Radio 4 Tackles Bad Culture

Ho ho! According to next week’s Radio Times for 23rd – 29th May 2020, next Saturday’s The Archive will be on the subject of Bad Culture. This is the type of music, art, literature, film, TV or whatever which is so bad that it’s entertaining. The blurb about it in the Radio Times reads

Steve Punt is joined by Grace Dent, Robin Ince and Laura Snapes to analyse why seemingly bad culture can be so enjoyable, looking at the films of Michael Winner, the songs of Astley and the poetry of Danielle Steele.

The programme’s Archive on 4: So Bad It’s Good?, and it’s on Radio 4, Saturday 23rd May, at 8.00 pm.

Robin Ince, who presents The Infinite Monkey Cage on Radio 4 with Brian Cox, wrote a book a few years ago, The Bad Book Club. This was about some of his favourite terrible books, one of which was the autobiography of John Major’s half-brother, Terry Major-Ball. But people have been particularly bad films for a very long time. I think that goes back to the ’70s at least, when Michael Medved, before he morphed into a right-wing pundit, published The Golden Turkey Awards about some of the worst movies ever made. Then in the early ’80s he presented Channel 4’s The Worst of Hollywood, which screened some of the classics of Bad cinema. These included Ed Wood’s Plan 9 From Outer Space, Godzilla Versus the Smog Monster, The Wild Women of Wonga and Santa Claus Conquers the Martians.

Ed Wood was the stunningly bad director who also gave the world Glen/Glenda or I Changed My Sex, and Robot Monster. The costume for the latter creature was a gorilla suit with a diving helmet stuck on top. The guy who played it did so because he owned the gorilla suit. I think it’s also in Robot Monster that there’s a 2 minute segment of dinosaurs going on the rampage for no reason at all. It’s because Wood’s studio was right next to that of stop-motion animation master Ray Harryhausen. Harryhausen was responsible for a string of SF/monster movies, including Earth Versus the Flying Saucers, as well as the sequence in the Seventh Voyage of Sinbad where the Arab sailor fights an army of skeletons. Wood used to go round to Harryhausen and use any material that the other director had no use for after editing. That day Harryhausen had cut 200 feet of film out of a film about dinosaurs, and gave it to Wood when he asked him if there was anything he could use. Glen/Glenda is about a man struggling to come to terms with his transvestism. It’s a serious subject, which in the hands of a good director would no doubt be highly praised by critics. But this was made by Wood, so it’s abysmal. Like Plan 9 From Outer Space, it has Bela Lugosi in it. He plays God in a dream sequence in which he says ‘Dance to this, dance to that, but beware the little green dragon sleeping on your doorstep.’ This makes no sense at all. The film is, however, one of Alice Cooper’s favourites, or so he told Muriel Grey on Channel 4’s pop programme The Tube a long time ago. When she asked him ‘Why?’, he replied that it was because it made him wonder just what he had just watched because it was so weird. Her reply was classic: ‘You’re a strange boy, Alice’. Yes, and he’s made a whole career out of it. Wood was himself a transvestite with a passion for cashmere sweaters, a fact not lost to the makers of the ’90s film biography of him.

Since The Worst of Hollywood has come Mystery Science Theatre 3000. This is an SF look at Bad Films, in which the crew of an orbiting satellite a thousand watch, and make rude remarks about, terrible movies. The SF author, Jack Womack, responsible for a series of books set in a violent, dystopian future Ambient, Random Acts of Mindless Violence, Heathern and Elvissey, is also an aficionado of weird and Bad books. He supplied a list of some of his favourites in his personal collection, with his comments on them, in an interview he gave in the ’90s to the Science Fiction magazine, SF Eye. They included Bottom’s Up with the Rear Admiral: Memoirs of a Proctologist,  The Elvis Image, which is about a journalist crisscrossing the deep south in search of Elvis impersonators, and Behold! The Protong!!! by Stanislaw Szuchalski. Womack described this as ‘America’s greatest eccentric tells you why Communists are descended from the Yeti’. 

A few years an academic did a study of the type of people who deliberately went to see bad movies. He found that they tended to be of above average intelligence, and also watched transgressive cinema. You know, like the films of John Waters and some of the other cinematic horrors Jonathan Ross discussed in the ’80s in his Channel 4 series, The Incredibly Strange Film Show. They like those for the same reasons they enjoy terrible films, because both provide an experience that is outside the mainstream.

This could be a very funny, interesting programme about some truly awful cultural productions. But will it include any clips from Wood’s wretched oeuvre? 

Amazon Invents Vibrating Wristband to Control Workers’ Movements

More on the steady progress of western industrial management towards Orwellian totalitarianism. In this clip from the Jimmy Dore Show, Dore and his guest, Ron Placone, discuss the invention by Amazon of a wristband, which uses information technology to monitor where workers are in a building. The wristband is intended to be worn by warehouse workers. If they don’t have their hands in quite the right place when they’re reaching for a product on the warehouse shelves in order to fulfil an order, the wristband vibrates in order to nudge them in the right direction. The company is promoting this as a way of getting its workers to get the requested goods from their shelves and off to the customer, and then move on to the next order.

