Posts Tagged ‘Public School’

Farage Ready to Launch New Brexit Party?

February 5, 2019

Buried in the pages of the I last week – I’m afraid I can’t quite remember when – was the news that Nigel Farage, the quondam Fuehrer of UKIP, is preparing a new party ready to fight for a proper Brexit. Or rather, what he sees as a proper Brexit, which is properly going to be quite different from most normal people’s idea. Farage declared that people were disappointed in the government’s handling of Britain’s departure from the EU, and he had a new party almost ready to enter the next election to fight for something better. The new party had nearly 7 million pounds of funding as well as legions of candidates ready to field.

This piece of earth-shattering non-news was reported in a small article dwarfed by much bigger reports of the government’s and Labour’s actions and policies on the same and facing page. Which is probably why it doesn’t seem to have caused much sensation. I haven’t really been looking for any news about it, but I haven’t seen anyone else on the blogs I usually follow, including Mike, talking about this latest promise to revitalize British politics.

And I’m not surprised. We’ve been here before. Remember all those years ago round about 2004 when Robert Kilroy-Silk announced he was a launching a new party to campaign against foreign immigration and demand Britain leave the EU? Which I think had the backing of Joan Collins, now living in France. Kilroy caused immense anger with his bigoted remarks about foreigners in general, and specifically about Arabs and Muslims. This in turn gave the British public immense amusement when a couple of rightly offended Muslims poured ordure over him as he was filmed opening his mouth to spout xenophobic bilge and leading questions. For all the outrage and controversy Kilroy caused, his party went absolutely nowhere. It fizzled out, and vanished without a trace. The same is likely to happen very soon with UKIP, and is almost certain to happen with the Fuhrage’s new outfit, whatever the former Kipper generalissimo may say to the contrary.

Farage, one of his books was titled Flying Free, departed UKIP claiming that it was now too racist for him. But under Farage the party was hardly a haven of multicultural tolerance and gender equality. It contained more than its fair share of racists and former members of the Fascist right, as well as homophobes, Muslim-haters and anti-feminists, if not out-and-out misogynists. And there were claims that Farage himself was just as bigoted, going right back to the time he was a public schoolboy. Anti-racists, LGBTQ activists and feminists didn’t just protest his party, but also him. Like on one occasion when a group of the above, including Muslims and drag queens turned up at a pub in which he planned to have a lunch time pint and began protesting against him. Which included the Muslims praying to show that they were no threat to anyone and were the victims of his and his party’s prejudice. Farage’s party won’t be treated any differently, if it every launches. Which is a very good question.

UKIP was always a single issue party. It stood for Britain’s departure from the EU. Other policies, like the bigotry and racism were simply additions, although I’ve know doubt that to many Kippers they were fundamental reasons for their joining. But the fundamental issue at UKIP’s core, its very raison d’etre, was simply Brexit. And that was achieved, more or less, when the Leave campaign won. The referendum was called by the Tories, who were then re-elected as the governing party – unfortunately – and who then began the consequent botched negotiations and stupid, self-interested politicking that has produced the current mess. UKIP had been given what they primarily wanted, and were shut out of the whole process. As a result, they started to decline. Rapidly.

And it’s because they’re irrelevant that Kipperfuehrer Batten has now lurched even further, or just most obviously, to the far right. He’s taken on veteran islamophobe, former BNP member and jailbird Tommy Robinson as his advisor on Islam and prison reform, Tommy Robinson, and right-wing YouTube personalities Mark ‘Count Dankula’ Meechan and Carl ‘Sargon of Akkad’ Benjamin because he thinks they’ll bring in more members. The unnamed Kipper official, who tried to dissuade Benjamin from joining in the leaked audio recording told him that they wanted Robinson in, because he was likely to bring with him also several thousand of his followers, who would take the whole process of campaigning and leafleting seriously. Unlike, it has to be said, Sargon, who was personally uninterested in actively campaigning for the party except for the content on his blog, and whose followers showed how seriously they took real political activism by getting smashed in a pub and shouting ‘Free Kekistan!’ out the window at passing cars. Sargon, Dankula and Robinson are notorious bigots, and I’ve put up a video of one, non-racist Kipper railing angrily against their joining, who made it very clear that Batten had destroyed the party for him and he wanted to leave. And somehow I don’t think for a moment that he’s alone.

Batten undoubtedly is going to lose members. But before the Kipper leadership resorted to appealing to extremists, they tried a more moderate approach. A year or so ago they were also claiming that Brexit wasn’t being delivered properly, and issued their demands for their view of how it all ought to be done. And no-one was remotely interested. Hence, presumably, Fuehrer Batten’s decision to try recruiting people even more openly extreme than many of the existing members. It’s a desperate tactic to halt the party’s dwindling membership and prevent its decline into total irrelevance and obscurity.

And I predict the fate of Farage’s proposed new party will be absolutely no different. Always assuming it ever gets launched, of course.

And speaking of electoral irrelevance and obscurity, what happened to this new, shiny centrist party that Blair was backing and which was supposedly ready to launch? You know, the one that was supposed to have rich corporate donors, and which was ready to accept all the right-wing Blairite Labour MPs ready to defy Corbyn and depart en masse from the party? The exciting new party that was later revealed to have no real policies and a miniscule membership, which got even smaller before it was ever launched when one of its disgruntled founders picked up his ball and walked out. It was supposedly all set and ready to go early last year, if not before. But now it’s February 2019, and we’ve not heard a dicky bird from them since. Though the right-wing Labour MPs are muttering once again about departing. But not, apparently, to that new party, which seems to have died the death before it ever got going.

