This very short video comes from the Clown Planet channel on YouTube. Clown Planet features various news reports of unusual, and unusually daft incidents. It’s also highly critical of some of the advances in robotics. A recent video was about the driverless bus being tested somewhere, with the explicit statement in the title ‘No Thanks’. I think it’s also put up clips from news coverage of robot dogs and security robots being used by the police in New York and on the city’s metro. This clip is of a robot that’s clearly been designed to act as a mechanised lollipop man. One of the commenters to the video,@sparesomechange8080, pretty much described it accurately thus ‘So this is basically an overly engineered, overly complicated, expensive traffic light?’ Yes, it looks very much like a traffic light on wheels. Another commenter, @ivaniuk123 also remarked, ‘A 100k robot for something that can be done with an unpaid volunteer.’ Which I think is a good assessment of it. And @ukgareth316 said, ‘Speaking as an school crossing patrol officer that has enough of an issue getting traffic to stop at the best of times there is no way that robot will not get run over or drove past and into people crossing the road.’ Another commenter predicted that drivers would deliberately crash into it. They’d be stupid if they did, but I can see that the temptation would be there.
This seems to be a tech company demonstrating that it can do something, rather than actually supplying a machine that answers a real need. And there is a problem with advances in AI and robotics making people redundant. We’ve already seen various companies getting rid of human workers and writers in favour of ChatGPT and there are similar predictions that the computer art programmes like Midjourney will decimate artists. Now it seems the tech companies want to show that they can replace the lollipop people.
This is a video from Lawrence Fox’s Reclaim the Media channel on YouTube, which is part of his Reclaim party. I’m very much aware that by reblogging it I’m tempting the ire of the Labour party for publishing the ideas and content of a rival party. But I think here Lozza and his crew have a point. Looking at it, he doesn’t object to drag as a late night entertainment for adults. What he objects to is very sexualised drag performances being staged in front of children as a vehicle for indoctrinating them with Queer Theory and the gender ideology.
I state again that I am definitely opposed to anyone being stigmatised or persecuted because of their sexuality or gender identity. I’m putting this video up because I do think that there is an attempt to use drag as a vehicle for indoctrinating children, and that the theories about human sexuality and sexual identity are fundamentally wrong and dangerous.
The video traces the history of drag from the days of ancient Greece, the middle ages and the early modern period, when male actors took female roles because of the social taboos against women appearing on stage. He claims that drag as a distinct form of entertainment appeared in the 19th century. The word itself may be a contraction of ‘Dressed As A Girl’. By the late 19th century drag was subversive and political, critiquing social norms about gender. It was originally late night fun for adults, but now there are attempts to put into the classroom. Drag Queen Story Hour is in the vanguard of this campaign.
Queer Theory, which is part of this new movement, has its origins in the postmodernist philosophical movement of the 1960s and 1970s. It begins with Michel Foucault’s 1976 History of Sexuality. Lozza says that Foucault definitely wasn’t a paedophile. This is almost certainly irony, as Foucault used to travel to north Africa for sex with young, pre-teen boys. He also explicitly argued that children can give sexual consent. His book claimed that sexuality was a social construct shaped by culture and history. This was then extended further by Gail Rubin, a lesbian anthropologist in her Thinking Sex. This also argued that sex and gender were the product of cultural norms, which were themselves oppressive and had no basis in nature. She defended every sexual taboo, including ‘boy lovers’.
Rubin was followed by Judith Butler and her book, Gender Trouble, which introduced into the debate the theory of performativity. Gender was not innate, but something people perform. She also challenged the gender binary of male and female. Drag Queen Story Hour differs from other forms of drag in that it is an exercise in gender performativity. This is unlike pantomime dames, who are comic figures exaggerating some female mannerisms while preserving their male gait. Drag queens themselves evolved from gay nightclubs and cabaret to challenge gender norms, but they were adult entertainment.
