Posts Tagged ‘Satire’

Ian Hislop Tackles Fake News with Reassurances about Lamestream Media

October 8, 2019

I watched Ian Hislop’s Fake News: A True Story last night. I blogged about it a few days ago after reading the blurbs for it in the Radio Times. It seemed to me that part of the reason for the programme’s production was the Beeb, and by extension, the mainstream media as a whole, trying to reassure the public that they were truthful and reliable by tackling what is a genuine problem. I don’t think I was wrong. Hislop is a good presenter, and the programme was well-done, with eye-catching graphics. As you might expect from Hislop’s previous programmes on British heroes and the the British education system, it was strong on history. He pointed out that while Donald Trump used it to described factual news that he didn’t like, because it criticised him, the term actually predated Trump all the way back into the 19th century. He illustrated this with quotes and contemporary cartoons. But it was also a very much an establishment view. The last piece of fake news created by the British state it mentioned was a story concocted during the First World War that the Germans were boiling down human bodies for their fat and other chemicals. It presented the main threat to truthful reporting as coming from the internet, specifically software that allows the mapping of a public figure’s face onto the body of another to create fake footage of them, Alex Jones and Infowars, and, of course, the Russians and their adverts and propaganda for the American election. We were assured that the British state no longer interfered in the politics of other countries. A former BBC official, now running the New York Times, appeared to talk to Hislop about how papers like his now spend their time diligently fact checking stories. He also talked to the MP, who called for an inquiry into fake news in parliament. All very reassuring, and very misleading.

The New York Sun Moon Hoax and the Spanish-American War

The programme began with the 1836 Moon hoax story run by the New York Sun. The Sun was one of the first tabloid newspapers, aimed at a working class audience with the low price of only a cent, a price a sixth that of its competitors. It published a series of articles claiming that an obscure British astronomer had discovered man-bats, unicorns and bison on the Moon. The story ran for six days until it was exposed as a hoax by a rival newspaper. The next item in this list of journalistic infamy was about the attempts by Pulitzer and William Randolph Hearst to start a war with Spain in support of Cuban rebels at the end of the 19th century. There wasn’t much fighting going on, and there weren’t any available reports of Spanish atrocities to inflame the patriotic, moral sentiments of the American public. So they made them up. The papers first claimed that a young American woman had been brutally strip-searched by suspicious Spanish male officials. Well, not quite. She had been searched, but privately by a respectable older Spanish woman. When that didn’t work, they seized on an explosion that destroyed an American ship in harbour. In all likelihood, the ship was destroyed by an accident. The papers claimed, however, that it had been destroyed by the Spanish, while issuing a small caveat stating that the cause had yet to be determined. And so the papers got the war they wanted.

The programme then moved on to the American Civil War, and the exploits of one of the world’s first photojournalists. This gentleman used photography to bring home with hitherto unknown realism the horrors of that conflict. But he was not above faking some of the photographs. One of these was of a young Confederate soldier lying dead in a trench. In fact, the photographer had dragged the corpse into the trench from elsewhere, move the head so that it faced the camera to make it even more poignant, and added a rifle that the photographer himself always carried. This little episode was then followed by the story of William Mumler and his faked spirit photographs. Mumler ended up being prosecuted for fraud by one of the papers. However, while the judge sympathised with the papers, the prosecution hadn’t proved how he had faked it. They merely showed he could have done it in nine different ways. And so the case was dismissed, Mumler went back to faking his photos for a satisfied, grieving clientele, one of whom was the widow of Abraham Lincoln.

Deepfake and the Falsification on Online Images

This brought Hislop on to the Deepfake software, used by pornographers for adding the features of respectable actors and actresses onto porn stars. This was used to map Hislop’s own features onto the mug of a dancer, so that he could be shown doing the high kicks and athletic moves. He also interviewed a man, who had used it to parody Barack Obama. Obama’s face was mapped onto a Black actor, who mimicked the former president’s voice. This produced fake footage in which Obama said, with statesman like grace and precision, that Donald Trump was a complete dipsh*t. He also interviewed another young man, who was producing fake stories on the internet, which were nevertheless clearly labeled satire, intended to rile the Alt-Right by feeding their hate and paranoia. Hislop asked him if he wasn’t actually encouraging them. The man stated that he wasn’t converting anyone to the Alt-Right. They were already angry, and stupid if they didn’t read the statements that what they were reacting to was fake. He was just showing up their stupidity.

