Ketanji Brown and the Anti-Racist Children’s Book Demonising ‘Whiteness’

Ketanji Brown is Biden’s new nomination for the US supreme court. She’s a Black woman of progressive views, and the Republicans have been giving her a right grilling over the past week. There are several objections to her taking up her position. One is that she has a history of giving very lenient sentences, frequently below the recommended length, to perverts possessing child porn. The second is that she is unable to define what a woman is when asked. One of the female Republican politicos asked her that very question, and she replied that, not being a biologist, she couldn’t answer that question. The common sense answer, and the one that nearly everyone would have given a decade ago, is the straight dictionary definition: adult human female. But such straightforward definitions based in biology have become intensely controversial since the rise of the militant trans movement. This instead seeks to define womanhood and masculinity through gender – social sex. A woman, in their view, is simply someone who identifies as one. This has major implications for women’s privacy, safety and sport. Lia Thomas’ victory over his biologically female competitors last week enraged many women because Lia is a biological male with all the advantages. He was able to compete as a woman because he identifies as one. The incarceration of biological men in women’s prisons, simply because they identify as female, is also a major issue. Many of these men are rapists and sex criminals, and there have been a series of assaults and rapes on the biological women they have been incarcerated with. But Brown isn’t the only politico, who can’t give a coherent answer to what a woman is. Jo Swinson, then leader of the Lib Dems, couldn’t when asked last year. Keef Stalin couldn’t when asked if women have cervixes, and declared that it was a question that shouldn’t be asked. Anneliese Dodds and Stella Creasy, also Labour, couldn’t answer it when they were interviewed about International Women’s Day. And Labour’s James Murray also couldn’t answer it when interviewed by Julia Hartley-Brewer on Talk Radio, but simply rejected the biological definition.

But what is also worrying is her attitudes to race. She seems to be a supporter of Critical Race Theory, which seems to me with its rants against ‘Whiteness’ to be simply postmodern anti-White racism. She was asked about a children’s book about raising an anti-racist baby. Aimed at children, this declared that ‘Whiteness is a pact with the Devil’ and shows a White person making just such a deal with Lucifer. I realise that this is intended as a metaphor and that it’s talking about ‘Whiteness’ rather than Whites, but it’s only a very short semantic step from one to the other, a step which critics like James Lindsey see as coming. And metaphorical it may be, but it is similar with how many Blacks really do believe that Whites are demonic.

There’s footage on the web of a Black woman, Angela Shackleford, telling a class of Whites that they ‘were not born into humanity’, will always be the same and are ‘devils to me’. In the realm of religion you have the Nation of Islam, which holds that White people are albinistic mutants created by the evil Mekkan scientist Shaitan to destroy the purity of the Black race. I was told years ago that Rastafarianism also states that White people are devils. And then there’s the Ansaaru Allah Black Muslim sect, whose leader calls Whites ‘Amalekites’ after the Semitic people who warred against Israel as they were passing through the desert on the way to the Promised Land. Their leader’s writings in his text Message to the Blackman in America, is full of anti-White rants, including the remarkable claim that the antichrist has already been born and is a blue-eyed Amalekite. This language is dangerous, because it has been used to stir up real hatred and prejudice against religious and ethnic minorities. For example, in the Middle Ages it was believed that Jews were literally the children of Satan, and this helped foment the pogroms, violence and expulsions directed against them.

And the threat of anti-White racist violence shouldn’t be played down. In 2005 the Guardian reported that racially motivated murders of Whites were almost at the same level as Blacks. Around about the same time it was also reported that Whites constituted the majority of victims of racial abuse and assault. There was also the controversy over the publication of White Girl Bleed a Lot. This argued that there was more mass, communal violence against Whites by Blacks than the other way round. It was denounced as racist, not least because the author seems to have had connections to the far right and had written for World Net Daily. Other criticisms were that his reporting of various events were factually inaccurate.

I really don’t believe that such books and Critical Race Theory in any way help tackle racism. Rather they are intended to teach that all Whites are racist, and that all Blacks can expect from them is racism. Books like that have been around for a very long time. When Mum was a school teacher, she received along with her teaching magazines a list of what the NUT seemed to believe were suitable anti-racist books. There were 20 on the least, and with only a single exception they were all about Black children being racially bullied by Whites. The exception, and the only one I would want to use with a class, was about a young Sikh lad using his swordsmanship skills to survive after the collapse of civilisation. I feel that the proper way to tackle racism in literature and entertainment is to show people of all races cooperating and getting along, in situations that seem natural and unforced. Critical Race Theory does the opposite. It promotes hatred and division, and for that reason many Blacks also despise it. There’s a video online of angry Black father telling a school meeting that he doesn’t want his son taught it. The father hasn’t suffered racism, and he doesn’t want his son taught that it is something he will have to expect either. He wants his son to believe that in America there are no bars to him achieving on the merits of his talents alone. It’s the classic American dream, and although this has certainly not been the experience of everyone, and particularly not people of colour, it’s still admirable.

And definitely better than Critical Race Theory, which is simply anti-White racism with a postmodern twist. Like all racism, it should be discarded and its supporters severely questioned over their suitability to teach and legislate.

Even if, and especially if, they are being nominated as a supreme court judge.

