Posts Tagged ‘Surrealism’

James Lindsay on Post-Modern Marxism and the Indoctrination of Children in Sex Education

December 31, 2021

This is one of the serious videos I want to post and discuss. What Lindsay says is alarming and should leave any decent person deeply concerned about the direction sex education is taking in America and increasingly over here. Because he argues that the recent inclusion of real pornographic material as educational tools and very detailed discussion of different sexualities and gender identities isn’t by accident, nor is it done, as it claims, to help gay or transgender students. Rather it’s a deliberate ploy by a noxious coalition of post-modernist Marxists and MAPs – Minor Attracted Persons, or paedophiles to the rest of us – to destroy childhood innocence. The intention is not to help children properly understand their developing sexuality and anatomy, but to increase their anxiety and unhappiness in order to create socially disaffected young people alienated from their parents and society, ready to start the revolution.

Conspiracy theories like this have been going round the Conservative right for donkey’s years, usually ascribing this to ‘cultural Marxism’, the Frankfurt School and the Italian Communist, Antonio Gramsci. I didn’t give them much credence, especially as the term ‘cultural Marxism’ is derived from the Nazis ‘Kulturbolschevismus’, ‘Cultural Bolshevism’, and was part of their noxious anti-Semitic conspiracy theories. It sounds so bonkers and extreme, that if it appeared in the pages of Daily Heil, I would have quite happily disregarded it. But Lindsay is an American mathematician and part of the group, with Peter Boghossian and Helen Pluckrose, that has taken on postmodernist Critical Theory and its offshoots – Queer Theory, Critical Race Theory, Postcolonial Theory, to show how pernicious and destructive these ideas actually are. He’s familiar with the literature, although he states his knowledge of it isn’t perfect and he needs to do more reading. But he cites the lead thinkers to back up this argument.

Lukacz and the Destruction of Childhood Innocence

For Lindsay, this all started with George Lukacz, one of the leaders of the 1919 Communist Revolution in Hungary. Lukacz started sex education in Hungarian schools with the deliberate intention of fomenting radical dissent amongst the students against traditional, Christian society and morality. He introduced pornographic material similar to what is now being promoted in American schools. There was a outrage a few weeks ago about one of the Young Adult books now being recommended as part of American Sex and Social Development Education. This was explicitly about the character’s exploration of queer sexuality and included a scene where one individual has oral sex with a girl wearing a strap-on dildo. He also introduced notions of different sexual identities. This is because Lukacz, and later postmodern Critical Theorists, hate the idea of childhood innocence. They see this as part of a mechanism by repressive capitalist society to repress children’s sexuality in order to redirect it towards capitalist work. They also have similar ideas about ‘White innocence’. They don’t like people growing up in environments where race is not an issue and where folks value each other for what they are, rather than the colour of their skin. This is another function of repressive, exploitative capitalism. Only Whites are racially innocent, as Blacks and other ethnic minorities have to live with the reality of a very racialised society. Lindsay states that this is nonsense, as the attacks on White culture over the past 30 years have shown.

Bela Kun’s Communist government was overthrown, and Lukacz fled to Germany, where he met the Frankfurt school of Marxist scholars, including Herbert Marcuse, Theodor Horkheimer and Felix Weil, who bankrolled the movement. These took up his ideas and later imported them into America after the rise of the Nazis in Germany. Also influential in this movement was Gramsci and his ideas of cultural hegemony. Gramsci turned the Marxist doctrine of the economic base determining culture on its head. Faced with the failure of the working class to rise up and overthrow capitalism, he theorised that what was needed was to change the prevailing culture. Lukacz and the others saw five main obstacles to spreading Marxism in Europe. One of these was religion. They also hated the natural bond between parents and their children, which also acts as a stabilising influence. According to Lindsay, they see sexuality and people as an ‘identity without essence’. They don’t have a fixed identity, and so Critical Theory deliberately tries to destabilise this even further, to create more confusion and discontent, and break the bond between children and parents as part of a wider campaign to discredit traditional culture. Lindsay compares this with Mao’s Cultural Revolution, its attack on the ‘Four Olds’ and the use of children to inform on and persecute their parents. These ideas were behind the far left discontent on the 1960s. Capitalism had produced rising living standards, and the working class were no longer interested in overthrowing capitalism. Marxist intellectuals were therefore determined to find a new revolutionary class, and so began looking towards other social groups like gays. The sexual radicalism of the 60s was part of a wider Marxist attack on traditional social mores.

Capitalism’s Suppresson of the Libido

Lindsay recognises that the monogamy the Queer Theorists despise is difficult for humanity. People aren’t good at it. Nevertheless, he believes that there is a human sexual morality and that traditional Christian morality roughly approximates to it, but not perfectly. I think Lindsay is an atheist/ Humanist. He is also aware that Christians have persecuted gays. But Queer Theory isn’t about solving those problems, and the Marxist sexual radicals have promoted paedophilia. In the 1980s Judith Butler, one of the founders of Queer Theory, wrote a book defending paedophilia. He also talks about a book by Herbert Marcuse which tried to mix Freud and Marxism to challenge what he saw as capitalism’s suppression of the libido and redirection into capitalist work. This also aimed at destabilising the personalities of the young minds, which were to be indoctrinated with this teaching, but felt they would emerge as ideologically ‘mature’ individuals. Lindsay notes that this is about spreading political awareness amongst children. Marcuse’s use of ‘mature’ rather than adult is deliberate.