Drag Queen Story Hour itself began in 2015 in San Francisco, launched by author and activist Michelle Tea. She started it as a way of spreading knowledge of gay culture. Tea was already involved with transgressive culture, touring with a sex workers’ artistic collective and with a Queer feminist poetry collective, Sisterspit, whose anthology included pieces by and about drug addicts and other marginalised, underground groups. Drag Queen Story Hour was launched with Tea’s own group, Radar Productions, and was first staged in San Francisco public library. It was intended to introduce children to gay culture and diversity, equity and inclusion. It was an immediate success, and spread to other cities and across the Atlantic to Britain.
Lozza states that the claim by its defenders that Drag Queen Story Hour is just about teaching children to read in a fun way is dishonest. Here he mentions the recent scandal of the drag king, who performed in schools in the Isle of Man. This individual sparked controversy and a review of the programme by teaching children that there were 72 genders. Amongst themselves, the advocates of Drag Queen Story Hour are quite clear about their intentions to indoctrinate children. He talks here about the paper ‘Queer Pedagogy’, co-authored by the drag queen Little Miss Hot Mess, which appeared in an American journal of education. This stated the goal was to attack racist, capitalist modes of reproduction and the nuclear family.
From this he moves to the matter of expense and how much these events cost. Much of it is funded by the Arts Council. In 2019 the British Library hosted a Drag Queen Story Hour as part of their ‘Live, Love, Liberty’ exhibition. Last year, 2022, New York public library spent $200,000 on such events. The organisers insisted that these performances were safe, with background checks made on the performers and the performances themselves not sexual and suitable for children. This was belied by clips of some of these events showing very sexualised performances. Seven of the drag queens who performed in the Story Hours have been charged with child sex offences. Sharon Le Grand, another drag queen, also said in 2022 ‘We need to teach our children to open their hearts. We need to teach our children to open their minds. We need to teach our children to open their legs.’ Drag kings, a recent addition to the show, have also exposed their chests during the performances to show their mastectomy scars, blurring the line between drag and strip shows. He also talks about the problem of the adult nature of the drag acts away from children. Many of them have web pages with very adult jokes and content, which children can easily find. As an example, he gives a rather coarse joke from Ruby Violet’s description of herself, who performed in front of children aged 3-11 in an event staged by Hertfordshire council.
He concludes by discussing the way opposition to Drag Queen Story Hour has been misrepresented and the attempts to outlaw protests against it. The Beeb declared that opponents of drag queens were motivated by conspiracy theories and were members of the far right. In Canada a law has been passed banning protests within a certain limit of drag queen performances, punishable by a fine of $25,000. The video concludes with him mentioning that there are a number of organisations fighting the gender ideology and Drag Queen Story Hour, whose details he’ll put in the blurb about the video, and a plug for another YouTube series from Reclaim, Bad Education.
While I feel that the video is broadly accurate, obviously that doesn’t mean that each and every drag queen involved in story hour is ideologically motivated or a danger to children. Clive Simpson and Dennis Kavanagh have said in their YouTube videos, The Queens’ Speech, that many drag queens are just gay men trying to make a buck, and so don’t want a blanket ban on such shows. The EDIjester has also drawn a distinction between British and American drag. In his view, British drag, unlike its American counterpart, came out of the music hall tradition and wasn’t sexual. Again, I remember when British TV comedy frequently included drag. One of the major stars of 70s week day TV was Danny La Rue, while comedians and comic actors like the Two Ronnies, Dick Emery and Les Dawson also performed in drag. Also back in the 70s and 80s were Hinge and Bracket, which mixed musical comedy with drag. Again, this was mainstream entertainment on TV and radio and considered entirely innocuous. There have also been Paul O’Grady’s Lily Savage and Barry Humphries with Dame Edna Everege.
And yes, some of the opponents of Drag Queen Story Hour are far right conspiracy theorists. You can see that with Correct, Not Political, who hold weird conspiracy theories about the World Economic Forum, staged counter-protests against left wing demonstrations and openly admire Mosley. Their opposition to Drag Queen Story Hour comes from a deeper hostility to homosexuality and its promotion.
But I think critics of Drag Queen Story Hour and Queer Theory, like James Lindsay, are absolutely correct about the attempts to use drag as a vehicle for explicit political indoctrination and very harmful ideas about gender. It’s this aspect of it that needs to fought and combated.