The Protocols of the Elders of Zion

The programme then moved on to the noxious Tsarist forgery, the Protocols of the Elders of Zion, which is one of the main sources for the bogus conspiracy theories about the Jews running everything. He pointed out that it was first run in Russian newspaper, which blamed them for introducing capitalism and democracy into Russia. Then in 1917, they were updated to claim that the Jews once again were responsible for the Bolshevik Revolution. Hislop said very clearly, waving a copy of the infamous book he’d managed to get hold of, that it was long and contradictory. It had also been disproved as long ago as the 1920s, when the Times in a series of articles showed that it was based on an 18th century novel that had nothing to do with Jews. This showed how the press could correct fake news. He himself said that, whereas when he started out as journalist, he spent move of his time trying to get new stories, now he spent most of his time checking them. Despite its falsehood, the Protocols were seized on by Goebbels, who insisted that it was spiritually true, if not literally, and had it taught in German schools. This was a different approach to Hitler, who had argued in Mein Kampf that it’s very suppression by the authorities showed that it was true. Nevertheless, the wretched book was still available all over the world, illustrating this with Arabic versions on sale in Cairo bookshop.

Infowars and Pizzagate

The programme also showed a contemporary conspiracy theory. This was the tale spun by Alex Jones on Infowars that the Comet pizza parlour was supplying children to be abused and sacrificed by the evil Democrats. Talking to the parlour’s owner, Hislop heard from the man himself how he and his business still suffer horrendous abuse because of this fake story. But it got worse. One day a few years ago a young man, incensed by what he had heard online, came into the story with a high-powered rifle, wishing to free the children. The conspiracy theory about the place claimed that there was a basement and tunnels running to the White House. The proprietor tried explaining to the man that there was no basement and no tunnels. The gunman went through the building until he found a locked door. He fired a few rounds into it, destroying the store’s computer. Hislop found this ironic, considering computers were the medium that spread it in the first place. The man then lay his gun down, put his arms up and let himself be arrested. It was a peaceful end to a situation which could have resulted in many people dead. But even this horrible incident hadn’t silenced the conspiracy theorists. They still believed that the stories were true, and that the incident had been faked with an actor as a false flag.

Russian Interference

The programme then went on to talk about Russian interference in American politics, and how they had set up a bot army to spread adverts aimed at influencing the result of the American election. RT was deeply involved in this, as the Russian state-owned news service was defending the country and its leader, Putin, from allegations that this had been done. It had also spread lies denying that Russia was responsible for the Skripal poisoning.

British Propaganda and the First World War

Had the British state done anything similar? Yes, in 1917. This was when the War Office, tired of the First World War dragging on, had seized on the news that the Germans were boiling down animal carcasses for their fat, and elaborated it, changing the corpses into human. Some might say, Hislop opined, that this was justified, especially as the German had committed real atrocities. But if we told lies like that, that meant we were no better than they. Stafford Cripps, who served in Churchill’s cabinet during the War, said that if winning it meant using such tactics, he’d rather lose. The fake story about human carcasses also had an unforeseen, and deeply unpleasant aftereffect. Following the realisation that it was fake, the first news of what the Nazis were doing in the concentration camps was also initially disbelieved. We don’t do things like that now, he said. And in a side-swipe at the ‘Dodgy Dossier’ and Saddam Hussein, he said, that no-one would believe stories about a mad dictator possessing weapons of mass destruction.

The Message: Trust the Mainstream Media

Hislop and his interlocutors, like the MP, who’d called for an inquiry into fake news, agreed that it was a real problem, especially as over half of people now got their news from online media. But the problem wasn’t to regard it all with cynicism. That is what the retailers of fake news, like Putin and RT want you to do. They want people to think that it is all lies. No, concluded Hislop, you should treat online information with the same scepticism that should apply to the mainstream media. Because there was such a thing as objective truth.

The Mainstream Media and Its Lies: What the Programme Didn’t Say

Which is absolutely right. There is an awful lot of fake news online. There’s also an awful lot of fake news being retailed, without any objection or scepticism by the lamestream media. And the only people tackling this fake news are the online blogs, vlogs and news sites. I’ve mentioned often before the anti-Semitism smears against Jackie Walker, Marc Wadsworth, Ken Livingstone, Mike, Martin Odoni, Tony Greenstein, Chris Williamson, and too many others. It’s all fake news, but there is not a word against it in the lamestream press, including the Eye. I’ve also mentioned how the British state during the Cold War had its own disinformation department pushing fake news, the IRD. This also turned to smearing the domestic, democratic Left in the shape of the Labour party and CND by claiming that they had connections to the Communist bloc. And in the case of Labour, that they supported the IRA. This is documented fact. Is it mentioned by the Beeb and the rest of the lamestream media? Don’t be daft! Is it still going on today? Yes, definitely – in the shape of the Democracy Institute and the Institute for Statecraft, which have connections to British intelligence and the cyberwarfare section of the SAS. And they are smearing Corbyn as too close to Putin, along with other European dignitaries, officials and high ranking soldiers. And we might not seek to overthrow government, but the Americans certainly do. The CIA has a long history of this, now given over to the National Endowment for Democracy, which kindly arranged the 2012 Maidan Revolution in Kiev, which threw out the pro-Russian president and installed a pro-Russian one. As for the New York Times, the editors of Counterpunch showed in their book on official propaganda in the American media, End Times: The Death of the Fourth Estate, how the Grey Lady ran a series of articles of fake news to support George Dubya’s invasion of Iraq. The Beeb has also done its fair share of broadcasting fake news. It’s supported the bogus allegations of anti-Semitism against Corbyn and his supporters. It altered the footage of the fighting between police and miners at the Orgreave colliery during the miners’ strike to show falsely the miners attacking the police. In reality, it was the other way round. And then there was the way they edited Alex Salmond in a press conference during the Scottish Referendum. The Macclesfield Goebbels, Nick Robinson, had asked Salmond a question about whether the Edinburgh banking and big financial houses would move south if Scotland gained its independence. Salmond replied with a full answer, explaining that they wouldn’t. This was too much for the Beeb, which edited the footage, subsequently claiming that Salmond hadn’t answered fully, and then denying that he had answered the question at all. It was fake news, courtesy of the Beeb.

