Posts Tagged ‘Prince Charles’

Trump Insults Australian Prime Minister and Mexican President

February 4, 2017

Another day, another example of how absolutely, constitutionally unsuited for government, or even civilised company, Donald Trump is. Yesterday there was the news that Trump had managed to insult the Prime Minister of Australia, Malcolm Turnbull, and threatened the president of Mexico with invasion.

Trump had been discussing an agreement signed last November between Obama and the Ozzies in which America promised to take a few of the refugees coming to Australia, who were temporarily settled in the camps on Nauru and Papua New Guinea. Dictator Drumpf really doesn’t like the idea of taking prospective immigrants to Oz, and made his opposition very plain. According to the Washington Post, the orange megalomaniac told Turnbull that it was ‘the worst deal ever’, accused the Ozzie PM of trying to send him the next Boston bombers and said he was worried that the deal would kill him politically. He also told Turnbull that he’d already spoken to four national leaders that morning, including Putin, and that this was the ‘worst call so far’. The phone call was expected to last an hour, but Drumpf rang off after only 25 minutes.

Here’s the Young Turks video in which John Iadarola and Ana Kasparian discuss Trump’s highly undiplomatic phone call.

Then there are reports that in his phone call to the Mexican president, Trump is supposed to have accused the Mexican army of cowardice in trying to sort out the drug cartels, and threatened to send US troops to do the job instead. He is claimed to have said

‘You have a bunch of bad hombres down there. You aren’t doing enough to stop them. I think your military is scared. Our military isn’t, so I just might send them down to take care of it.’

There have been denials that this was ever said from the Mexican president’s office, but it appears to be true. John Iadarola, discussing the report in the video below, suggests that the denial might be an attempt by President Pena Nieta to save face. When he stood up to Drumpf last week, his approval ratings unsurprisingly shot up. Trump talking to him like this looks like a humiliation, and so he may have wanted to cover it up to prevent his approval ratings plummeting accordingly. It does, however, unfortunately seem to be true.

Iadarola and Kasparian make the point in the video about Trump’s insulting phone call to Premier Turnbull that Drumpf is perfectly happy to bomb the nations of the Middle East, but as soon as their citizens want to move out and seek refuge in America, he’s gets upset. In fact Australia’s immigration policy is itself highly controversial. I can remember Duncan Steele, an Australian astronomer at one of the British universities, saying at the Cheltenham Festival of Science in the 1990s that their treatment of refugees made him ashamed to be an Ozzie.

As for the drug war in Mexico, the drug cartels are indeed ‘bad hombres’. Actually, I think that term gives a romantic gloss to gangs of utter scum, who are completely subhuman in their cruelty and barbarism. In one of the Mexican provinces where they’re particularly strong, the gangs were engaged in feminicido – feminicide – as a kind of very sick sport. They got their kicks raping and killing women. And far from being cowards, the Mexican cops, who take them on are as hard as nails. A few years ago the on-line humour magazine, Cracked, did a list of the toughest real life vigilantes. Top of the list was a secret organisation of Mexican coppers, dedicated to rubbing out the gangs and their members. The identities of their members were unknown, to prevent reprisals against their families. The overall impression given was that these men were like the Punisher, but even more ruthless and absolutely dedicated.

I’ve no doubt that the Mexican army isn’t as good, as well trained or as well equipped as the Americans. But considering that America and her allies are still in Iraq and Afghanistan after nearly a decade and a half, I really don’t see that the Americans would have any more success in dealing with the drug cartels than the Mexican authorities.

Quite apart from the fact that you don’t tell the head of a friendly neighbouring state that you’re going to invade his country if he doesn’t sort a domestic problem out. Trump really has no idea how that sounds, not just to other nations generally, but specifically to Latin Americans. There’s considerable resentment of America in Central and South America, particularly in Argentina. It dates from the 19th century. Before then, many Spanish American liberals were solidly in favour of the US as the kind of modern, progressive country they wished their nations to be.

Then the US invaded Mexico, and causing these intellectuals to reverse their previous positive attitudes. They became bitterly resentful of what they saw as the US’s contemptuous, colonialist treatment of Latin America. It was the start of what I think is called ‘Arielismo’, in which South America writers used the character of Caliban from Shakespeare’s The Tempest, the brutish servant of the wizard Prospero, as a metaphor for the imperialist contempt with which they perceived Americans treated their Spanish-speaking neighbours to the south and their culture.

The Young Turks in the video above also talk about how Trump’s brusque, insulting treatment of his Mexican opposite number may imperil the NAFTA trade agreement with Mexico. This has resulted in a loss of jobs in America, as firms have shifted their locations south to take advantage of the cheaper labour there. But they argue that it has also benefited America.

Trump is clearly one of the most undiplomatic presidents in American history. You really do wonder how long it will be before this loudmouthed buffoon starts another bloody war, or a major international incident, simply because he can’t keep a civil tongue in his head.

He can’t even be counted on to behave decently with our head of state. Mike a few days ago carried a story on his site that Prince Charles had been told not to lecture Drumpf on global warming, if he meets him, as otherwise the Orange Supremacist will ‘explode’. Now I’m well aware that not everyone reading this site is a monarchist, and the exaggerated deference, with which they’re treated should definitely go. I’m referring to all those arcane rules of behaviour, which dictate that you must only talk to the queen if she speaks to you. Those rules should have no place in the 21st century. But that does not excuse another head of state from going on a rant at ours.

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1990s Spiked Magazine on Paedophile Allegations against MPs at Dolphin Square

October 12, 2016

Spiked in the 1990s was a short-lived, satirical magazine somewhat like a dirtier, more sweary version of Private Eye, but with fewer jokes. I thought it was related to the online website of the same name, but with a very right-wing bias, but apparently this is not the case. Looking through some old magazines today, I found a copy of issue 6 six of the magazine. Unfortunately, it doesn’t have a date, but from its content it was written during Major’s reign at 10 Downing Street when Tony Blair was in opposition.

Despite the magazine being at least 25 or so years old, one of the stories is still very relevant to today. This is about the allegations of sadistic paedophile orgies using boys trafficked from care homes by MPs at Dolphin Square. This seems to relate to the current inquiry concerning MPs’ abuse of children. These include allegations that at least one of the boys so maltreated may have been murdered, and that some of the abuse took place at MPs’ lodgings at that London address.

The piece is entitled ‘Golly, Gissing and Michael’. It runs:

In pervious issues of Spiked, we have told the story about a British Airways executive’s friendship with the Minister for Defence, Michael Portillo – a relationship which the executive, Carl Douglas Gissing, has habitually denied, despite the evidence to the contrary.

Now new evidence has come to light regarding another of Carl D Gissing’s close friends, this time, not from the front bench of the Conservative Government, but from the twilight world of parliamentary lobby groups.

Derek Laud is the director of Ludgate Communications, a high powered political public relations outfit. he is also black, nick-named ‘Golly’ by his Conservative friends, homosexual and the former boyfriend of Michael Brown MP. He is the nephew and former research assistant of Lord Pit, and moves with equanimity through parliament, and in some very high circles.

He has written speeches for Prince Charles, knows Princess Diana, Prince Andrew and Fergie’s ex-beau, John Bryan. He introduced gay footballer Justin Fashanu to Westminster life, who later claimed that he had slept with two Cabinet Ministers. And then, presumably under some pressure, retracted the story.

Lau leads a very fashionable life, dining out at the exclusive La Caprice Restaurant in London, W1. Where he has been seen with Michael Portillo and Peter Lilley. He has a flat in Winchester Street, Pimlico, just around the corner from Dolphin Square, a luxury apartment block populated by MPs, and with a somewhat colourful nocturnal reputation.

It is here that the story becomes more interesting. There has always been a strong connection between Parliamentary lobby groups and the seamier side of Westminster night life. Dolphin Square has long been the scene of often very debauched parties, where certain MPs indulge some rather peculiar sexual peccadilloes with rent boys, and, presumably, each other.

According to one former employee of a well known Parliamentary Public Relations company which provided rent boys for Westminster parties, the male prostitutes are often underage and sometimes suffer appalling abuse. The source claims that no only are some beaten up, but that there have been cases where the boys were slashed with razor blades.

These grotesque crimes are not the norm in Westminster, they are a sordid aberration. But gay parties involving senior Tory politicians are commonplace, and Derek Laud is often on the guest list.

He is also known by one former resident of Greystone Heath Children’s home in Merseyside, Stephen Hasshim. Although this home is technically outside the Clywd investigation into child abuse, it was nevertheless a nightmare for many children who were unfortunate enough to live there. Hasshim remembers meeting Laud when he was thirteen.

According to certain former inmates at homes in Clywd, who later became male prostitutes in Brighton and London, they frequently plied their trade among MPs in Westminster and Dolphin Square. Which brings us back to the extra curricular role of the political lobbyist, and Derek Laud. Not forgetting, of course, Carl D. Gissing.

For a man who claims to have no parliamentary connections, it is strange that Gissing has been seen with Laud, who has a great many parliamentary connections, and also knows Michael Portillo rather well, whom Gissing claims he has never met. Perhaps, his denials are just sour grapes at not being invited to one of those Dolphin Square parties.

Note that the article does not implicate Laud in the sadistic torture of the boys procured for the orgies. I’ve mentioned this story before, and if it’s true, then it shows that these orgies were known about – and covered up – for a very long time. And it also implicates not just MPs, but also the parliamentary lobbyists. And as David Cameron, the previous prime minister, worked in PR, perhaps he is someone else the inquiry should also speak to. If it ever gets off the ground, of course, and does anything more than provide the pretence that the government is taking this issue seriously, like actually trying to bring anyone to justice.

The Bad Man Blog: Q & A with Comics Legend Pat Mills

October 3, 2016

Borag Thungg again, Earthlets! Pat Mills, one of the Britain’s leading comics creators, and the script robot behind the Nemesis the Warlock, ABC Warriors, DeFoe, and Slaine strips in 2000 AD, and the classic Charley’s War in Battle, as well as Marshal Law, is featured in The Bad Man Blog in an entry for the 5th April this year, in which he answers 10 questions. The Bad Man introduces him with the words

If you want to know where the edge in modern comic books comes from, whether that be the inception of DC’s 80’s Vertigo line, the Image creator evolution of the 90’s, right on up to the Indie Artist ripe market-place, vying for a spot amongst the giants in modernity, then perhaps turn your head back to the late 70’s and the birth of 2000AD.

2000 AD Creator Pat Mills wanted to write working class comic books that shook the establishment and reached out to an angry youth with a subversive message that spoke to them through sci-fantasy. He succeeded with a revolution in British comic book storytelling that’s been oft imitated but never replicated.

