Also looking through Waterstone’s SF shelves last week, I found that Gollancz has published the groundbreaking short story anthology, Dangerous Visions as part of their range of classic works of Science Fiction. The book, edited by Harlan Ellison, who wrote the classic Star Trek episode ‘The City on the Edge of Forever’, caused uproar when the stories were published in the early ’70s. Several of the stories had appeared in Michael Moorcock’s New Worlds, and constituted the American equivalent of the British ‘New Wave’. The controversial subjects of some the stories and their sexual explicitness resulted in a questions in parliament about the magazines’ perceived obscenity. This came after the arts council had renewed its grant to Moorcock’s magazine for the following year, which is more than a little ironic. Brian Aldiss and David Wingrove in their history of Science Fiction, The Trillion Year Spree, quote Ellison as saying of the ‘New Wave’ writers ‘these guys is blasphemous’. However, in their opinion the American writers were far more traditional and less radical and iconoclastic than their British counterparts. But if you’re interested, you can now read it again and judge for yourself.
Posts Tagged ‘Star Trek’
The I newspaper today reported that Asier Marzo, an American doctoral student, now a research assistant at Bristol uni, has invented a tractor beam using sound which can be built by anyone with a 3D printer.
The article by Tom Bawden runs
Fans of Star Wars and Star Trek were given a huge boost last year when a doctoral student in America developed the first sonic tractor beam capable of pulling an object towards it by using sound waves. But alas its use was confined to fancy labs with expensive equipment.
Now, thanks to that same individual – who has since become a research assistant at the University of Bristol – it has become far more accessible, at least to anyone with 3D printing technology.
The tractor beam has long been a staple of science fiction, used in a series of Star Trek episodes to capture and tow other space ships, while the Death Star’s tractor beam memorably catches the Millennium Falcon in Star Wars.
A do-it-yourself handheld acoustic tractor beam will now become widely available, according to a new paper published in the journal Applied Physics Letters.
“Previously we developed a tractor beam, but it was very complicated and pricey because it required a phase array, which is a complex electronic system,” said Asier Marzo, the researcher behind the developments.
“Now, we have made a simple, static tractor beam that only requires a static piece of matter,” he said.
“We can modulate a simple wave using what’s called a metamaterial, which is basically a piece of matter with lots of tubes of different lengths. The sound passes through these tubes and when it exits the metamaterial it has the correct phases to create a tractor beam.”
With an effect that is determined by the shape of the tubes, the research team focused on optimising the design to allow fabrication with common 3D printers, ensuring it could be constructed by home hobbyists. (The I, 4th January 2017, p. 23).
I think the pseudoscientific explanation for the tractor beams in Star Trek is that they use gravitons – the subatomic particles that carry the force of gravity – to pull other ships and objects towards them. In an early episode of Star Trek: The Next Generation Wesley Crusher is shown having invented a handheld tractor beam. I think it’s in the episode ‘The Naked Now’.
There are some very clever things now being done with sound. There was a piece on The One Show or perhaps the Beeb’s pop science programme, Bang Goes The Theory, where they showed how sound waves could be used to levitate a series of small objects. I have a feeling it was the discovery of acoustic levitation back in the 1990s or early 2000s that inspired one episode of Far Scape, ‘Taking the Stone’ where Chiana joins a group of alien thrill seekers. These young people get their kicks from leaping off a cliff above an alien echo chamber while humming. If they get the tone right, the sound waves resonate and break their fall. If they don’t, they plunge to their deaths. I can’t imagine that ever catching on as sport in real life, but you never know.
One of the books I’ve been reading this Christmas is Paul McAuley’s Something Coming Through (London: Gollancz 2015). McAuley’s a former scientist as well as an SF writer. Apart from novels, he also reviewed books and contributed short stories to the veteran British SF magazine, Interzone. He was one of the writers who created the gene punk genre, sometimes also called ‘ribofunk’. This was the genetic engineering counterpart to Cyberpunk, where, instead of using computers, individuals, criminals and corporations used genetic engineering to redesign new forms of life, or spread invasive memes throughout the population to control the way people thought. Back in the 1990s he was one of the guests on the BBC Radio 3 series, Grave New Worlds, in which computer scientists, writers and artists talked about the transhuman condition. This was back when everyone was talking about cyborgisation, and the potential of contemporary technology to produce new varieties of humanity. Apart from McAuley, the guests also included J.G. Ballard and the performance artist Stelarc, who has personally explored the implications of cybernetics for the human body in a series of performances. In one of these he had a mechanical third arm, operated through electrical signals picked up through the stomach muscles. He also gave a modern music performance, in which he was wired up to the internet via galvanic stimulators. A search engine then went about finding images of body parts on the Net. When it found one, that part of the body was electronically stimulated so that it moved. There were also booths in three cities around the world, where participants could also press buttons to move Stelarc via electric impulses. Apart from Kevin Warwick, the professor of robotics at Warwick university, is the person who’s come the closest to being Star Trek’s Borg.
