie Smollet, Callie Hernandez, Nathaniel Dean, Alexander England, Benjamin Rigby.

The trailer shows the Covenant landing, and a scene with one of the David robots, played by Michael Fassbender. On landing, one of the crew steps on a bizarre set of bulbs, which releases some kind of spore. There is also a proper Alien egg hatching, ready to birth a facehugger. The sequence begins with one of the female characters refusing to let one of the other women out of room with a man, who is clearly in the agonies of some kind of transformation, or the eruption of an Alien from their body. It ends with two lovers in a shower having their tender moment interrupted by an Alien attack.

According to the YouTube page, it opens on May 19th.

This is another movie that I’m looking forward to, along with the sequel to another of Scott’s SF masterpieces, Blade Runner 2049.

The Alien has now become one of the classic Hollywood monsters, alongside the Predator, and older creatures like the Mummy, Frankenstein’s Monster and the Wolfman. Several critics have pointed out that Alien was basically a ‘B’ movie, but treated like a Hollywood main feature. I’d say that this was a fair statement. The basic story – alien gets on board spaceship to run amok killing the crew – was the storyline of another, very definite ‘B’ movie of the 1950s or ’60s. The same critic remarked that it could have – and very nearly did – come from Roger Corman, the great director responsible for churning out any number of them. Fortunately, Dan O’Bannon, the script writer, objected and the studio found Ridley Scott instead. What elevated the movie far above it’s ‘B’ movie plot were its stylish direction by Scott, its superb special effects and the way its script broke a number of conventions and gender stereotypes. It was one of the first SF movies to have a strong female lead in Ripley. Another critic has pointed out that as well as breaking gender stereotypes, Ripley also broke another Hollywood convention in that she was basically a hard, by-the-book character. These types usually die before the end of the movie, but not before they perform some noble gesture that shows they’re OK really. Ripley goes by the book, and doesn’t want to let Kane in to infect the ship with whatever attacked him. She’s right, but it’s a hard attitude, and she’s overridden by Ash, who appears to be acting from simple compassion. The reality is otherwise, and, as everyone whose watched or heard of the film knows, carnage ensues. But Ripley survives to the end, and finally beats the monster.

And, of course, what really made the monster one of the classics was its unique quality and the dark beauty of its realization by Swiss Surrealist H.R. Giger. The Alien’s two-stage life cycle – facehugger and then the monster itself, is genuinely alien. It isn’t like anything on Earth. Its gestation inside humans is based on the ichneumon moth, which lays its eggs in captive caterpillars. These serve as living larders as the developing larvae hatch and eat their host from the inside. It plays on the fear of parasitism, and was intended by the writer and director to make the men in the audience afraid of rape and a malign pregnancy, rather than women.

And when it finally emerges and develops, the monster itself does not look like anything on Earth. The film was before CGI and a little before animatronics, so it really was another ‘man in a rubber suit’. However, it’s design was so unique that it didn’t look like one. It was both cadaverously thin, like a spindly, distorted human corpse, but with an insect carapace. It also had a tongue with its own mouth and set of teeth, and appeared to lack any kind of external sense organs. There are no eyes or ears that you can see. Finally, there are the strange tubes emerging from its back.

Stylistically, it was one of the biomechanical creatures that formed Giger’s oeuvre. These were a disturbing mixture of the biological and mechanical, so that organically derived shapes had the shapes of, and acted like, machines. The Alien was so uniquely strange and disturbing, that it’s influenced the design of other malignant beings from space since then. The aliens in Independence Day show Giger’s influence, as did the ‘Sleazoids’ in an X-Men storyline of about the same time, and the Cythrons and their armour in the Slaine strip in 2000 AD, for those comic fans of a certain age.

There’s also supposed to be an Alien 5 in production, which will apparently see the return of Ripley, Newt and the surviving Space Marine from James Cameron’s Aliens. I don’t know much about this, however.

The Alien franchise is now 3 1/2 decades old, and like Hammer Horror’s Dracula, or Star Wars, doesn’t seem to show any signs of stopping. From the trailer it looks like the latest instalment could be well worth going to, if you’re a fan of what Mark Kermode has called ‘gribbly monsters.’