Mills talks about the difficulty of writing for a disenfranchised generation, both then and now, without sounding too preachy or ‘David Icke’, and his regret that he couldn’t hit the establishment harder. He talks about how his opposition to the establishment was a product of his upbringing, and particularly his experience with the Roman Catholic Church and the Masons. He gives advice to budding comic creators, and lists the writers, who have been the biggest influence on his writing. Among literary giants like Wilkie Collins, Graham Greene, Dennis Wheatley and Rider Haggard, and modern crusading journalists and polemicists like John Pilger, he also includes Geoffrey Willans and Ronald Searle for the Molesworth Books, and for Searle’s St. Trinian’s cartoons. In answer to the question of what motivates him to write, he states that it’s a kind of catharsis and a way through strips like Slaine to explore his own psychology. And he also states that its a way of paying tribute to his heroes, like the Levellers. He continues

Defoe is a Leveller – they were great men who schools deliberately do not teach kids about because they stood for freedom. If the Levellers had won it wouldn’t be Charles 1 alone on the scaffold. They’d have got rid of all privilege. And there’d be no Charles 111. How our country allows an idiot with a disturbing, troubled and suspicious private life to take the throne of Britain is beyond me.

He also urges aspiring comics artists and writers to take up social activism and issues in their work, saying

Challenge society, change society, widen perspectives outside the mental straitjacket the media would put us in. E.G. By acknowledging Britain was probably one of the most evil Empires the world has ever known (and it’s still pretty dirty when you look at Iraq and Syria,) it sets us free. It’s not self-flagellation, it’s actually taking pride in the true Britain of characters like Defoe and the Levellers, soldiers like Charley in Charley’s War, wild Celts like Slaine and so on.

He discusses more history you don’t and won’t read about in answer to the Bad Man’s question of what he would do if he could go back in time. Mills’ answer is straightforward: Shoot Lord Milner. He explains that Milner was part of a conspiracy that started the First World War. He states that Belgium was in a secret alliance with Britain and France at the time, and it’s only in Britain that we’ve been taught otherwise. Mills goes on to explain that E. Morel, who exposed the Congo atrocities, also revealed Milner’s role in igniting the War, but his work is simply dismissed as ‘wrong’ by historians today. He recommends that for further information people should read McGregor’s Hidden History, which is available online, Milner’s Second War, and E. Morel’s pamphlets. He explains

If Milner had been assassinated, in 1912, it could have just stopped Armageddon and opportunist characters like Churchill and Lloyd George might never have come to power with the terrible consequences for the people of 1914 – 1918 and beyond. With some areas of history, I’m still a student, but I’ve been studying WW1 since I was a kid and there is no doubt Britain was responsible.

Not something you’re likely to read about in school books or the mainstream media where Max Hastings and Paxman reign supreme, alas. As you can see, I feel strongly about this because we owe it to our ancestors that the truth gets out there. Not the ‘noble sacrifice’ bullshit of Cameron and co. The WW1 generation of young soldiers were murdered by the British establishment in conjunction with other forces, notably the bankers and merchants of death.

He ends the session by talking about the strips he’s working on at the moment.

See: https://therealbadman.wordpress.com/tag/nemesis-the-warlock/

Mills clearly has some very controversial opinions, especially about the Roman Catholic church, and that Britain is occupying Northern Ireland. That clearly isn’t the way the Loyalist community see it. Nevertheless, regardless of his views on the legitimacy of British rule in Northern Ireland, he is absolutely right about there having been a ‘dirty war’ there. Lobster has published a series of articles discussing the collaboration of the British state with loyalist paramilitaries in containing the IRA, and how secret SAS units were embedded in regular army units to assassinate leading Nationalists.

As for the Roman Catholic church, unfortunately he is right in that there is a problem with corruption in Vatican and the Church hierarchy, and this has left many Roman Catholics feeling betrayed. The many scandals around the world about child abuse by priests and clergy has led to many believers leaving the Church, particularly in Ireland and in Germany. Many German Roman Catholics left because of the last pope’s perceived reluctance or inability to tackle the issue and make proper reparations.

Mills also makes a very good statement about the misuse of power in local communities, when he says that in the small town where he grew up, everyone in power knew everyone else, and used their power in very negative ways. Dad and others had the same experience of the power of the local business community in Taunton, and the same abuse of social and economic position and authority still continues in Britain today.

It would be very interesting indeed to read and hear more about Britain’s responsibility for causing the First World War. This is not a view I’ve ever heard before. Quite the opposite. Just about all the historians I’ve ever read have blamed the Germans and Austrians. German historians argue in contrast that the War broke out almost as an inevitable accident, brought about through the web of alliances and the extremely volatile nature of the Balkans. Together, these caused the nations of Europe to ‘drift to war’. The German view, from what I’ve read, is not only rejected by British historians, but seen as something peculiar to Germany. It seems to me that it’s implied in British historians’ criticism of the German view of the origins of the War that the Germans are somehow trying to exculpate themselves from their responsibility for starting it. After reading Mills’ brief statements about the issue, the conventional historical view of German culpability no longer seems at all certain.

His is an extreme view, but that doesn’t mean he’s wrong. And he’s right about contemporary historiography of the war, at least at the popular level, being dominated by establishment figures like Max Hastings, the former editor of the Telegraph, and Jeremy Paxman. I like Paxo, and think he did a good job when he was on Newsnight, at least of irritating the Tories. But that doesn’t mean he’s telling the truth as an historian. Indeed, Private Eye a few weeks ago pointed out the many mistakes he was making in his latest excursion into literary history. He was trying to argue that a number of literary genres were in fact the creation of British writers in the 19th century. One of these was detective fiction. In fact, the first detective novel is usually considered to be Edgar Allan Poe’s The Mysteries of the Rue Morgue. Mind you, as with so many things, it can also be argued that the Chinese got there first. The Chinese also independently developed the novel, including tales of detection featuring Judge Dee. A number of these were translated by Van Lustgarten, who also wrote a story of his own using the character. So perhaps Paxo probably isn’t the most reliable guide either to literary history, or that of the Great War.

And as extreme as his view is, I don’t think it should be immediately dismissed because of the care Mills took in researching his stories. Charley’s War is a classic because it movingly portrays the reality of the War for the ordinary Tommy, and I’ve no doubt Mills did considerable research when writing the strip and subsequently after. He has said in another interview, a few years ago, how he broke with the traditional, very low view of comic writing when he started on 2000 AD. It was an SF comic, so he bought four books on science to research the subject, and invoiced IPC for expenses. Which left them shocked with the idea that anyone should do something as basic as that. Clearly, 2000 AD and its characters are Science Fiction and Fantasy, not fact, and in many cases very obviously are far from conventional scientific or historical fact. But the fact that Mills is prepared to research carefully the background of the strips he writes does make me wonder whether he’s right about this issue as well. But go and read what he says for yourselves, and make your own minds up.

Splundig Vur Thrigg!, as Old Green Bonce would say.

The Tories and the Return of the Grammar Schools

September 7, 2016

I caught a glance of the front page of the I newspaper today. The cover story was of Theresa May bringing back the grammar schools. I’m afraid I haven’t read the article, so you can criticise this article for my ignorance, if you like. But I don’t think it’ll make any difference to what’s written here. I’m annoyed by the policy, but not surprised. I think Mike published something on his blog a few weeks ago reporting that May was trying to bring back grammar schools. And others have also seen it coming years ago. The author of a book I reviewed a few weeks ago on this blog, which attacked the foundation of the City Academies under Tony Blair, believed that this was all going to lead to the return of grammar schools, as the academy system leads to the separation of the bright, wealthy elite, who can afford to pay, from the poor and less intellectual.

It was also on the cards, given the immense nostalgia there seems to be in this country for grammar schools, if not the 11 plus. That was the exam that decided your future. If you were bright and passed it, you got to go to a grammar school, and could look forward to a middle class, clerical career. If you failed, you went to a secondary modern to be taught a mostly practical education to prepare you for one of the manual trades. A similar system survives in some continental countries, like Germany.

Some people continue to support the system, because the less academically able were nevertheless directed into an area more suitable for their abilities. This might be so, but it was also responsible for creating massive social inequalities. Tony Crosland, one of the founders of the modern comprehensive system, passionately advocated them because of the way the 11 plus discriminated against the poor, and reinforced the British class system. If you were poor, you were far more likely to find yourself failing the exam, and condemned to a life of manual work. There were scientific reports at the time also pointing out that the test itself was unscientific, and that a single exam at that age did not give an accurate picture of a person’s true intelligence.

Even some Tories despised the exclusion of working class pupils from ‘O’ levels. Rhodes Boyson, who was one of Thatcher’s education ministers, described in one interview how he felt it was unfair to discriminate against working class pupils in secondary moderns. They were prevented from taking ‘O’ levels at the time as part of the focus of the secondary moderns on technical and manual trades. He talked about how he led a group of his pupils through the ‘O’ level syllabus and got them to pass the exam, which technically they should not have done. Boyson was a grotty education minister. It was he and Thatcher, who began the process of destroying the Local Education Authorities and trying to take schools out of their control, thus laying the basis for the academy system. But Boyson had at least been a teacher, and had done something radical which genuinely helped working class pupils with this action back in the 1960s.

But nevertheless, there is still this continuing nostalgia for the grammar schools. They were supposed to be better than the comprehensives, which some no doubt were. Many comprehensives were too big, and there was immense harm done to pupils through some of the ‘progressive’ education policies. There were real horror stories in my part of Bristol about Hartcliffe school, which had a reputation for theft, bullying and very low academic standards. But this has changed. The school has been re-organised, and I think standards have improved massively. But the stereotype of the failing, substandard comprehensive, compared to the glittering excellence of grammar schools remains. One of those, who continues to demand their return is a certain Charles Windsor, or as he is better known, Prince Charles. Among his correspondence that became public a year or so ago, to the embarrassment of the government, which had been trying to keep his interference in politics very quiet, were his letters asking for their return.

And now it seems he’s going to get his way. And millions of working and lower middle class children are going to find themselves kept down, by an educational system that deliberately discriminates against them achieving any kind of career above the low paying trades deemed to be their lot by their social superiors. Ultimately, this isn’t about excellence in education. This about reinforcing the traditional British class system, and keeping the lower orders down and away from the middle and upper classes.

Book Review: The Great City Academy Fraud – Part 1

July 13, 2016

Academy Fraud Pic

By Francis Beckett (London: Continuum 2007)

This is another book I managed to pick up from a cheap bookshop, in this case the £3 bookshop in Bristol’s Park Street. Although published nine years ago in 2007, it’s still very acutely relevant, with the plan of the current education minister, Thicky Nicky Morgan, to try to turn most schools into privately run academies. According to the back flap, Beckett was the education correspondent of the New Statesman from 1997 to 2005, and also wrote on education for the Guardian. The book’s strongly informed by the findings of the NUT and other teaching unions, whose booklets against academies are cited in the text. And its a grim read. It’s an important subject, so important in fact, that I’ve written a long review of this book, divided into four section.