Mike and the Sunday Times’ Smears

None of this was mentioned, unsurprisingly. The result is a cosy, reassuring view of the mainstream media. Yes, fake news is out there, but it’s being done by internet loons and nasty foreigners like the Russians. But never fear, all is well. The mainstream media can be trusted to check the facts, and give you the truth. Except that they don’t check the facts, or when they do, immediately ignore them. As Gabriel Pogrund and the editor of the Sunday Times did when they wrote their nasty hit piece on Mike. Pogrund rang Mike up, Mike explained very clearly that he certainly was no kind of Jew-hater and certainly did not deny the Holocaust. Pogrund and his editor ignored that, and published their piece anyway. Complaints to IPSO then followed. Mike won, but some people still continue to believe the lies.

You can’t trust the lamestream media. Instead, I thoroughly recommend you go for corrections and alternative views to the left-wing blogs, vlogs and news sites like Mike’s, Vox Political, Another Angry Voice, Zelo Street, the Skwawkbox, Gordon Dimmack and the American sites, Sam Seder’s Majority Report, The Michael Brooks’ Show, the David Pakman Show, Democracy Now! and the work of Abbie Martin attacking the American Empire and Israeli apartheid and ethnic cleansing. Those sites provide an important corrective to the lies and falsehood being daily fed to us by the lamestream media. Including the Beeb.

 

 

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Musical Satire: Tweezer Sings about Arlene Foster and the DUP to the Tune ‘Jolene’

November 21, 2018

This is a bit of Cassetteboi-type fun from the YouTube channel Joe.com. Cassetteboi cuts and edits footage of politicians and celebrities to make them appear to be saying stupid and ridiculous things. One of their greatest hits was at the 2012 London Olympics, when they made Boris Johnson look even more of a pratt than he already is.

The people of Joe.com have done the same to Tweezer, mocking her reliance on Arlene Foster and the Loyalists of Northern Ireland’s DUP. It’s a relationship which is increasingly looking very rocky since Foster’s withdrawal from their Confidence and Supply agreement over the issue of Brexit and a hard border with Eire. Yesterday, as Mike explained in his blog post, the government’s position was so precarious that they had to swallow their pride and accept all of Labour’s amendments to their wretched budget, otherwise the result could have been that it was voted out completely, followed by a ‘No Confidence’ vote on Tweezer and a general election.

So the channel has put up this video of Tweezer singing about their dubious relationship to Foster, which has the lyrics

Arlene, Arlene, Arlene,
Arleeeeene,
I’m begging of you
Please don’t break my plan.

Arlene, Arlene, Arlene,
Arleeeeene,
Please don’t break it
Just because you can.

I gave you one billion pounds
So that you would not vote me down
So please don’t turn your
Back on me, Arlene.

When you’re not denying dinosaurs,
You insist on having UK laws
Except abortion and Gay rights,
Arlene.

You only have 10 MPs
But it’s you that I need to appease
My time is up
Without your help, Arlene.

If you vote this budget down,
You end up with that Boris clown,
Be careful what you wish for,
Arlene.

Arlene, Arlene, Arlene,
Arleeeeene,
I’m begging of you
Please don’t break my plan.

Arlene, Arlene, Arlene,
Arleeeeene,
Please don’t break it
Just because you can.

Visual highlights include May pulling back the bedcovers in front of Foster to reveal masses of pound notes, Boris Johnson in clown make up, and copies of Foster’s head appearing from clouds to surround Tweezer.

Mike Smeared Again by Fake Anti-Semitism Accusers for Comic Strip

November 3, 2018

The Blairites and the Israel lobby must be getting the jitters about Mike and his forthcoming hearing to clear his name in the Labour party. And it looks like they’re absolutely terrified that he’ll get the money he needs to sue the newspapers and individuals that started the smears for libel. So they’ve decided to smear him again.

