Posts Tagged ‘Satire’

Pat Mills Going Underground on Class and Politics on Comics

September 19, 2017

This is another video to add to the two others I’ve posted in which Pat Mills, one of the great creators of modern British comics, talks about industry and the political dimension to his work. In this video, he talks to Afshin Rattansi of RTUK’s Going Underground.

Mills starts by talking about how, when he first got into comics, he was frustrated and it was only when he started to look back on it and analyze it that he realized he was annoyed by the lack of working class role models in comics. They were all members of the upper middle classes. It’s why in 2000 AD he wanted to include working class characters and heroes, and why he liked Jeeves in the Jeeves and Wooster books, because here was a working class character, who makes a complete mockery of his master. But what brought home to him how the system is so completely opposed to working class heroes was his attempt working on a story for Dr. Who. He wanted to include a working class spaceship captain. The spaceship itself was to be a kind of abattoir in space, and he based the captain’s character on a real person, the captain of dredger. This would have made it realistic, and the captain of such a vessel would not have been like Richard Todd. But he was told by the script editor that this was unacceptable, and he could not have a working class spaceship captain.

When Rattansi asks him whether this censorship is internal or imposed from outside, he remarks that it’s a good question, and he believes it to be a bit of both. In the case of anti-war stories, it’s imposed from outside. That was brought home to him when he was involved in an exhibition on anarchy and comics. He wanted to include Charley’s War, the anti-war strip from Battle, as there was nothing more anarchist than that. But this was refused, just as the centenary of the outbreak of the First World. It was why TV never showed any of the great anti-war programmes and films about it, like Blackadder Goes Forth or the Monocled Mutineer.

He also comments on the massive influence the American military exerts over the film and TV industry. The Pentagon and the armed forces, including the CIA, have acted as advisors on 500 films and 800 TV programmes, from Meet the Parents to the Incredible Hulk and Iron Man. Mills has said that he has always disliked superheroes as he feels that they are corporate characters, standing for the values of the system. They are there to show people that you can’t be heroic unless you’re a tycoon or an arms manufacturer, who goes out at night to beat up members of the working class. He doesn’t think the military were involved in the last Judge Dredd film, as that was made by an independent, which is probably why it was so good. Rattansi replies that Dredd is still upper middle class, as he’s a member of the judiciary. Mills states in turn that he’s a footsoldier, and that part of the attraction of the character is that he’s also partly a villain. Villains are often more interesting to watch than heroes, who can be quite boring.

He also talks about an incident in which the Board of the Deputies of British Jews objected to one of the strips in Crisis. This was based on a real situation, which Mills had heard about from talking to a Palestinian. In the story, the IDF caught and beat up a Palestinian boy in protest, leaving lying on the ground with all his limbs broken. The Board complained because they thought the lad’s body had been deliberately arranged so that it resembled a swastika. Well, replied Mills, it wasn’t, as comics writers and artists aren’t that clever to sneak those kind of subliminal messages in. And what left him dismayed was the Board was not concerned about what was going on Israel, and which is still going on in Gaza. The incident was also somewhat ironic, in that the Board complained to the comic’s publishers, which at that time was Robert Maxwell, the corrupt thief of the Mirror pension fund. The Board’s complaint fell on deaf ears, and Cap’n Bob ‘told them to get knotted’.

Mills also observes in the interview that they were able to get away with much more in 2000AD as it wasn’t real, it was science fiction. Things are all right if they occur In A Galaxy Far, Far Away. But as soon as it’s real people, the censorship is imposed.

It’s always interesting hearing Mills’ views on comics and the subversion he put into his stories. He also told the story about the Beeb’s rejection of a working class spaceship captain for Dr. Who before, at the conference on Marxism organized by the Socialist Workers’ Party. The producers of Going Underground in the clip state that they contacted the Beeb to check the story, but the BBC had not replied by the time the programme was broadcast.

Mills is wrong in claiming at Jeeves is working class. He isn’t. He’s upper middle. Butlers are ‘a gentleman’s gentleman’, and Jeeves himself makes it very clear in one of the episodes of Jeeves and Wooster that he ‘and the working class are barely on speaking terms’. This is when the Fascist leader, Spode, tries to recruit him, saying that his wretched band need working class people like him. Nevertheless, the broad point remains true: Jeeves is an attractive character for the same reason another fictional butler is, Crichton, in the Admirable Crichton. He’s a servant, who is more knowledgible, intelligent and capable than his master.