Academies: Another Secondhand Tory Policy

Much of New Labour’s threadbare ideology was just revamped, discarded Tory ideas. This was clearly shown before Blair took power in the early 1990s, when John Major’s government dumped a report compiled by the consultants Arthur Anderson. This was immediately picked up, dusted off, and became official New Labour policy. Similarly, PFI was invented by the Tories man with a little list, Peter Lilley, who was upset ’cause private industry couldn’t get its claws into the NHS. This again was taken over by New Labour, and became the cornerstone of Blair’s and Brown’s ideas of funding the public sector. Academies, initially called ‘city academies’, were the same.

Basically, they’re just a revival of the City Technology Colleges set up in the mid 1980s by Thatcher’s education secretary, Kenneth Baker. Baker decided that the best way to solve the problem of failing schools was to take them out of the control of the local education authority, and hand them over to a private sponsor. These would contribute £2 million of their own money to financing the new school, and the state would do the rest. Despite lauding the scheme as innovative and successful, Baker found it impossible to recruit the high profile sponsors in big business he wanted. BP, which is very active supporting community projects, flatly told him they weren’t interested, as the project was ‘too divisive’. Another organisation, which campaigns to raise private money for public projects, also turned it down, stating that the money would best be spent coming from the government. It was an area for state funding, not private. The result was that Baker was only able to get interest for second-order ‘entrepreneurs’, who were very unwilling to put their money into it. From being a minimum, that £2 million funding recommendation became a maximum. And so the scheme was wound up three years later in 1990.

After initially denouncing such schemes, New Labour showed its complete hypocrisy by trying out a second version of them, the Education Action Zones. Which also collapsed due to lack of interest. Then, in 2000, David Blunkett announced his intention to launch the academy system, then dubbed ‘city academies’, in 2000 in a speech to the Social Market Foundation. Again, private entrepreneurs were expected to contribute £2 million of their money, for which they would gain absolute control of how the new school was to be run. The taxpayer would provide the rest. Again, there were problems finding appropriate sponsors. Big business again wouldn’t touch it, so the government turned instead to the lesser businessmen, like Peter Vardy, a car salesman and evangelical Christian. Other interested parties included the Christian churches, like the Church of England, the Roman Catholic Church, and evangelical educational bodies like the United Learning Trust. There were also a number of universities involved, such as the University of the West of England here in Bristol, and some sports organisations, like Bristol City Football club. Some private, fee-paying schools have also turned themselves into academies as away of competing with other private schools in their area.

Taxpayers Foot the Bill

While the sponsors are supposed to stump up £2 million, or in certain circumstances, more like £1.5 million, in practice this isn’t always the case. The legislation states that they can also pay ‘in kind’. Several have provided some money, and then provided the rest of their contribution with services such as consultation, estimated according to a very generous scale. For Beckett, this consists of the sponsors sending an aging executive to give his advice on the running of the new school. This particular individual may actually be past it, but the company can’t sack him. So they fob the new school off with him instead. Sometimes, no money changes hands. The Royal Haberdashers’ Society, one of the London livery companies, decided it was going to sponsor an academy. But it already owned a school on the existing site, and so did nothing more than give the site, generously estimate at several millions, to the new academy. Other companies get their money back in different ways, through tax rebates, deductions and the like.

But if the private sponsors are very wary about spending their money, they have absolutely no reservations about spending the taxpayer’s hard-earned moolah. An ordinary school costs something like £20 million to build. Academies cost more, often much more: £25 million, sometimes soaring to £37 million or beyond. Several of the businessmen sponsoring these academies have built massive monuments to their own vanity, using the services of Sir Norman Foster. Foster was, like Richard Rogers, one of the celebrity architects in favour with New Labour, whose ‘monstrous carbuncles’ (@ Charles Windsor) were considered the acme of cool. One of these was called ‘The Learning Curve’, and consisted of a long, curving corridor stretching across a quarter of mile, off which were the individual class rooms. Foster also built the Bexley Business Academy, a school, whose sponsor wanted to turn the pupils into little entrepreneurs. So every Friday was devoted exclusively to business studies, and the centrepiece of the entire joint was a mock stock exchange floor. The school also had an ‘innovative’ attitude to class room design: they only had three walls, in order to improve supervise and prevent bullying. In fact, the reverse happened, and the school had to spend more money putting them up.

Unsuitable Buildings

And some of the buildings designed by the academies’ pet architects are most unsuitable for the children they are supposed to serve. One academy decided it was going to get the local school for special needs children on its site. These were kids with various types of handicap. Their school was not certainly not failing, and parents and teachers most definitely did not want their school closed. But closed it was, and shifted to the academy. The old school for handicapped youngsters was all on the same level, which meant that access was easy, or easier, for those kids with mobility problems. The new school was on two floors. There was a lift, but it could only be used by pupils with a teacher. The parents told the sponsor and the new academy that they had destroyed their children’s independence. They were greeted with complete incomprehension.

HM School ‘Belmarshe’

In other academies, conditions for the sprogs are more like those in a prison. One of the schools, which preceded an academy on its site, had a problem with bullying. The new academy decided to combat that problem, by not having a playground. They also staggered lunch into two ‘brunch breaks’, which were taken at different times by different classes. These are taken in a windowless cafeteria. The result is a joyless learning environment, and the school has acquired the nickname ‘Belmarshe’, after the famous nick.

Vox Political on The Government’s Victory to Keep Discussions with Prince Charles Secret

April 19, 2016

Earlier today Mike put up a piece reporting that the government had won its battle to keep details of discussions between Prince Charles and government ministers out of the press, despite the fact that the Information Commissioner has stated that it is in the public interest for it to be released.

Mike makes the point that it is wrong for the government to wish to keep this information secret on the grounds that its release would compromise Charles’ privacy, while seeking ever greater power to invade that of ordinary citizens. See his article: http://voxpoliticalonline.com/2016/04/19/it-is-wrong-for-the-taxpayer-to-fork-out-for-prince-charless-privacy-when-the-tories-are-trying-to-take-it-from-us/

Mike’s correct, of course, but this is the way government works in Britain. It has a profound fear and suspicion of the people it governs, and is perpetually concerned to protect its secrets while trying to garner as much information as possible on the rest of us. Under Thatcher this mania for secrecy became so extreme, that the various cabinet ministers, who were members of different cabinet groups, could not tell their cabinet colleagues what was being discussed in these different committees, despite the glaringly obvious fact that as cabinet ministers, they should all automatically have been expected to have had the clearance to share the information with their colleagues, who were at the same level of trust.

Bliar’s introduction of the Freedom of Information Act was a step in the right direction, but it was weak even when it was introduced. And since then, the Tories and New Labour apparatchiks like Jack Straw have been determined to make it even weaker. It’s not hard to see why both political groups distrust the Act. It makes government difficult, because it opens it up to public scrutiny. It’s so much easier to ride roughshod over people by not letting them know about important government decisions, and taking the attitude that, as members of the public, they cannot possibly know what is really in the public interest. Or in the case of Thatcherites everywhere, the private good of big business.

And they definitely, really don’t want information about Prince Charles’ dealings with the government getting out at all. The monarchy and royal family is supposed to be above politics, and they are not supposed to influence government policy. It’s probably because they are supposed to be apolitical, that the monarchy has survived in this country, while other nations have become republics. Political interference from an unelected source is always resented. And so the concern to keep the monarchy out of politics. Hence the monarchy’s ire when Gove or whoever it was in the ‘Brexit’ campaign claim that the Queen also wanted us to leave the EU.

Charles’ negotiations are sensitive, because he’s violated that cardinal rule. The Independent, some of whose columnists had a strongly republican bias, covered several stories in which Charles’ correspondence with various governments over the years was a source of embarrassment, and which they were desperate to stop being released to the public. Among his pet subjects were the closure of the grammar schools. Lugs was thoroughly against this, and wrote numerous letters to the government to try to get them to change this policy and reopen them. The ministers at the receiving end of his correspondence were forced to reply that this was no longer an option.

This is why the government really doesn’t want to release the details of Prince Charles’ discussions with ministers about the environment to the Mail on Sunday: it compromises the position of the monarchy. Not that the Daily Heil is necessarily worried about this in the specific case of Prince Charles. From what I can remember, it has had a profound dislike of the heir to the throne, and has run no end of stories about how he is an embarrassment to the Crown. At one point it ran a story that ‘ministers’ were considering amending the rules of succession, so that it could skip a generation and go either to his sons, or it would pass to the eldest child. In which case, Princess Anne would succeed her mother.

There was a rival of these stories of constitutional tinkering in Private Eye last week in connection to the Commonwealth. The Eye claimed that many Commonwealth countries aren’t impressed with him either, and would also like to change the constitution of the Commonwealth, so that its head was elected. I can see how the various independent countries across the globe would prefer this system, rather than be ruled by the hereditary monarch of the country that invaded and colonised them, as a general principle. But the Eye didn’t mention any of that. Instead, it was just about stopping Charles becoming head of the Commonwealth.

And so the government remains desperate to keep a lid on whatever it is that Prince Charles has said to ministers, while even more enthusiastically snooping on everyone else. And I’m sick of it. I’d far rather we had a government like that of Kurt Eisner, the German Socialist head of Bavaria during the ‘Council Revolution’ of 1919. Eisner was a Jewish theatre critic, who saw Russian-style workers’ soviets not as a replacement for democracy, but as extension. And he had no time for government secrecy. His office was open to everyone, and he quite happily showed members of the public papers marked ‘government secrets’. Unfortunately, he was beaten to death by the Freikorps when they stormed Munich to put the Revolution down. Eisner and his regime may well have been too extreme, but we desperately need some of his faith in genuinely popular and open government here across the North Sea in the 21st century.

Increase the Peace: Criticism of the Iraq Invasion in 2000 AD’s ABC Warriors

April 18, 2015

Borag Thungg, Earthlets! As the mighty Tharg used to say.

I’ve posted a number of pieces about satire and social criticism in comics, particularly the British SF comic, 2000 AD. Mike over at Vox Political posted a piece on the very pointed comment about the effect of sanctions and workfare in the Judge Dredd strip. And it’s been released that after the elections are safely over, Megacity I’s hardest lawman will go up against a corrupt politician fomenting hatred against immigrants after a series of terrorist attacks. This politician’s name: Bilious Barrage. And he bears a striking resemblance to a certain head of an anti-EU, anti-immigration party.

Bilious Barage

Bilious Barrage: Mega-City 1’st anti-immigration politician and leading candidate for a place in the Iso-Cubes.

2000 AD has always had a very strong strain of satire and social comment. The Strontium Dog strip, about the mutant bounty hunter, Johnny Alpha, used the character’s mutation to criticise racism and the British class system. This included a story in which the king of Britain, Clarkie II, in order to reach out to all his subjects, marries a mutant from the Milton Keynes ghetto, Vera Duckworth. Who, as her name suggests, was blessed with a duck’s bill.

Strontium Clarkie Duckworth

Johnny Alpha with his highness King Clarkie II and Vera Duckworth, as drawn by Carlos Ezquerra.