In a piece he put up on Thursday, Mike explains how he was told by a friend through email that a bunch of clowns calling themselves JVLWatch were on twitter. They were targeting those, who had contributed to his crowdfunding campaign to raise money for his libel case by misrepresenting a strip Mike created and wrote for his small press comic, Violent. Violent was Mike’s tribute to Action, the 1970s comic that drew outrage for its violent, gory content and ended up being banned. Its creators then went on to produce the mighty 2000AD. The strip JVLWatch cited as proof that Mike’s a Nazi is his satirical strip, ‘Hardboiled Hitler’. In this strip, Der Fuehrer is given superpowers similar to those of captain America. But while Cap’s powers are acquired decently, Hitler instead steals the syringe containing the supersoldier serum, and injects it into himself in a disgusting toilet.

Mike makes the point that he wrote the strip to satirise Adolf and Nazism, and to warn people about the dangers of their return. The Sun and the Sunday Times also tried to use the strip to show that Mike was a Nazi, and their case was dismissed out of hand by IPSO. As for Hitler punching through gas clouds to justify Aryan supremacy and the extermination of Jews, as JVLWatch claim, this is nothing of the sort. Yes, the strip shows Hitler surrounded by clouds of poisonous gas, but it’s the type coming from the Fuehrer’s bottom. Hitler suffered from meteorism – chronic flatulence. Apparently when he was in full rant, the noises from his rear end sounded off like cannonades. This is obviously not the image the Nazis want to present of their Aryan messiah. And so it is definitely one of the images Mike was determined to show in the strip, to present him as a kind of Fascist ‘Barry Fartpants’. And so Mike included in his piece about the accusation this image:

The caption for it on Mike’s blog is:

—Extreme flatulence: According to JVLWatch, this is a sign that Hitler is being portrayed as a superhero. How many superheroes do YOU know who have the farts?

Well, there is one: Mr. Methane, a man who turns up in superhero costume and makes his living breaking wind in supposedly funny and amusing ways. Like the original Le Petomane in 19th century France, who could fart the tune of the Marseillaise, ending with the fall of the Bastille. But he’s the only one.

For further information, go see Mike’s blog, where you can read the defence he gave to IPSO, and a story from the strip to show this mocks Hitler as a clumsy, posturing clown.

See: https://voxpoliticalonline.com/2018/11/01/fake-anti-semitism-accusers-are-fabricating-hate-to-turn-opinion-against-the-innocent/

Now I’ve some interest in the ‘Hardboiled Hitler’ strip, because I studied the rise of Fascist and Communist regimes as part of my history degree at College in the 1980s. Mike asked me for bits of historical information about Hitler and his squalid, murderous band.

And I confirm that Mike’s intention was always to satirise and humiliate the Nazi leader. He very definitely had no intention whatsoever of making him appear glamorous, or glorifying the Nazi regime.

And the literary style Mike is using to satirise Hitler is called ‘mock heroic’. It’s been used in British literature since at least the 18th century. In it, you give the objects of your ire a heroic treatment in order to show up their failings and paltry character. Which Mike has done here admirably.

I can also remember talking to Mike about the serious issues of the Nazi regime. At that stage, I don’t think Mike had any firm ideas regarding the story, but he was determined that if it did cover issues like the Death Camps, these would be presented absolutely straight. They would be written as grim as possible, with every sympathy going to the Nazis’ victims. Because the systematic slaughter of innocents, Jews, Blacks, or anyone else, is never, ever a laughing matter. He made it very clear to me that if he did show that aspect of the Nazi regime, it would be to shock readers with the terrible reality, to make the point that Nazism, although a suitable subject for satire and comedy, was also absolutely horrific. To make the point that the Nazis deserve to be sneered and laughed at, but the danger they represent should never be underestimated.

I should also point out here that the British comics milieu, as it is now, is very definitely not racist. Certainly not the parts I’ve seen. Mike and I grew up reading Marvel Comics, enjoying the creations of Stan ‘the Man’ Lee, ‘Jolly’ Jack Kirby and others. The American comics industry was the creation of American Jews, as shown in the book about the origins of the superhero strip, Men of Tomorrow. The creators of Superman, for example, Jerry Siegel and Joe Shuster, were both Jewish. As is Stan, and Jack Kirby. The Jewish background of Superman’s creators may explain why the Nazis hated the Man of Steel. They attacked him as a Jewish plot to destroy Aryan culture. The last thing Hitler wanted was a guy with superpowers, devised by two Jewish blokes, flying around defending Truth, Justice and the American Way, and particularly not Democracy. If you want to see something of the background in which many of the creators of the American comics industry grew up, try Will Eisner’s A Contract with God and Other Tenement Tales.

American comics often explicitly dealt with racism and prejudice. In one episode of the Superman radio series, the Man of Tomorrow went into action against the Klan. The episode was praised by civil rights and Jewish groups, including the NAACP – National Association for the Advancement of Coloured People. In the 1970s both DC and Marvel characters went out, exploring the contemporary racial issues around them. New, Black characters were created. In Marvel, these were the Falcon, Brother Voodoo, Powerman, alias Luke Cage, hero for hire, and the X-Men’s Storm. In fact the X-Men can be read as a reflection of the position of racial and sexual minorities in America. They’re a persecuted underground of people, set apart from normal society, like people from ethnic minorities and gays.