McAuley’s Something Coming Through and its sequel, Into Everywhere, follow the fictional universe he created in a series of magazine short stories about the alien Jackaroo and their impact on humanity. Following a short period of warfare, including the destruction of part of London with a nuclear bomb by terrorists, the Jackaroo turned up and declared that they wish to help. These aliens bring with them 15 artificial wormholes, which act as gateways to 15 worlds, which the Jackaroo give to humanity. Humanity isn’t the only race that the aliens have helped, and the worlds they give to humanity are covered with the ruins and artefacts of previous alien civilisations, now vanished. The Jackaroo themselves are never seen. They interact with humanity through avatars, artificial beings that look like human men. These have golden skin and features modelled on a number of contemporary celebrities. They’re also bald, wear shades, and dress in black track suits. Their motives for helping humanity are unclear. They claim they just want to help, and that it is up to humanity themselves how they use the worlds they have given them. But they are widely suspected of having their own agenda, and despite the protestations of non-interference they are suspected of subtly manipulating humanity.
Accompanying the Jackaroo are the !cho, another alien race, who are equally mysterious. They move about the world in opaque tanks supported on three skeletal legs. Nobody has ever managed to open one up, or scan the tanks using X-rays or ultrasound. It is, however, widely believed that the !cho are sentient colonies of shrimp. Their motives, and their relationship with the Jackaroo, are also unknown.
Something Coming Through follows the adventures of Chloe Millar, a researcher for a company, Disruption Theory, in London, and Vic Gayle, a cop on Mangala, one of the Jackaroo gift worlds. The objects and ruins left from the Jackaroo’s previous client civilisations can be highly dangerous. Some of them are still active, despite the many thousands, or hundreds of thousands, or millions of years of abandonment and decay. These can infect humans with memes, algorithms that alter psychology and behaviour. The strongest, most intact of these become eidolons, artificial entities that can take possession of their human hosts. Disruption Theory is a company specialising in researching the effects of these memes as they break out to infect people in Britain. This often takes the form of small sects, whose leaders speak in tongues, uttering nonsense as they try to put in human terms the alien concepts running their consciousness. Millar, the heroine, is investigating a couple of orphaned Pakistani children, who have apparently been infected by an eidolon from one of the gift worlds. Out on Mangala, Vic Gayle is also investigating the murder of a man, who has recently arrived aboard one of the Jackaroo’s shuttles.
Unlike much SF, the book doesn’t indicate how far in the future the story’s set. This is, however, very much a world not too far from the early 21st century of the present. The political structures are much the same, with the exception that the gift worlds are under the control of the UN. People still work in recognisable jobs, and shop and purchase the same brands of clothing. Complicating relations with the Jackaroo is a British politician, Robin Mountjoy and the Human Decency League. The League objects to contact with the Jackaroo as a danger to the dignity of the human race. Their leader, Robin Mountjoy, is described as being ‘in his mid-fifties, a burly man with thinning blond hair and a florid complexion, dressed in an off-the-peg suit. Although he was a multimillionaire, having made his fortune constructing and servicing displaced-persons camps, his PR painted him as a bluff, no-nonsense man of the people whose common sense cut through the incestuous old boys’ networks of the Westminster village’. (p. 51). The League isn’t strong enough to form a government of its own, and so has gone into a coalition with the Conservatives. While Mountjoy is clearly fictional, he does seem to be inspired by Nigel Farage and UKIP, with Britain attempting to gain independence from smooth talking mysterious aliens rather than the EU.