Beeb’s ‘Horrible Histories’ Pushing Myths and Falsehoods as Black History

One of the major aims of the ‘History Debunked’ YouTube channel is attacking the myths and sometimes deliberate lies, which try to present past British society as far more ethnically diverse and multiracial than it really was. This is being done in order to create an image of the past that fits and reflects today’s racially diverse society. Although undoubtedly well meant, it is a fabrication. Simon Webb, the YouTuber behind the channel, is a Telegraph-reading Conservative, but I don’t think he can be fairly accused of racism. He’s a published author, who does know his history and the reality behind the falsehoods he tries to debunk.

On Tuesday he put up a video attacking the latest editions of the Beeb’s Horrible Histories programme. This is a children’s history programme based on a series of best selling books. This is intended to present history in a fun way with much comedy, though Webb, with rather more serious tastes, decries it as slap-dash and inaccurate. A recent edition of the programme was on Black British history, and was simply full of myths and falsehoods presented as solid, historical fact. So much so, that Webb said he couldn’t go through all of them, and described the programme as propaganda aimed at children. So he confined himself with a couple of the more egregious.

The programme began with the Empire Windrush and the statement that its passengers had been invited to England to help with reconstruction after the War. This is a myth that’s been promoted by a number of people, including Diane Abbott. The truth is that Blacks weren’t invited to Britain by anyone and definitely not the British government. They were appalled at the immigrants’ arrival because they didn’t have anywhere to accommodate them. Webb states that some ended up living in air raid shelters because of the lack of proper housing. The truth is that the Empire Windrush was a troop ship that was returning to Britain from South America. There was hardly anyone on board, so the captain decided to open it up to paying passengers to reduce costs. The adverts for places aboard the ship in the Jamaican Daily Gleaner simply gives the prices of the various classes of accommodation. There is no mention of work in Britain. As for the motives of the people, who took passage aboard the ship, the Sheffield Daily News in Britain reported the comments of a Jamaican businessman, Floyd Rainer, who said that the immigrants had come to Britain because they were dissatisfied with pay and conditions in the Caribbean. They were seeking better opportunities for themselves, not to help Britain.

The programme then followed this with an item about Black Roman soldiers at Hadrian’s Wall. These were Moors from the Roman province of Mauretania. However, Mauretania was in North Africa, in what is now Morocco and Algeria. It was a province settled by Carthaginians, who were Phoenicians from what is now Lebanon, and the Berbers. Although comparatively dark-skinned, they had Mediterranean complexions, and were not Blacks from the modern West African country of Mauretania, has an American website claims.

It then went on to St. Adrian of Canterbury, who it was claimed was also Black. But he came from what is now Libya in north Africa, and so wouldn’t have been a Black African. However, the programme stated that he was an African, and left the viewer to imagine that he would therefore have been Black.

Mary Seacole was also shown tending British soldiers in a hospital during the Crimean War, which is also a myth. She set up a bar and restaurant and never did any actual nursing. It also showed Cheddar Man as Black. This is based on a reconstruction that was widely covered in the press at the time. However, Webb has done a previous video about it and similar reconstructions showing how flawed they are. In the case of Cheddar Man, the scientists behind the announcement that he was Black actually retracted this in a piece published in New Scientist. No-one really knows what colour people’s skins were 10,000 years ago.

I think the BBC actually means well with all this, and its presenters and compilers probably don’t think that they’re falsifying history. I’m sure they genuinely believe that they’re uncovering previously hidden aspects of the British past. I think projecting the presence of Black people back into the past is part of an attempt to deal with the continuing racist attitude towards Black and Asian Brits that still sees them as foreign, even though they have now been here for three generations. And a smaller number will have been here for much longer.

But I also think that the Beeb is also prepared to falsify history in this direction as well simply to make a programme. Back around 2003/4 the Beeb screened a series about the way modern artists and musicians were taking inspiration from the Psalms of the Bible. In one edition, feminist icon Germaine Greer went to Jamaica to meet the Rastafarian musicians, who sang the Psalms in the origin Amharic, according to the Radio Times.

Historically, this is nonsense. The Psalms were originally written, like almost all of the Tanakh, the Christian Old Testament, in Hebrew. Hence its alternative name of Hebrew Bible. It very definitely wasn’t written in Amharic, which is the modern Ethiopian language of the Amhara people. But Rastafarianism is based on the worship of Haile Selassie, the late emperor of Ethiopia, as the Lion of Judah and Black messiah. Hence, presumably, the insistence that the Psalms were written in Amharic. It seems to me that the Beeb obtained the cooperation of the Rastafarian musos for the programme on the understanding that the programme would be presented from their theological point of view. If they contradicted the assertion that the Psalms were written in Amharic, a language that didn’t exist when the Psalms were actually composed, then no programme. And so the Beeb and the Radio Times published this piece of historical nonsense.

I think a similar process may also be working behind the Horrible Histories and similar programmes present long held myths as facts about the Black past. I don’t know, but I think some of them might be made in collaboration with Black groups and individuals, who passionately believe these falsehood. The Beeb wants to make these programmes and include the views of Blacks themselves. These individuals insist on the inclusion of these myths, which the Beeb won’t challenge because its researchers don’t know that their myths, and the organisation is afraid of these organisations denouncing them as racists if they ignore these long-held Black views.

There are some excellent books and materials on Black British history out there. Three I’ve come across are Gretchen Herzen’s Black England – Life Before Emancipation, the collection Under the Imperial Carpet – Essays in Black History, edited by Rainer Lotz and Ian Pegg, and Our Children Free and Happy – Letters from Black Settlers in Africa, edited by Christopher Fyfe and published by Edinburgh University press. But there is an awful lot of myth and falsehoods as well.

However well meant, these need to be rejected as falsehoods, even if they’re told as truth by the Beeb.