I’ve commented in previous blog posts that I think the reason that the authorities don’t want to see any anti-War material broadcast during the centenary of the First World War, is because we still have ambitions of being an imperial power, backing the Americans in their wars around the world and particularly in the Middle East. The Beeb would also probably argue that to broadcast such material as Blackadder would be ‘disrespectful’, or some other spurious excuse.

I was aware that the American military was influencing Hollywood as advisors, but I had not idea how extensive it was. Back in the 1990s the American army advised the director Paul Verhoeven on his adaptation of Starship Troopers. This was an adaptation of the book by Robert Heinlein, who really did believe that only those, who had served in the armed forces should have the right to vote. It’s a notoriously militaristic book, and provoked a very anti-military response from a range of other SF writers, including Harry Harrison, who wrote Bill the Galactic Hero to send up Heinlein. Verhoeven wasn’t impressed with Heinlein’s militarism either. He’s Dutch, and grew up during the Nazi occupation. Thus, while the film can be enjoyed as a straightforward adventure, it also contains a very strong element of satire, such as modelling the uniforms on those of the Nazis.

I was disappointed to hear that the army had collaborated with the producers of The Hulk, as this comic was genuinely countercultural. In the comic, Banner becomes the Hulk after being exposed to the nuclear blast of an atomic bomb test saving Rick, a teenager, who has wandered into test zone. Rick is a classic disaffected teenager with more than a little similarity to the alienated kids played by James Dean. In the 1970s the comic was very firmly anti-military. The Hulk fought the army across America. Banner’s personal enemy was the general in charge of the forces sent to tackle the force, who was also the father of his girlfriend. And while the Hulk was a raging behemoth, what he really wanted was to be left alone. Some of the subversive character of the Hulk came across in Ang Lee’s film, which I actually like, even though no-one else does. But it’s still disappointing to read that the American armed forces were involved.

There’s a touch of irony to Mills speaking on the programme, as ‘Going Underground’ was the first of the two ‘Comic Rock’ strips to appear in 2000AD, the other being ‘Killerwatt’, which introduced Nemesis the Warlock and his struggle against Torquemada, the Fascist grand master of Termight, Earth in the far future. The story, set in the underground maze of rapid transit tunnels within Earth’s vast subterranean network of cities, took it’s title from the track by The Jam.

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Cartoon Satirising Modern Anti-Immigration Policies as Witch-Hunting

September 10, 2017

This is another bit of satire I found over on the SF/ weird art site, Tomorrow and Beyond. It shows a woman in a ducking stool in the 17th century. One of the people declares, ‘If she drowns, she’s a refugee. If she lives, she’s an economic migrant’, referring to the practice of ‘swimming’ suspected witches. It’s a fair comment on the militant anti-immigrant hysteria under Trump.

Underground Comics Legend Robert Crumb Lays into Donald Trump

September 9, 2017

This is another satirical piece I found on the SF/ weird art website, Tomorrow and Beyond, laying into the day-glo generalissimo, Donald Trump. It’s a strip by Robert Crumb from 1987 in which orange braggart gets his comeuppance and his head flushed down the toilet by a group of very offended liberals. They include two angry ladies, who given his very overt misogyny, have every right to give him an entirely unwelcome hair wash.

The site comments on the strip that although it was published thirty years ago, it’s still relevant. Quite. I think Crumb passed away a few years ago, so alas we’ll never know how he would have sent up his presidency. But odds on, it would have been extremely vicious, and guaranteed to be so offensive that it would have sent Republicans into orbit.

As a character study of Trump’s weird psychology, it’s amazing how much of it is still very accurate, and unfortunately well on display in his government and public pronouncements: the boasting, the lavish displays of personal wealth, the vanity, the need to attract the attentions of the opposite sex and the absolute incapability of believing that any woman could ever resist him, in short, the whole vulgar, materialistic vanity of the man.

This should have been a warning to everyone.

Unfortunately, it appeared in an underground comic, so the only people, who read it were the hippies, punks, stoners and other countercultural peeps, who weren’t going to vote for him anyway.

Satirical Painting of Trump as Villainous Octopus

September 5, 2017

Here’s another piece of satire I also found over at the SF/ weird art site on Tumblr, Tomorrow and Beyond. It shows Trump as a giant octopus that has torn through the White House, while marching to its gates is a queue of the venal, corrupt, malignant and clownish. Which just about describes Trump’s presidency, his cabinet and relations with big business.

