Posts Tagged ‘printing’

Tolstoy’s Prediction of the First World War

April 27, 2014

As I’ve mentioned before, this is the centenary of the outbreak of the First World War, and already the BBC has put on a season of programmes commemorating the conflict. I’ve blogged on Michael Gove’s criticism of the negative view of the First World War, which he feels denigrates the courage and patriotism of the soldiers. He attacked the Beeb’s comedy series, Black Adder Goes Forth, as an example of this, and compounded his argument with knee-jerk Tory anti-intellectualism by claiming that the view was promoted by ‘Left-wing intellectuals’. A number of bloggers have attacked this diatribe, including Mike over at Vox Political. It has also provoked a response from the creators of graphic novels, who are putting together several albums presenting the horrific reality of the conflict as a response to Gove’s Right-wing patriotic view of the War.

Many people in Europe in the late 19th and first decade of the 20th centuries were very much aware of the looming threat of world conflict. One of those who foresaw it and its mass carnage was the great Russian novelist, Leo Tolstoy. As well as a writer, Tolstoy was a pacifist Anarchist. He hated the horrors of modern, industrial society and the state that oppressed the Russian poor. He saw the solution in the abolition of the state and traditional peasant society, to the point where he gave up much of his life style as a Russian aristocrat to live, dress and work like a peasant. As a young man, he had, like many other noblemen, been a soldier and had fought in the wars to conquer Chechnya and the Caucasus. He had been highly impressed by ideas of a Chechen Sufi leader, who, when his nations’ attempts to resist the Russians through armed force were repeatedly suppressed, rejected violence and advocated instead a policy of non-violent civil disobedience. Tolstoy himself rejected violence, and took up the Sufi leader’s ideas. In turn, Tolstoy’s advocacy of the policy influenced Gandhi in his own campaign against British rule in India.

Tolstoy also campaigned on behalf of the Doukhobors, a heretical Russian Christian sect, that also rejected violence. It was due to Tolstoy’s support and that of British Quakers that the sect emigrated from Russia to settle in Canada.

He promoted his Anarchist and pacifist ideals in a series of books, What Then Must We Do?, The Kingdom of God is Within You and The Restoration of Hell. They also influenced his magnum opus, War and Peace. This was written to show that history was not made by a few great men, but by the actions of millions of ordinary people. Lionel Kochan discusses Tolstoy’s ideas, his criticisms of contemporary society, and prediction of the coming War in his Russia in Revolution (London: Paladin 1970). Tolstoy attacked just about every aspect of contemporary society, including science, the press, religion, state education, and the state as a system of organised crime itself. Kochan writes:

Tolstoy, no doubt, showed little, if any, awareness of the deep-rooted complexity of the evils he stigmatized; no doubt, also, his positive doctrine was thin enough – the gospel of universal love, undogmatic Christianity, sexual abstinence, non-resistance to evil, the renunciation of tobacco and alcohol – for all that his later work constitutes an anarchist programme of profound strength. His unbridled criticism of society and its values, his corrosive and derisive scepticism, made him an anarchist more anarchic, a nihilist more nihilistic and a revolutionary more destructive than any whom Russia had yet brought forth – far more consistent and humanistic than Bakunin, far more hard-headed than Kropotkin.

What is science? He asked. Had it done anything of value to human life in determining the weight of Saturn’s satellites? What was universal suffrage? A means whereby the prisoners elected their own gaolers. Had industrialism raised the standard of living? Then look at the slums and doss-houses of Moscow. Tolstoy derided division of labour as a device for turning men into machines, book-printing as a medium for communicating ‘all the nasty and stupid things that are done and written in the world’, and reform for teaching people ‘that though themselves bad they can reform bad people’. What did the church do but maintain idolatry ‘in the most literal sense of the word – worshipping holy relics and icons, offering sacrifices to them and expecting from them the fulfilment of the worshippers’ wishes’? What did compulsory education do but ‘teach the savage superstition of patriotism and the same pseudo-obligation to obey the state’? What was the press but a means for ‘exciting feelings of mutual hostility between the nations’? What were the governments of the time, despotic and liberal alike, but – and her Tolstoy quotes Herzen’s phrase – ‘Genghis Khans with telegraphs’? The modern state was a mechanism so interlocked and interdependent that it became impossible to discriminate between the guilty and the innocent: ‘Some people demand the perpetration of a crime, others decide that it shall be done, a third set confirm that decision, a fourth propose its execution, a fifth report on it, a sixth finally decree it, and a seventh carry out the decree.’ Tolstoy’s apocalyptic vision of a state given over to destruction culminates in an anticipation of the imminent First World War:

‘The bells will peal and long-haired men will dress themselves in gold-embroidered socks and begin to pray on behalf of murder … The editors of newspapers will set to work to arouse hatred and murder under the guise of patriotism and will be delighted to double their sales. Manufacturers, merchants, and contractors for army stores will hurry about joyfully in expectation of doubled profits … Army commanders will bustle here and there, drawing double pay and rations and hoping to receive trinkets and crosses, stripes and stars, for murdering people. Idle ladies and gentlemen will fuss about, entering their names in advance for the Red Cross and getting ready to bandage those whom their husbands and brothers are setting out to kill – imagining they will be doing a most Christian work thereby.’