Clown Planet is a YouTuber who puts up short videos about the weird, bizarre and stupid happening around the world. I think he’s a man of the right, as much of his content is about some of the daft, nonsensical and dangerous stuff uttered or done by the extreme gay rights and trans crowd. In this video, however, he covers the reintroduction by the NYPD of their Digidog and K5 robots. The Digidog is a version of Boston Dynamics’ Spot robot dog, equipped with an artificial arm. It was first put on the streets by New York’s finest two years ago, but was subsequently taken off following complaints that it represented a science fictional, aggressive style of policing. As you can hear from the audio in one of the excerpts, the cops state that it will only be used for situations like terrorism and hostage negotiations,
The K5 robot looks to me like a giant pepper pot, a bit like a Dalek shorn of gun, sink plunger and eyestalk. This machine is intended to police the subway and Times Square.
This is getting close to some of the dystopias in science fiction in which machines patrol the streets keeping criminals and the general public in their police. One of the first SF stories about the dangers of this kind of mechanised policing was Ray Bradbury’s The Pedestrian. This was a short tale about a man stopped and arrested by a robot police car, which judges him suspicious simply for going for a walk. With these machines now patrolling New York, this is starting to look more than a little prescient. The video is bookended with Alex Jones looking amazed and horrified. Which he may well be, as this is precisely the kind of SF scenario he kept banging on about. When he wasn’t ranting about ‘the globalists’, Barack Obama planning to incarcerate everyone in emergency camps and declaring himself totalitarian overlord of the US, Hillary Clinton being an alien, or a cyborg, or possessed by demons, and stupid and dangerous nonsense about the Democrats operating a child abuse ring out of a Boston pizza parlour.
At present I don’t think these robots present a serious threat to humanity. Their own intelligence and autonomy is very limited, and it doesn’t look as if there’s going to be many of them hitting New York’s streets. So at the moment it’s still going to be human police officers keeping citizens safe from the bad guys.
The situation in China, on the other hand, may be very different. A year or so I found another video on YouTube showing what the Covid lockdown was like there. It was very restrictive over here, but this video showed drones flying through the sky and one of the Spot robots patrolling the ground making sure that everyone kept to their apartments. A very chilling, totalitarian sight, from a state that is using facial recognition technology to track and monitor its dissidents.
I think we’ll have to watch this very carefully. At present it’s a harmless gimmick, but if American politics becomes authoritarian, it’ll easily become something much more sinister.
I know very, very little about Black American art. I’ve heard of Grandma Moses and the Harlem Renaissance, and that’s about it. I’ve been watching a number of art history documentaries on YouTube, and this piece about Jacob Lawrence from Paul Priestley’s Art History School channel came as something of a revelation. Lawrence was one of those great figures you’ve never heard of, a true pioneer. He was, for example, the first Black American artist to be taken up by a major gallery. This short video tells his story.
Lawrence came from dirt-poor working class parents, and at various times throughout his career he worked menial jobs simply to pay the rent. He was inspired to become an artist by looking at the Renaissance masters like Giotto on display in New York museums. He was exhibited in a gallery when he was only 18, but still had to keep that day job. His parents would have preferred him to have been a mailman. He carried on like this, painting while working day jobs and occasionally taking art courses for some years until he made his breakthrough and the big galleries began picking him up. During the War he did his national service in a segregated regiment, but was later moved to a desegregated one and served as a war artist. He also met various avant-garde artists, who had fled to America from the Nazis. After the War he was taken up by a number of increasingly prestigious galleries and foundations. The stress of the sudden fame and recognition was sadly too much for him. His mental health deteriorated and he was forced to spend time in a mental hospital. He recovered, and journeyed to Nigeria to explore Africa’s artistic heritage, while lecturing on the influence of African art on western modernism, like the Cubists. He also gained a post as university art teacher.
Much of his work is naturally about Black American history. He was also fascinated by Haiti’s history, and painted a series of pictures about this subject. He also painted a series on the migration of Black Americans from the south to the north after the Civil War, as well as at least one painting of the anti-slavery fanatic, John Brown. He was concerned to paint from every day life, and so much of his paintings show people at work, building, doing carpentry and so on. He also painted scenes based on his incarceration in the mental hospital.