Action Figures of the Real Villains of Our Time

September 5, 2017

I found this series of spoof action figures over at the Tomorrow and Beyond site on Tumblr. It’s for a fictional range of action figures entitled ’21st Century Bastards’, and comprise this gallery of horrors.

Foreign Bastards include Putin.

There are also two further British Bastards along with Piers Morgan. Both are previous Tory Prime Ministers.

And, of course, the woman whose reign with Reagan started the long decline of the West and the disappearance of everything good and decent from the body politic.

Obviously, this is the kind of satire that will send staunch Republicans and Tories absolutely ballistic with rage. Like bullies, they can’t stand it when people stand up to them and pour all the bile, vilification and scorn back at them.

I think this was published a few months ago, so unfortunately there isn’t one of Theresa May. Neither is there one of Jacob ‘Slenderman’ Rees-Mogg. Which could be a mercy, as those might be too much for some nervous souls to bear. As they say on Crimewatch, ‘Don’t have nightmares!’

RT’s Establishment Club Road Trip Bus Comes to Bristol

August 14, 2017

Russia Today are sending their Establishment Club bus on a road trip around the country. The name, if I’m not mistaken, is a homage to the satirical club run in the 1960s by the late, great Peter Cook, and which also displayed the talents of John Bird and John Fortune, who continued making satire with Rory Bremner on his show in the early 2000s. The bus, which is appropriately red, was looking for the best satirical talent around the country. Further auditions are planned for Brighton, Edinburgh and Newcastle.

Compered by Keith Allen, a stand-up comedian and the Sheriff of Nottingham on the Beeb’s recent remake of Robin Hood, as well as the father of pop star Lily, this short, five minute video shows some of the talent they had come aboard when they stopped in my home city of Bristol.

There are four or five performers. One chap does two pieces, including a skit at the end about how the Beeb selectively edits interviews with the general public to create the impression it wants, in this case with a drunk, who needs to be coached before associating Brexit with immigrants, before this is edited to show how Britain is alive with racism. Another fellow sings a song on his ukulele about the Fuhrage’s plane crash. May favourite is the man, who recites a poem about the dismantlement of the welfare state. This piece calls it as it is and identifies the social Darwinism underpinning the policy – he sings about ‘Mr. Darwin’s little theory’. Which might be a little unfair to Darwin, as it was formulated by Herbert Spencer.

Allen did raise a few eyebrows, and appear in the press last week, when he attacked the current state of British stand-up. Using his characteristic earthy language, he said it ‘needed a cattle prod to the bollocks’ because of the careerism amongst too many contemporary comics. All they wanted to do, according to him, was tell jokes about the colour of Trump’s hair, and then get on a panel show.

Buddy Hell over Guy Debord’s Cat has, as another comedian, also lamented the decline in the quality of prospective comics. He has said that all too often they simply recite their life history, without actually being funny or making a joke.

I’m sure there are more genuinely funny people out there, and wish Allen and the RT team every success in finding and nurturing the next crop of comedic talent. Talent that will tear great, bloody chunks off the establishment and its monstrous edifice of bureaucratic indifference, corporate greed, and institutional class hate.

Another Satirical Video: ‘Strong and Stable’ Theresa May as Bug-Ridden Windows XP

June 23, 2017

Here’s another fun video from YouTube, taking the mick out of the Tories. Remember how Theresa May was chanting ‘strong and stable’ every five minutes like a stuck record during her election campaign in a vain attempt to make the electorate think that she was a tougher negotiator than she actually is?

Well, this little video takes her catchphrase, songifies it, and shows it as a technical glitch running on Windows XP, so that intercut with footage of May herself are error messages and warnings of virus attack. All mixed in with shots of Boris Johnson on that zipline, of course.

It’s a great video, so sit back and enjoy the fun!

Four Anti-Trump Pop Videos

February 17, 2017

I found a number of music videos on YouTube yesterday ripping into the Cheeto Generalissimo as a menace to world peace, and a national disgrace attacking the poor, ethnic minorities, and those who rely on state welfare. They range from the savage to the quirky, but all of them try to make the serious point that Trump should definitely not be in charge of the world’s only superpower with his finger on the nuclear trigger.

This one sets a satirical video to R.E.M.’s ‘It’s the End of the World as We Know It’.

This one is set to Barry MacGuire’s ‘The Eve of Destruction’.