Pretty much as we can expect Farage’s party to do.

Advertisements

Radio 4 Programme Next Week Asking ‘Where Are All the Working Class Writers?’

November 15, 2017

Next Thursday, 23rd November 2017, at 11.30 in the morning, Radio 4 are broadcasting a programme, Where Are All the Working-Class Writers? by the writer Kit de Waal. The blurb for the programme on page 137 of the Radio Times runs

Birmingham-raised writer Kit de Waal published her first novel in 2016, aged 55. She used part of the advance to set up a scholarship in an attempt to improve working-class representation in the arts. She talks to writers, agents and publishers about barriers for writers from working-class backgrounds.

More information about her and the programme is in another piece on the opposite page, 135. This states

“I never expected to be a writer,” says Kit de Waal in this thoughtful exploration of class and writing. “I was working class, I was the daughter of immigrants. People like me weren’t even expected to go to university. ” De Waal did go to university, but at 51; she’d left school at 16. She knows that her background and – and how it influences the stories she tellls – makers her an oddity in literary circles. As she speaks to writers, agents and publishers to find out why this is, it becomes clear that class is an intrinsic part of the under-representation question, overlapping with race and gender. She gleans erudite contributions – take Tim Lott’s description of working-class writing as “the literary equivalent of soul music”, as he asks, “who’s making the soul music?’ Who’s making the rock ‘n’ roll?’

This is an issues that the great British comics writer, Pat Mills, raised in some of the interviews I posted up on here. Mills, who created the classic anti-war strip, Charley’s War, and wrote and created many of the classic characters in the SF comic, 2000 AD, has said that he felt angry that there were no working class characters in comics and very few in mainstream literature. Worse, there was an attitude amongst the media that was determined to exclude them. He has described how he was working on a story for Dr. Who in the 1980s, which was to have a working-class spaceship captain. This was rejected by the script editor, who really didn’t like the idea.

As for popular music, I was told by a friend of mine a little while ago that this was another traditional working class area that was being taken over by the middle classes. Most of the stars now in the charts, or at least at the time, were graduates of university courses in music or the performing arts. The pub rock scene, which emerged in the ’70s and which the launched the careers of many of the great working class bands of the ’70s and ’80s is now very much disappearing.

Once upon a time, back in the 1980s and 1990s, Private Eye’s literary column took a somewhat similar view of the contemporary literary scene. The reviewer back then was acutely critical of the snobbishness and cliquishness of literature and the publishing industry. The Eye believed and very strongly argued that British literature was dominated by a small clique of writers, who were largely vastly overhyped, to the exclusion of better writers and aspiring authors, who were rejected out of hand. They gave as an example of this a conversation they’d heard about with one of the editors of Granta. When the editor was asked about a piece submitted by one aspiring author, they responded by asking what colour the enveloped it was send in was. This, the Eye’s reviewer went on, showed precisely what the attitude towards outside submissions at the magazine was. It was geared entirely towards people within the literary clique. Those outside were automatically rejected, manuscript unread.

The Eye wasn’t particularly interested in the class aspects of this question. Which isn’t surprising, as Richard Ingrams, the former editor pointed out during a talk one year at the Cheltenham Literary Festival that the magazine’s founders – himself, Willie Rushton, Peter Cook and so on, were all middle-class and privately educated. The Eye’s reviewer said several times that there was no reason why working class writers should be particularly promoted over others. They also made the occasional sneering comments directed at left-wing authors stressing their very working class roots that they were ‘prolier than thou’. I think they may even have made a comment about ‘Prole-lit’ for a type of very stereotypical ‘working class’ literature.

But they also attacked authors, who seemed to be published solely on snob value, because they were members of the aristocracy or the upper-middle classes, rather than because their writing had any intrinsic merit. Regarding one such author, the Eye’s reviewer said that any miner, who ever picked up a pen to write a sonnet, was of far more interest and value than them. They also savaged authors from the upper classes, who struck them as having a particularly patronising attitude to the lower orders, who read her books. There’s one review, which takes Jilly Cooper to task for this, whether the reviewer writing as her, sends her up by describing her readers as ‘pawps’ as an example of the class snobbishness in her novels. I’ve never read Cooper, so can’t really say whether this attitude is entirely fair or not, or, if it is, whether Cooper is any worse than many other authors.

I think that in more recent years the Eye’s literary column lost a little of that fierce opposition to the cliquishness of the literary scene, and particularly the London literary milieu. It still attacks and parodies overhyped, bad writing, but this seems part of a simple attack on overrated, mediocre literature. This now includes the works of the stars of reality TV shows and vapid, but inexplicably popular, bloggers and vloggers on the Net. But working class representation in writing, and other areas of the arts is a genuine part of the wider issues of access and exclusivity. Whether the Net will have an impact here, in popularising the work of working class writers, who would otherwise remain unpublished if left to the world of traditional literary agents and publishers, remains to be seen.

A Graphic Comment on UKIP in the Style of Banksy

April 14, 2015

I found this piccie over the SlatUKIP Facebook page. Banksy’s art is a bitterly satirical commentary on modern life, despite the fact that the painter himself is rumoured to be an ex-public schoolboy. Here’s A graphic and splenetic – in every way – depiction of the effect of UKIP on most ordinary voters in the style of his art. I’ve been told by one of the commenters below that it’s a photoshopped pastiche based on his work, ‘Lovesick’. While this might be true and it ain’t a genuine Banksy, it’s still very much in the great man’s style.Banksy Anti-Kipper Meme