Most Teachers Want to Teach, Not Indoctrinate

Lindsay has nothing but loathing and contempt for these ideas and their promoters. He states at one point that they should be in jail, which is fascistic but understandable if he’s right about what’s going on. If this is being done to normalise paedophilia and to exploit young people’s discomfort about their emerging sexuality, it it’s not about genuinely helping gay and transgender children but about making their confusion and maladjustment worse, then it has no place in schools. In contrast to the scare stories about Commie teachers indoctrinating students, most teachers are severely normal people. They don’t wish to indoctrinate students but simply stand in front of a class and teach their subject. And these are boring, traditional subjects like maths, science, history, geography, whatever. I don’t know what the situation is in America, but in Britain Tony Blair brought in very strict legislation banning indoctrination in schools. All that is needed to stop the extremists doing it in Britain is simply to discipline and sack them according to the law. But I do agree that anyone deliberately promoting paedophilia to children should be banged up behind bars.

Mobilising People against Queer Theory

I think Boghossian, Lindsay and Pluckrose are people of the left, not Conservatives. Pluckrose now defines herself as a liberal rather than a socialist, although she says her actual political ideas haven’t changed. Lindsay wants a coalition of people from left and right, Republican and Democrat, Black and White, to challenge and attack these ideas. People should be aware of what their children are being taught in schools. And if their kids are being fed literature like that wretchedly explicit book, they should confront the school board, film it and then try and place the video on YouTube. It won’t be accepted, because the platform will view it as pornography. Case proven.

Older Marxists Not Sexual Radicals

If Lindsay is correct, which he seems to be, then the right’s attack on ‘cultural Marxism’ is actually right, and definitely needs to be fought. But this doesn’t mean that anything else the right says – about free markets bringing prosperity, for example, is correct. The 60s were an era of prosperity partly because government was strongly involved in business and economic growth. And the Critical Theorists’ view of sexual morality is strongly contrary to the life styles and views of many of the older generation of working class Marxists. Instead of believing in free love, most of them believed in marriage and the family. When Andre Breton, the Pope of Surrealism, gave a lecture on free love to the French railwaymen’s union in the 1920s, his solidly Communist audience were very definitely not impressed.

What Lindsay says about the influence of Marxist critical attacks on traditional sexuality and its influence on 60s radicalism is important, if true. The attack on marriage and promotion of free love went far beyond Marxism into anarchism, situationism and similar movements, and I’d always assumed it was due to ideas that predated Marx and which were held across the radical left. In many cases, I think that’s true. But there does seem to be a definite Marxist strategy there as well. It explains why so many revolutionaries of that period were also rebelling against traditional sexual morality.

There is a danger here of starting a new McCarthyism in which anything vaguely left-wing is suddenly smeared as ‘Communist’, like the Right tried to do with Jeremy Corbyn and his supporters in Labour.

But Queer Theory does seem to be utterly pernicious and really needs to be fought.

Cartoonist Kayfabe on Alejandro Jodorowsky’s ‘Panic Fables’

December 8, 2021

Alejandro Jodorowsky is a Chilean-French film director and comics creator. He was responsible for a number of very bizarre Surrealist films, such as Holy Mountain, one of which features a battle between the Incas and invading conquistadors as enacted by frogs in period costumes. In the 1970s he tried to make a film version of Frank Herbert’s classic Dune, which would have starred Orson Welles as Baron Vladimir Harkonnen, his son, Brontis, as Paul Atreides, and Mick Jagger as Feyd Rautha. Concept art was by H.R. Giger, Salvador Dali, Chris Foss and legendary French comics artist, Jean ‘Moebius’ Giraud. Dali would also have played the Emperor of the Universe. However, the great Surrealist stipulated that he would only act for half an hour. So Jodorowsky planned to make a robotic Dali to play the Emperor for the rest of the film. The film was, however, abandoned when the producers stopped funding due to mounting costs. Jodorowsky and Moebius weren’t dismayed, and used the material they had already produced for the film as the basis for their comic book, The Incal. Although it was never made, Jodorowsky’s Dune has influenced a number of later SF movies and a film version of The Incal is now underway.

In this video, hosts Ed Piskor and Jim Rugg look through Panic Fables, produced when Jodorowsky was living in Mexico. Jodorowsky had been teaching mime at university, but was now blacklisted. He could no longer teach or make films. He therefore turned his creative talents into comics. Panic Fables describe themselves as teaching initiatory wisdom. This doesn’t surprise me, as I go the impression that Jodorowsky has a very strong interest in esoteric mysticism. However, this doesn’t impress one of the Kayfabers. He’s from Pittsburgh, and so when someone talks about mystic knowledge, it seems to him to be all about separating the rich from their money. The pair are nevertheless impressed by Jodorowsky’s creativity, commenting on his drawing style and unique use of colour in the strips. They also wonder what American influences may have reached Jodorowsky from north of the border, as it was published at the same time the first underground comics were beginning in America, and both Jodorowsky’s work and the undergrounds mark a radical departure from contemporary comics.

Panic Fables are obscure much less well-known than Jodorowsky’s films or his comics with Moebius, The Incal and then The Metabarons. But the video about them give an insight into his considerable creativity during this period, when the Mexican authorities were trying to close him down.

Jodorowsky and Waititi Talk about the Prospective Incal Movie

November 10, 2021

Yesterday I put up a video from Quinn’s Ideas discussing the filming of the French SF comic The Incal by New Zealand director Taika Waititi. The comic was created by the Chilean-French surrealist film director, Alejandro Jodorowsky and French comics legend Jean ‘Moebius’ Giraud. I found this video on YouTube by Humanoids Inc. in which Jodorowsky and Waititi talk about the movie. I think Humanoids Inc. must be the current legal title of Les Humanoides Associes, which was the name adopted by the group of French comics creators behind the influential SF comic Metal Hurlant of which Jodorowsky and Moebius were a part.