Vox Political on the Government’s Privatisation of the Prisons

May 19, 2016

Mike yesterday also put up a piece on Vox Political from the Canary, reporting that the government is planning a stealth privatisation of the prison system. They’re to be transformed into independent ‘reform prisons’, which can set their own wages and conditions for staff and inmates. It’s very much like the government’s stealth privatisation of the schools by transforming them into academies, especially as it’s being done by Michael Gove, the same person, who masterminded the school programme.

The Canary reported:

In the Queen’s speech on Wednesday, the government announced its new prison and courts reform bill. At the heart of the bill is the creation of several new “autonomous reform prisons” which, says the government:

“will give unprecedented freedoms to prison governors, including financial and legal freedoms, such as how the prison budget is spent and whether to opt-out of national contracts; and operational freedoms over education, the prison regime, family visits, and partnerships to provide prison work and rehabilitation services.”

It’s hardly necessary to say that business opportunities and profits also loom large in the Tory plans:

And, as with academies, the prison reforms will open up commercial opportunities for those in charge of them. Prison governors will have “unprecedented operational and financial autonomy”, says David Cameron. They will be given “total discretion over how to spend” their budgets. They will be able to “opt-out of national contracts and choose their own suppliers”. And, just to be clear, “we’ll ensure there is a strong role for businesses and charities in the operation of these Reform Prisons”.

There are a number of privately-run prisons in America, and these have been the subject of a number of scandals. As for-profit institutions, they do exploit prison labour, and lobby lawmakers and judges in their states to pass harsh anti-crime legislation and punishments, which will maximise the number sent to prisons. It’s very much like the old Stalinist system, where the gulags – the forced labour camps to which dissidents were sent – were used to industrialise the USSR. Local industry leaders gave the NKVD a list of the types of workers they needed, and the forerunner of the KGB then came round and arrested a few imperialist/Trotskyist/Fascist running dogs. Exactly the same is going to happen here.

The scandal has been covered by Michael Moore in his film, Capitalism: A Love Story, where he reports on the case of a teenage girl, who was sentenced to prison for what was basically just truancy. The judge, who sentenced her was in the pay of one of the private prison corporations.

And in America, the prisoners themselves have begun to strike back against what they see as their exploitation.

In the piece below from RT, their anchor talks to Jim Del Duca of the Incarcerated Workers Organising Committee about a strike by inmates in a Texas prison against their exploitation. Del Duca explains that the 13th amendment, which abolished slavery in the United States, did not do so for prisons. They see themselves very much as America’s new slaves. They’re paid 5 cents an hour for their work. This is not for the taxpayer, and the money saved does not go back to the state. Rather, it goes to the private corporations, who use prison labour. These include a wide range of industries, including construction, and the defence industry. Del Duca points out that the defence industry receives vast amounts of government funding and is immensely profitable. For the prisoners themselves, conditions are very different. Del Duca discusses the problem of overcrowding and increasing numbers of prisoners being crammed into gaols that simply weren’t built to hold that number. He also says that phone calls to family are immensely expensive, and if a prisoner wants to make a phone call for medical aid, this will cost him $100.

Finally, they discuss how members of the public can help the striking prisoners. Del Duca and his fellows are members of the Industrial Workers of the World, the Wobblies, a documentary on whom I posted up on this blog not so long ago. People can support the strike by joining the union, getting in touch with the striking workers, or simply refusing to buy goods produced by prison slave labour.

I have to say I find the prospect of prisoners going on strike bizarre and faintly comical, like something from some of the comedies of the 1970s commenting on strikes and industrial unrest in that decade. But there are serious issues here about the humane treatment of prisoners, the balance between punishment and rehabilitation, and simply not getting profit through slave labour.

Back in the 1920s the radical playwright and author, Antonin Artaud issued a manifesto for the Surrealists. In it, he urged the people to rise up, and open up the prisons and the lunatic asylums. This is going way too far, and the last thing anyone wants is more thugs, rapists, murderers, muggers, fraudsters and thieves running around. We’ve got far too many of those in the House of Commons as it is. But when faced with the grim exploitation of for-profit private prisons, you can see his point.