This was partly based on Prince Charles, and his concern in the 1980s to help Britain’s unemployed created by Maggie Thatcher’s recession.

Real political figures also made their way into 2000 AD’s strip, like Ronald Reagan. The then-president of America featured in a story in which he had been kidnapped by time-travelling aliens, who wish to use him as a hostage in their campaign to break free from human domination.

Strontium Reagan Red

A kidnapped Ronald Reagan menaced by the mutant vampire, Durham Red, from the Strontium Dog strip.

The Second Gulf War and the Iraq invasion has also been criticised in its turn in the three volumes of collected ABC Warriors’ strips, The Volgan War, scripted by the strips’ creator, Pat Mills, and drawn with almost photo-real precision by Clint Langley.

The ABC Warriors are a kind of ‘Meknificent Seven’, a group of ex-war robots, led by the morally upright Hammerstein, dedicated to protecting justice and defending the weak and innocent in a violent and corrupt galaxy. The strip itself is a kind of spin-off from the Ro-Busters strip, about a group of robots sent in to rescue humans from disasters where the situation was too dangerous to risk human lives.

Hammerstein and the other robots were built to fight in the Volgan Wars. The Volgan Republic was a disguised version of the Soviet Union, which was shown conquering Britain in the early 2000 AD strip, Invasion. The treatment of the Volgan Wars in the ABC Warriors is permeated with a very strong anti-war message. Robots are expendable slaves, and their human officers have no respect for their lives or the pain they suffer, so long as they achieve their objectives and win medals for them.

This was part of the strip from its very beginning in the late ’70s and early 1980s. And it’s still the same now in the 21st Century. In Vol. 2 of the Volgan Wars series, the Warriors are shown talking about how they suffer from survivor’s guilt.

Steelhorn says ‘The hardest thing when I got back was humans slapping me on the back and saying ‘Great job Steelhorn!’

To which Mongrol, another Warrior replies, ‘They wanted it to be a good war so that they could sleep at night.’

Hammerstein adds ‘But we know it wasn’t a good war. There’s no such thing as a good war.’

In this post-Iraq Invasion reworking of the strip, the aggressors are the West. The world has passed peak oil, and so America and her allies have invaded the Volgan Empire – Russia – in order to get their hands on its oil reserves.

ABC Tipping Point Oil

The above panels show the Volkhan, the supreme Volgan war robot, stating this in his speech to the massed Volgan war machines.

‘Remember! The world has passed the tipping point! The oil is finally running out! It’s why the ABC criminals have invaded our country! To steal our oil!’

‘Only Volgograd stands in the way of their advance to the Caspian oilfields! If Volgograd falls, Mother Russia falls!’

The American officers leading the invasion are very much aware that the rationale for the war – that they are liberating the Russian people – is a sham, and note privately that it should be a public scandal.

In one scene, Blackblood, one of the Volgan robots, reads out an entry confirming this from the diary of a captured American officer.

ABC Volgan War Reasons

The entry reads

“This terrible war is a set-up to steal the Volgan’s oil and make money for robot weapons manufacturers Like Howard Quartz. The general public should be told what is really going on.”

The Volgans are presented as sadistic killers, who have absolutely no qualms about committing atrocities such as the mass murder of innocent civilians. Blackblood is one of the most treacherous and brutal, who takes his name because he drinks the oil of the other robots he and his soldiers have killed. In order to avenge such atrocities, the allies have established the Knights Martial, an order of robot knights, to try war crimes and bring those responsible to justice.

Their role was originally intended to be solely confined to Volgan war criminals. The Knights have, however, broken their programming and gone beyond that. They are now judging allied generals for the atrocities they have committed, as shown when Deadlok, the order’s Grand Master, puts an American ABC general on trial.

Clearly, the ABC Warriors are meant as fictional entertainment, but the social comment and political satire in the strip makes it acutely relevant. The volumes on the Volgan War were published five or six years ago in 2009 and 10. The present, however, seems to be catching up very fast with the future envisioned by the writer Pat Mills, and the strips’ artists. In his introduction to the second volume, Pat Mills discusses the emergence of real autonomous war machines, including the PackBot.

A robot called the PackBot is used in Iraq to locate and blow up enemy bombs, also blowing itself up in the process at a cost of $150,000 per robot. it can only be a matter of time before indestructible machines like Hammerstein will carry out these same tasks. A Pentagon spokesman has stated, “Robot’s don’t get hungry. They’re not afraid. They don’t forget their orders. They don’t care if the guy next to them has just been shot. Will they do a better job than humans? Yes.” That sounds very much like the ABC Warriors.

The singularity, the point of no return, could well be soon. This is the time when robots become so intelligent, they are able to build ever more intelligent and powerful versions of themselves without reference to humans. When that moment arrives, the Warriors’ adventures may be seen as closer to science fact than science fiction and the truth may be even stranger than the fiction depicted in this second volume of The Volgan Wars.

I’m afraid that the future depicted in the ABC Warriors may become all too real very soon. The current events in the Ukraine strike me very much as an attempt by the West to create a pro-western government in the former Soviet state, partly in order to get their hands on its immensely fertile agricultural soil and partly for its vast mineral reserves, including oil. And, of course, it’s only a short distance away from the major oil reserves around the Caspian Sea and Azerbaijan. Something like the Volgan War could easily become a horrific reality.

The ABC Warrior’s value isn’t just in its realistic depiction of a future war and the possible machines built to fight it, but in the human and trans-human moral cost of such a conflict. Like much of the best Science Fiction in all media, whether literature, film and television or comics, the ABC Warrior’s brings a critical satirical eye to contemporary politicians, who have manufactured wars and sacrificed human lives in furtherance of their personal and geopolitical ambitions.

And that really is zarjaz, as Tharg the Mighty also used to say.

Splundig vur thrigg.

Sneck! Mutant Bounty Hunter In Radio 4 High Culture Shock!

April 7, 2015

Strontium Dog

Mutant Bounty Hunter Johnny Alpha, AKA Strontium Dog, from 2000 AD, drawn by Carlos Ezquerra

I’ve published a few pieces recently about comics, and particularly 2000 AD. Last week it was reported that Judge Dredd was going to be taking on Nigel Farage in the form of a hate-mongering politico, Bilious Barrage, in Mega-City 1. Now in today’s Radio Times there’s also news that another favourite from 2000 AD will get a mention on radio: Johnny Alpha, the mutant bounty hunter and hero of the strip Strontium Dog. He’s due to get an appearance on a programme about a new cycle of poems about the element, from which he and the other Search/Destroy Agents took their name The (Half) Life of Strontium.

The blurb in the Radio Times says Strontium is the 38th element in the Periodic Table and was discovered in 1792 by miners in the Scottish village of Strontian. Robert Crawford’s new suite of poems elaborates on the connections between the village in Argyll, the bomb that dropped on Nagasaki and the mutant bounty hunter, Strontium Dog.

The programme’s on at 4.30 pm. on Radio 4 on Sunday, 12th April.

The strip took its name from Strontium 90, one of the radioactive elements in nuclear fall-out. The Strontium Dogs were mutants, who were legally prevented from holding any other jobs on Earth except as bounty hunters because of their mutations. The strip combined detective adventures in a kind of future galactic Wild West, as the strip’s hero, Johnny Alpha, and his norm partner Wulf Sternhammer, roamed space bringing criminals to justice.

Alpha took his name from the alpha particles emitted by his mutant eyes. In the strip these gave him X-ray vision and the power to read minds. In practice they’re very weak. You can block them with a sheet of paper. Not that science fact necessarily gets in the way of a good tale. 2000 AD generally had a strong satirical edge, and wasn’t averse to tackling serious issues. In Strontium Dog the strips’ creators used the mutant hero and his deformed friends and enemies to explore issues of racism, prejudice and the British class system.

Alpha’s father was a ruthless right-wing politicians, Nelson Bunker Kreelman, who was determined to carry out a policy of mass murder to cleanse an irradiated Britain of its mutant population. Alpha’s own mutation was carefully hidden in order to safeguard his father’s reputation. In the event, Alpha rebels against his father, and leads a mutant revolt from one of the ancient symbols of British identity, Stonehenge.

The mutant’s victory is limited, however. Although they are tolerated, their opportunities are very limited. They are segregated into mutant ghettos, and are very much second-class citizens. When Alpha and Wulf travel, they are forced to find accommodation in the hold or in the second class cabins, as mutants very definitely may not travel first class with ordinary humans. And the discovery of mutant relatives, especially offspring, is still a major source of shame for respectable middle class Brits.

In one strip, the king of Britain, Clarkie II, attempts to bridge the divide between norm and mutant by marrying a young mutant lady with a duck’s bill from the Milton Keynes mutant ghetto. This is a step too far for his subjects, and the idealistic king is hounded, forced to abdicate, and flee into space.

It’s a slightly irreverent, but also curiously sympathetic look at Prince Charles’ actions at the time. This was before his marriage with Lady Di fell apart, and the Prince was still popular with many Brits. He also appeared to be genuinely and deeply concerned with the plight of his poorer subjects as Maggie’s recession threw millions out of work. And so the strip’s creators, Aaln Grant and Carlos Ezquerra, were able to present a fantastic version of the Prince of Wales showing his social concerns in the future. In this case, it was marrying well out of his class with a mutant girl from the wrong side of the tracks.

And what Crawford’s poem also shows us, is that apart from great literature, the major figures of British arts also started off like the rest of us: reading and enjoying the four-colour funny papers. They’ve now grown up, and Dredd, Alpha and the rest are heading upmarket alongside . At least on the radio.

Reagan Dog

Never afraid to treat authority with the amusement it deserves: Strontium Dog and his partner, Durham Red, rescue a Ronald Reagan kidnapped by time-travelling aliens.

Conservative Apologies and Lies in Flooded Somerset

February 10, 2014

somersetfloods1

‘How do you know when a politician’s lying?’
‘His lips move.’

-Old Joke told on the Max Headroom Show circa 1986.

‘How do you know when David Cameron is lying?’
‘I refer the honourable gentleman/lady to the answer to the previous question.’

David Cameron will be touring the flooded areas of south-western England this morning trying to reassure the poor souls there that the government is doing its uttermost to combat the disaster and help the people recover their homes, land and livelihoods that are now drowned under the flood waters.

It’s a horrific disaster, as a brief glance at the pictures coming from the affected areas show. In Somerset people have had to be moved out of their houses, while farmer’s have lost crops as the floods covered their fields. One farmer was faced with the stark choice between selling or giving some of his cattle away, or sending them to be slaughtered as he had nowhere he could keep them, so hard was his farm hit by the floods.

During prehistory, and then in the early middle ages the Somerset levels was marshland, and some memory of the extend of the marsh environment is shown in area’s place names. The ‘ey’ in the names of places such as Muchelney, Athelney and so on comes from the Anglo-Saxon ‘ieg’, meaning an island. These villages were islands of dry land in the surrounding marsh. During the Neolithic the local people constructed the Sweet Track, a timber walkway through the marsh supported by poles as a way of getting across the marshy environment. Similar wooden tracks crossing the north German moors were built during the Iron Age.

