Posts Tagged ‘Salvador Dali’

The CAA and the JLM are the Israel Lobby’s Version of the ‘Anti-Paki League’

February 24, 2018

The Anti-Paki League were another bunch of extreme right-wing racists, who goose-stepped up and down our green and pleasant land in the 1970s campaigning against coloured immigration, and terrorising Blacks and Asians. They had an ugly name, which exactly expressed the ugliness of the organisation. I first became aware of the Leagues existence when I saw a book on them in the former Midland Educational bookshop in Bristol’s Broadmead in the ’70s or early ’80s. The cover showed a crowd in Klan robes about to behead a prone and screaming Black man.

I’ve chosen the Anti-Paki League to focus on here, rather than other, larger anti-immigrant and racist organisation, like the National Front or BNP, because their name also carries with it undertones of Islamophobia. Pakistan is a Muslim state. It was explicitly set up to be the country where Muslims, who felt excluded by the dominant Hindus in India, could live in according with Qu’ran and the Sunna. Not all Pakistani immigrants are Muslim, however. Many of them have been Christians, who have left their homeland because of the increasing violence and intolerance of their Muslim compatriots.

And Islamophobia and connections to other, nakedly Fascistic British anti-Muslim organisations, run right through the Israel lobby and its organisations like the Campaign Against Anti-Semitism and the Jewish Labour Movement. The racism and Islamophobia at the heart of the Campaign Against Anti-Semitism is very clear in its statement that Muslims are more likely than the rest of the British population to be anti-Semitic, whom they also smear as sharing the same Jew hatred.

As for the JLM, their head, Jonathan Newmark, an unconvicted embezzler from Jewish charities, if the allegations against him are true, turned up to disrupt a film on the sufferings of the Palestinians under Israeli occupation, held at the SOAS university. They did so in the company of the Jewish Defence League, the Jewish branch of the Fascist English Defence League, screaming, hurling abuse and waving flags.

Mike’s been unfairly accused of being an anti-Semite, because the uncomfortable facts he covered about Shai Masot’s attempts to plot the removal and replacement of prominent cabinet ministers, which he rightly described as a conspiracy, was held to be an ‘anti-Semitic trope’.

Well, turning up to a screening of film to disrupt it by flag-waving racial nationalists is a Fascist trope. Since the time of Mosley’s BUF, the stormtroopers of the British Nazi right have used appropriated the Union Flag and other emblems of Britishness for their insignia and rallies. The National Front despised Mosley, but they adopted the same tactic to try to win over members.

And Fascists also aggressively disrupt anti-racist and left-wing gatherings, including films. The parallel to their JDL’s disruption of the film on the Palestinians that comes to my mind is the attack Christian Fascists in France in the 1920s made on the screening of Bunuel’s and Dali’s Surrealist film, L’Age d’Or. As Marxists, the Surrealists were extremely anti-religious with a bitter hatred of Christianity. The French Christian far right objected to the film because it showed a monstrance being thrown into a river, and ended with a group of skeletons lying on a rock wearing clerical vestments such as bishop’s mitres.

And the Israel lobby’s connection to mainstream British Islamphobic Fascism don’t end there. A few months ago Jonathan Hoffman, another prominent member of the Israel lobby was photographed getting very chummy with Paul Besser, the intelligence officer of Britain First, if ‘Intelligence officer’ in this context isn’t a contradiction in terms.

These are fake anti-racist organisations. They don’t exist to protect Jews from real anti-Semitism. They exist to defend Israel and its racist oppression of the Palestinians by pretending to defend Jews from anti-Semitism. And they do this by smearing Israel’s critics, including self-respecting secular and Torah-observant Jews, as anti-Semites.

They are Fascists. The CAA should lose its charitable status, and the Jewish Labour Movement, as a Fascist organisation, should be closed down. Real socialists and anti-racist activists should not be tolerating any racist organisation, no matter what it’s ethnicity is, in their party.