His style is simplistic, and the figures do remind me a little of some of Picasso’s works, like The Bathers. But somebody also said that if you looked at them, there was too much craftsmanship for them to be naive. He also uses bright, vivid colours. It’s a great introduction to one of the unknown masters of modern American art.
I put up a piece a few days ago about the great German radical artist John Heartfield, who used photographs to create stunning pictures. Heartfield’s best known for his political works celebrating Communism and savagely denouncing war and the Prussian aristocracy that promoted it, and especially Hitler and the Nazis. But he also worked for publishers producing book covers. This is his cover for Michael Gold’s Jews Without Money, about poor Jews living on the Lower East Side of New York. The decades from the late 19th century saw mass Jewish migration from eastern Europe to the west and America. Many of them were dirt poor, and poorly educated, living in low-quality, massively overcrowded tenements. It’s from this milieu that many of the great founders of the American comics industry, like the mighty Jack Kirby. Kirby came from the kind of neighbourhood where men wanted to be mechanics rather than artists, and ran with the street gangs before breaking with them to enter comics. This is the background to Will Eisner’s acclaimed graphic novel, A Contract with God and Other Tenement Tales. I’m putting this up here also to make the point that Jewishness isn’t synonymous with wealth and power, whatever the Blairites in the Labour party may think. You may remember that a few years ago one right-wing female Labour MP claimed that socialism was anti-Semitic because it attacked capitalism. Hitler wouldn’t have agreed that ‘Marxist’ socialism was anti-Semitic, because he believed it was created and dominated by Jews. But he would certainly have wholeheartedly agreed with the sentiment that capitalism is Jewish. Other people realised the anti-Semitic nature of what she’d said, even though she obviously didn’t mean it as such, and called her out for it. In the meantime this is a striking piece of art illustrating a piece of American social history.
I think many, probably the majority of people believe that the current expansion of trans identification among the young is an organic development and that the movement for trans rights comes from grass roots activism. At least some of the massive increase in young people, particularly young women, identifying as members of the opposite sex seems to be a psychological contagion like the rise of anorexia and eating disorders among girls and young women back in the 1970s. Gender critical feminists have also suggested that natural feelings of awkwardness and fear of the degrading sex acts in contemporary pornography may also be behind it. Many adolescent girls are embarrassed or feel awkward about their developing breasts and the sexual attention they get from boys and their periods. They may also be terrified of what they see in pornography with women beaten and strangled. One of the gender critical feminists speaking on YouTube said that fifty per cent of women between the ages of 18 and 24 had been strangled during sex. This is an alarming statistic, if true. Children are being exposed to pornography through the internet at increasingly younger ages. So, it is argued, some young women try to escape from these awkward, uncomfortable aspects of femininity and frightening, sadistic sex by believing that they are really men.
But there are also very powerful corporate forces behind the trans movement. There’s a considerable amount of funding from various lobby groups as well as pharmaceutical companies and activist lawyers. For example, it’s been claimed that the company that produces lupron, used as puberty blocker for trans-identified children, has given a very generous donation to the Lib Dems. A few years ago a document emerged from Denton’s, an international company of lawyers, about how to introduce pro-trans legislation into governments around the world. This advised activists to keep very quiet about what they were doing. There was to be no publicity. Instead, the legislation was to be tacked on to genuinely popular government motions. This is happened in countries like Spain, Iceland and Scotland, where various gender recognition acts, in which women are defined according to mental/psychological identification rather than biological reality, were added to popular measures legalising gay marriage. Gender critical feminists have remarked that these tactics are the exact opposite of what popular reforming movements have done in the past. The gay rights movement, for example, wanted people to know about them and to understand what they were campaigning for. But Denton’s didn’t, and so showed that they, at least, believed that trans rights weren’t popular. Of course, against this is the pro-trans stance of the mainstream gay organisations like Stonewall and so on. From Big Pharma and the medical-industrial complex’s point of view, medical transition is immensely lucrative. Doctors and clinics performing the treatment are paid very well, and the side-effects of the treatment may mean that many trans people need supportive medical care for the rest of their lives. The surgery itself has a 30 per cent failure rate, which is absolutely unacceptable anywhere else in medicine, so that patients need corrective surgery. Once this is done, they need to be kept on cross-sex hormones, which may have detrimental effects on bone density and the heart. Many transmen need to have hysterectomies after being placed on testosterone. This is not because they want the surgery done, but because the hormone causes the uterus to atrophy and stick to the body cavity. The result is extremely painful. And there is the related criticism that the groups demanding better healthcare for trans people aren’t interested in improving these aspects of their treatment. What they want is the expansion of medical transition.