The video begins with an extract from Frank Pavich’s 2013 documentary, Jodoroswky’s Dune in which Jodorowsky explains that after the failure of his attempt to film Frank Herbert’s Dune, he took his material and put into the Incal, which became his Dune. It moves to the present day, where Jodorowsky says that if he was forty, he’d be angry and depressed that someone else was filming The Incal, because he’d feel that it had been taken away from him. But as he’s 92, he can’t – physically can’t – do it himself. Jododrowsky nevertheless seems to have confidence in Waititi, but declares that the film director is God. He controls everything in a movie. And he’s not interested in directors who are only concerned with making money, but with those who want to change the world. Well, this was his attitude when he set about filming Dune in the 1970s. He says in Pavich’s documentary that he wanted to make a movie like the coming of a god. The video then moves on Waititi, who says that he always finds something new in The Incal when reading and re-reading it. He was attracted to the book because it deals with fundamental questions about who we are and what we’re all looking for, and he likes the idea that the hero bumbles about, not really knowing what he’s doing. He compares him to Jack Nicholson’s character in Chinatown, who similarly doesn’t really know what he’s doing and has a clownish appearance due to the plaster across his nose. The Incal’s hero is also bumbler but at the same time the most important man in the universe.

Jodorowsky’s Dune is one of the great unmade films. The ideas and concept art developed for the movie not only produced Jodorowsy’s series of Incal books, but also his The Metabarons. They also influenced later films like Star Wars and Luc Besson’s The Fifth Element. This could be a great, stylish but weird film, given Jodorowsky’s roots in surrealism and the source material. It’ll be interesting to see how it all turns out.

Jewish Voice for Labour Sends Report on Real Labour Anti-Semitism to EHRC and Forde Enquiry

August 29, 2021

Starmer’s continuing purge of the Labour left, and especially left-wing Jews critical of Israel, is meeting resistance. As Mike put up yesterday, Pamela Fitzpatrick has put the bargain basement Stalin on notice that she may take legal action against the Labour party for her ‘autoexclusion’. Starmer wants to expel because last year she gave an interview to Socialist Appeal, one of the four groups he wants to expel from the Labour party. But this was at a time when Socialist Appeal was still perfectly acceptable. This is retroactive justice, the criminalisation of individuals and groups for actions that were perfectly legal at the time they were committed. It’s a hallmark of tyrannies and dictatorships from Nazi Germany to Stalin’s Russia, as Fitzpatrick herself has pointed out. She tweeted

I am starting to wonder, given my line of work, as to whether the practice of introducing laws with retrospective effect, the presumption of guilt until proven innocent, the denial of appeal rights and lack of fair process is to be future Labour policy for our justice system.

This is, of course, grossly hypocritical coming from Starmer. As Steve Sammut pointed out, between 1986 and 1988 Starmer was editor of Socialist Alternatives, a magazine published by the International Marxist Tendency. Labour Party Marxists are another group Starmer has decided to expel, despite the fact that, unlike Militant Tendency in the 1980s, I’ve seen zero evidence that they are an entryist group trying to take over the party. Indeed, many of the socialist societies that came together to form the Labour party were either Marxist or Marxist influenced. And when the scandal about Militant hit Labour in the 1980s, the Swedish Social Democrats responded by saying that they had absolutely no problem with the Marxists remaining in their party, providing that they didn’t engage in those tactics. These tactics, used to subvert democracy in the party, have been taken over and applied wholesale by the real entryists, the Blairites now headed by Starmer and David Evans in the NEC.

And let’s be clear – this is an inquisition. Starmer is actually using the language used by the Christian and Roman Catholic church to excommunicate heretics. The concept of ‘autoexclusion’ was devised in the fourth century to justify the excommunication of the Donatist schismatics of north Africa. The argument was that the Church isn’t excommunicating them. Rather they are excommunicating themselves through their beliefs and actions. It’s a doctrine that isn’t confined to the sphere of religion, however. Andre Breton, the ‘Pope of Surrealism’, used it when he wanted to throw dissident artists out of his artistic movement. His victims included a group of Christian artists interested in using the techniques of Surrealism to explore their religion, which caused the militant Marxist atheist to go berserk.

But Jewish Voice for Labour are also showing the real anti-Semitism behind these purges.

They have just submitted a report to the Equalities and Human Rights Commission and the ongoing Forde Inquiry showing that the vast majority of the witch hunt are Jews. Four out of five of those accused of anti-Semitism are Jewish. If we had a decent media in this country, this would be reported and more than demonstrate that these accusations have nothing to do with real anti-Semitism. Instead, it’s all about protecting Israel and presenting the Board of Deputies as the real representatives of Britain’s very diverse Jewish community. Of course, the Board are nothing of the sort. Tony Greenstein and other great Jewish activists and bloggers have demonstrated that the Board really represent only the United Synagogue, who seem to be the Jewish members of the Conservative party at prayer, just as the old adage said that the Anglican Church is for Christians.

Mike reports that JVL’s statement, submitted on the 24th August 2021, runs

“We have become aware of seven new investigations of Jewish Party members. Notifications of new investigations and auto-exclusions are arriving on a daily basis.

“This means it would appear that over four times more Jewish than non-Jewish Labour Party members have faced actioned complaints of antisemitism.  The disproportion is even greater in relation to JVL Committee members and officers. The staggering numbers suggest that these Jews are nearly three hundred times more likely to be investigated than non- Jewish Labour Party members. In all these cases the charges of so-called antisemitism are deeply offensive.