One of the other characters is Adam Nevers, a cop with the Technology Control Unit. This is the branch of the British police tasked with protecting the country from dangerous alien technology. Nevers is described as coming from the entitled upper ranks of society, who go straight from university into high ranking jobs. Which looks to me very much like a comment on the privileged upbringing and expectations of absolute deference and entitlement from certain members of the British upper classes.
Apart from the social and psychological disruption caused by alien contact, this is also a world wear the NHS has finally been privatised. McAuley shows the practical impact this has people’s lives. Without the safety net of state healthcare, people are dependent on their employers to help pay their medical bills, or borrowing money from friends. In his acknowledgements, as well as the many other people who helped him with the book, McAuley also thanks ‘the NHS for life support’. (p. 375). Which suggests that he’s also suffered a period of illness, and is very much aware how much he and everyone else in the country needs the NHS.
I liked the book for its convincing portrayal of the world after sort-of personal contact with an alien civilisation, and the frontier societies that have emerged as Mangala and the other gift worlds have been settled and colonised. I was also fascinated by McAuley’s description of the alien life-forms, and the archaeological exploration of the remains of the planets’ previous civilisations for the technological advances these artifacts offer. I was also drawn to it as it offered a different take on the old SF trope of alien contact. The appearance of the Jackaroo is described as an ‘invasion’, but it’s not really that. The aliens have a ‘hands off’ approach. They haven’t conquered the Earth militarily, and political power is still exercised through traditional human institutions and parties, like the UN and the Tories. Nor are they more or less at our technological level, like many of the alien races in Star Trek, for example. We don’t form an interplanetary federation with them, as they are clearly extremely far in advance of humanity, which is very much the junior partner in this relationship.
It’s not really a political book, and really doesn’t make any overt party political statements. With the exception that rightwing xenophobes would probably form a party like UKIP to join the Conservatives against pernicious alien influence, just like the Kippers under Farage came very much from the right wing, Eurosceptic section of the Tories. But its comments on the class nature of British society does bring a wry smile, and its advocacy of the NHS is very welcome. It doesn’t preach, but simply shows the fear the characters have of sickness or injury in its absence.
And with all too real terrestrial morons like Daniel Hannan, Jeremy Hunt, Dave Cameron, Theresa May, Tony Blair, Alan Milburn and the rest of the right-wing politicos, who have done and still are doing their best to undermine the health service, such comments are badly needed throughout the British media.
A few days ago, one of Trump’s stormtroopers caused massive outrage by citing the internment of Japanese-Americans during World War II as a precedent for the imposition of a Muslim registry. This is a clip from an American news programme, in which George Takei, who played Mr Sulu in Star Trek, along with many other roles, condemns this vile proposal. Takei’s a Japanese-American, and he and his family, like about 120,000 others, were interned. He states this was a terrible crime, and reminds the viewer that Ronald Reagan publicly apologised for it and paid reparations to the surviving victims in the 1980s. He states clearly that America is a country of law and due process, which internment and Muslim registration massively violate. He makes it clear that Japanese-American internment should never be used as a precedent, as it can only be such for persecution and injustice. He states further that he has been speaking about Japanese-American internment for most of his life, including recently at Penn State college, in the hope that it would never happen again. Now this seems a real threat, and he urges all Americans to come together to prevent his occurring.
The programme also shows that Trump has no clear idea how to go about it either. When asked if he would just register Muslims by going to the mosques, Trump merely says, ‘No, but other places’. Takei rightly condemns this as the criminalisation of entire religion.
This is terrifying. It’s another clip from Reichwing Watch, from a news programme in which a spokesman for Trump tells Megan Kelly, the news anchor, to her face that Japanese internment during World War II has set a precedent for Trump’s proposal to have all Muslims entered in an official register. To her credit, Kelly tells him that he cannot use this as a precedent, and reproaches him for using it to get people frightened. The Trump surrogate laughs this off, but says that the president still needs to protect America. She argues back that the protection extends the moment you enter America.
This should terrify everyone, who is sincerely worried about the march of Fascism, including anyone with a knowledge of Roman civilisation. Firstly, the internment of Japanese-Americans in World War II as enemy aliens led to horrendous suffering and deprivation, and is still naturally resented by Americans of Japanese heritage decades later. George Takei, I understand, the actor who played Mr Sulu in Star Trek, was particularly active in Japanese-American civil rights organisations. American politicos have denounced the internment, and I think the government has paid the victims reparations. And it certainly was deeply unjust that when many Japanese-American servicemen were giving their lives for America, their families, friends and other members of their community were being herded into camps. It is repulsive that Trump’s spokesman should cite this as a precedent, and it does raise the issue of what Trump will do next. If he’s prepared to cite Japanese-American internment as a precedent, is he also considering interning Muslims as well, despite his mouthpiece’s smiling denials?