Vox Political: Stephen Crabb, IDS’ Replacement, Believes People with Progressive Degenerative Diseases Able to Work

March 26, 2016

Mike over at Vox Political has written about how the latest sputtering from the new head of the DWP have effectively ended satire. Stephen Crabb, apparently an expert on such diseases, has declared that sufferers of brain tumours and progressive degenerative diseases like Parkinson’s and Motor Neurone are able to work. And so, presumably, they should not get any PIP or ESA, but the normal jobseeker’s allowance, until they are eventually sanctioned for not trying hard enough to get a job.

Mike states that this is beyond satire, because he commented in an earlier post about Crabb’s bizarre views on homosexuality. Crabb believed that homosexuality could be cured, and supported CARE, a Christian organisation that claimed it could cure gay people. In fact, gay cures don’t work. There have been a series of scandals in American involving these organisations, as well as concerns in the UK apart the potential harm they can do to the mental health of vulnerable people. Mike commented after Crabb announced his belief that there was a cure for gayness, that perhaps the new minister thought that Parkinson’s could also be cured.

And now he does.

Mike quotes Tom Pride as saying that satire died the moment this vile crew took power. Just like the pianist and satirist, Tom Lehrer, pointedly gave up satire after Henry Kissinger won the Nobel Peace Prize after the bombing of Hanoi.

Mike’s article can be read at:http://voxpoliticalonline.com/2016/03/25/after-this-blog-joked-about-it-stephen-crabb-has-said-people-with-parkinsons-can-work-satire-really-is-dead/

Go there and be amazed at this pratt’s immense medical ignorance.

Now, I’m aware that some people might be able to work with Parkinson’s and Motor Neurone disease. Many years ago, I was interviewed for a place at Uni by a lecturer, who suffered from Parkinson’s. As I was told about his condition by one of the students, who was showing us around. He kindly told me about this gentleman’s condition so that I would not be alarmed when he did not stand up to greet me. It wasn’t because he was being hostile. It was because he was physically unable. I’m sure there are others like him that are able to keep working.

However, one of my own uncles, as Mike has already mentioned in the comments to his piece about Crabb, suffered from Parkinson’s. He was, like the lecturer, confined to a wheelchair and very definitely could not work because of the disease. It’s a progressively degenerative disease, which means it gets worse. It’s the reason we no longer see the American actor, Michael J. Fox, on our screens any more. He also suffers from this disease. It’s why he had to leave his hit series, Spin City. Crabb possibly believes people with Motor Neurone Disease can work, because he’s seen the severely disabled Stephen Hawking zooming around in his wheelchair and talking through his computer. Hawking is able to do so because he has the benefit of excellent care and computer engineers, which most people probably can’t afford. He has also been lucky enough to outlive vastly other sufferers from the Disease. I’m not expert, but from the reports about it on TV and the papers, it seems to me that most of the poor souls, who contract it only live for about two or three years at most.

My point here is not that there aren’t some fortunate souls who are able to carry on working, but that many, the majority of sufferer’s, can’t. And this should be enough for the government. If a doctor, a properly qualified doctor, not some paid clerk with Unum or Maximus, who just ticks boxes, says that a sufferer cannot work, then that should be enough for them. Anything else is pure bureaucratic quackery and pseudoscience based on right-wing wishful thinking.

As for Crabb himself, his occupation of the place vacated by IDS reminds me of another quote from the Surrealist artist, Fascist supporter and pervert Salvador Dali. During his sojourn in America, Dali declared that his aim was ‘to cretinise the public’. Dali was, however, despite his considerable personality flaws, one of the greatest painters of the 20th century. Looking at the Crabb and the current members of the cabinet, his desire to reduce the public to sheer imbecility seems to be pointless. Cameron and his big business paymasters have clearly found a better way to lower intellectual and moral standards by promoting the culpably stupid, like IDS, Osbo, and now Crabb.