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The Painter of Cyberspace: The Art of Jurgen Ziewe

January 20, 2018

Earlier this week there was a piece in the press announcing that the Turner Prize Committee had decided to go public early about which artworks and artist they were considering. I have strong feeling, like many people, about the Turner Prize. Many of the works seem simply designed to shock, with nothing more substantial underneath. Those that aren’t, are simply banal. It’s highbrow kitsch, which says nothing while claiming that it actually does. And I think modern fine art has reached a dead end. it’s anti-art, which constantly raves about Duchamps’ urinal nailed to a piece of canvas. Duchamps did it to make the point that whatever the artist claimed to be art, was art. It’s over a century old, and the joke’s well past it’s sell-by date. It was always an adolescent, childish prank anyway. To some of these art experts, it’s a hallowed artistic statement that must not be blasphemed in any way. You remember those Chinese guys, who were arrested when they jumped up and down on Tracey Emin’s ‘My Bed’? The same two were planning to urinate in Duchamps’ urinal. Which I feel is in keeping with the piece itself, but the mere thought horrified the keepers of official art.

The real artistic boundaries are being pushed, in my opinion, not by the fine artists, or at least, not by those fine artists currently pushed by the very small clique that defines what ‘official’ art is, like Nicholas Serota. Rather, they’re being pushed by commercial artists and film makers, often inspired by the worlds of Fantasy and SF, using computer graphics. One of the foremost of these, in my opinion, is the German artist Jurgen Ziewe. Ziewe lives over here, and has an English wife. And we are fortunate to have such a talented artist. I do wonder what will happen to other talented EU migrants like him after Brexit, who can’t stay in this country because they aren’t married. We’re going to lose a lot of very talented people.

Ziewe uses computer graphics, including Virtual models of humans and objects, and fractals, to create prismatic, Virtual, interior worlds full of robots, strange creatures, synthetic humans, fairies, wizards, witches, priestesses and temples. He started out making cards showing dolphins under cosmic skies. He’s a very spiritual guy, in a New Age-y sense, and his work is inspired by concepts from Theosophy and C.G. Jung. Here’s some of the picture from Nigel Suckling’s book about his art, New Territories: The Computer Visions of Jurgen Ziewe (Paper Tiger, 1997).

The Fairy Queen

Picnic In Cyberspace

Journey of a Virtual Traveller

Apart from Ziewe, other artists working in film and television have also been using the concepts of computer graphics. One of the features of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy that most impressed me in the late ’70s or early 1980s were the, ahem, computer graphics for the pieces of information provided by the Book. In fact, they were hand drawn, because the computers at the time simply weren’t up to the task of creating pictures that detailed. But the art produced as ‘computer graphics’, was superb, and those, who watched the show were deeply impressed. As an example, here’s a piece from YouTube of the Book describing Vogon poetry.

Further examples can be seen in pop videos. Like this one from the American electro-pop band, Information Society, which uses scrolling alphanumerics to suggest passage through cyberspace in a computer game, made for their track, ‘The Prize’.

Other artistic explorations of medically or cybernetically enhanced vision can be seen in the films Pitch Black and The Chronicles of Riddick and the last of trilogy, entitled simply Riddick. Richard Riddick, the anti-hero in these movies, is a violent criminal, a murderer, who somehow ends up doing the right thing. While in slam for his crimes, he paid the prison doctor 20 menthol cigarettes to have his eyes surgically altered, ‘polished’, so that he could see in the dark. In these flicks, we so bits of the action through his eyes. The scene in Pitch Black, where he sees the predatory aliens pouring out of their underground lairs after the marooned crew of a crashed colony spacecraft, is awesomely beautiful. This is the trailer for the movie.

And this is the trailer for The Chronicles of Riddick.

In this movie, the Necromongers use visioners, cybernetically adapted humans, to seek and visually examine areas that are difficult or impossible for normal human eyes to see clearly. And the brief scenes, in which the audience is shown what they see, are also stunning.

But this is low, commercial art, and so unlikely to find any praise by the High Art people, no matter how popular it is, or how technically sophisticated and visually inspired. The best comment on this kind of artistic snobbery comes from the American SF/Fantasy artist and book illustrator, Bob Eggleton.

Being a commercial artist is itself a kind of pigeonhole in the art world, but it is not a label that troubles him. ‘Commercialism for the sake of commercialism is not a sin. What I hate is commercialism packaged as fine art. That’s what Abstract Expressionism about, you’re buying into a trend much of the time. There’s nothing wrong with any kind of art, provided the artist believes in what they’re doing.’

From Nigel Suckling, with introduction by Gregory Benford, Alien Horizons: The Fantastic Art of Bob Eggleton (Paper Tiger, 1995) page 83.