The American Constitution famously promises Americans freedom of religion. And religious freedom has been at the heart of American democracy, ever since Richard Baxter argued for it, including not just Christians, but also Jews, during the British Civil War. Baxter afterwards emigrated to the nascent US, and the proud, American tradition of religious toleration begins with him in the 17th century. Now Trump’s threatening to reverse this.
Trump’s proposal for Muslims to be officially registered reminds me very strongly of the ancient Roman attitude to religion. The Roman Empire was religious pluralistic, but retained a system of religious suppression. Because the Romans were afraid of the threat of insurrection and rebellion from clubs and other associations, including religious gatherings, they operated a system in which only those religions, which were not considered dangerous to the state, were officially tolerated. The Romans persecuted Christianity because it was not one of the religio licitas – permitted religions. Christians were seen as subversive, because they worshipped Christ as God, instead of the Roman Emperor. Hence the determination to make Christians sacrifice to the Emperor’s numen, his divine spirit, and the statements in the early Christian apologists that, although Christians didn’t worship the emperor, they nevertheless were good citizens, who prayed for him and the other authorities in their services.
Trump is threatening to inflict on American Muslims the type of system that led to the terrible persecution of Christians in ancient Rome.
And where America goes today, Britain and other nations follow tomorrow. I’m not a secularist, but this threatens religious tolerance and freedom right across the modern, democratic West.
And apart from the real danger it poses to Muslims, it also threatens to give the radicals a weapon to use against us. The Islamist bigots, going all the way back to the radicals demanding the suppression of the Satanic Verses and Rushdie’s death, whipped up opposition and hatred towards non-Muslims and the secular state by telling them that they were in danger from White and non-Muslim persecution. Way back in the 1990s the Beeb filmed one of these preachers of hate, Kalim Siddiqui, in his mosque, telling his congregation that ‘British society is a monstrous killing machine, and killing Muslims comes very easily to them’. When the team questioned Siddiqui about his words, he started ranting about how the Satanic Verses was the first step towards a ‘holocaust of Muslims.’ This is sheer, poisonous bilge. The book wasn’t blasphemous, and it certainly wasn’t published in preparation for such an monstrous atrocity.
But accusations like this were used to motivate British Muslims, or some British Muslims, into political involvement and opposition to British secularism. And you can bet that ISIS and al-Qaeda will use Trump’s wretched registry to whip up support amongst Muslims by citing it as proof that western society really is intolerant and that we really do have a genocidal hatred of Muslims.
We don’t. Regardless of individual religious affiliation or lack thereof, we need to stand united against this. We can’t let Trump divide us and make the denial of our collective freedoms seem respectable policies. Because it won’t just be Muslims. After them, it’ll be other groups. No-one will be safe from this type of intolerance.
I’ve put up several posts this week about robots and robotics, discussing the ultimate origins of H.B.O.’s WestWorld in Karel Capek’s 1920 play about a robot revolt, R.U.R. This has been performed using real, lego robots, and a short speech about the play given by a British robot, Robothespian, by Café Neu Romance at the National Technical Library in Prague. Robothespian also appeared on the BBC’s Breakfast TV show a couple of years ago in 2014.
The humanoids in WestWorld are less like today’s industrial machines and far more like the Replicants in Blade Runner or Capek’s original robots. They’re a kind of artificial biology created through synthetic chemistry, and produced through something like 3D printing, rather than today’s mechanical devices. Scientists are, however, exploring various synthetic materials, which would expand and contract similar to the way animal muscles move, which gives WestWorld’s humanoids a grounding in scientific fact, even if we are still a very, very long way away from such complex, truly intelligent and self-aware artificial beings.