The marshland was gradually reclaimed from the 13th century onwards, though by the end of the 17th century only about a 1/3 of the levels was dry land. The remaining land was reclaimed during the 18th and 19th centuries. Water management and drainage has continued to be vital to the maintenance of the Levels, as the area is criss-crossed by a series of ‘rhines’ and drainage channels, like the King’s Sedgemoor Drain. Historically it has suffered from terrible floods. One in the early 17th century, created through a combination of bad weather and a tidal surge up the Severn Estuary, drowned houses, fields and livestock with the flood waters advancing about eight miles from Glastonbury itself. One eyewitness to this inundation recalled seeing crows perching on floating sheep, until the sheep in their turn sank and drowned. Fortunately the modern floods aren’t that severe, but they’re harmful enough to the people down there, who’ve had to be moved out of their houses.

Cameron visited the area yesterday, promising the local people that there would be every effort to combat the floods and that £3 million had been allocated to do this. He also made other, predictable claims that the government was spending more on flood defences than the Labour government.

Cameron has been merely the latest in a line of politicians and public figures to come down to look at the disaster and speak to its victims. They included Chris Smith, the environment secretary, and Prince Charles. Smith’s response to the crisis had caused even more anger. The local Tory MP, Ian Liddell-Grainger, was furious at the way the environment agency had handled the disaster. He stated that when the area had suffered flooding a year ago, he spoke to Smith, who promised that suitable action would be taken. Nothing, however, was done. Speaking on the Andrew Marr show, Eric Pickles offered an unconditional apology to the people of Somerset for the way the government had mishandled it. Liddell-Grainger had gone even further, and demanded Smith’s resignation. Smith duly appeared on TV to say he had absolutely no intention of resigning, and was completely satisfied with his Agency’s actions. This had simply infuriated Mr Liddell-Grainger even more, and no doubt contributed to the apology offered by Pickles.

Cameron also acknowledged that mistakes had been made. He stated that the Agency had stopped dredging the Levels in the 1990s, and that this was a mistake.

Now the floods wreaking havoc throughout the country are a vital issue for Cameron and his administration. Not only are they a national disaster, but the areas affected are of crucial political importance for the Tory party. Like much of rural England, parts of Somerset are a Tory heartland. My parents have joked before now that in some of the villages, there used to be only two social clubs you could join when they were young: the Farmers’ Union and the Young Conservatives. With the Tories now suffering competition from UKIP, Cameron needs to show the Tories’ traditional constituents that he is indeed acting on their behalf.

Mixed in the with promises, however, are liberal amounts of the lies, which you can expect from a Tory leader. I’ve reblogged a piece from Mike over at Vox Political, on the way the way the BBC – surprisingly! – picked up the way the Tories had manipulated the graphs showing funding for the Environment Agency to suggest that it was actually much larger than it actually was. As for their claim that the Tories were now spending more on flood defences than Labour, this is may well be true. Now. After the floods had occurred, and demanded immediate action. I doubt very, very much this was the case before though. An administration dedicated to cutting government spending, and which reneged on its promises to preserve the NHS, is hardly likely to have left the Environment Agency untouched.

As for Cameron’s acknowledgement that they had stopped dredging in the 1990s, and this was a mistake, this occurred under the last Tory prime minister, John Major. During Major’s administration Private Eye ran a number of stories reporting the way government agencies and watchdogs regulating the environment and the utilities were increasingly downsized, with their powers restricted, in order to give greater freedom to industry. I’ve got a feeling that one of these was almost certainly the Environment Agency or its predecessor. Cameron’s government is similarly dedicated to minimising, if not removing altogether, government regulation and interference, and so I cannot see any long term changes occurring under Cameron. In fact, I can see the complete opposite. After the floods recede, what will probably happen is that, after a brief show of some token of increased funding or activity, the Environment Agency will go back to doing as little as possible as usual. Worse, it will probably be under pressure to cut services further to make savings to make up for the vast amount spent dealing with the floods. So despite Cameron’s grandiose claims, the people currently hit by the floods will be less protected afterwards than they were before.

What matters is not that permanent solutions are put in place to tackle the floods and prevent them occurring all over again. What matters is that Cameron is seen to be doing something, so that he can continue to cling to power and make further savings by slashing government expenditure. This is what his paymasters in the multinationals want. And the locals in Somerset, Devon, Dorset and Berkshire will be left to fend for themselves.

Readings for the Cyber Age

October 15, 2013

Neil Spiller, ed., Cyber_Reader: Critical Writings for the Digital Era (London: Phaidon 2002)

Cyber Reader

Information technology is one of the most powerful scientific development of the past century. It, and the related fields of cybernetics and robotics, have profound implications for the nature of the brain, consciousness, sex, gender, humanity, life and even reality itself through the ways scientists, engineers and games designers have managed to simulate, model or recreate these aspects of our existence in the virtual worlds of cyberspace. This book is a collection of texts by scientists, engineers, philosophers and Science Fiction novelists exploring the theoretical and scientific underpinnings of information technology and cybernetics, and exploring the technologies’ philosophical implications and their impact on our lives in the future. The texts include extracts from

Babbage Engine

A Model of Charles Babbage’s Analytical Engine of 1871

Charles Babbage, ‘Of the Analytical Engine, 1864’, discussing his manufacture of his famous ‘Difference Engine’;

E.M. Forster’s pioneering SF story, The Machine Stops, of 1909, in which a future society that has become absolutely reliant for every aspect of its citizen’s existence on a vast machine has to come to terms with its end when that machine finally breaks down.

Vannevar Bush’s ‘As We May Think’, from 1945. Bush was the originator of the concept of hypertext in his idea of the memex machine. This was to be library reading desk that would call up microfilms and project their contents onto a screen. The user could, however, create trails between texts using various levers on the device. In this article, published in the Atlantic Monthly, Bush predicted the kind of devices he felt were just around the corner.

Turning's Man Cover

J. David Bolter’s ‘Essays of Operation’ from 1989, which provides a short description of Alan Turing’s Turing Machine and Johnny Von Neumann’s Design for Computers.

Norbert Wiener’s Organisation of the Message of 1950. Wiener was the father of cybernetics through his book, Cybernetics, or Control and Communication in the Animal and the Machine of 1948. In the extract from the Organisation of the Message included in this collection Wiener’s expresses his opinion that there is no difference between the transmission of information and the transmission of material, and looks forward to what we would now call teleportation.

JCR Licklider’s ‘Man-Computer Symbiosis’ of 1960, which analyses humans’ relationship to computers as analogous to the symbiotic relationship between bees and flowering plants.

Douglas Engelbart’s ‘Augmenting Human Intellect: A Conceptual Framework’ of 1962, which laid the basis for modern interactive hypermedia. It was Engelbart’s research, which created the foundations for the computer mouse, teleconferencing, e-mail and distributed client-server networks and the internet.

Marshall McLuhan’s ‘The Gadget Lover: Narcissus as Narcosis’ of 1964. McLuhan was the Canadian media guru, who coined the phrases ‘the medium is the message’ and ‘the global village’. In his exploration of the myth of Narcissus, McLuhan considered that the artificial, mechanical extension of the human self through technology created a sense of numbness. He believed that the media had created a state where everybody was somehow nearby. This allowed people in a sense to leave their physical bodies. For some this could be liberating, as it left the physical realm, and gender and disability behind. On the negative side, it meant that people no longer had the terrible fear of war.

Gordon Pask’s ‘The Architectural Relevance of Cybernetics’ of 1969. Pask was an architect and the inventor of ‘Conversation Theory’. This explores ideas of the ‘observer’ and ‘users’ and their influence on the complex outcomes of cybernetic systems. The extract contained in the book is his account of Cedric Price’s and Joan Littlewood’s attempts to create the Fun Palace, constructed from huge steel columns and beams, which could be radical reconfigured.

Cedric Price’s ‘Generator Project’ of 1976. This was an attempt by Price to create an ‘intelligent’ building that ‘knew itself’ and ‘dreamt’ cybernetically. The various components of the building were fitted with a logic circuit linked to a central computer, in order to assist in the building’s reconfiguration. Price’s team were afraid that the human users would not fully utilise the building’s potential for radically altering its own structure. They therefore programmed the system so that it would register its own boredom, and make suggestions for possible alterations.

Paul Virilio, ‘The Aesthetics of Disappearance’ of 1980. Virilio is a French architect and one of the leading Postmodern critical theorists. In his Aesthetics of Disappearance, Virilio used the figure of the aircraft engineer and obsessive recluse, Howard Hughes, to express his own views on the disappearance of technology as it becomes faster, smaller and increasingly invisible. He stated that due to technology, the world was speeding up, and time was being ‘jump-cut’. He also believed that Einstein’s Theory of Relativity had destroyed static relationships, and that things now existed only in relationship to something else.

Gilles Deleuze and Felix Guattari, A Thousand Plateaux: Capitalism and Schizophrenia, 1980. Deleuze was professor of philosophy at Paris University at Vincennes, and Guattari was a psychoanalyst and political activist, who practiced at the experiment psychiatric clinic, La Borde. In A Thousand Plateaux, Deleuze and Guattari analysed the ‘spacescape’ created by computer technology. They saw reality in terms of the rhizome and Riemannian manifold, metaphors for the complex interrelationships between things that changed over time. These ideas strongly influenced the annual ‘Virtual Futures’ conferences held at Warwick University in the 1990 by scholars exploring the philosophical implications of cybernetic research.

Neuromancer Cover

It also includes a chapter from William Gibson’s pioneering 1984, SF novel, Neuromancer. Gibson is one of the founders of Cyberpunk. His outlaw heroes have been altered so that they can access the vast, virtual information world of Cyberspace. Spiller included the extract because it had been so massively influential, that it was now difficult to know whether it had predicted modern Virtual reality, or merely described what was already happening.

Donna Haraway, ‘A Cyborg Manifesto’, of 1985. Haraway is a socialist feminist, who sees cyberculture as a way of removing the old dualisms of male/female, white/black, animal/machine and heterosexual/homosexual. She believes the modern feminists, in championing the underdog, have actually reinforced these dualism and the existing system of exploitation. She believed that the cyborg was ‘committed to partiality, irony, intimacy and perversity. It is oppositional, utopian, and completely without innocence’, and with no conception of the Biblical story of the Garden of Eden with its gender divides and division of labour.

Drexler Cover

K. Eric Drexler’s ‘Engines of Abundance’, from his 1990 book, Engines of Creation. This laid the foundations of nanotechnology, and looked forward to the development of atomic and molecular machines that could build anything out of anything, so that rocket engines could be built in vats.