And the YBAs, such as Damian Hirst, Tracey Emin and Chris Offili, were very commercial, as was Salvador Dali long before them. This was pointed out on a programme on the great surrealist on Radio 4 several years ago by Malcolm MacLaren, the genius – well, he obviously thought he was – behind the Sex Pistols.

And here’s Eggleton’s picture of Great Cthulhu, painted for Weird Tales magazine, for all the Lovecraft fans out there.

I realised I’ve digressed a little way from the central topic of this post, the fantastic computer art of Jurgen Ziewe. But these are related issues, showing the way computers, robots, space and high technology – the stuff of Science Fiction – is pushing artistic boundaries in ways that the official fine art of Conceptualism really isn’t doing. I’m also exploring a few ideas here for a much longer article, or series of articles, I intend to do on this sometime.

Chris Foss on Working with Giger and Moebius on ‘Dune’

April 24, 2017

Chris Foss is one of the great masters of British SF art. Apart from painting numerous book covers, he also worked as the concept artist for Alien, Superman, and the version of Dune that was being made by the Franco-Chilean surrealist, Alejandro Jodorowsky. Sadly, his work for Alien and Dune was never seen. Ridley Scott rejected his depictions of the ‘Nostromo’ for alien, as he thought it was far too interesting and would distract the audience from the main action. And despite extensive preparation, Jodorowsky’s Dune was never made. The studio pulled the plug at the last minute. It wasn’t a wasted effort, however, as the work Jodorowsky and the French comic artist, Moebius, had put into Dune was used by them as the basis for the comic book series, the Metabarons.

A documentary came out a few years ago about the making of Jodorowsky’s Dune. Jodorowsky states that he wanted it to blow the audience’s mind. It was to have the effect of taking LSD, but without actually using the drug. Certainly the concept art looks truly awesome. Apart from Foss and Moebius, Jodorowsky also employed as concept artist H.R. Giger, the creator of the ‘Alien’. Giger produced various designs for Vladimir Harkonnen’s cast, and for a train, very much in his distinctively nightmarish style. Among the actors lined up for the film were Orson Welles as Vladimir Harkonnen and Mick Jagger as Feyd Rautha. Jodorowsky’s son, Brontes, was to play Paul Atreides. And the Emperor of the Galaxy would be played by the great surrealist egotist himself, Salvador Dali. But only for half an hour. So Jodorowsky and his team intended to fill in the rest of the time, that have been occupied by Dali, by using a robotic version of him. It’s a pity that the film was not made, as with those artists and performers, it truly would have been a genuinely mind-blowing experience.

In this clip, Foss talks about how wonderful it was working with Moebius and Giger, but says that he enjoyed it because what he was doing did not interfere with them, and their work did not interfere with his own. Looking on YouTube a few years ago, I found that Foss had put up a series of short videos about himself and his work, so if you’re interested, try looking to see if they’re still there.

Vox Political: Stephen Crabb, IDS’ Replacement, Believes People with Progressive Degenerative Diseases Able to Work

March 26, 2016

Mike over at Vox Political has written about how the latest sputtering from the new head of the DWP have effectively ended satire. Stephen Crabb, apparently an expert on such diseases, has declared that sufferers of brain tumours and progressive degenerative diseases like Parkinson’s and Motor Neurone are able to work. And so, presumably, they should not get any PIP or ESA, but the normal jobseeker’s allowance, until they are eventually sanctioned for not trying hard enough to get a job.

Mike states that this is beyond satire, because he commented in an earlier post about Crabb’s bizarre views on homosexuality. Crabb believed that homosexuality could be cured, and supported CARE, a Christian organisation that claimed it could cure gay people. In fact, gay cures don’t work. There have been a series of scandals in American involving these organisations, as well as concerns in the UK apart the potential harm they can do to the mental health of vulnerable people. Mike commented after Crabb announced his belief that there was a cure for gayness, that perhaps the new minister thought that Parkinson’s could also be cured.

And now he does.

Mike quotes Tom Pride as saying that satire died the moment this vile crew took power. Just like the pianist and satirist, Tom Lehrer, pointedly gave up satire after Henry Kissinger won the Nobel Peace Prize after the bombing of Hanoi.

Mike’s article can be read at:http://voxpoliticalonline.com/2016/03/25/after-this-blog-joked-about-it-stephen-crabb-has-said-people-with-parkinsons-can-work-satire-really-is-dead/

Go there and be amazed at this pratt’s immense medical ignorance.