Looking through some of the videos on robots on YouTube, I found the short video below for a small, humanoid robot, Poppy, created by a group of French scientists and engineers. This is interesting, as it shows how far robot technology has come, including their manufacturing methods, and how close we are to a true age of popular robotics. The machine is bipedal, and designed to be used as a research tool by scientists. It’s also open source and can be made at home using a 3D printer. It’s creators state that it’s a robot for everyone, and so while it can be used for serious research – the video shows the machine walking along a treadmill, for example – it is not solely for professional robotics scientists, but aimed at a popular market.
This brings the world of R.U.R. and other, similar works of SF, where everyone owns a robot, just that bit closer. Along with Star Trek’s universe, in which anything can be produced using a replicator, an idea which the late Arthur C. Clarke explored in his book, Profiles of the Future, some decades ago. Robots pose serious problems in the mass redundancies that have occurred and are threatening to become worse through their adoption in industry, as well as the possibility that they will overthrow and replace humanity as the dominant beings when their intelligence eventually exceeds ours. 3D printing also has its drawbacks and problems for the economy. One of these is how people will be able to make a living from manufacturing, when nearly anything at all can be made cheaply by anyone at home with a printer. We haven’t reached that stage yet, and possibly never will. Nevertheless, it’s a serious issue that needs careful consideration and debate.
Poppy isn’t the only open source robot available that can be created through 3D printing. A glance through some of the other videos available on this subject on YouTube shows that there are a number of them. No doubt this will grow as the technology improves and costs drop so that the technology becomes more affordable. Assuming that everyone isn’t put out of work by then as more firms decide its cheaper to employ machines than people.
Here’s the video for the Poppy robot:
This is another piece from The Young Turks on Trump’s stereotypical views of Asians, like the Chinese and Japanese. It’s a clip from one of his rallies, in which he states that people from these nations don’t come into a room and ask general questions about your health and the weather. No, they say, according to Mr Fascist Dictator Weird Hair, ‘We want deal’. In stereotypical pidgin English. Cenk Uygur, the host for this section, points out that this is how he sees them, including Americans of Chinese and Japanese descent. And he adds that you know that the offensive terms for these ethnic groups is going to follow. It’s all part of his highly simplistic attitude to the various peoples of the world, based on how they work for him. Here’s the video:
There’s still a lot of bitterness amongst Japanese-Americans about their internment as enemy aliens during the World War II. George Takei, who played Mr Sulu in the Classic Star Trek series, was part of a campaign for years to get some apology for this atrocity. Not that it was only Japanese, who were so interned. Germans and Italians were also thrown behind bars, but I think the Japanese were by far the largest group.
The man is so crass and tactless, that if he ever gets into the Oval Office, he’ll start a massive racial controversy, never mind his poisonous and Fascist attitude towards Hispanics and Muslims. For heaven’s sake, we need to keep him out.
Trump’s comments about banning Muslims from entering America and having them registered, as well as the rest of his viciously xenophobic agenda, has prompted an increasing number of people to attack and criticise him. His opponents are drawing the obvious parallels between Trump’s policies, and those of Nazi Germany as well as the worst aspects of American history. George Takei, who played Mr Sulu in the Classic Star Trek series, has pointed out its similarity to the shameful American internment of Japanese Americans during the Second World War. The news anchor Tom Brokaw has also pointed out how much like this policy Trump’s anti-Muslim stance is, as well as its resemblance to the Nazi persecution of the Jews, and the official racist discrimination against Black Americans during Segregation and Jim Crow.
And cartoonists are also using their skills to make this point. Here’s one I found on 1000 Natural Shocks (Over 18 site). It’s based on the classic bad movie, They Saved Hitler’s Brain, which is so hilariously bad that it was screened over here in the 1980s as part of Michael Medved’s ‘The Worst of Hollywood’ series of classic bad films. Here it is.
According to an article in The Canary last week, the government is considering passing legislation to allow the rozzers to interview suspects in the street instead of in an interview room back at the cop shop. These interviews will, however, be recorded by bodycam.
The article begins
Pilot plans to allow police officers to interview suspects on the streets via body cameras, rather than at police stations, has raised concerns among civil liberties groups.
Currently, while the formal caution that police recite when arresting somebody states clearly that anything they say may be used in evidence against them, officers are not formally able to interview someone until they have been taken to a police station. Crucially, once at the police station, the suspect has the right to independent legal advice, and they are entitled to pre-interview disclosure.
