A Face from Medieval Nubia

As I’ve already mentioned on previous posts on medieval Nubia, the churches of the Classic Christian period, including that at Arminna West, were decorated with wall paintings. Faras Cathedral was richly decorated with murals. It had been dedicated to the Virgin in 630, so many of the wall paintings were of her. One of these was of Our lady standing amongst the stars in heaven, holding the infant Christ and with two angels, one standing either side of her. The fesco had the inscription ‘The Holy Mary, Virgin Mother of Christ’. To the right was another inscription, reading ‘Jesus Christ, the Saviour’. There was another wall-painting showing the Virgin and the birth of Christ with the three kings and the shepherds. The two shepherds depicted had the names Arnias and Lekotes. There were other murals of the three kings, the Apostle Peter, and those saints that were particularlyrevered in the Monophysite church, such as St. John Chrysostom, and Ignatius, the archbishop of Antioch. There was also a vast mural of the three holy children, Shadrach, Meshach and Abednego in the fiery furnace as described in the Book of Daniel. The military saints were also depicted as was the the archangel Michael, the patron and protector of the Nubian kingdom of Macuria, whose capital Faras was. The murals also showed the Queen Mother, Martha, under the special protection of the Virgin and God crowning king Mercurius on the church’s foundation stone. The mural’s inscription described the king as ‘Christ-loving’. The tenth century mural of King Georgios II showed him under the protection of both the Virgin and Child.

The murals also showed the bishops, and their staff of archpriest, priests and deacons. These were shown in their vestments, including the stoles and chasubles. These were richly decorated, some covered with jewels. Their vestments were modelled on those of the Byzantine church, but are not very different from the modern vestments of the Orthodox, Roman Catholic and Anglican church. As a diocese, Faras had the status of Metropolitan, a high status held only by the most important dioceses of the Byzantine Empire. The town itself was under the Eparch, a high official directly subordinate to the king himself in Old Dongola. The Eparch was styled ‘illustris’, a term used only of the highest rank of civil servants Byzantium. One of the churchmen depicted on the murals is of Marianos, who was bishop of Faras from 1005 until his death in 1036. With his broad face and beard, he has been described as resembling King Henry VIII of England. I’ve attempted to depict the mural of him in the drawing below.

Clearly Nubia had a rich artistic as well as literary and religious heritage.

The Churches and Monateries of Medieval Nubia: Part Two – The Cruciform Church, Old Dongola,

Old Dongola was first the capital of Makuria and subsequently that of Makuria-Nobatia after the union of the two kingdoms. One of its largest and most important churches was the Cruciform church. This is 45 m long by 40 m in width (148 feet by 131 feet). Although its walls have only partially survived, they have a maximum height of four metres, giving an impression of the fast size of the church in its prime. The central bay was probably 14 m (36 feet) in height. It appears from this that the church was the centre of Makurian religion. It may have been built as a thanksgiving for the safe return of King George from his meeting with the Muslim caliph in Baghdad. It has been excavated by Polish archaeologists, who have been working in that part of Nubia since the UNESCO ‘Save Nubia campaign’ of the 1960s. As its name suggests, the church is shaped like a gigantic cross. This style of church building did not previously exist in Nubia, and provides more evidence for the shift in Nubian Christianity from the Egyptian Coptic Church to that of Byzantine Orthodoxy. It was constructed sometime in the ninth century, and was extensively rebuilt during the 500 years it was in use before its final rebuilding and abandonment in the fourteenth century.

Supporting the roof of the central bay was a series of granite columns with carved capitals. The eastern arm of the church was marked off by some kind of wall, and underneath it were two crypts. The church was constructed on the site of the earlier, seventh century Old Church. This was basilica with a sandstone floor and five sides. The floor of the heikal – the sanctuary – was lined with pebbles. It possessed a baptistery tank decorated with waves, which gave the effect of marbling. This tank was later rebuilt as an oval and decorated with a maltese cross at its centre. The two crypts probably belonged to this earlier church, and were incorporated into the new, cruciform church after the Old Church’s demolition. The layout of the Cruciform Church is shown below. The filled red section indicates the parts of its walls that have survived.

The Churches and Monasteries of Medieval Nubia: Part 1 – Introduction

I’ve blogged a bit before on the great Christian civilisation of medieval Nubia in what is now the Sudan. This civilisation consisted of the three kingdoms of Nobatia, Merkuria and Alwa. Nobatia was situated in the area between the Nile’s first and second cataracts, with its capital at Faras or Pachoras. Makuria stretched from the third cataract to the Butana. Its capital was Old Dongola. It was amalgamated with Nobatia in the seventh century. Alwa was centred on its capital of soba far to the south. Alwa is its Arabic name. The Greeks called it alodia. The remains of extremely small churches and a limited number of burials suggest that there may have been a settled Christian presence in Nobatia in the early sixth century before the possible conversion of the pagan temple of Dendur into a church by the king Eirpanome in 550 AD. The Nobatian church was monophysite, like the modern Egyptian Coptic Church, which believes that Christ only had a single, divine nature. The Makurian church, however, was dyophysite. Like the modern Greek and Russian Orthodox, Roman Catholic and European Protestant churches, it believed that Christ had two natures. He was both human and divine. Nubia boasted numerous churches. Little is known about Alwa, but the Armenian traveller Abu Salih described it as possessing 400 churches. Archaeological excavations in Soba have uncovered very few buildings that may have been churches, and it is possible that Abu Salih had overestimated their number. One of the very earliest churches in Nubia was in Qasr Ibrim, which was created by the local Christian community in the fifth century through the conversion of the Meroetic temple of King Taharqa, dating from the seventh century B.C.