I’ve started watching an interview on YouTube with Benjamin Boyce and K. Yang. It’s two hours or so long, so it might be some time before I see all of it. Yang’s a New York based gay rights activist and was a fervent supporter of trans rights until she became disillusioned. The video’s title is about how activists are carrying water for the corporations. If this is true, then it means that the idealistic people campaigning for trans people are being cynically used by big businesses whose only real concern is the profit margin.
This is a real piece of forgotten Jewish working-class culture. I’ve put up a number of Socialist Jewish songs and anthems in Yiddish and Hebrew, including the Communist Internationale and the anthem of the Russian/Polish Bund. The Bund were the mass Jewish socialist party in Poland, fighting for the rights of Polish Jews who strongly rejected Zionism and wished to live in peace and equality in their native country with their gentile Polish compatriots. This song, Dem Arbeters Lid, ‘The Workers’ Song’, from Jane Peppler’s channel on YouTube, is characteristically Jewish but also strongly internationalist It says at one point that ‘race and nationality mean nothing to you’. It comes from the Jewish Labor Movement, which I would imagine is the American Jewish socialist movement, as shown by the thumbnail of a picket line of lady tailors on strike. It’s composer, Louis Gilrod, used as the tune the American song ‘The Mother of the Girl I Love’. It’s in Waltz time and reminds me very strongly of Edwardian British parlour songs.
It opens by describing the exhausted, penniless, ‘self-enslaved’ Jewish workers toiling as tailors. Their children are naked and their wives sick and weak. But they will bring about a new social order in which they will be free and there will be no rich and poor. These are sentiments that would no doubt leave the British Jewish Labour Movement, now a part of the Labour party, screaming in fury along with some of the other Blairites. Because somehow, some of them have got it into their tiny minds that socialism is anti-Semitic because it’s against capitalism. Presumably the Blairite moron who said this Radio 4 didn’t realise that by equating capitalism with Jewry she had just expressed the same views as Hitler and other grotty fascists, such as our own wretched Oswald Mosley. The picture of the squalor and poverty of the workers in the garment industry is absolutely accurate. Many, perhaps most of the Jewish immigrants to America were Yiddish-speaking Romanian fleeing persecution in that country. They were dirt poor, living in poorly furnished, overcrowded tenements, sometimes even just occupying stairwells. Many of the women were poorly paid workers in the garment industry. One of the most horrific disasters that hit the New York Jewish community in this period was a fire that broke out in one of the upper stories of one of the clothing factories. This resulted in tens, perhaps over a hundred dead. some of the women were killed because there were no adequate exits, and so leapt to their deaths. As for the myth of Jews sticking together against gentiles, the factories’ owners were also Jews who lived in the affluent districts uptown with their gentile neighbours.
I haven’t criticised Sargon of Gasbag, otherwise known as Carl Benjamin, the man who broke UKIP, for a little while, so I’m doing so, now that the opportunity has presented itself. And it definitely has! Like Simon Webb of History Debunked, Sargon and the Lotus Eaters decided to put up a video about the Hindu-Muslim riots in Leicester. The title claimed that the ‘right’ had started it. Which the right definitely has, but not in the sense Sargon thought. East Leicester’s MP, Claudia Webbe, had tried to calm things down with a message to the people of Leicester that it was a great multicultural city where traditionally different peoples had lived peacefully together. Sargon obviously couldn’t resist sneering at that, now that the peace and harmony had been broken. But I understand from the great commenters on this blog that, whether relations between Hindus and Muslims are like now, this was certainly true in the past. But Sargon really showed his ignorance when he sneered at something else Webbe said. Webbe said that the hate and violence was caused by far-right influences from outside. To Sargon and his viewers, this meant that Webbe believed that the tension was being stirred up by White supremacists.