“Dozens of Jewish members are now being targeted by Labour as antisemites, for voicing an understanding of antisemitism that is a direct product of our Jewish political and personal heritage.

“The effect of rejecting or ignoring complaints made by JVL members of antisemitism; our experience of bullying and harassment; and the refusal to consult or involve JVL in, for instance, the EHRC required Action Plan; all show disdain for our status and roles as Jews.”

Their personal understanding of real anti-Semitism appears to me to be absolutely incontrovertible and corresponds to what the founders of modern anti-Semitism actually said. Slugs like the Austrian anti-Semitic politico, Carl von Schoenerer, stated that they hated Jews simply for being Jews. Their religion or other opinions were immaterial. Indeed, there was a nasty little rhyme they sang that said that Judaism wasn’t the issue. The ‘swinishness’ was in the blood. This is quite different from the verbose, convoluted and extremely flawed definition of anti-Semitism formulated by the International Holocaust Remembrance Alliance and used to chill criticism of Israel, as one of its authors, Kenneth Stern, has admitted.

And Jewish Labour members like Andrew Feinstein have pointed out the massive injustice in smearing decent, anti-racist Jews as anti-Semites when so many of them have been personally affected by the Holocaust. He regards their persecution by a reactionary Labour party leadership as indefensible.

And he’s right. I’ve read that half of the British Jewish population lost family members in the Shoah. And the victims of the NEC’s and now Starmer’s witch hunt has included proud, decent Jews, who have personally experience anti-Semitic abuse and violence, as well as anti-racist gentiles who have also suffered the same for their activism in support of the Jewish community.

The overwhelming preponderance of Jews as victims of the anti-Semitism witch hunt should absolutely put the lie to any claim that these people are really self-hating and anti-Semitic.

This is all about silencing criticism of Israel, and particularly Jewish critics, because their simple existence refutes the lies and propaganda by Netanyahu and his British supporters that all Jews everywhere are proud Israelis, and that the British Jewish community uncritically supports Israel.

And the witch-hunt against left-wing Jews in the Labour party is part of a strain of political anti-Semitism stretching back to the wretched Protocols of the Elders of Zion. One of the accusations levelled by the right against their opponents on the left is that they follow the classic anti-Semitic conspiracy theories by confusing Jews with capitalism and the control of the government and the economy. But the Protocols of the Elders of Zion also claimed that Jews were also responsible for socialism and communism. A little while ago I blogged about a letter from Craig Ferguson published by the JVL at their site, which pointed out that British anti-Semitism was originally targeted at left-wing Jews. The British newspaper magnate who published the Protocols in the 1920s himself drew a distinction between loyal, patriotic British Jews, and radical, communist Jewish immigrants flooding in from the continent. The witch-hunters clearly seem to be guided by that kind of anti-Semitism in their attacks on JVL. The Labour MP Neil Coyle even called for their expulsion along with other ‘commies’.

And Michelle Laufer clearly showed Starmer’s personal hypocrisy in targeting entirely decent left-wing Jews considering his own dismal record of lies and intriguing as party leader in this tweet:

I’ve just heard Starmer on the radio saying he and Labour need to be honest with the British public so they can learn to trust the Labour party again. As a Jewish member of the Labour party who has had to watch other Jewish members abused, suspended and expelled as anti-
Semitism has been weaponised, I’d like to know if he’s going to be honest about this. Is he going to be honest about the fraudulent way he in which he became leader, his broken pledges, the gerrymandering of Party democracy, the silencing of members of criticise apartheid Israel, his fawning obedience to the Board of Deputies who do not represent the views of the majority of Jews in this country and the imposition of antisemitism training by the Zionist Jewish Labour Movement.

Well no, of course Keef Stalin isn’t. He’s an authoritarian liar, and this would destroy him and the other Thatcherite entryists driving this witch-hunt, as well as his attempts to ingratiate himself with all those Tory voters out there.

Mike concludes his article with these comments

And the problem isn’t anti-Semites; it’s him – and the entryists who are supporting him because they know falsely accusing Labour socialists (the people for whom the party was originally created) of a heinous offence will make the party unelectable, leaving the way clear for the Tory corruption that we have seen under Boris Johnson.

I think it’s just a matter of time until this particular house of cards comes crashing down around Starmer and his allies.

I hope so. And I hope it brings down everyone else who was involved in this vicious vilification and persecution of decent people, including David Evans and the woefully misnamed Jewish Labour Movement.

Videos of CGI Recreations of Vehicles and Castle for Jodorowski’s ‘Dune’

January 31, 2021

Alejandro Jodorowski’s Dune is one of the great, unmade films. Jodorowski himself is a Chilean-French film director and comics writer. A Surrealist, he made a series of very bizarre films, such as the western El Topo. In the early ’70s he set about making a film version of Frank Herbert’s classic SF novel, Dune, despite never having read it. This would have starred Mick Jagger as Feyd Rautha, Orson Welles as Baron Vladimir Harkonnen and the great, bonkers Surrealist artist Salvador Dali as the Emperor of the Known Universe. Equally impressive were the artists he hired to produce the concept art and designs for the spaceships and other vehicles and settings for the film. These included H.R. Giger, the creator of the infamous Alien, French comics artist Jean ‘Moebius’ Giraud, and Chris Fosse, the force behind a thousand SF paperback covers. The film was never made, as the producers cut its funding at the last moment. However, the work on the movie was never wasted, as Jodorowski and Moebius used it as the basis for their comic The Incal and The Metabarons. It has also been immensely influential on later SF movies, including Ridley Scott’s ’80s classic, Bladerunner.