European and International Exploration and Archaeological Investigation

After its conquest by Islam in the 16th century, medieval Nubia was largely unknown in the West until a series of European explorers and archaeologists visited the area from the early 19th century onwards. One of the first was the great Swiss explorer Jacob Burckhardt, who made two expeditions to Nubia and travelled as far as the third cataract from 1813 to 1815. Burckhardt was the first to describe the Nubians’ way of life, and their faded memories of their ancient Christian past. Two tribes even then still claimed to be descended from the ancient Christian inhabitants. He saqw the remains of two public buildings, which were probably churches at Qasr Ibrim, and came across the remains of a chapel in one of the islands of the Batn el Hajar, lying between the second and third cataract. Later explorers included Count Vidua, Richard Lepsius, the archaeologist, Somers Clarke, and many others. Most of what is known about medieval Nubia comes from the great rescue operations to investigate its archaeology during the construction of the Aswan dam. The first of these was 1899,led by Clarke, and the second, much greater series of excavations in the ‘Save Nubia’ UNESCO campaign from 1960s onwards, caused by the construction of the High Dam and formation of Lake Nasser. These were done by teams of British, American, Polish and Dutch archaeologists.

Nubian Courts and Kings Styled on Byzantine Empire

Archaeological finds and inscriptions, including evidence from churches, indicate that Nubia had strong connections with the Byzantine Empire. Often these were stronger than its relationship with the Egyptian Coptic church to the north. Inscriptions found by J.W. Crowfoot in the region of ancient Mekuria in 1927 indicates that the Nubians used Greek and followed the Byzantine liturgy in their worship. Documents discovered and published the following year by F.Ll. Griffiths showed that the Mekurian court was also modelled on that of the Byzantine Empire. There were courtiers and officials with the Byzantine titles of meizoteros (mayor of the palace?), proto-meizoteros (premier super-mayor), domesticus, primacerius and eparchos. A graffito in mangled Greek at St. Simeon’s monastery, dating from 7th April 1322, records that the last Christian king of that part of Nubia, Kudanbes, styled himself ‘president of the Caesars’.

Construction of Nubian Churches

Nubian churches were mostly built of mud brick, which does not survive very well in the archaeological record. Otherwise churches were composed of fired, red brick on stone foundations. These were either of sandstone, or granite from the marginal areas near the desert. The roof, which could be either flat or vaulted, were supported by granite pillars. These were painted or plastered, and occasionally were covered with frescoes. Stone capitals, doorjambs and lintels were carved with a wide variety of motifs and designs which reached their zenith in the eighth century. These included fish, crosses, vine and palm leaves. Granite capitals have been found in Upper Nubia, but they are rare, and were probably robbed out for reuse after the buildings were abandoned. William Adams identified four phases in the evolution of Nubian church architecture from his work in Lower Nubia. In the first, earliest phase churches probably consisted of the Byzantine basilica type. These were rectangular buildings comprising a nave flanked by two aisles. The Byzantine influence on these churches suggest that the dyophysite Christian communities in Nubia were earlier than indicated by the historical sources. The next phase, termed Early Nubian by Adams, lasted from about 650-800. This still roughly followed the form of the classical basilica, but with some slight differences. These may have been the result of changes in the Nubian liturgy, or the deliberate creation of a separate architectural style by the churches’ builders.

The zenith of Nubian church architecture was reached in the next phase, the Classical Nubian, which lasted from roughly 800 to 1150. This was defined through the addition of a passage running across the east side of the church, leading from the baptistry in the south to the vestry on the north side of the church. These were probably constructed to allow the clergy to pass from one side of the church to the other without going through the sanctuary or heikal. In some churches of this type there was a brick wall between the sanctuary and the nave. This indicates that the ceremonies in the sanctuary was becoming more secret and spiritual, and so concealed from the view of the laity.

According to the Polish archaeologist, Wlodiemiercz Godlewski, who excavated Old Dongola, the first three phases also saw changes in the construction of the baptistry. These were usually located south-east of the nave or narthex. These originally possessed large, circular tanks into which the candidates for baptism could walk. These were gradually replaced by square fonts, which were placed on a pedestal or base, similar to those in modern western churches from the eleventh centuries onwards. It appears that there was thus a move away from large, public baptisms towards a smaller, more intimate ceremony.

During the last phase of church construction from around 1150 to 1400, churches became smaller. The earlier large tanks for baptism were not generally built in churches of this period, and the emphasis was now on the sanctuary. This suggests that the church interior was exclusively reserved for the clergy, and that the congregation were deliberately kept outside. It also indicates that baptisms were being conducted in the Nile, rather than in a special space within the architecture of the church. This may well have been produced by changes in the liturgy, or as a result of the position of Christianity in Nubia becoming increasingly endangered from Muslim and desert raider incursions from the north. It is possible that the Nubian church became increasingly orientated towards Byzantium after Muslim raiding and conquest made contact with the Egyptian Coptic church increasingly difficult.

Among the churches that have been excavated are those of West Arminna and the cruciform and granite column churches of Old Dongola. The monasteries that have also been revealed and investigated by archaeologists include those of Ghazali and Qasr el Wizz. I will talk about these in parts two and three of this essay.

Sources

William H.C. Frend, The Archaeology of Early Christianity: A History (London: Geoffrey Chapman 1996)

Niall Finneran, The Archaeology of Christianity in Africa (Brimscombe Port: Tempus 2002)