After that comes the lounge Jazz song, ‘Dump Trump’, by Leigh and the Dumpettes. Apart from the satirical lyrics, this takes the mick out of the Great Narcissist’s hair by having ginger wigs like his in various places.

This last vide is ‘Sympathy for the Donald’, which parodies the Rolling Stones ‘Sympathy for the Devil’ to satirise him viciously. Warning: this is the uncensored version, so there is some foul language and obscene imagery.

I’m sure there are other songs out there, but these are a few of those I’ve found so far. I hope you enjoy them.

Have I Got News For You and the Bias in BBC News Satire

December 17, 2016

As I said in the previous blog post, I’ve stopped watching Have I Got News For You, because I’m sick of its bias. This is partly because I’m fed up with the show constantly repeating the anti-Corbyn, anti-Labour line of the mainstream newspapers. I also think its because, after having read some of the alternative news outlets and organisations about various issues, like Counterpunch, Lobster and seen Abby Martin and Amy Goodson on RT and Democracy Now, as well as The Young Turks, Secular Talk, the Jimmy Dore Show and Sam Seder’s Majority Report, I’ve become acutely aware of how far the reporting of the corporate media, including the mendacious BBC, is from the real situation in Britain and other nations around the world.

I was particularly struck by it during an edition of Have I Got News For You a month or so ago. One of the guests that week is the new head of the Conservative part in Scotland. I can’t remember her name. I did, however, find her very smug, self-satisfied and sneering, as you’d expect from a Tory official. She was also introduced as being ‘openly gay’, as if it were part of the changes the Tories had made to make themselves more electable to the guid people north of the Border. The Tories have been fielding many openly gay candidates around the country for several years now, ever since Dave Cameron took over the party and very ostentatiously set about his modernisation policy. This was about trying to make the Conservatives look more left-wing than the Labour party, then under Tony Blair and Gordon Brown, which wasn’t exactly the most difficult task. Part of this involved them trying to break the image of the ‘nasty party’ by endorsing more female and minority candidates. This is presumably calculated to impress that part of the liberal middle class, who are worried about the lack of representation of women, ethnic minorities and gays in parliament, but only if they come from respectable upper and middle class backgrounds like themselves. If they’re working or lower middle class, then they had better know their place along with the rest of the proles, and not threaten the wonderful Thatcherite utopia the Tories and Blairites have created.

At one point, the Tory went off on a rant about how the Ukraine was under threat from Putin, as part of his campaign to annexe the whole country, beginning with the eastern part of the country and the Crimea, before taking over the Sudetenland and invading Poland. The view pushed very much by her was that the Russians are the aggressor, who need to be stopped at all costs from victimising the innocent Ukrainian regime.

It’s a tissue of lies. The Ukrainian regime is hardly innocent. It is stuffed full of Nazis from the Pravy Sektor, individuals and organisations that have adopted the full regalia and rituals of the SS auxiliaries that fought for the Nazis during the Second World War. These Ukrainians Nazis fully participated in the Holocaust and were responsible for some of the most horrific pogroms against Jews in the occupied Soviet territories during the War. These groups have shot at and savagely beaten left-wingers, including trade unionists. Just as the regime is intent on clamping down on independent journalists, who do not follow Kyiv’s ultranationalist line. This has included compiling and publishing a black list online of several hundred offending journalist, who have subsequently received death threats.

It is also a lie that the current regime is the product of spontaneous democratic demonstrations, like that of the Maidan Revolution. It isn’t. It is essentially the creation of a clique of very corrupt oligarchs, backed by quangos from America and the EU. The orange uniforms the protestors wore were handed out to them at a tent run by these semi-official US organisations.

And instead of being the aggressors, it is the Russians and Russian-speaking Ukrainians, who are the victims. Simply looking online, you can find reports of these people being beaten and murdered by the Ukrainian army, and of the Ukrainian government sending troops in to prevent them from reaching polling stations. This is to stop them putting in their votes for the opposition. I realise that some of this is going to be Russian propaganda, but not all.

But this is very much not the image presented by the corporate media and the Beeb. Including Private Eye’s editor, Ian Hislop. Hislop cut into the woman’s spiel. However, instead of challenging her about the real situation in Ukraine, he instead decided to ask her questions about whether or not she had contradicted Boris Johnson.

This is an issue, especially if you like to see the Tories tear themselves apart. But it’s not the most important issue here.