Carbon Nanotubes

Computer Visualisation of Carbon Nanotubes, developed under the direction of Deepak Srivastava at NASA’s advance Supercomputing Division

Greg Bear’s 1990 novel, Queen of Angels. A cyberpunk novel set in 2047, this follows Public Defender Mary Choy as she goes to a Caribbean island to bring back to Los Angeles an insane mass-murderer. On the island, she secretly uses nanotechnology to build a gun on her hotel dressing table.

Difference Engine Cover

William Gibson’s and Bruce Stirling’s ‘Steampunk’ SF novel, The Difference Engine, of 1991. this explores what the world would have been like, if Charles Babbage’s Difference Engine had been built, and Victorian Britain and France become steam-driven computer societies.

Wearable Computer 1

A Wearable Computer System developed by MIT

Howard Rheingold’s ‘The Origins of Drama and the Future of Fun’ in his Virtual Reality of 1991. Rheingold was the editor of the Whole Earth Review, the successor to the 1960’s counterculture Whole Earth Catalog. His book, Virtual Reality, was one of the first popular books on the new, Virtual worlds now possible through computers, head-mounted displays and data gloves. Rheingold optimistically believed that this technology would allow us to recreate any experience we wished, a view that was attacked by Benjamin Woolley a year later in Woolley’s own Virtual Worlds.

Manuel De Landa’s ‘Policing the Spectrum’, from his War in the Age of Intelligent Machines of 1991. This was a history of weaponry from the machines of the Renaissance to the computerised technology used in the first Gulf War. He analysed their development in the terms of nonlinear emergent dynamics, and the apparent spontaneous emergence of order out of chaos. This results in curiously life-like behaviour in inorganic matter. De Landa has therefore developed the notion of the machine phylum, in which matter and energy in states in vastly disorganised states result in the self-assembly of machines. He sees the process by which machines are built by humans as similar to industrious insects pollinating and independent species of machine flower that does not possess its own reproductive organs.

Marcos Novak’s ‘Liquid Architectures in Cyberspace’, from the 1991 book Cyberspace: First Steps, edited by Michael Benedikt. Cyberspace: First Steps was a collection of essays by a variety of scholars and writers, including cultural commentators, artists, anthropologists, systems engineers, architects and software designers. Novak at the time was an assistant professor at the University of Texas. Novak has been credited as one of the first architects to show how his discipline could use cyberspace and its technologies to create new forms of architectural space. In ‘Liquid Architectures’ Novak argued that architecture that could and was built is only a small part of what architects actually produce. Through history there has always been architectural designs that could not be, and were never intended to be built. The ‘liquid architecture in cyberspace’ was Novak’s idea of the deliberately impossible structures architects could now design and build in Virtual reality.

Daniel C. Dennett’s ‘An Empirical theory of the Mind: The Evolution of Consciousness’ from Consciousness Explained, 1992. Dennett considered that consciousness was an emergent property of the brain, a feature that spontaneously arose from the brain’s structure and operation, but which could not be predicted. he drew an analogy between it and the way geese fly in ‘V’ formation, another emergent property that cannot be predicted from an examination of individual geese. In the chapter ‘An Empirical Theory of Consciousness’, Dennett argued that the brain and its components are analogous to parallel computer networks, all of which were capable of pretending to be other machines. It was an attempt to explain the emergence of consciousness, and humans’ ability to move from one mode of thought to another.

Neal Stephen’s 1992 SF novel, Snow Crash. This is set in the Virtual world of the Metaverse, and the Street, the Virtual space at the heart of it. Attached to the Street are various spaces where gravity and linear time do not exist. The novel is about the attempts of the central character, the appropriately named Hiro Protagonist, to combat the Snow Crash virus infecting this Virtual world. Although the book is set in Cyberspace, the book also has overtones of Augmented Reality, in which it is possible, using goggles, to see both real and Virtual space simultaneously.

Stephen Levy, ‘The Strong Claim’ in Artificial Life: The Quest for a New Creation, 1992. Artificial Life was a book tracing the development of the concept and the personalities and minds behind it. It combined science writing with biography. The concept of artificial life is based on the idea that as biological life is the manipulation of information, it should similarly be possible to replicate this in computers, which also manipulate information. Levy began his account of the idea’s development with the ‘finite automata’ of John Von Neumann before going on to John Horton Conway’s Game of Life. This is a version of cellular automata, and has been used to create Virtual creatures, which interact with each other and develop. These Virtual creatures are the Strong Claim, which this extract from Levy’s book explores.

Roger Lewin, ‘Life in a Computer’ in Complexity: Life at the Edge of Chaos, 1993. Lewin’s book, Complexity, discussed the changing patterns and order that can emerge from complex systems, such as the weather or colonies of animals. Genetic algorithms, invented by the American computer scientist John Holland, are algorithms designed to achieve optimum criteria. These are constructed according to genetic principles to achieve optimum performance by negotiating ‘fitness landscapes’ in the same way living organisms have done in their evolutionary development. In the extract reproduced here, Lewin discussed the use of genetic algorithms to construct the automata, or Virtual creatures with the capacity to evolve by Tom Ray in a simulated ecology of artificial life.

Pixel Juice Cover

The chapter, ‘Stash Rider’s, from Jeff Noon’s Vurt, 1993. Noon is a former pop musician, painter, and playwright. During his career he was playwright-in-residence at Manchester’s Royal Exchange. Vurt was a cyberpunk novel set in a future Manchester, in which people use an all-purpose nanotechnological smart lubricant, Vaz, to mend their bodies, physiologies and machines. The Vurt of the book’s title is a psychedelic drug taken by using a feather to tickle the back of the throat. As well as ordinary humans, Mancester also has a population of half-human dogmen, shadowcops and robocrusties, second-class citizens who are the products of a previous fecundity affecting humans, animals and objects in a bio-technological disaster. The book is based on Norbert Wiener’s idea that the brain is similar to the computer. This was developed by some cognitive psychologists into the suggestion that the brain could similarly be programmed and dissected as a series of programmes.

PK Dick Religion

A Page from Robert Crumb’s The Religious Experience of Philip K. Dick, depicting the strange Gnostic experiences that occurred to Dick in March 1974, and which formed the basis of his book, Valis.

Techgnosis Cover

Erik Davis, Techgnosis: magic, memory, and the Angels of Information, 1993. Davis here argued that underlying modern information and image-rich culture was the ancient, human urge to create mythologies placing events and objects within a cosmological hierarchy, imbuing them with order and meaning. The book is therefore an exploration of the connections and similarities between the new technologies of cyberspace and ancient, arcane and scientifically discredited concepts.

Metropolis

The evil robot from Fritz Lang’s classic Metropolis, which mixed Science Fiction with religious imagery. The inverted pentagram behind the robot links her and her creator to world of black magic.

Scott Bukatman, ‘Terminal Resistance/ Cyborg Acceptance’, in Terminal Identity: The Virtual Subject in Postmodern Science Fiction, 1993. Bukatman is Assistant Professor in the Media Arts Program at the University of New Mexico, and the consulting editor for the academic journal, Science Fiction Studies.In Terminal Identity he examines the way space and technology in SF. He considers that modern society is in crisis, as the established relationships between humanity, space, machines, and gender and sexuality and the way they are represented have been broken down. He argues that in the past there was a dichotomy between the external, rational world and the internal world of the mind, which was full of ghosts, fantasies and Virtual beings. Digital technology has reversed this relationship, so that it is now the external world that is full of the strange, fantastic and unreal. Modern information technology offers a kind of transcendence, at the cost of the violation of the purity of the flesh, as the body is invaded by the products of technology.

Anne Balsamo, ‘Feminism for the Incurably Informed’ in South Atlantic Quarterly’, 1993. Anne Balsamo is Professor of Literature, Communication and Culture at Georgia Tech in Atlanta, and the author of the 1996 book, Technologies of the Gendered Body. ‘Feminism for the Incurably Informed’ is a feminist reading of Pat Cadigan’s SF novel, Synners. The Synners of the title are people, who take images from the brains of performers and rearticulate them for mass consumption, in a shifting, Virtual world, that is also always being reconfigured, repackaged and resold. Balsamo identifies Cadigan’s recurring motif of ‘change for the machines’, as encapsulating the issues that surround digital technology and its effect on the gendered body. She believes that humans have now become used to using machines as part of their identity, and wonders what this actually means and whether we can avoid being excessively reliant on them.

Sherry Turkle, ‘Constructions and Reconstructions of the Self in Virtual Reality’, 1994. Turkle is a clinical psychologist and the Abby Rockefeller Mauze Professor of the Sociology of Science in the Program in Science, Technology and Society at MIT. Turkle uses Allucquere Rosanne Stone’s concept of the ‘consensual locus’ to explore the formation of identities in Multi-User Dungeons in Role-Playing Games such as Dungeons and Dragons. The ‘consensual locus’ is a person’s online persona, and their real-world personal interactions. She considers the consensual locus and the different realities it creates constitute a means for therapeutic interactions in the Virtual worlds of online Role-Playing Games. In an argument that should delight many fans of the RPG, she contradicts the image of them as lonely, socially retarded, rather sad individuals. she instead shows that the Virtual scenarios encountered in the games allow them to negotiate similar social situations in reality.

Kevin Kelly, ‘An Open Universe’, from Out of Control, 1994. Kelly is the former editor and publisher of the Hippie Whole Earth Review, and is the executive editor of Wired magazine. In Out of Control Kelly speculated on the vast possibilities that would arise through the hybridization of the biological with digital technology to form what Kelly calls ‘the neo-biological’. Kelly feels that this would result in the appearance of biological machines that would use emergent behaviour to evolve in relation to each other, rather than according to the strict parameters laid down by their programmers. The chapter included in the book examined the similarities between genes and their potential to create a massive ‘gene space’ of infinite possibilities through their capacity for recombination, and parallel computing, in which programs also evolve rather than proceed linearly. Kelly discusses the definition of artificial life by one of its pioneers, Chris Langton, and the way the genetic model can therefore be used to create forms of it, which evolve according to a changing ‘fitness landscape’.

Johnny Mnemonic

Keanu Reeves enters Cyberspace in this scene from Johnny Mnemonic, scripted by William Gibson.

Greg Egan, Permutation City, 1994. Egan is a Science Fiction writer and computer programmer. In his novel, Permutation City, Egan examines the concept of Strong AI: the claim that computers may be able to develop true artificial intelligence similar to that of humans, and what it would be like to exist as a disembodied intelligence, downloaded onto a computer. One of the book’s main characters, Paul Derham, creates a computer copy of himself as part of his research into Strong AI. The book describes the differences between the relative speeds and virtual capabilities of Virtual and real space, as well as the possibility of creating copies of one’s personality to form ‘conscious’ avatars in Cyberspace, as Derham does in the book.