These two videos have been made and put up on YouTube by Monochrome Paris, a group that wishes to recreate in CGI Jodorowski’s aborted film. They have so far managed to recreate Duke Leto Atreides’ car, which was designed by Fosse, and Baron Harkonnen’s castle, which was the suitably horrific work of Giger.

Here’s the link to the car video:

Reviving Jodorowsky’s Dune in Virtual Reality [Chris Foss Vehicle test – Real-time 3D] – YouTube

And this is for Harkonnen’s Castle:

Reviving Jodorowsky’s Dune in Virtual Reality pt II [HR Giger – Real-time 3D] – YouTube

I think the two videos are great, and it would be really superb if they were able to recreate the entire movie in CGI. Unfortunately the videos are from 2019 and so I don’t think their proposed movie will ever be made. It would still be good if they were able to produce more videos of some of the other designs for the movie, such as the space tugs towing the containers of spice through space, a space pirate ship and the Harkonnen’s own spaceship, which were all designed by Chris Fosse. They’re included along with his other art, included concept designs for Bladerunner, Alien and Superman 2 in the book 21st Century Fosse.

Starmer’s Purge Dictated by Board of Deputies’ Hit List

December 8, 2020

This comes from a piece on The Electronic Intifada from 20th November 2020, by their main man, Asa Winstanley. Winstanley’s another decent, committed anti-racist, who was purged due to accusations of anti-Semitism. The reality is that he’s no such thing. But he is a pro-Palestinian activist, as you can tell from the title of the online magazine he contributes to. The article reports the finding by another pro-Palestinian activist, Becky Massey, that she and ten other members of the Labour party were expelled on the demands of the Board of Deputies of British Jews in a hit list the Board submitted to Starmer on 11th May 2020. Massey discovered she was on the Board’s list of people they wanted expelled and on a Labour party email chain discussing her after making a subject access request for the information the party hold on her. Massey was sent the letter of expulsion on the evening of the day of the email chain. Coincidentally, Starmer had also paid a visit that day to the Jewish Labour Movement. A Labour party spokesperson at the time categorically denied that the meeting had in any way been connected to Massey’s or anybody’s expulsion. That can be taken with a pinch of salt, as the Jewish Labour Movement, previously Paole Zion, has been demanding the expulsion and suspension of left-wing members and pro-Palestinian activists for years. And there is hints that the two are connected. The Board later wrote that they had sent the Labour Party a list of eleven people they wanted expelled, and were heartened that Starmer had met the JLM.

Labour party apparatchiks in the email chain discussed suspending Massey with a view to her ‘autoexclusion’. Like all authoritarian movements, the party deliberately uses language to imply that they’re not at fault, but the victim. The term ‘autoexclusion’ means to state that somehow, those expelled did it all themselves. Andre Breton, the ‘pope of Surrealism’, used to say the same thing whenever anyone queried him for expelling people from his movement. The letter sent to Massey herself simply said that she had been suspended subject to the approval of the NEC’s next meeting. Another line in the email chain, which somehow escaped redaction, indicates that Starmer was actively involved in the expulsion, or at least knew full well about it. It reads “Subject: RE: For LOTO: Rebecca Massey.” LOTO’s an acronym for ‘Leader Of The Opposition’. In other words, Starmer appeared to have interfered politically in the case, which is one of the accusations levelled at Jeremy Corbyn.

The Board’s Hit List

Strangely, neither the Board nor the Labour party offered any comment when they were contacted about this The Electronic Intifada. The article states that although the Board claims to represent the Jewish community, much of its activity is protecting Israel’s crimes and that in 2013 its president wrote ‘We lobby unashamedly for Israel’.

Revealed: the Israel lobby’s Labour hit list | The Electronic Intifada

The article descibes Massey as ‘a leading activist in one of the Palestine Solidarity Campaign’s most visible branches, in Brighton on the south coast.’

I don’t know her, but Tony Greenstein appears to be a member of the same branch. He’s also been expelled and smeared as an anti-Semite, despite being Jewish. From what I’ve read of the Palestine Solidarity Campaign on Tony’s and other websites – many of which are also by Jewish supporters of the PSC – the organisation most definitely does not accept real anti-Semites. They’ve also been highly successful in boycotting local shops selling goods made in the occupied West Bank or which are owned by businesses based there. They’ve also embarrassed the local, Sussex Friends of Israel outfit, or however they describe themselves. There are videos up on the net showing the pro-Israel activists threatening and abusing the pro-Palestine demonstrators, despite claiming in their literature that they stand for peaceful and respectful debate. The Sussex pro-Israel bunch also seem to have some very bizarre members. One is a balding, clean-shaven bloke, who claimed on his website to be an Orthodox Jew, despite his appearance to the contrary. Massey is almost certainly no kind of anti-Semite, but another victim of the Blairite’s and the Israel lobby’s campaign to purge the party of left-wingers and pro-Palestinian activists.

This also seems to show that Starmer himself is deeply implicated in these expulsions. Which should come as no surprise considering the revelation by The Canary that two organisations devoted to attacking left-wing sites and blogs as ‘fake news’, the Center for Countering Digital Hate and Stop Funding Fake News, were set up and run by Blairites with links to him.

As for the Board of Deputies, they are an unrepresentative organisation that smears and persecutes left-wing, pro-Palestinian Jews and gentiles. They are not a part of the Labour party, but through the smears and lies of the political and media establishment, have been allowed dictatorial control over it.