Dore and Placone make the point that this is indeed deeply totalitarian, with Placone mentioning the theory of inverted totalitarianism proposed by one academic. This states that while previous totalitarianisms were all about the state ordering you what to do, the new, inverted totalitarianism is also all about absolute control, but this time it’s done for your convenience and benefit.

They also make the excellent point that Amazon is a company worth billions, but in America many of their workers are so poorly paid that they have to subsist on food stamps.

They also joke that this wristband will allow Amazon to control exactly what their workers are doing, right up to the point when they decide to replace them all with robots.

I put up a piece last week about the growing threat of totalitarianism in the workplace, noting the ways various companies from call centres to the Torygraph are using technology to try to control their workers’ movements. In the case of call centres, it’s done through motion detectors fixed to desks, so management can tell when their galley slaves are moving about. The weirdo Barclay twins, who own the Torygraph, tried to introduce it there, but the hacks revolted and their bonkers plan had to be abandoned. These schemes are increasingly getting to resemble the fictional, evil totalitarian corporations in dystopian Science Fiction, like that in Jack Womack’s cyberpunk novels Ambient, Heathern, Random Acts of Mindless Violence and Elvissey.

And it also gives Brits another reason to despise Amazon, apart from the fact that despite doing much of its business over here, it doesn’t pay any corporation tax.

A Security Card To Track Workers’ Movements in the Orwellian Office

It seems employers will seize any opportunity or technological development to spy on their workers. Yesterday the I carried a story about a tech company, that had developed a chip, carried in a security card, that would allow employers to monitor the whereabouts of their workers as moved through their building. It would help them see if they were spending too long in the loos or otherwise wasting time.

This is very much like something out of some of the nightmarish futures portrayed in cyberpunk SF. In Jack Womack’s novels of a parallel Earth in which central authority has collapsed along with Christianity – Ambient, Heathern, Random Acts of Mindless Violence and Elvissey – power is held by an oppressive industrial conglomerate. This corporation makes sure its staff stays at their desks through the simple expedient of shackling them there in stocks.

And we’re getting closer to that nightmare future all the time. I’ve mentioned the book on the terrible way office workers are treated in America, White Collar Sweatshop, before on this blog. One of the elements of modern American office life that was draining any kind of joy from clerical work was the constant surveillance.

And it’s being done over here to call centre workers. According to Private Eye, the weirdo Barclay Twins also tried to inflict it on their hacks in the Torygraph. The Gruesome Twosome had motion detectors put up around the hacks’ desks, so they could tell when they were walking about and not sat behind them making up stories about how wonderful capitalism and the Tories were, and how Corbyn was an evil Communist anti-Semite. This was a step too far for the galley slaves on the sinking rag. They revolted, and the vile pair had to take them down.

Britain really is becoming a totalitarian, Orwellian society, where we are monitored all the time. In 1984, the TVs watch you, to make sure you’re doing what Big Brother’s government wants. Now there are fears that private companies are collecting personal data on individuals from the internet, in order to target them better for advertising. And this is apart from the expansion of state surveillance under the Snooper’s Charter, and the travesty of the Secret Courts, in which you may not know what you’re accused of, nor the evidence against you, or who the witnesses and accusers are, or have members of the press and the public present, if the authorities deem all this is endangers ‘national security’.

And with the corporate media now panicking that no-one’s watching the Beeb and other news broadcasters because of their horrendous pro-Tory bias, perhaps it won’t be too long before some bright spark at a right-wing, corporate thinktank decides that we really ought to be monitored to make sure we’re watching the required amount of TV per day. Just like in the Robert Rankin comic SF/Fantasy novel, Armageddon – The Musical.

As for how evil the corporate masters of Womack’s fictional world is, the Southern businessman whose drawling pronunciation of ‘Heathen’ provides the title of the second book in the sequence, Heathern, organises shooting parties where the quarry is Black, Asian and Mexican children.

So far our captain of industry aren’t that despicable. Not just yet. On the other had, we do have IDS and Esther McVile to thank for the genocide of the disabled. This is their warped welfare policy, in which the goal is to throw as many desperate and needy people of government support as possible, even if it kills them. According to an official report, this has resulted in the deaths of 120,000 people.

They’re killing people, but doing so without alarming the sensitivities of all the ‘aspirant’ middle class folks, who vote for them. No gas chambers or SS-style murder clinics, as under Aktion T4. They just through them off benefit, have the Heil and the rest of the baying Tory press vilify them as frauds and scroungers, and leave them to starve to death.

But we can put actually physically shooting the poor for sport past them? Toby Young is an ardent supporter of eugenics with a hatred of the working class and nothing but sneers and contempt for ‘diversity’ and feminism. He also wrote that he masturbates to images of starving Africans. And his oppo Ben Bradley wanted the cops to play ‘splat the chav’ during the 2012 London riots. It might be a bit of stretch, but I can imagine both these charmers writing stupid pieces about how shooting chavs and the rest of the disadvantaged would be a nice day’s sport.