Except Webbe didn’t say that. She said, ‘far-right’. Various television news reports on the riots by the Indian news agencies and British broadcasters like GB News have suggested that the violence was provoked by Hindu far right extremists supporting Modi and his militant Hindu nationalism on the one hand and militant Muslim Pakistanis on the other. Modi’s BJP and its concept of Hindutva, Hindu Nationalism, is considered far right and a form of fascism. I’ve seen it mentioned in a recent textbook on fascism as an example of the mystical trend in fascism. The same textbook also included Marcus Garvey and his Negro Improvement Association because when Garvey was in New York, he and his organisation used to give each other military ranks and hold paramilitary style rallies, very much like Hitler and Mussolini. In fact, Garvey said in an interview that he taught it to those two dictators. He didn’t, but it shows a certain similarity in attitude to them.
Sargon stated in his video that Webbe is now an independent after she was thrown out of Labour party after being convicted of threatening to throw acid in the face of a love rival. It’s a disgusting crime, and a pity Webbe did this. She was a member of the Corbynite left, and the Labour party needs MPs like her who stand up for the working class against neoliberalism. Despite her crime, she’s not stupid. My guess is that Webbe knows very well that other nations and races have their own far right. And so, when she talks about the far right causing the tension and violence in Leicester, she’s talking about Hindutva nationalists and Islamists. She isn’t talking about the NF, BNP, National Action or whoever.
Sargon’s sneer about her assessment of the situation, which is entirely accurate, shows he’s not as clever as he thinks he is.
Or it could be that he knows perfectly well that Webbe did not mean White fascists, but has carried on with the smear because he knows it’ll stick with his viewers, who won’t know any better.
Which is really nasty and cynical. And worthy of a true Tory like Truss or Rees-Mogg.
Here’s a bit of light relief. Just this evening the internet news page put up a piece from Sky News, reporting that the Saudis are planning a massive megastructure called the Line. It’s going to be 170 km long by 1/2 km tall, for 9 million residents, all occupying separate communities. And their needs will be catered to by autonomous services, run by AI. The article begins
‘Revolution in civilisation’: Saudi Arabia previews 170km mirrored skyscraper offering ‘autonomous’ services
If it was the opening sequence of a science fiction movie, few would be surprised.
In a glossy video narrated by an American voiceover artist, Saudi Arabia has previewed The Line, a 170km long skyscraper standing 500m tall – higher than New York’s Empire State Building.
It is designed for nine million residents living in a “series of unique communities”.
Residents will have access to “all their daily needs” in “five-minute walk neighbourhoods”.
“Autonomous” services are being promised through the use of artificial intelligence, in what is being described as a “revolution in civilisation”.
The 200m wide linear structure, to be clad in mirrored glass, is the desert kingdom’s attempt to create a “healthier, more sustainable quality of life” with communities “organised in three dimensions” – as opposed to traditional cities which it says are “dysfunctional and polluted” and “ignore nature”.
Another video shows the resident of a grey urban jungle escaping to The Line, which is portrayed as an oasis.
To be built in the country’s northwest, it is planned to cover 34 square kilometres and travel from end to end is expected to take just 20 minutes.
There will be “no need for cars” and carbon emissions will be zero, the country said.
Energy and water supplies are described as “100% renewable”.
Inside, there will be a “year-round temperate micro climate with natural ventilation”.
The futuristic project is part of NEOM, a $500bn economic zone expected to be partly financed through a flotation expected in 2024.
NEOM was announced in 2017 as part of Crown Prince Mohammed bin Salman’s Vision 2030 reform plan which is intended to help diversify Saudi Arabia’s economy away from oil.’
See the article by Andy Hayes athttps://www.msn.com/en-gb/news/world/revolution-in-civilisation-saudi-arabia-previews-170km-mirrored-skyscraper-offering-autonomous-services/ar-AAZZFXB?ocid=msedgntp&cvid=b5213d7d2e414ce0b7e4564c3eadcbb4
Okay, we’ve heard this stuff before Way back in the ’50s or 60s there were plans to construct a similar habitat, 50 miles or so long, stretching across America. There were also plans to enclose New York, or at least Manhattan beneath a giant geodesic dome. There have also been plans by the Japanese to build similar megastructures right out in Tokyo bay. These would also be ultra-high tech, and be built by robots, as shown in documentary about it on Channel 4 some time either in the ’90s or the early part of this century. And there were even plans to create an enclosed city in the Canadian arctic. This would shelter from the elements under a protective dome, in which its citizens would enjoy a mild climate despite the snow and ice floes outside. It would even have a moving artificial sun to give the illusion of daylight at temperate latitudes during the long, arctic winter.