This needs to end now. It should be Starmer who is on trial for his crimes against Labour, not these decent people. And the control of the Board should be resisted and them shown up for their malign interference, smears and libels.

Darren Grimes: Respectable Journalist or Shape-Changing Alien Invader?

September 2, 2020

The Sunday before last, August 23rd 2020, Zelo Street put up a piece reporting the outrage when Sunday Morning Live decided to hold a debate about education. Unfortunately, one of the so-called ‘experts’ they invited on was professional Guido Fawkes windbag was Darren Grimes. A man, who can fairly be said to be one of the most ignorant people in journalism, and that’s against stiff competition like Sarah Vine, Julia Hartley-Brewer and Harry Cole, political editor of the Scum. Way back in the 1930s when the great Surrealist painter Salvador Dali fled to America to escape the Spanish Civil War, he declared that his mission was to cretinise the public. Well, Dali passed away in the late 70s, but he left his great mission to the Tory party. Back in the 1980s Private Eye reviewed one book by the new Tory thinkers that were coming through. I think it was by the late Roger Scruton, but I’m not sure. The book stated that Conservatism, based as it is on tradition, is silent and incoherent until forced into action. This was a clear statement of the anti-intellectualism that’s at the heart of Tory politics. It forced the Eye to ponder whether there was an optimum level of cretinisation. Had Prince Philip reached it? And one those seeming to carry on this mission to misinform the public spreading lies and sheer ignorance is Darren Grimes.

How Grimes gets invited onto the Beeb as any kind of authority is something of a mystery. He’s working class, and has something of a chip on his shoulder about his origins, feeling that he is looked down upon because of this and the fact that he has a northern accent. But this is what happens when you support a party run by elite public school types on behalf of elite public school types. They have elocution lesson at school deliberately to lose any regional accent they have. And this automatic connection between received pronunciation and leadership is explicitly stated by the British military. One spokesman for the British army, quoted in an article back in the 1980s stated very clearly that if you want to be a British officer, you should lose your regional accent otherwise you wouldn’t be respected by the troops. I’ve met a lot of squaddies, and in general they don’t respect the officers because of the bullying, sneering attitude so many of them have towards their men and women, along with stories of stupid orders that have led to disaster given by commanders against the advice of their NCOs.

Grimes also feels he’s despised because he didn’t complete his degree. He’s a failed fashion student. Okay, academic intelligence doesn’t automatically equate to being generally well-informed and intelligent. It’s just one form of it. When I was at school we were told that only 5 per cent of the British population went to university. That changed rapidly with the expansion of higher education in the 1990s with the creation of the new universities out of the older colleges and polytechnics. Then came Blair and New Labour, who wanted 50 per cent of the population to attend university. The result is that something like 46 per cent of the school leavers now go on to university. But this also means that there are plenty of older people, who are naturally very intelligent, but didn’t get a chance to go when they were children. Their intelligence shouldn’t be underestimated. But Darren Grimes isn’t one of them either.

In one of his pieces, he praised the Tories for breaking out of the old New Labour Oxbridge elite. It’s another falsehood, and the truth is exactly the opposite of what he said. New Labour senior figures came from a range of different universities. Blair attended Aberdeen, Gordon Brown Edinburgh. Another senior cabinet minister went to Newcastle Upon Tyne, I believe. It is the Tory administrations of Dave Cameron, Tweezer and now Boris Johnson that’s stuffed full of the Oxbridge elite. And then there’s that little incident of Grimes’ interview with David Starkey, in which he let the Tudor historian get away with all manner of racist nonsense. Including the really offensive statement that slavery couldn’t be a holocaust, because there are ‘too bloody many of them’ now around. Grimes’ appearance on Sunday Morning Live resulted in a number of peeps going on Twitter to ask the obvious question: how did someone as stupid and ignorant as Grimes get invited onto the Beeb. Zelo Street quotes a number of them, beginning with Mic Wright, who said  “I studied Education at Cambridge University (2:1). I am a school governor. I have written about education issues for 15 years. I am the first in my family to attend university. I have lots of broadcast experience. And now on [SML] … Darren Grimes, an expert in nothing”. Rosa P asked

What the hell does [Darren Grimes] actually know about anything? Surely you should have some expertise in any area to give an opinion on the BBC. Grimes, you had little to offer to the discussion other than telling us you did an apprenticeship in media studies … Made the mistake of putting [SML] on. Their expert panel discussing education includes Darren Grimes, whose sole qualification is that he once attended a school. I try to defend the BBC but they do themselves no favours with this nonsense”.

‘Pad’ pointed out the hypocrisy of Grimes himself for appearing on the Beeb when he wants to defund it. “Is Brexit gobshite Darren Grimes, whose Twitter header is a photo of him appearing on the BBC and who was, once again, on the BBC this morning talking utter bollocks, still a part of the ‘grassroots’ campaign to [Defund the BBC]?

John Traynor’s answer to this conundrum was succinct: “BBC has arsehole Darren Grimes on because it doesn’t understand balance in broadcasting”.

Zelo Street concluded his article with this:

‘What, one has to ask, is the point of inviting pundits with some expertise, who are prepared to research their subject, just to find they have to debate with Darren Grimes, whose USP is to whine about people calling him an idiot. Because he is one.

Having an opinion is not the same as knowledge. Know the difference, BBC people.’