William Mitchell, ‘Soft Cities’, from City of Bits: Space, Place, and the Infobahn, 1995. Mitchell is another architect, who has investigated the potential impact of cyberspace on their discipline. He is Dean of the School of Architecture and Planning at MIT. In City of Bits Mitchell was one of the first researchers to consider the impact cyberspace and e-commerce would have on the structure and morphology of cities. The new cities formed by the impact of digital technology would be more than their visible, built environment. They would be connected to Virtual reality via the information superhighways.

Wearable Computer 2

Members of MIT’s Wearable Computing Project, modelling some of their inventions.

Karen A. Franck, ‘When I Enter Virtual Reality, What body Will I Leave Behind?, in Architectural Design, 1995. Franck is a professor in the School of Architecture and also the Department of Social Science and Policy Studies at the New Jersey Institute of Technology in Newark. Franck is interested in the body and gender, and in the essay collected in this book examined the extent to which people left them when they entered cyberspace. She considered that rather than losing them when they entered cyberspace, people split their bodies, with parts of them coming with us and allowing us to experience the Virtual realm. She believes cyberspace offers the opportunity to construct an area free of the gender stereotypes and ideas of beauty of normal space. Virtual reality offers a new kind of protection for the body, when people enter cyberspace, that allows them to experience more of, and understand, the other.

John Frazer, ‘A Natural Model for Architecture/ The Nature of the Evolutionary Model’, from An Evolutionary Architecture, 1995. Frazer was a unit master at the Architectural Association in London, Director of Computer-Aided Design at the University of Ulster, at which he received a personal Chair in 1984, as well as lecturing at Cambridge University. He was one of the founders of Autographics Software Ltd in 1983, which pioneered microprocessor graphics. Impressed by information ecologies and the spaces between objects, Frazer and his colleagues have developed computer architectural experiments using genetic algorithms, cellular automata, emergent behaviour, complexity and feedback loops to create a dynamic architecture, whose forms are beyond the total control of architect that programmes them. He models his approach to the built environment to the multi-celled structures found in nature. His own evolutionary architecture uses a ‘genetic code script’, with rules for the code’s development, the code’s mapping to a Virtual model, the characteristics of the environment for the model’s development, and the selection criteria. Spiller in his introduction to Frazer’s chapter notes that ‘he goes beyond the usual notions of architectural beauty and aesthetics’, although his work is not without them. Frazer was also pioneering in recognising the potential computers have for allowing architects design buildings, and create varied spaces in both the real, and Virtual worlds.

Nicholas Negroponte, ‘Iconographics’, from Being Digital, 1995. Negroponte is director of the Media lab at MIT, and the founder of Wired magazine, for which he also writes. Being Digital was Negroponte’s account of the revolution in digital technology. He stated he wanted to write the book, as it was aimed at parents, politicians and executives, who at that time did not have access to the digital media in which it could otherwise be published. He also wanted to revisit some of the old ideas in his Wired column, and see whether they were still true due to the very rapid changes in the technology and its application that can occur in a short space of time. Surprisingly, and heartening for the defenders of hardcopy books now under attack from their digital competitors like Kindle, Negroponte was of the opinion that the printed page still had the greater capacity to stimulate the imagination than the computer screen.

Stelarc Arm

Performance Artist and Cyborg Stelarc with his artificial third arm.

Stelarc, ‘Towards the Post-Human: From Psycho-body to Cyber-system’, Architectural Design, 1995. Stelarc is an Australian performance artist, several of whose performances involved him being suspended in public spaces on meat hooks. He believes that the body has now been rendered obsolete by technology, and that it must be hollowed, hardened, dehydrated and often anaesthetised. He has also used medical, cybernetic and Virtual reality technology and procedures to explore and enhance the body’s own capabilities. He has amplified his brainwaves, heartbeat, blood flow and muscle signals during his performances, as well as filming the interior of his lungs, stomach and colon. He has a prosthetic ‘third arm’ attached to his stomach, which operates through the movements of the muscles there. In another performance, he attached galvanic stimulators to his body and wired himself up to the internet. A search programme looked through the net for images of body parts. When it found them, those parts were stimulated electronically. viewers of the performance about the globe in three different cities could also stimulate his body remotely. He has also had a third ear grafted, with a proximity sensor that makes it make a loud screech if any comes close. He was one of the researchers into the Transhuman condition, who was interviewed, along with that master of transgressive literature, J.G. Ballard, in BBC 3’s excellent and stimulating series, Grave New Worlds.

John Perry Barlow, A Declaration of the Independence of Cyberspace, 1996. Barlow is a former rancher, and lyricist for the LSD-influenced hippy band, the Grateful Dead. He has written for a number of publications, including Communications of the ACM, Mondo 2000, the New York Times, Time, and been on the editorial board of Wired. He was one of the co-founders of the Electronic Frontier Foundation in 1990. He wrote the ‘Declaration of the Independence of Cyberspace’ in response to the passage of the Telecom Reform Act in America in 1996. This made it illegal to use any of the seven dirty words forbidden in broadcast media on-line, to discuss abortion or to talk about any bodily function except in the most clinical terms.

Lawnmower Man

The sex scene from the 1992 SF film, Lawnmower Man.

Mark Dery, ‘Robocopulation: Sex Times Technology Equals the Future’, from Escape Velocity: Cyberculture at the End of the Century, 1996. Dery is a cultural critic, who has written on the numerous subcultures that have arisen through computer technology in a number of magazines, including Wired, Rolling Stone, Mondo 2000, The Village Voice and New York Times, and edited the book Flame Wars. Escape Velocity explored these new technological subcultures of cyberpunks, net hippies, techno-pagans and others. In the chapter ‘Robocopulation’, he explored the way artists in the past, as well as people in the present, have tried to use and explore the sensual and sexual possibilities of the machine. These have included the French painter, Francis Picabia, who tried to depict in his art a ‘mechanomorphic’ sensuality. Dery also described the new digital technology of ‘teledildonics’, where the participants are separate from and remote from each other, but experience the sensations of sex through special electronic suits fitted with sensors and stimulators. He also discussed the way the internet has been extensively used to broadcast pornographic images and the sexual conversations of Cybersex.

Terminator

Everyone’s favourite menacing cyborg: Arnie as the Terminator.

Hans Moravec, ‘The Senses Have No Future’, 1998. Moravec is the director of the Carnegie Mellon University Mobile Robot Laboratory. He is supposed to have built his first robot when he was ten years old. His work attempts to give robots three-dimensional spatial awareness through a variety of sensors. He was made famous, or infamous, for his 1988 book, Mind Children: The Future of Robot and Human Intelligence. In this book, Moravec predicted that by the middle of this century, if not sooner, it would be possible to download human consciousness, either into cyberspace or into a robotic body. Moravec himself believes this will be necessary if humans are to keep pace with the rapid evolution of machine intelligence. The book points out that Moravec views have been challenged at two points. First, Moravec believes that during the downloading process the brain would be destroyed as it is gradually scanned and copied, layer by layer, until the brain case is empty. If current technological trends continue, however, Greg Egan’s view of the copying process in Permutation City may be more accurate, and the process may not involve the destruction of the original human. Furthermore, Erik Davis in Techgnosis notes that psycho-neuro-immunologists argue that consciousness arises from the entire body. Meditators and mystics across the world also consider that there are many different states of consciousness that cannot be identified with the conceptual activity examined by cognitive science and which Moravec wishes to simulate.

Michael Heim, ‘The Virtual Reality of the Tea Ceremony’, The Virtual Dimension, 1998. Heim teaches internet and new media design at the Art Center College of Design in Pasadena, California, where he also directs at Tai Chi group. Heim views the computer as introducing a new technologized space of thought that it contemplatively ordered, erotic and poetic. He has stated that cyberspace is a metaphysical laboratory for examining our sense of the real. He believes that as western science has progressed, it has become increasingly similar to eastern mysticism. He cites as examples of this the liquid metaphors used to describe the transmission of information, and fractal computer interfaces that are curiously similar to Zen gardens. He is afraid that the navigators and builders of cyberspaces are in danger of performing unsymbolic and thoughtless work work, to which a similar philosophy exists in the tea ceremony. He therefore argues that the tea ceremony may give cyberspace more of a sense of place and move it away from being blandly ubiquitous.

Anthony Dunne, ‘Hertzian Space’, Hertzian Tales: Electronic Products, Aesthetic Experience and Critical Design, 1999. Anthony is a Senior Research Fellow at the Royal College of Art in London. He and his design partner, Fiona Raby, create designs for products and architectural elements that respond to the electromagnetic spectrum. They deliberately reject the ‘form-porn’ aesthetic in which the skin of a product is designed to conceal a set of very ordinary components, and to become as obsolete as swiftly as possible. They are in favour of a design philosophy in which nothing is overwrought, accentuated or just there for its own sake. They note that many objects react to and respond to the electromagnetic impulses all around us, such as the ring of the telephone when it receives its signal, or a computer mouse that can quack like a duck, tweet, or laugh like a baby if so designed. In Hertzian Tales Dunne describes his aspirations, the people he admires and who have influenced him, and his concepts of the ‘post-optimal object’, ‘para-functionality’ and ‘infra-ordinary space’. The book’s introduction is by Gillian Crampton Smith, the former Professor of Computer Related Design at the RCA. She notes that objects are rarely purely functional, but also have ritual or symbolic meanings. This fact has largely been ignored in the design of computer technology. She views Dunne’s work as introducing an ‘aesthetics of use’ into electronic objects, through the interactivity made possible by computers. This in turn seeks to produce a more nuanced cooperation with the object, which may in turn enhance social contact and everyday experience. Dunne, Raby and Smith therefore hope that such computerised products will encourage the user to enter a new space of communal interaction, rather than the lonely and self-obsessed spaces they see as often produced by the technology.

Margaret Wertheim, The Pearly Gates of Cyberspace, 1999. Wertheim is a science journalist specialising in the relationship between physics and religion. Wertheim considers that the internet and Virtual reality are portals into a new, religious space – a ‘soul space’. This is in contrast to the way the industrial revolution and the secular spaces of modernism collapsed the old, medieval dualist concept of space, divided between heaven and Earth. Wertheim goes on to show the parallels between the conceptions of space in Dante’s Divine Comedy, and the renaissance ‘theatres of memory’ mnemonic devices explored by Frances Yates in her book, the Art of Memory. Dante’s Cornices acted as mnemonic device for memorising the place of things and ideas in the cosmic hierarchy, while his trilogy is also full of less elevated references to contemporary politics and gossip. Contemporary cyberspace also possesses a ‘low code’ content, which, along with its elusive phenomenological character, makes it a ‘new soul space’. Cyberspace is only partly located in real, physical space, and so lies outside the multitude of dimensions and hyperspace posited by physicists and scientists. It is a realm beyond physical law. Her conception is the complete opposite of Stelarc’s, which far from viewing Cyberspace as the modern version of an ancient concept, sees it as a completely modern innovation that has rendered the old ideas about the body obsolete.