The Lower Manhattan Expressway Project: a predecessor to Saudi Arabia’s the Line? From Reyner Banham, Megastructures: Urban Futures of the Recent Past (New York: Monacelli Press 2020) 19.
None of this was every built. They were far too ambitious, both financially and technologically. And I foresee that this will go the same way.
Which may not be a bad thing, as it really does remind me of various pieces of SF literature: Judge Dredd and J.G. Ballard’s dystopias, particularly High Rise.
In the long running 2000AD strip, Dredd is a member of the autocratic police force, the judges, trying to enforce law and order in Mega City 1. This is a gigantic city of massive tower blocks stretching across the entire east coast of America from the Canadian border down to Florida. On the other side of the continent is Mega City 2, while down south is Texas City. This hasn’t quite reached mega city status as it doesn’t have a billion inhabitants. Between them are the Cursed Earth, a radiation desert full of lawlessness, inhabited by mutants, created by the nuclear that destroyed America and democracy and which led to the rise of the judges. The city has a 95 per cent plus unemployment rate caused by massive automation. Crime is rampant with the judges trying to keep a lid on things.
It’s grim vision of the future but one with a sharp, satirical sense of humour. One of the strip’s writers and creators described Mega City One as a gigantic black comedy. Which it is, as the strip sent up contemporary pop music with inane rock bands like New Juves on the Block (a slight resemblance to New Kids on the Block, an ’80s band?), weird fashions, and totally bonkers game shows. In one of the very early Dredd strips, contestants were literally betting their lives. It’s satire, but the Russians nearly got there for real. After Communism fell, one of the Russian TV stations ran a game show in which contestants had to steal a car. For real. There were real cops chasing them. If the contestant escaped, the car was his. if they caught him, he really did go to the slammer. In another Dredd strip, they sent up World of Sport on ITV and some of the adverts then running on British television. The good lawman had landed on a planet inhabited by 12 different alien races, all of whom were at war, which was broadcast on their television as a form of entertainment. Among the adverts spoofed was one for the chocolate bar, Bounty. The real advert featured a group of young people running on to a desert isle while the voiceover announced ‘They came in search of paradise’. The parody advert had the same scene, but with aliens, followed by the line ‘they found – landmines’, accompanied by explosions and the slogan ‘protect your waterhole with Brax. Brax wipes them out – dead’. It was this sharp, satirical edge that has made Dredd and 2000AD one of the great British comics for nearly the last 50 years.
And added to all this mayhem and criminality, the occupants of the various mega blocks would develop block mania, a fanatical devotion to their own block, and start a war with the neighbouring blocks. Saudi Arabia’s the Line sounds like something of a trial run for all that craziness.
The future of urban civilisation? Dredd out looking for perps and muties from the cover of 2000AD Prog 409.
It also reminds me more than a little of Ballard’s works. Ballard was a member of Michael Moorcock’s team on the British SF magazine, New Worlds. This deliberately set out to break the established conventions of science fiction at the time. It was highly controversial, spurring a debate about its obscenity or otherwise in parliament in the 1970s. And Ballard was one of the writers shocking and provoking. His novellas were published by Weidenfeld & Nicholson, but Weidenfeld didn’t read them and so had no idea of just what kind of a literary monster he was publishing. That is, he didn’t, until one day he was in New York and went browsing on one of the news stands. Flicking through one of the magazines he found a piece by Ballard entitled ‘I Want To F**k Ronald Reagan’. This was in the 60s, nearly two decades before the former actor became president. A shocked Weidenfeld then sent a telegram to his secretary and staff in London saying ‘Do not publish!’