Which is that the British people are being fed lies by their media, and the British, American and EU authorities to whip up hatred of the Russians and strengthen ties with a brutally intolerant and persecutory Nazi regime. There’s obviously a very good reason why the Beeb and the corporate media want to silence any mention of Nazism in Ukraine. Despite the vile antics of National Action, the sight of a real Nazi politico, like those in the Ukrainian rada, in full SS gear, giving the Nazi salute would appal the vast majority of people in this country, regardless of whichever side of the political spectrum they came from. Except, perhaps, the Tory right and parts of UKIP.

And so in the interests of furthering this international, corporatist agenda of incorporating the Ukraine into the web of western-orientated, free-trade governed countries, any reporting and discussion of just how murderous and undemocratic the Ukrainian regime is, is rigorously censored.

And this incident also showed how the Beeb’s political bias works, even in a show which proclaims itself as ‘irreverent’. In an interview a while ago at the Edinburgh television festival, the genuinely irreverent – amongst many other things – Scots comedian Frankie Boyle discussed political bias at the Beeb. Boyle, you will remember, had been a regular guest on Mock The Week, another news comedy show. This was more like What’s My Line, in that the guests were given subjects to joke about by the question master, Dara O’Brien. Boyle disappeared as some of his jokes were too extreme and dark for the Beeb, even if the show was broadcast after nine O’clock. Boyle commented that the Beeb’s idea of remaining impartial is simply to lampoon all of the parties. It does not, however, like criticism or jokes about particular issues. And so Boyle’s humour was too edgy for the Corporation.

He was also critical of Have I Got News For You and the cosy relationship the show has with the politicians it lambasts and lampoons. Boyle had been to Romania. While he was there, he watched a Romanian comedian on television, who was making jokes about the country’s government, members of which were in the audience. The comedian pointed them out, and the politicos and comedian exchanged quips and greetings. Boyle found it all far too cosy and complacent, and said so to his Romanian guide. The man defended the show, saying that Boyle had it in his own country. How so, asked the Scots comedian. ‘I’ve seen it. Have I Got News For You‘, replied his Romanian friend, who stated it was just like that.

And Boyle concurs that it is. He stated that if the show rips into a politico one week, the next week they’ll have him on the panel, laughing and joking with them. He gave the example of Boris Johnson, who was a regular guest on the show. He could have mentioned many others. Such as Cecil Parkinson, who father a love child with his secretary, Sarah Keays, and then did his best to prevent the story getting out and imposing legal restrictions on Keays and her disabled daughter that led to great hardship. I have to say, I don’t know many women, who find Parkinson at all attractive. Far from it. I think most women find him smarmy. And my mother and her friends described him as ‘the type of man you would not like to be caught behind the filing cabinet with’. But Parkinson’s charm certainly worked on Hislop. After he appeared on Have I Got News For You, the editor of Private Eye talked about he charmed all of them on the programme. Perhaps you have to meet him in person to feel it.

I’m very much aware that Frankie Boyle is very much a controversial figure. Some of his jokes are too dark and tasteless for most people. But in this case, he’s absolutely right. The BBC has a very pronounced bias, even on ‘satirical’ shows such as Have I Got News For You, where the presenters and guests very definitely keep away from certain topics, and keep their criticisms within the very narrow compass prescribed by the official media.

Comics and Political Satire: Diceman’s ‘You Are Ronald Reagan’

October 13, 2016

diceman-reagan-cover

I’ve written a several pieces about comics and political satire and comment. The 1960s counterculture produced underground comics, which dealt with taboo subjects. These included sex, and issues of sexual orientation, such as homosexuality, as well as explicit political commentary and satire. These continued well into the 1980s and 1990s. Over here, adult strips with a strong political content included Crisis, many of the Knockabout stable of comics, and Pete Loveday’s Russell: The Saga of a Peaceful Man. Mainstream comics, such as 2000 AD, also contained elements of satire and political comment, particularly in the strips created and written by veteran recidivist and script droid Pat Mills.