And these stories would deal explicitly with the horrors the Nazis perpetrated against the Jews, and would still like to do. I can remember reading one comic, in which the transhuman Nazi villains Armin Zola and his buddies were trying to create the Cosmic Cube. This was an object that gave its possessor godlike powers over the entire cosmos. They were using humans, wired up into a computer, to perform the calculations needed to create the artifact. However, the calculations were so difficult, they burned out the brains of the unwilling human components, leaving them mindless, drooling idiots. And so the people they were using in this grotesque experiment were Jews. The strip featured the attempts of the story’s heroine to save to her lover, Yusuf Tov, from this fate. And tragically, she’s unsuccessful.

I’m very much aware that this is a science fictional treatment of the Nazis, and that objects like the Cosmic Cube don’t exist. And Nazis themselves don’t look like Arnim Zola, who had upgraded himself through high technology so that he was now a TV with arms, legs and an aerial where his head should be. But it made the point that the Nazis had absolute contempt for human life, and regarded Jews as worthy only of exploitation and murder.

And on this side of the Atlantic, there was Pat Mills and the recidivists of 2000AD, the Galaxy’s Greatest Comic. Many of the strips there had a very definite anti-racist content. ‘Strontium Dog’ was set in a future Britain devastated by nuclear war. The Strontium Dogs of the title were mutant bounty hunters, named after Strontium 90, one of the products of nuclear fallout. These were deformed men and women, who were forced to live in ghettos. By law, bounty hunting was the only job they could do. And when they travelled anywhere around the galaxy, it was very definitely in steerage. The strip’s hero was Johnny Alpha, his norm partner Wulf, and their alien friend, the Gronk. One story in the 1980s was about the attempts by Nelson Bunker Kreelman, Alpha’s father, to exterminate Britain’s mutants while trying to hide the fact that his son was one of them. It’s definitely not hard to see that the strip was an anti-racist metaphor.

As was ‘Nemesis the Warlock’, set in a far future where Earth was under the control of the Terminators, a Klan-like outfit led by their Grandmaster, Tomas de Torquemada. They were a pseudo-religious order, who had led humanity into a new Dark Age, and were rabidly against all forms of alien life. Their leader took his name from his own hero, the head of the Spanish Inquisition in the 15th century.

Mike was given considerable assistance with Violent by many professional comics writers and artists, many of whom have worked for the mighty 2000AD. They’re great people, immensely talented, and if they had thought for a single minute that Mike’s strip was a genuine glorification of the Nazis, they wouldn’t have touched it or him with a bargepole.

As for the group which made these despicable allegations, their name reveals what they’re really terrified of: left-wing, Israel-critical Jews, and Jewish Corbyn supporters. Like Jewish Voice for Labour. And here we get into real racism and anti-Semitism. As I’ve also blogged about ad nauseam, the Israel lobby hate with a venomous passion self-respecting Torah-observant and secular Jews, who criticize Israel and support Corbyn. Because they give the lie to their propaganda that Zionism, Israel and Jewry are identical. And so they do everything they can to smear them as self-hating, anti-Semitic and use foul language against them, including wishing that they had died in the Holocaust. Tony Greenstein has made the point that Zionism is a Jewish form of anti-Semitism, because it holds that gentiles and Jews are fundamentally incompatible and that gentiles will always hate Jews. Hence their contempt for diaspora Jews, who wish to remain in their parents’ homelands, and who regard Israel with contempt for its colonialist maltreatment of the indigenous Arabs.

It is not Mike and his fellow comics professionals who are at fault here. It is the shabby people of JVLWatch, who had behind internet anonymity to smear and revile decent, anti-racist people and their campaign for a better, more inclusive, tolerant Britain.

Evening Standard Set to Sell Editorial Independence to Big Business

June 4, 2018

This is a very sobering video from Novara Media, which shows precisely how degraded the mainstream media is becoming, and implicitly, why independent news outlets like Novara and the other news sites and shows I repost here are so necessary.

Aaron Bastani reports and comments on an article put up by Open Democracy last Wednesday that the Evening Standard is due to sell its editorial independence to big business tomorrow, 5th July 2018. This move, led by editor George Osborne, who not at all coincidentally used to be Dave Cameron’s Chancellor of the Exchequer, will see the paper sell positive coverage to firms like Google and Uber for £3 million. Bastani states that this is important, as it breaks down the divide between journalism and paid-for advertising content. But, he continues, it’s nothing new.

He then talks about how the Evening Standard is owned by a collection of shady Russian oligarchs, and reflects their business interests. He goes on to describe how the media is increasingly dominated by Tory politicians. The first person to interview Donald Trump when he became president was Michael Gove in the Times. Danny Finkelstein is a Tory lord, and the Standard’s Associate Editor. Robbie Gibb, who is the brother of a Tory MP, and was Theresa May’s head of communications, edited the Beeb’s Daily and Sunday Politics. Boris Johnson has a column at the Torygraph, even though he’s Foreign Secretary.