See: https://zelo-street.blogspot.com/2020/08/bbc-and-darren-grimes-oh-dear.html

 

The mention of Grimes reminded of the very brief description of an evil alien race in Ed McNab’s The Alien Spotter’s Handbook or How to Save the Earth. This was a children’s humorous book published in 1982, which mixed real astronomy with a less than reverent treatment of astrology, as well as Fortean phenomena like frog falls and the Devil’s hoof prints in Devon, the Mary Celeste and so on, with simple stage magic tricks and instructions how to make your own simple telescope and periscope around the fictional narrative that there is an alien plot to take over the world. This was discovered by the fictional Dr. Qwax. Evidence for this malign plot came when experts examined an alien probe that landed in Peterborough. Ostensibly friendly, further investigation revealed that it was far more sinister, with a secret compartment containing computer games like ‘Kill the Human’. It’s written as a guide to uncovering these covert alien invaders, including those who have taken over members of your family, like your dad or granny. There are plenty of the kind of daft jokes children of all ages love, and 2000 AD and the mighty Tharg also get a mention. One of the jokes is a spoof list of pop songs secretly written by aliens. And one of them is The Grymes They Are a-Changin’ by the Metamorphs. This has a footnote helpfully explaining that they are ‘Shape-Changers from a very dense planet. Grymes specilise in Heavy Metal Rock musicians.’

Gyrmes/Grimes – this must be it then. Grimes is really a Gryme, a shape-changing alien from a very dense planet, who has disguised himself as a human as part of this insidious alien plot. It has to be! It can’t be because he actually has any real journalistic talent.

The CAA and the JLM are the Israel Lobby’s Version of the ‘Anti-Paki League’

February 24, 2018

The Anti-Paki League were another bunch of extreme right-wing racists, who goose-stepped up and down our green and pleasant land in the 1970s campaigning against coloured immigration, and terrorising Blacks and Asians. They had an ugly name, which exactly expressed the ugliness of the organisation. I first became aware of the Leagues existence when I saw a book on them in the former Midland Educational bookshop in Bristol’s Broadmead in the ’70s or early ’80s. The cover showed a crowd in Klan robes about to behead a prone and screaming Black man.

I’ve chosen the Anti-Paki League to focus on here, rather than other, larger anti-immigrant and racist organisation, like the National Front or BNP, because their name also carries with it undertones of Islamophobia. Pakistan is a Muslim state. It was explicitly set up to be the country where Muslims, who felt excluded by the dominant Hindus in India, could live in according with Qu’ran and the Sunna. Not all Pakistani immigrants are Muslim, however. Many of them have been Christians, who have left their homeland because of the increasing violence and intolerance of their Muslim compatriots.

And Islamophobia and connections to other, nakedly Fascistic British anti-Muslim organisations, run right through the Israel lobby and its organisations like the Campaign Against Anti-Semitism and the Jewish Labour Movement. The racism and Islamophobia at the heart of the Campaign Against Anti-Semitism is very clear in its statement that Muslims are more likely than the rest of the British population to be anti-Semitic, whom they also smear as sharing the same Jew hatred.

As for the JLM, their head, Jonathan Newmark, an unconvicted embezzler from Jewish charities, if the allegations against him are true, turned up to disrupt a film on the sufferings of the Palestinians under Israeli occupation, held at the SOAS university. They did so in the company of the Jewish Defence League, the Jewish branch of the Fascist English Defence League, screaming, hurling abuse and waving flags.

Mike’s been unfairly accused of being an anti-Semite, because the uncomfortable facts he covered about Shai Masot’s attempts to plot the removal and replacement of prominent cabinet ministers, which he rightly described as a conspiracy, was held to be an ‘anti-Semitic trope’.

Well, turning up to a screening of film to disrupt it by flag-waving racial nationalists is a Fascist trope. Since the time of Mosley’s BUF, the stormtroopers of the British Nazi right have used appropriated the Union Flag and other emblems of Britishness for their insignia and rallies. The National Front despised Mosley, but they adopted the same tactic to try to win over members.

And Fascists also aggressively disrupt anti-racist and left-wing gatherings, including films. The parallel to their JDL’s disruption of the film on the Palestinians that comes to my mind is the attack Christian Fascists in France in the 1920s made on the screening of Bunuel’s and Dali’s Surrealist film, L’Age d’Or. As Marxists, the Surrealists were extremely anti-religious with a bitter hatred of Christianity. The French Christian far right objected to the film because it showed a monstrance being thrown into a river, and ended with a group of skeletons lying on a rock wearing clerical vestments such as bishop’s mitres.

And the Israel lobby’s connection to mainstream British Islamphobic Fascism don’t end there. A few months ago Jonathan Hoffman, another prominent member of the Israel lobby was photographed getting very chummy with Paul Besser, the intelligence officer of Britain First, if ‘Intelligence officer’ in this context isn’t a contradiction in terms.

These are fake anti-racist organisations. They don’t exist to protect Jews from real anti-Semitism. They exist to defend Israel and its racist oppression of the Palestinians by pretending to defend Jews from anti-Semitism. And they do this by smearing Israel’s critics, including self-respecting secular and Torah-observant Jews, as anti-Semites.

They are Fascists. The CAA should lose its charitable status, and the Jewish Labour Movement, as a Fascist organisation, should be closed down. Real socialists and anti-racist activists should not be tolerating any racist organisation, no matter what it’s ethnicity is, in their party.

Blade Runner 2049: ‘Time to Live’

September 1, 2017

This is another trailer for the forthcoming sequel to Blade Runner, Blade Runner 2049. Described as a ‘featurette’, it’s a short film mixing scenes from the film with soundbites from the stars Harrison Ford and Ryan Gosling, the director Denis Villeneuve, and various members of the production crew, including its art director, and the director of the original classic himself, Ridley Scott.

