Posts Tagged ‘Salamn Abu Sitta’

Tony Greenstein’s Review of Exhibition and Talks by Pro-Palestinian Arab/Israeli Artist Gil Mualem-Doron

July 1, 2020

Yesterday Tony Greenstein put up a piece about an art exhibition on the plight of the Palestinians by an Arab/Israeli artist, Dr. Gil Mualem-Doron. Titled ‘Cry the Beloved Country’ after a 1953 article in the Israeli paper Maariv by its editor, Ezriel Karlebach. This compared the new legislation then passed against the Palestinians to the infamous Nuremberg laws the Nazis passed against the Jews. The article took its title in turn from the 1948 book by the South African artist Alan Paton on the rise of that country’s apartheid regime. The exhibition also features a conversation between the Palestinian historian Dr Salman Abu Sitta, Mualem-Doron, Eitan Bronstein Aparicio, the founder of the NGO Zochrot, somebody called Decolonizer and the exhibition’s curator, Ghazaleh Zogheib. It includes photographs of some of the ‘present refugees’ – Palestinians, who fled or were forced off their land during the Nakba of 1948, and who are officially regarded as foreigners in their own country among other photographic and artistic installations. There is also a screening of the film To Gaza and Back Home, by Aparicio and Decolonizer about the Arab village of Ma’in and its destruction. It was due to open on the 2nd April, but this was impossible due to the lockdown. It’s now showing online until sometime in September, probably the 27th, when it will open at the P21 Gallery in London.

Tony’s article quotes the exhibition, which says that

“Cry, the beloved country” is a nightmarish series of room installations and photography works dealing with the links between Great Britain, Israel and Palestine and depicting the catastrophic results of this unholy conundrum.  Built as a journey into “the heart of darkness” the exhibition is intended to negate many Israelis and Zionists supporters’ view of Israel as a “villa in the jungle”.

The photographs include several of an actor dressed in KKK robes, a Jewish prayer shawl and waving an Israeli flag, saluting Nelson’s Column in Trafalgar Square. It was taken in 2017 during the centennial celebrations of the promulgation of the Balfour Doctrine, in which Britain backed the creation of a Jewish state in Palestine. This was very much against the wishes of the British Jewish community, who did not want their Britishness questioned through the foundation of a state for which they had no loyalty and no desire to live in.

This is obviously an extremely provocative piece. I have no doubt that the very people and organizations, who scream ‘anti-Semitism’ at any criticism of Israel, no matter how reasonable and justified, would go berserk about this. It comes very close to one of the IHRA’s examples of anti-Semitism: the comparison of Jews to Nazis. But it is a reasonable comment on the Israeli state and its present government, composed of Likud and various parties from the Israeli religious right. Groups of settlers do launch attacks on Palestinian villages, like the Klan lynched Blacks in America. Those campaign for the ethnic cleansing of the Palestinians similarly claim a religious basis for their crimes, just like the Klan claimed to be defending White, Protestant Christians from Jews, Blacks, Roman Catholics and Communists. And Tony himself has shown all too often how the present Israeli government and British Zionist activists have very strong links to the real far right groups. Jonathan Hoffman, who has frequently protested and demonstrated against pro-Palestinian exhibitions and meetings over here, shouting anti-Semitism, has done so in the company of Paul Besser, the former intelligence officer of Britain First, and members of the EDL. The event’s supported by Arts Council England and the Hub Collective. I think they should be commended for supporting such an important exhibition, despite the abuse and demands for cancellation the organizers of similar events receive.

The Israelis were due to begin their annexation of 1/3 of the West Bank today, in blatant contravention of international law. The Likud regime is zealously pursuing its persecution and ethnic cleansing of the Palestinians with the active support of right-wing American Christian groups like Ted Hagee’s Christians United for Israel. It does so against the wishes and passionate efforts of very many Jews and Jewish organisations in America, Britain and Israel itself. The latter includes the veterans’ group, Breaking the Silence, which works to reveal the atrocities in which its members have personally participated, and the Zionist humanitarian group, B’Tsalem. The supporters of this ethnic cleansing, including the Board of Deputies of British Jews, the Chief Rabbinate, the Campaign Against Anti-Semitism and the various ‘Friends of Israel’ groups in the political parties, are doing their best to present Israel as synonymous with Judaism. This is in breach of the IHRA’s own guidelines, which state that it is anti-Semitic to claim that Jews are more loyal to another country, or hold them responsible as a whole for Israel’s actions. As these atrocities continue, more young Jewish people are becoming critical of Israel and the Zionist organisations themselves were frightened by the British public’s disgust at the Israeli bombardment of Gaza. Hence the foundation of the Campaign Against Anti-Semitism and the revival of Paole Zion, now renamed the Jewish Labour Movement, in the Labour Party. It was all to promote public support for Israel and quash reasoned, justified criticism.

It is why exhibitions like this continue to remain important and necessary, whatever the witch-hunters do to shout them down and silence them.

For more information on the exhibition and the individual pieces, go to:

https://azvsas.blogspot.com/2020/06/visit-cry-beloved-country-palestinian.html