Kochan criticises Tolstoy for not understanding how enthusiastic and patriotic Russian servicemen initially were for the War. However, he then goes on to quote the great writer’s prediction of the condition of the soldiers in the War’s later stages, men who

‘will trudge where they may be driven, stifling the despair in their souls by songs, debauchery and vodka. They will march, freeze, suffer from hunger, and fall ill. Some will die of disease, and some will at last come to the place where men will kill them by the thousand. And they too, without knowing why, will murder thousands of others whom they had never before seen, and who had neither done nor could do them any wrong.’

For Tolstoy, the coming world war would ‘devour in a year more victims than all the revolutions of a century’. (pp. 157-8).
I strongly disagree with most of Tolstoy’s criticisms of contemporary society. He was, for example, wrong about science not benefitting humanity. it clearly has and had, most obviously in the improvements in medicine, that appeared in the 19th century. And printing and the press have increased knowledge and much good around the globe, despite the fact that they can often be used for evil. Having said that, he does have a point with the Sun, Daily Mail, and Express.

It will, however, be interesting to see if the BBC or anyone else, in their programmes on the Great War, mention Tolstoy’s prediction.

As a pacifist Anarchist, Tolstoy’s political views were strongly disapproved by Paul Johnson in the Spectator. In one of his articles in that journal he described the great novelists as somehow – I’ve forgotten quite what he wrote – being responsible for the Russian Revolution and Stalin’s tyranny. He never described how this was so. He simply asserted it, and went on. The only thing Tolstoy had in common with Stalin is that they were both radicals, who revolted against the Tsarist state. And possibly that they both had military careers. Apart from that, Tolstoy hated everything that Stalin stood for – militarism, an oppressive, coercive state, brutality and murder. And Tolstoy himself was far from unique in wishing to see a radical reform or overthrow of contemporary society. By 1905 the Tsar’s reluctance to establish any kind of constitutional reforms had pushed most sections of the Russian society in opposition. Even the Union of Unions, made up members of the liberal profession – doctors, lawyers, vets, scientists, engineers, teachers, university professors – not the usual bomb-throwing nutters – were advocating the use of violence if all else failed. There was another writer called, Tolstoy, Alexey, who survived into the Stalin era to write pieces praising the dictator. It looks like Johnson confused the two due to the same surname. But Leo Tolstoy would have been utterly opposed to the old thug.

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Beat The Ancestors on Medieval Cranes

October 12, 2013

On Monday the team on Channel 5’s Beat the Ancestors will attempt to build and improve upon the design for a medieval crane. According to the blurb in the Radio Times

‘Dick Strawbridge challenges a team of engineers to re-create a vast crane of the kind used to build Salisbury Cathedral in the 13th Century’.

Beat the Ancestors is a strange mixture of Scrapheap Challenge and the living history experiments from Time Team. Every week a team of engineers, including a lady special effects technician, are given the task of recreating an historical machine, and then improving the design. In one of the earliest programmes they were required to build a piece of late medieval artillery. This consisted of a number of small cannons fixed into a single gun carriage. These were all fired at once to create a lethal barrage. The crane was invented in ancient Greece in the 3rd century BC, and was introduced into medieval Europe from Egypt in the 12th century during the Crusades. The example in Salisbury Cathedral has survived because its physically built into the structure of the Cathedral itself. It’s hidden in the roof.

The programme should be worth watching. It never ceases to amaze me how technologically advanced the Middle Ages were. I’ve blogged before about how medieval scholars, such as Roger Bacon, knew about diving helmets, and these may even have been used by medieval divers on the bottoms of rivers. Windmills were used not only to grind corn, but also to forge metal, full cloth, and pump out mines and drain marshy land. Spectacles were invented in the last decades of the thirteenth century, and printing was used to decorate cloth in Provence as early as the 12th century. It was also used to print the capital letters in manuscripts produced at the monastery in Regensburg. There is therefore plenty of material for the team to explore in future episodes.

Channel 5 has produced some very good programmes on archaeology and history, which is surprising given how the channel is owned by the pornographer Richard Desmond, and how much of it really is aimed at the lowest common denominator. If you have an interest in historic technology and industrial history and archaeology, Beat the Ancestors can be interesting viewing. The programme’s on Mondays, Channel 5, at seven o’clock in the evening.