Now, I’m aware that some people might be able to work with Parkinson’s and Motor Neurone disease. Many years ago, I was interviewed for a place at Uni by a lecturer, who suffered from Parkinson’s. As I was told about his condition by one of the students, who was showing us around. He kindly told me about this gentleman’s condition so that I would not be alarmed when he did not stand up to greet me. It wasn’t because he was being hostile. It was because he was physically unable. I’m sure there are others like him that are able to keep working.

However, one of my own uncles, as Mike has already mentioned in the comments to his piece about Crabb, suffered from Parkinson’s. He was, like the lecturer, confined to a wheelchair and very definitely could not work because of the disease. It’s a progressively degenerative disease, which means it gets worse. It’s the reason we no longer see the American actor, Michael J. Fox, on our screens any more. He also suffers from this disease. It’s why he had to leave his hit series, Spin City. Crabb possibly believes people with Motor Neurone Disease can work, because he’s seen the severely disabled Stephen Hawking zooming around in his wheelchair and talking through his computer. Hawking is able to do so because he has the benefit of excellent care and computer engineers, which most people probably can’t afford. He has also been lucky enough to outlive vastly other sufferers from the Disease. I’m not expert, but from the reports about it on TV and the papers, it seems to me that most of the poor souls, who contract it only live for about two or three years at most.

My point here is not that there aren’t some fortunate souls who are able to carry on working, but that many, the majority of sufferer’s, can’t. And this should be enough for the government. If a doctor, a properly qualified doctor, not some paid clerk with Unum or Maximus, who just ticks boxes, says that a sufferer cannot work, then that should be enough for them. Anything else is pure bureaucratic quackery and pseudoscience based on right-wing wishful thinking.

As for Crabb himself, his occupation of the place vacated by IDS reminds me of another quote from the Surrealist artist, Fascist supporter and pervert Salvador Dali. During his sojourn in America, Dali declared that his aim was ‘to cretinise the public’. Dali was, however, despite his considerable personality flaws, one of the greatest painters of the 20th century. Looking at the Crabb and the current members of the cabinet, his desire to reduce the public to sheer imbecility seems to be pointless. Cameron and his big business paymasters have clearly found a better way to lower intellectual and moral standards by promoting the culpably stupid, like IDS, Osbo, and now Crabb.

Giger’s Dune Sandworm

July 19, 2015

I found this extremely cool concept painting of a Dune sandworm by H.-R. Giger over at the 70s Scifi Art tumblr page.

Giger Dune Sandworm

Giger, who died last year, is best known for his work on Ridley Scott’s Alien, and for designing the creature, ‘Sil’, for Species. He was, however, one of the concept artist, along with Chris Foss and Jean ‘Moebius’ Giraud, who worked on the designs for Alejandro Jodorowsky’s film version of Dune in the 1970s. That never got made, as the film’s backers dropped it at the last minute. Jodorowsky himself and his co-workers have said it’s because, in Hollywood the producers want to be far more involved than simply just putting up the money for the film. They backed out simply because they didn’t know who Jodorowsky was, or quite understand what he was doing.

The other reason was probably the sheer cost of the film itself. Jodorowsky himself has said that he hired Salvador Dali the play the Galactic Emperor (!). Dali demanded a million dollars, and stated that he would only play the Emperor for half an hour. Astonishingly, Jodorowsky agreed, and the contract was duly signed. Standing in for Dali in the rest of the movie would be a robot.

Giger’s own designs for Dune have been published, and are on-line, as are Foss’. His plans for the Baron’s spacecraft, the Galactic Emperor and his palace, and for spice freighters and attacking pirate ships have been published in the album of his work, 21st Century Foss, by Paper Tiger.

After Jodorowsky’s version collapsed, Ridley Scott was hired about a decade or so later to make the 1980’s version. It’s for his, later version of the film that Giger made the above design for the worm. Unfortunately, Scott’s brother died, causing him to abandon the project. As a result, it was then passed on to David Lynch.

Lynch’s film has been critically panned, and the received opinion of it is negative. It’s widely held to be a notoriously bad movie. I have to say that I like it, and I think it’s actually a good film. It’s main problem is that it tries to compress Herbert’s lengthy and complex novel into a single movie. It really needs to be split into about three, as the Dune 2000 miniseries did, and Peter Jackson with The Lord of the Rings and The Hobbit. Even as it is, I think Lynch’s version still holds up and is massively underappreciated.