This pre-interview disclosure is vitally important as it is designed to ensure the person and their legal representative understand why the person has been deprived of their liberty, the nature of the allegations made against them, and the reason why they have been arrested. Without this disclosure, and access to a solicitor, the suspect is extremely vulnerable, especially if unfamiliar with the complexities of the law.
Unsurprisingly, given the cuts to the police service, these proposals have nothing to do with access to justice, and are primarily concerned with saving money. Hampshire Chief Constable, and national police spokesman for body-worn video, Andy Marsh stated:
‘I think this will lead to swifter, fairer and more importantly cheaper justice.’
The emphasis seems to be most definitely on cheaper justice, with fairness coming a very poor second. The article quotes two critics of the scheme, who point out that current practice is based on decades of experience of the abuse of police powers. And that the people, who will suffer through this innovation won’t be the experienced, hardened crims, but inexperienced suspects unsure of their rights and the law.
The full article can be read at: http://www.thecanary.co/2015/11/11/fears-raised-cheaper-justice-policing-plans/
A number of points can be made here. Firstly, there’s the danger of serious breaches of justice in allowing the police to interview suspects away from the interview room and the presence of a lawyer to represent them. The government seems to think that allowing the interview to be recorded by bodycam will somehow be an acceptable substitute for removing established procedures involving formal, recorded interviews. It looks simply like they’re desperate to get convictions, and are willing to use this technology as a pretext for removing established judicial safeguards. Hey, it’s all recorded on camera, so it’s properly supervised. It can be wrong, can it?’ This seems to be the attitude.
It also shows how the government seems to be believe that increased surveillance technology is automatically a solution. Now, I’m very much aware that there is the view that Paris was targeted by ISIS for their butchery, instead of London, because the City of Light had much less CC TV coverage. But surveillance cameras, as the French also knew, carried their own dangers of creating a pervasive, surveillance state. Alan Moore when he wrote V for Vendetta in the 1980s placed surveillance cameras on the streets in his Fascist future Britain, thinking that this would really scare its readers. Well, it’s now thirty years or so after the strip, and surveillance cameras are everywhere and no one takes any notice, a fact the great man himself has remarked on. I’m sure surveillance cameras have an important use, but they should be adjuncts to, not substitutes for, traditional policing.
I also wonder what will be done about recorded interviews in which the individual is left off without charge. Will they still be retained? What about a person’s right to privacy, and not to have the state keep records on them when they are innocent? There have been cases where innocent citizens have found that the rozzers have continued to keep files on them even after they were released and declared innocent. I’m very much afraid something similar could happen here.
And there is the danger of the wider misuse of such technology as the Tories make Britain become ever more authoritarian and Fascistic. Way back in the 1970s the police were required to compile useful intelligence on potential suspects. This ended up with the bluebottles deciding someone was suspicious, based no more on the fact that they were a Punk, or a pregnant teenager. And one of Cameron’s brilliant ideas was for the cops to take the names and particulars of strikers on picket lines. He’s had to climb down on that, but given the backing the Tories have always received from rabidly anti-union groups, I doubt believe this has gone away. Not completely. So there’s a real threat to civil liberties there.
And lastly, there’s the rather more fantastic threat that this is the start of something like the Borg. They’re the cyborg race from Star Trek, who have merged into a single, collective intelligence – a group creature, so that their society resembles a giant ant’s nest. We’re nowhere near that level of cybernetics yet, but one of the more interesting comments about the Google Glass computer spectacles was that it practically made the wearer one of the Borg. Google Glass were the hi-tech specs that allowed you to surf the internet while walking about, and for your on-line friends to see what you were seeing. I can remember back in the 1990s there was a similar experimental arrangement being tried out by the computer geeks at one of the American unis. A friend of mine, who played Shadowrun, a Dungeons and Dragons-type game based in the world of cyberpunk and computer hacking, seemed unsurprised when I told him about it. He called the technology and the people who used them ‘gargoyles’, which was the term used in the game for people, who used cyberspace technology to experience the sensations experienced by another person.
So, in the game’s parlance, this technology effectively makes the rozzers the justice ministry’s gargoyles. And with others seeing what they see, it’s almost ‘1984’ and the Borg. It’s just that they haven’t been mentally connected to the internet yet, so they aren’t yet like the Robomen of the Dalek Invasion of Earth.
But it’s early days yet. Give the Tories time. They are Borg. Resistance is futile. We will be assimilated.