Bastani concludes that the revolving door between politics, industry and the media has vanished, and those hitherto separate areas have become fused. He makes the point that while quality journalism is a public good, if it’s left to Osborne, Johnson, Gove and Lebedev we will have ‘a profoundly broken society’.

Bastani’s right, but this is just the latest development in a process that has been going on for a very long time. Editorial independence in many papers declined in the 1980s, when newspapers like the Observer were bought up by magnates with interests in multiple industries. Tiny Rowland, who owned the Observer, owned mining concerns in Zimbabwe, and so spiked stories that paper wanted to run exposing human rights abuses there. I also remember how, in the 1990s, Private Eye also ran articles every so often revealing how the Observer had published yet another glowing article about a country or corporation, without revealing that it was a puff piece paid for by the nation or company featured.

It’s also been the case that politicians very often have had their own columns in the papers, or written the odd article about a particular issue. Sometimes this happened after they left office. For example, David Blunkett was given a column in the Sun by Rupert Murdoch. As for Robbie Gibb at the Beeb, Mike’s put up a number of articles about the way the news department at the Beeb is dominated by members of the Tory party, including Nick Robinson and Laura Kuenssberg. And it seems every couple of months someone else leaves the Beeb to work for the Tories. But the Corporation still keeps on pompously denying that it’s biased, despite its vicious attacks on Jeremy Corbyn and the Labour party.

But Bastani’s piece does show how far this process has gone, and is set to go, with the Evening Standard providing puff pieces for global corporations as news, while being packed, like the rest of the right-wing media, with Tory MPs. It’s almost a case of life imitating art. Or rather satire. Remember a few years ago, when people started satirising the corporate media with comments like ‘And now for our corporate approved content’, and slogans like ‘Remember: Corporate loves you.’ It now looks almost like Osborne saw the satire, but thought it was a good idea.

Until the mainstream media reforms itself, it has shown that it absolutely cannot be trusted. And people are far better off taking their news from the alternative media instead.

India Unveils Their Robocop

January 7, 2018

And it’s less than impressive. In Paul Verhoeven’s violent and satirical film, the Robocop of the title was a cop, Murphy, who had been set up by the company now owning the Detroit police force, Omni-Consumer Products, to be gunned down by hoodlums so that he could be re-engineered into a ruthless crime-fighting cyborgs. Of course, Murphy then rediscovered his true, human identity through a dream his human handlers were too slow to suppress. Furious, he then went off to wage his war to bring the men, who attacked him to justice and overthrow the corrupt and ambitious corporate intriguer, who had authorised the whole illegal programme and was now trying to overthrow the wise and kindly paternalistic company head.

It was violent and like Verhoeven’s later Starship Troopers, sharply satirical, with fake adverts for slickly insincere medical companies and sadistic home and car security devices running alongside a depiction of a city rapidly running out of control, overrun by gangs and terrorists. An exaggerated image of Reagan’s America.

This robot, by contrast, is much more staid and limited. The first part of this video starts more or less like a rock promo, with the machine trundling forward to a pop soundtrack. It has now legs, and consists of a human-like torso with arms and a head, supported on a pillar-like extension, widening at the base. There are clearly wheels inside, allowing it to move. It’s Indian inventors are clearly proud of it, as well they should, but its applications are strictly limited. It’s to help in only certain types of crime, and, er, traffic direction. But it does have a touchscreen and keypad to get you in touch with real cops for more serious offences. The company spokesman states that it’s not intended to put real people out of work. Which is a relief, given the grinding poverty in India itself, and over here.

However, this whole invention does remind of yet another story from the hallowed pages of 2000 AD. Remember Abelard Snazz, the Man With the High-Rise Head? The Double-Decker Dome genius problem solver, with two sets of eyes, one above the other on his enormous forehead? Snazz was an interstellar problem-solver, called upon by planets to find solutions for pressing issues. And whatever he did, always made the situation worse. Much worse. In his first outing, he was called upon by the authorities of a world suffering a massive crimewave. He solved that by building an arm of police robots. Who were too successful. Not only did they eradicate crime by arresting all the criminals, they start arresting ordinary people for completely imaginary offences. Like wearing brown shoes as a crime against fashion.

How do you deal with out of control robot cops? Easy. Snazz then builds an army of robotic crooks, to keep the robot cops occupied solving real crimes. These have the stereotyped striped jumpers, masks and hats, worn by all thieves in comics of a certain vintage.

However, there’s a problem with this. Human bystanders are being injured in the conflict between the robo-crims and the robocops. So how does Snazz solve this conundrum? He has another drink of his favourite tipple, the Syrian sentient milkshake, before designing an army of robotic innocent bystanders, who cry out electronically for the cops’ help as the robo-crims commit their skullduggery.

At which point, the whole situation is well out of anyone’s control, the maniac machines have well and truly taken over. Thanks to them the planet is absolutely uninhabitable for sane, humanoid life, and the planet and its inhabitants are forced to leave in an exodus of spacecraft. All the while blaming Snazz, who they manage to get rid of.