As for Scott, he went on to make Bladerunner, which is now justly recognised as one of the great SF film classics. And despite the failure of Jodorowsky’s film version, Jodorowsky and Moebius managed to use the material they had produced for it in their SF comics. The film’s look and concept designs are even credited with influencing later, successful SF movies like Bladerunner and Alien.

Two years ago a documentary on the making of Jodorowsky’s Dune came out. I’ve looked for it on the shelves in HMV and elsewhere, but I’m afraid I haven’t been able to find it this side of the Atlantic on DVD. It is, however, on the net.

Here’s the trailer:

jodorowsky states that he wanted to produce the effect of taking LSD without having people take the drug. Looking at the designs created for the movie by Giger, Moebius and Foss, and Jodorowsky’s own, unique take on the material, it would have been an awesome and truly mind-blowing experience.

Which is what good SF does. C.S. Lewis, the fantasy novelist and Christian apologist, was a strong fan of Science Fiction at a time when it was regarded, in the words of Brian Aldiss, as ‘worse than pornography’ by the literary elite. He wrote three SF books himself, strongly informed by his own Christian convictions: Out of the Silent Planet, Perelandra/ Voyage to Venus and That Hideous Strength. He declared that ‘Science Fiction is the only true mind-expanding drug’.

He’s absolutely right, and it’s a tragedy that too many people have got ensnared by chemicals, rather than picking up a good paperback.

Fox News Sneers at Harvard Students for Attacking American Imperialism

February 19, 2015

‘Do I detect a certain anti-intellectualism here? Yeah, it started around 1982, I guess’.

– Bill Hicks on the dumbing of America after Reagan’s election.

I found this clip on Youtube of The Young Turks critiquing a sequence from Fox News, in which the anchors and their guest in the studio are outraged by the liberal views of some of the students they talked to at Harvard. The clip’s called Fox News vs Harvard On ISIS Turns Into Embarrassing Ignorance Fest, and shows just how anti-intellectual Fox News is. The students are articulate, and provide clear arguments why American imperialism in the Middle East has destabilised the region, and allowed radical groups like Isis to emerge.

The response of Fox News’ journos? They start sneering at the students for having educated accents, and larger vocabularies than they have. Like they use ‘outlandish’. Then their guest, a folk musician, starts ranting about how they’re a threat to the gene pool, weren’t taught to say the pledge of allegiance like he was, and don’t support the American troops properly.

As Cenk Uyghur, one of the hosts, points out, that’s all non-sequiturs. Everyone in America took the Pledge of Allegiance when they were at school, and the question wasn’t whether or not they knew anyone in the armed forces, or supported the American army. The question asked was simply whether they considered America or Isis the biggest threat.

Here’s the clip.

Salvador Dali once boasted that he aimed to cretinize the public. Despite Dali’s best efforts, Western culture survived, and Dali himself left some of the most beautiful, startling and original works of art. It’s now been left to Fox News to drag American culture down.

The temptation is to sneer at Fox News as a distinctly American phenomenon. It isn’t. Rupert Murdoch did the same thing over here decades ago in print journalism when he launched the Sun. The Sun’s full of the same extreme right-wing populism, and it and other right-wing British newspapers, like the Mail and the Express, also share the same distrust and opposition to academia for its perceived liberalism. Back in the 1980s one of the staples of the right-wing press was attacks on teachers for supposedly indoctrinating children with left-wing propaganda, especially anti-racism and peace studies.

British television has so far escaped such treatment because of the existence of BBC and the various broadcasting regulations governing the type of content considered suitable for broadcast. This ensures that there is still some attempt to produce quality, informative television, although the British networks have also been accused of ‘dumbing down’.

All this is very much under threat from Murdoch, Dacre and the other media barons. These run regular attacks in their papers about supposed BBC ‘liberal bias’, partly because they want the BBC scrapped completely and for them to get a share. And if that happens, we will get something like Fox News over here, with all its anti-intellectualism and jingoistic nationalism.

As the clip shows, Americans aren’t stupid. They are, however, being misinformed and exploited by an anti-intellectual, hysterically right-wing media empire determined to attack and belittle anyone brighter and better informed than itself.

And the same people want to do the same over here. Let’s stop them.