The last extract in the anthology is Spiller’s own article, ‘Vacillating Objects’, from Architectural Design, 1999. Spiller was the guest editor of the ‘Architects in Cyberspace’ edition of Architectural Design in 1995 through his interest in invigorating architecture through Cyberspace and the blurred boundary between the real and the Virtual. His own research has included the changing status of architectural drawings, smart materials, computer-aided manufacturing, emergent systems, responsive environments, the architectural design of Cyberspace, interactivity, cybernetics, evolving systems and algorithmic design, as well as cellular automata and complexity. Spiller was interested in using algorithms as a way creating responsive, non-prescriptive architectural designs. Algorithms offered a way to describe fluctuating conditions in responsive environments. That edition of Architectural Review was the architectural publication to describe the immense potential information technology offered architects since the 1960s. It included articles by philosophers, architects, performance artists, theorists of digital art and psychologists. It was followed by Digital Dreams and ‘Architects in Cyberspace 2’. He predicts that the architecture of the future ‘will be an architecture of ecological wefts, technological distortions and digital necromancy’. He believes it will mix objects not often connected with each other for aesthetic or practical reasons, or for exploration. Objects, some of which will be invisible, will simultaneously flit across a variety of terrain and so demolish the idea of the privileged site plan as the objects become ubiquitous and doppelgangered.

Cyberspace, Architecture and Post-Modernism

Phaidon are publishers of books on art, and so, as you’d expect from such a publisher, the book contains a profuse number of beautiful illustrations. Spiller’s job as an architect, and the various other contributors to the anthology, who are also members of the profession -Gordon Pask, Cedric Price, Paul Virilio, Marcos Novak, William Mitchell, Karen A. Franck John Frazer and Anthony Dunne – explains why Phaidon, rather than a science publisher, should publish it. Several of the contributors – Deleuze, Guattari, and Virilio, for example, are also key figures in Post-Modern philosophy. They and their ideas have recently come under attack. Spiller notes that Deleuze and Guattari are extremely difficult to understand. In fact the American mathematician, Alan Sokal, and his Belgian colleague Bricmont, have demonstrated in their book, Intellectual Impostures, that much Post-Modern philosophy is actually nonsensical. They took a number of leading Post-Modern philosophers and showed that they misunderstood the scientific concepts they included in their writings. These did not add anything to their arguments, but were simply there to make their confused, often incoherent prose seem far more intellectually profound than it really was. It has been widely known for some time that Post-Modernism originally arose in architecture, where it was defined by the inclusion, or quotation, of historic architectural features in modern buildings, before it moved into philosophy. What is new, which this book demonstrates, is how the founders of Post-Modernism were influenced by the new information technology, and, in Virilio’s case, cyberspace.

The selected texts include some of the classic works on information technology, cyberspace and its effect on humanity, such as those of Babbage, Forster, Bush, Bolter, Wiener, Licklider, Engelbart, McLuhan, Moravec, Stelarc and, most famously, Gibson’s Neuromancer. Before Reading University’s professor of Cybernetics, Kevin Warwick, experimented with being a cyborg, Stelarc was very nearly the real thing, wiring himself up to the Net, and giving himself another, prosthetic arm and ear. When he announced his intention to have this last added to his anatomy on Radio 3’s Grave New Worlds, it made the poor continuity announcer feel quite ill. She was heard after the programme saying something along the lines of, ‘And if that hasn’t made you feel too bad, you can recover by listening to one of the great pieces of classical music on next’. Others have talked the talk about cyborgs, but Stelarc really did walk the walk.

Stelarc Body

Graphic from Stelarc’s performance, ‘Involuntary Body/ Third Hand’.

Philosophical Objections to Downloading

Many, perhaps most, of the pieces, are highly controversial. The possibility of downloading one’s intelligence into a computer rests on the identification of mind with brain, and this is open to strong criticism on philosophical and neurological grounds. Many philosophers, such as the former neurologist Raymond Tallis, have pointed out that the brain is not a computer. This is just the latest metaphor used to describe the most complex organised structure in the universe. Previous centuries have described it in terms of a telephone exchange, or a series of fountains. Daniel C. Dennett’s attempts to explain consciousness in terms of brain function and evolutionary history has also been criticised. Despite the book’s title, it does not actually explain how consciousness arises, only how various parts of the brain perform particular cognitive or mental functions.

Genderless Societies Unpopular, Shown in Criticism of Star Trek Episode by Gay Fans

Some of the feminist ideas about Cyberspace and cyborgisation are also probably too radical to be acceptable for most people. Feminism is about raising the status of women and promoting greater equality between the sexes, particularly with the intention of giving women greater freedom to pursue careers and occupations previously only open to men. Although this naturally involves the redefinition of the gender roles, I doubt very many would want humanity to move beyond gender altogether. The controversy surrounding one episode of Star Trek: The Next Generation, which acted as a metaphor for homosexuality and related gender issues is an illustration of this. In the episode, ‘The Outcast’ the crew of the Enterprise encounter the J’naii, a race that has evolved out of gender. Occasionally, however, a throwback occurs, which is either male or female. These individuals are persecuted by the state. If found, they are captured and forcibly given therapy and medical intervention to make them a normal member of their sexless race. One of the J’naii, who has been on the Enterprise assisting with its latest task on the planet, is just such a throwback. It is a female, and in love with Riker. She is arrested, and taken away. Riker attempts to free her in a raid, but it is too late. The person has already been treated and so can have no romantic interest in him as a member of a race with gender.

Jnali Trek

Riker pursues a forbidden romance with a genderless alien in the Star Trek:TNG episode ‘The Outcast’.

Star Trek: The Next Generation was lampooned when it first appeared for being ‘politically correct’. It was firmly anti-racist and anti-sexist. The phrase ‘Where no man has gone before’ in the opening dedication had been altered to ‘Where no-one has gone before’. The ship’s security officer, Tasha Yar, was a woman, and the Federation stood for inter-planetary multiculturalism, rather than simply the multi-racial tolerance, mixed with 1960s American values of the Classic Trek series. There was pressure at the time for the series to promote a pro-gay stance. The gay members of the SF milieu, such as the organisation of gay SF fans, the Gaylaxians, wanted the producers to introduce gay characters and stories. They hoped, for example, for an episode in which Picard would perform a ship’s marriage for a same-sex couple. David Gerrold, one of the script editors and writers on the original series, who went on to become the script editor for the 1980s Buck Rogers show, was supportive. This was, however, too radical a step for the producers and the TV networks. The episode with Riker and his paramour from a genderless society was therefore seen as a compromise, an attempt to present a pro-gay message, albeit metaphorically.This episode angered rather than satisfied the show’s gay fans. They were particularly upset by the suggestion that somehow gays were opposed to gender, and wished to create a genderless society.

Some of the ideas about the creation of alternative bodies and identities in Cyberspace is also morally dubious. One of the examples of this cited by Truckle is of an individual, who came on-line claiming to be severely disabled woman. This person could only communicate using the keyboard through a probe mounted on their head. This person became popular and attracted many friends. One of these tried to track her down and meet her in person. When they did so, this disabled woman turned about to be a fit and well man. ‘Her’ friends, especially the women, were understandably upset and felt betrayed. Even more seriously, there is the problem of paedophiles grooming their young victims on-line, by pretending to be other youngsters.

Virtual Personas Little Different from Conventional Strategies for Real-Life Anonymity

It’s also true that the creation of different, Virtual personas on-line isn’t radically different to the strategies people have adopted throughout history in real life. Conmen are once example of this, but far more benign examples have been the way authors have adopted pseudonyms to get their work published. The great German satirist, Kurt Tucholsky, wrote under a series of pseudonyms and personas, some of which argued with each other in the Weimar press. If you do it on-line, it called using sock-puppets. Many of those, who adopted pseudonyms and fake personas were women authors, who would otherwise not have been published if their true gender and identity had been known, such as George Eliot. Another example from Science Fiction literary history is James Tiptree junior. Tiptree was the author of a number of prize winning short stories between 1967 and 1977, and was lauded as the equal of Robert Silverberg and Ursula Le Guin. He was the author of such great stories as ‘Love is the Plan, the Plan is Death’. Outside of his writing career, he had a high-power job in Washington. He was finally unmasked in 1977 by a fan, Jeffrey D. Smith, as Alice Sheldon. Sheldon had travelled widely in Africa as a child, been a professional painter, and the first woman to go through the US Air Force Intelligence School. With her husband she helped form the CIA. She had used the techniques taught to her as a spy to construct the false persona of Tiptree.

In the world of the Role-Playing Game, whether real or on computer, it’s also the case that changes of identity and gender are taken as fun, rather than anything more profound or serious. I’ve known a number of RPGers, who’ve played on board and computer games as members of the opposite sex without any deeper interest in issues of gender and identity. They were just interested in playing a particular character, that happened to be of the opposite sex, in an adventure game.

Robocop 2

The Cybernetic hero of the film, Robocop.The story of a policeman, Murphy, who is transformed into a cyborg policeman after being brutally gunned down and his attempts to bring the criminals and the corrupt businessmen behind them and his transformation to justice. Murphy as the Robocop is initially very much a machine, until he rediscovers his own humanity during a dream. It represents the terrible dehumanisation that could result from such radical mechanisation of the human body.

Danger of Dehumanisation in Cyborg Enhancement

As for cyborgisation, while this does offer immense opportunities for personal enhancement and augmentation, it also presents serious ethical dangers. I doubt many people would object to the idea of immortality or longevity offered by the prospect of nanomachines repairing the damage to their cells caused by the aging process, such as has been suggested by that great Transhumanist, Ray Kurzweil. On the other hand, there is the terrible danger of complete depersonalisation as advanced technology replaces everything we most value and cherish about humanity. The end result of this process is the emotionless, depersonalised machine creatures of Science Fiction, the Daleks and Cybermen of Doctor Who, and the Borg with their collective hive mind in Star Trek. The Cybermen were the result of a conversation between their creator and his mother. They had been talking about spare part surgery, and the monsters’ creator found himself wondering if this would result in a creature that didn’t know whether it was a man or machine. He depicted them without emotion, because he believed that they would not need them through living in a completely technological environment. Few people would want to join them in their machine hell.

Much Modern Architecture Ugly

Modern architecture is also contentious. While the chapters on computer-aided design and Cyberspace and computer design philosophies are fascinating, it’s unfortunately true that much of modern architecture actually isn’t very attractive. One only has to read the ‘Nooks and Corners’ column in Private Eye to read what their writer, ‘Piloti’, thinks of many of the great contemporary architects, such as Richard Rogers, and their attempts to deconstruct architecture. The results of this have been some truly unattractive buildings of the type Prince Charles once memorably and notoriously described as ‘monstrous carbuncles’.

Despite these criticisms, the pieces presented here are thought-provoking, stimulating and present powerful insights into way computers and digital age have revolutionised modern culture and society, and their immense potential for radically changing not just society, but humanity and its conception of self and reality, as well as the alternative world that would have resulted had Babbage’s great machine actually been built.