It begins with Ford describing the immense impact of the scope and look of the original movie, and says it’s great to be back in his character’s, Deckard’s, old clothes. He’s glad they fit. Ridley Scott says he had no idea at the time the first movie came out that it would be so iconic. Later he says that it was meant to be a stand-alone movie, but there’s always more than you can tell in a two hour film. The production team tell how they wanted to preserve the look of the original, while also doing something that was ‘divergent’. And Villeneuve says that he never felt anxious while making it that Scott was watching over his shoulder.

I put up a previous trailer for Blade Runner 2049, the short prequel, Nexus Dawn, yesterday, and said that, while I’m looking forward to the film’s release in October, I also have mixed feelings about it. The film is now rightly regarded as one of the classics of science fiction cinema. It was a dark, dystopian vision of the future, that also mixed in French film noir, to create a dismal but stylish ‘Future Noir’. I’m afraid that the original is such a classic, and has set the standards so high for its sequel, that it will be simply impossible for the film to fulfill them, no matter how good it is. I think part of the problem many people were disappointed with the Star Wars prequels, and Scott’s prequels to the original Alien film, Prometheus and Covenant, is partly because these films are also cinematic classics.

There’s also the problem that part of what made these films classics was that at the time, they had a unique quality or vision that set them far apart from other films of the same type. In the case of Star Wars, it was Lucas’ creation of an entire galactic society, complete with its own form of mystical religion in the force, as well as the superb special effects. The spaceships and robots looked good. The film also broke with previous SF movies in that the technology looked used. I can remember reading in Starburst that it was the first SF movie to ‘dirty up’ the spacecraft. Rather than everything appearing antiseptically clean, the ships in Star Wars looked like people actually flew and maintained them in real conditions, in working hangers full of grease and whatever people in A Galaxy Far, Far Away use for enjoy oil.

In Alien, you also had the dirty, worn look of the spaceship Nostromo. It was dark, and dingy, stacked with equipment, and looked like what it was supposed to be: a functioning industrial complex, built for work, not beauty. And then there was the weird, biological design of the alien spacecraft the Nostromo’s crew encounters and explores, with the space jockey and the Alien itself, all designed by the Austrian surrealist, H.R. Giger.

The imagery and designs of these films have been so influential that they’ve become part of the stock visual language of much of the science fiction that followed them, to the point where it might be difficult for some younger film enthusiasts to understand just how exciting and revolutionary they were when they first came out.

As for Ridley Scott’s comment that he had no idea that Blade Runner would become the classic it is, this is very true. It flopped in the cinemas. This was partly because the studio didn’t think audiences were intelligent enough to work out what was going on, or understand some of the future slang, so they insisted that Ford also did a voiceover during certain scenes. There’s a rumour that Ford thought it was such a bad idea, that he deliberately made his voice as flat and monotone as possible in the hope the result would be so terrible the studio wouldn’t use it. But they did. And unfortunately it did affect the way audience received it. Put bluntly, it made the film a laughing stock. A friend of mine went to see it – he was a few years older than me – and he said that people in the cinema were laughing at the voiceover.

What saved the movie were the fans, who discovered it on video, who turned it into a cult movie, so that its audience and reputation increased. This reached the point where it allowed Scott to do something that had never been done before: he released a director’s cut of the film. Which critically removed that stupid voiceover.

And the result of that long process of rediscovery and growing appreciation is that the original movie is a cinematic classic. Blade Runner 2049 has a lot to live up to, but I’m really looking forward to it.

Chris Foss on Working with Giger and Moebius on ‘Dune’

April 24, 2017

Chris Foss is one of the great masters of British SF art. Apart from painting numerous book covers, he also worked as the concept artist for Alien, Superman, and the version of Dune that was being made by the Franco-Chilean surrealist, Alejandro Jodorowsky. Sadly, his work for Alien and Dune was never seen. Ridley Scott rejected his depictions of the ‘Nostromo’ for alien, as he thought it was far too interesting and would distract the audience from the main action. And despite extensive preparation, Jodorowsky’s Dune was never made. The studio pulled the plug at the last minute. It wasn’t a wasted effort, however, as the work Jodorowsky and the French comic artist, Moebius, had put into Dune was used by them as the basis for the comic book series, the Metabarons.

A documentary came out a few years ago about the making of Jodorowsky’s Dune. Jodorowsky states that he wanted it to blow the audience’s mind. It was to have the effect of taking LSD, but without actually using the drug. Certainly the concept art looks truly awesome. Apart from Foss and Moebius, Jodorowsky also employed as concept artist H.R. Giger, the creator of the ‘Alien’. Giger produced various designs for Vladimir Harkonnen’s cast, and for a train, very much in his distinctively nightmarish style. Among the actors lined up for the film were Orson Welles as Vladimir Harkonnen and Mick Jagger as Feyd Rautha. Jodorowsky’s son, Brontes, was to play Paul Atreides. And the Emperor of the Galaxy would be played by the great surrealist egotist himself, Salvador Dali. But only for half an hour. So Jodorowsky and his team intended to fill in the rest of the time, that have been occupied by Dali, by using a robotic version of him. It’s a pity that the film was not made, as with those artists and performers, it truly would have been a genuinely mind-blowing experience.

In this clip, Foss talks about how wonderful it was working with Moebius and Giger, but says that he enjoyed it because what he was doing did not interfere with them, and their work did not interfere with his own. Looking on YouTube a few years ago, I found that Foss had put up a series of short videos about himself and his work, so if you’re interested, try looking to see if they’re still there.