Every one of Snazz’s adventures ended this way, with his irate former clients shoving him out of an airlock, or forcing him down a giant Jacuzzi, or stranding him on top of a giant rubic’s cube, which it then takes him six million years to solve. Or falling into a Black Hole. The tales were hilarious, and written by Alan Moore when he could still write ha-ha, rather than turn to the serious issues, which have made him one of the foremost figures in British and American popular literature.

It’ll be a very long time before we have police robots anywhere near as efficient, or even as autonomous, as those of Robocop and Snazz. But there are serious issues. There’s a video by The Young Turks about how the authorities in one American city are using robots to harass rough sleepers. And a few years ago scientists around the world were alarmed by plans to develop automatic robot soldiers, which would kill a programmed, without conscience or mercy. Kevin Warwick, the head of robotics at Reading University, warns about such machines in his book, March of the Machines. On the top floor of his building, they’ve got a robot firefighter. It’s armed with a fire-extinguisher, and a neural net to help it recognise fires. But he points out, that all you need to do is replace the extinguisher with a gun, and programme it to recognise and kill people with blue eyes, and it will go off and execute its murderous work remorselessly. The threat is there, and genuine.

As was shown in the original Robocop movie. In that film, OCP turns to using cyborgs because the wholly robotic law enforcement machine suffers from a series of severe computer flaws. Most obviously when it fails to recognise that the board member, who has been waving a gun at it as part of a demonstration has actually complied with its wishes and put the gun down. It then shoots him multiple times before leaving him for dead.

We haven’t got there just yet, and the Indian robotic policeman ain’t heading in that direction. But the threat is there, nonetheless.

Robohunter: 2000 AD’s Warning about Crazed Robots?

December 29, 2017

Now for something a bit lighter. What struck me watching Six Robots and Us on BBC 2 last night, was how similar the real robots given to the six families to help them with their problems resembled the demented machines drawn by art robot Ian Gibson for 2000 AD’s ‘Robohunter’ strip. Written by script droid John Wagner, who was Pat Mills’ partner in crime behind Judge Dredd, ‘Robohunter’ was about a future private detective, Sam Slade, who specialised in hunting down rogue robots. In his first adventure, Slade is sent to Verdus, a planet colonised by robots ready for eventual human occupation. But the robots have developed so rapidly, that they now exceed humans in strength and intelligence. Programmed to regard humans as their superiors, they simply don’t recognise the inferior organic beings that turn up as humans, and so incarcerate as experimental animals in concentration camps.

‘Robohunter’ was one of my favourite strips in 2000 AD. It was Science Fiction, but had the wit and style of an old-fashioned hardboiled detective thriller from the thirties or forties. Slade – ‘that’s S-L-A-Y-E-D to you’ was something like a futuristic Sam Spade. Which meant that he was frequently being beaten up by the villains, before fighting his way out with a few laconic witticisms. And the robots drawn by Gibson were imaginative and convincing, with the same type of cartoony features as the robots used in Six Robots and Us.

And like very many of the other strips in 2000 AD, ‘Robohunter’ was also sharply satirical. Here’s Wagner’s and Gibson’s take on the British parliament, from the collected strips Robo-Hunter: Verdus, by John Wagner, Ian Gibson, Jose Luis Ferrer and Jose Casanovas, published by Rebellion/ 2000 AD.

Okay, so the robots sent to the families weren’t demented killing machines intent on enslaving us. In fact the Shopbot sent to a supermarket in Glasgow offered people hugs. One of the store workers observed shrewdly that he had nothing against the machine, as long as it didn’t put human employees out of a job. Quite.

And some of them actually didn’t work very well. The Carebot sent in to look after a lady with MS, thus allowing her husband some time away from looking after her, actually couldn’t physically help her. It could only remind her and her husband when she needed to take her medicine and to call him on the mobile if there was something wrong. Unfortunately, it used the internet, and so the moment the husband was out of wifi range, the connection went down and it was more or less useless.

So they’re not quite like the robots in ‘Robohunter’ just yet. But we have been warned!

Another Satirical Song: Boris Johnson and Gove Sing ‘Reunited’

December 5, 2017

This is another piece of musical satire from Dutch Wogan on YouTube. In this piece, he has Boris and Gove talk about getting back together again with the help of Rupert Murdoch after stabbing each other in the back. Here’s the lyrics:

GOVE: I was a fool to ever stab your back
Gove minus Boris is a lonely track
My leadership bid backfired when Maybot got rid
Thankfully Rupert Murdoch got me reinstated
Hey hey

BORIS: I spent the evening watching BBC News
And laughed my arse off when I saw you lose
I got foreign sec while you got it in the neck
But now let’s work together ‘cause the government’s a wreck
Hey hey

BOTH: Reunited and it feels so good
Reunited ‘cause we understood
To achieve our dream we need to work as a team
We both are so ambitious, so we’re reunited
Hey hey

Spoof Mastermind with Theresa May: Blaming the Last Labour Government

December 5, 2017

More satire aimed very squarely at the Tories. This little piece was put up on YouTube by Dutch Wogan. It’s a send-up of Mastermind, in which May responds to every awkward question about the failures of her own party and their policies by blaming the last Labour government. Just as May has been doing herself in reality recently.