Way back in the 1980s, 2000 AD also launched a spin-off, aimed at the RPG crowd. This followed adventure game books, like the Wizard of Firetop Mountain, in which the reader also played the central character in the adventure, and their decisions reading the book/game determined how it ended for them. 2000 AD’s Diceman was similar, but the games were in comic strip form, rather than simple, unillustrated text. Most of the games were straightforward strips using 2000 AD characters like Slaine, Nemesis the Warlock and Rogue Trooper. There was also the ‘Diceman’ strip of the title, which was about a 1930s occult private eye in America, hunting down weirdness and assorted monsters and human villains assisted by his own occult monster, Astragal, the demon of the dice. The strip was set amongst the grim tenements of Depression era New York, though it could go further afield into Nazi Germany, and so also had more than a little similarity to the Indian Jones films then playing in cinemas. It was based on the writings and life of Charles Hoy Fort, the writer and researcher of the bizarre and weird, such as falls of frogs and other strange events. Fort was the inspiration for the magazine The Fortean Times, which continued Fort’s work of documenting the bizarre and the scientifically ‘damned’. The Fortean inspiration behind Diceman probably came from the fact that many of those involved in the British comics scene, like the late Steve Moore, were also contributors to the FT.

Most of the strips seem to have been written by Pat Mills, and the readership seems to have been somewhat more mature than that of the parent magazine, 2000 AD. So in a couple of them, Pat Mills let rip and dealt explicitly with two of the politicos then running amok on the world stage. These were Maggie Thatcher and Ronald Reagan. Illustrated by the great underground comic artist, Hunt Emerson, these were ‘Maggie Thatcher: A Dole-Playing Game’, and ‘You Are Ronald Reagan’. I found the issue with the latter yesterday looking through a pile of old magazines. Published in issue 5 of the magazine in 1986, the game had the reader take over the brain of the American president and journey back in time to avert an impending nuclear war. During the game you were faced with such tasks as deciding whether to send the troops into Nicaragua, negotiating arms reductions with the Soviet president, Mikhail Gorbachev, researching your family tree to boost your popularity with the American electorate, and trying to prevent a full scale nuclear war with Russia. While also trying to sort out what to do about Britain and Maggie’s plea to turn it into America’s 51st State. The reader also had to successfully maintain the illusion that they were indeed the real Ronald Reagan. If they didn’t, they were fried in the electric chair as a Commie infiltrator. Along with Maggie and various aides, one of the whom looked like an American eagle, was Reagan’s buddy, Bonzo the Superchimp, named after Reagan’s co-star in the film Bedtime for Bonzo.

Some idea of the style – both visual and narrative – of the strip can be seen in the sample page below.

diceman-reagan-1

The strip mostly has a light touch, even when Reagan fails to avert World War 3 and civilisation is ended in a nuclear holocaust. But it dealt with extremely serious issues. For example, nearly all of the options for solving the crisis in Nicaragua involved military force to a greater or lesser extent, and all of them would result in misery for the people of that nation. Which were illustrated with the same depiction of starving peasants and crying children for all of the choices. As with many of Mills’ strips, it was based on solid research, with some of the books consulted listed at the end of the strip, along with the terrifying real incidents where the world had come close to nuclear war through mistakes and stupidity.

The strip was also similar to some of the computer games then being created for the new generation of home computers, like the Commodore 64 and ZX Spectrum. Some of these also had a satirical slant, including one called The Tebbitt. This followed the Tolkienesque adventure game format, but you played a politician running around Whitehall trying to solve political issues. Hence the title, in which the name of one of Thatcher’s cabinet thugs, Norman Tebbitt, was substituted for The Hobbit.

Sadly, Diceman didn’t last long. There are still underground comic strips and graphic novels with a strong political content. Counterpunch a few weeks ago carried an article about one attacking the current situation in America. And two years ago Mills announced another graphic novel containing an anthology of strips to counter the establishment propaganda about the First World War. Role-Playing Games like Dungeons and Dragons and various others based on H.P. Lovecraft’s Cthulhu mythos are still played, despite being overtaken by video and computer games. And Judge Dredd and 2000 AD and its other characters, like Slaine and the A.B.C. Warriors have survived into the 21st Century. Unfortunately, so have the Conservatives, Neoliberal economics, a political cult based around Reagan and Thatcher as visionary politicians, for whom it is tantamount to horrible blasphemy to criticise. And Obama and the Conservatives in this country also seem to want to pitch the world into another nuclear confrontation with Russia, this time over the Middle East.

Perhaps it’s time for a few more politically orientated satirical strips. Maybe one in which you play David Cameron, and have to avoid destroying the economy, making millions homeless and starving, and trying not to break up the UK while fighting the EU. All the while breaking trade unions, protecting the rich and powerful, and keeping the population as poor and desperate as possible. With the option of doing it all again as Theresa May.