In fact, the Tory tactic of blaming everything on Labour, no matter how long ago Labour were previously in power, or how far-fetched their explanation for Labour’s responsibility is, has become something of a cliché itself. Way back in the 1990s – I think it was that long ago – Harry Enfield did a short piece about the answer you’d get from a Tory politician if you simply asked him for the time.

He put on the blustering, haranguing tone, and said, ‘I cannot tell you the time right now. But I can tell you, that whatever time it is, it is a far better time than we had under the last Labour government.’

Okay, so it’s not quite the standard answer of blaming the last Labour government, but it’s close, and shows just how tired and hackneyed their responses and knee-jerk attacks on Labour to divert attention away from their own, glaringly manifest failures are.

May and the Tories, as Mike’s pointed out, have had seven years to sort out the country’s problems and cut the deficit. They haven’t, because fundamentally they don’t want to. They want to continue squeezing ordinary working people, privatising the Health Service and destroying what’s left of the welfare state, all under the pretext of tackling the deficit. Which in fact is just a cover for policies designed to enrich the bloated and exploitative 1 per cent even more.

It’s high time these clichés and the people, who mouth them, were stopped, and a proper Labour government returned to power.

The Iain Duncan Smiths: ‘All I Want For Christmas Is Universal Credit’

November 25, 2017

This is another song attacking the Tories, like last years – or the year before that’s – ‘Liar, Liar’. This time its by a group called the Iain Duncan Smiths, and it tears into him and Universal Credit. Singing as him, they say they want Universal Credit rolled out across all constituencies, and for people to pay for the phone calls to take out an advance loan. They also state that they want to keep you waiting for longer than six weeks. That’s a month without money. They also have him telling people to shut up and be positive about Brexit. While on his own personal source of wealth, the Gentleman Ranks intones ‘Affluence, man, I wed it!’ Yes, he’s another Tory waster, who’s got a rich wife or partner.

RT America Fights Back with Spoof of Corporate American Smears

October 28, 2017

This is a great little video from RT America, where their Editor-in-Chief, Margarita Simonyan, responds to the political and corporate witch-hunt against RT by pretending to show how the Russian-owned broadcaster really operates. It shows her counting out her ill-gotten gains in the company of a bear, natch – this is a Russian company. She moves around dressed in the characteristic Russian fur hat, as do many of her workers, who are shown as the bullied drones of Russian industry. And even the cleaning ladies take their orders directly from Moscow. The expats are kept shackled in the basement as evil defectors, and in the studio for foreign news all the supposed ‘live’ footage from places like Syria are in fact fakes, generated through computer graphics and the green screen. Further consultation with her senior staff takes place in a darkened room where everyone is wearing Red Army uniforms. And the news readers themselves are kept chained to their desks.

The clip concludes with a selection of various quotes on the screen by alarmed political figures and former journalists with the network, all going on about how it’s a terrible threat to American freedom and democracy. You won’t be surprised to see that amongst the Republicans there are various figures from Hillary’s branch of the Democrat Party.

The video then ends with the promise ‘Don’t worry – we’ll keep annoying them!’

This puts the lie to the stereotype that the Russians are naturally dour with no sense of humour. Yes, they have a word for ‘funny’ – it’s ‘smeeshno’, and this is very smeeshno indeed. And much of that humour was expressed in political satire. Try Gogol’s The Government Inspector. Written in the 19th century by the great Ukrainian writer, this is about a corrupt post office manager, who opens the letters coming through his office and reads them.
The late Peter Ustinov, in an interview in the 1980s described how he was walking around Moscow when a spiv sidled out of an alley. The man asked him if he wanted to buy any videos. So Ustinov said he was interested, and followed him back down the alley, wondering just what videos the man had for sale. The black marketer opened his coat to reveal-

-videos of the British Whitehall sitcom, Yes, Minister.

This was during Perestroika, and the Russians liked it, because it satirised state bureaucracy, just like so much of their great literature.

There are issues of bias, of course. The presenter of The Empire Files, Abi Martin, left RT, or was sacked, because she criticised a Russian military action on air. But that should not put people off watching RT, any more than watching the Beeb uncritically support the current regime of gangsters and Nazis in the Ukraine. I watch and reblog videos from RT on this site, because they cover issues from a left-wing perspective that you don’t see in the mainstream media. And if RT is growing, it isn’t because they are engaged in a fiendish plot to bring down our governments. It’s because they’re actually doing their job as journalists, and holding government and corporations to account, which the Western media has given up doing since they were taken over by big corporate conglomerates in the 1980s.