Ballard was also responsible for the novel Crash, about a secret society of perverts who get their jollies from car accidents. This was filmed in the ’90s by the Canadian film director, David Cronenberg, to the massive outrage of the Heil, which immediately started a campaign to have it banned. In the end it flopped, but nevertheless did get critical acclaim from some parts of the SF community.
Much of Ballard’s fiction takes place in enclosed, ultra-modern communities. There, life has become so anodyne and boring that the corporate powers running these communities deliberately stage murders, violent crime and rape in order to stimulate their bored drones and give them something to live for. One of these dystopian novellas was High Rise, about a cutting edge skyscraper. In it, the rich lived at the top, and the poor lower down at the bottom. However, civilisation begins to break down so that society in the tower block takes on the class antagonism of outside society. This leads to real, physical class conflict and violence. It was filmed a few years ago, but I’m not sure how many people saw it.
Trailer for the film High Rise, starring Tom Hiddleston with Jeremy Irons and based on the novel by J.G. Ballard. From the StudioCanal channel on YouTube.
In real life, Ballard was boringly normal. He stayed at home, writing and caring for his wife, while taking his children to school. Despite his grim fiction, he was horrified by the war in Bosnia and the dangerous way the conflict promoted psychopathic violence as people struggled to survive. Visitors were often surprised by the fact that he wasn’t what Private Eye used to call ‘a wild-eyed dement’ straight from one of his novels.
Ballard, unfortunately, is no longer with us, having passed away a few years ago. He gained critical acclaim for his novel Empire of the Sun, based on his experiences as a child growing up in a Japanese POW camp following their capture of Shanghai. It was filmed by Steven Spielberg. and garnered a number of Oscars, just as the previous film adaptation of his work, Crash, didn’t.
But I’ve got a feeling that if the Line is ever built, it’s going to be far more like Mega City 1 and High Rise than any other SF utopia.
And the desert in which the Line is set even looks a bit like Dredd’s Cursed Earth.
So, can we expect crime, violence, mutants, block wars and perps getting thirty years in an iso-cube? And will Saudi Arabia suffer the attentions of the Dark Judges – Fear, Fire, Death and Mortis – come to kill everyone on Earth. Because all crime is committed by the living.
I am very definitely not a fan of Toby Young. He’s a very right-wing Tory with nasty eugenicist views. I think he’s part of the Spectator crew and something of a sleazeball, as Hill Street Blues’ officer Mick Belcher would describe him. If memory serves me right, he was one of the people behind a proposed free university, which collapsed a few years ago. Tweezer appointed him to the body that’s supposed to represent Britain’s students, despite the fact that it’s been at least a couple of decades since he was one. He got into Private Eye a few years ago for attending a eugenics conference at one of the London universities. Along with him were members of various American far right groups, who believed that race really did define intelligence and Blacks were biologically less bright than the rest of us. They also weren’t in favour of the welfare state, for the old, old reason that it’s a waste a money supporting people who can’t fend for themselves. In other words, some of the people there could be reasonably described as Nazis.
And his attitude to women leaves much to be desired. A few years ago he managed to cause mass disgust on Twitter or one of the social media platforms by describing how he watched female MPs on TV, commenting on their busts. Back in the 90s he wrote a piece for GQ about how he had been a ‘lesbian for a day’. He then revealed in the article that he’d dressed up in drag and then decided to go trolling through New York’s lesbian bars looking for a snog. He had successfully passed himself off as gay woman in two of them, before he was discovered in a third and had to beat a hasty retreat. Or been thrown out. Whatever. This is the kind of antics many lesbians are complaining about from trans-identified men, or possibly straight men claiming to be trans. They object to clearly biological men demanding romance or sex from them because they claim to be trans. There have been transwomen giving presentations on ‘Breaking the cotton ceiling’, which means getting into lesbians’ cotton underwear. Graham Linehan, formerly the writer behind Father Ted and now an anti-Trans activist, has remarked that one of the lesbian dating sites is actually full of bearded men, who are about as feminine as he is, all claiming to be trans. Well, Tobes tried this trick decades ago. But I wouldn’t like to see him as any kind of trans pioneer.
But his Free Speech Union does have a point.
Young and the others set this up to protect people from persecution because of their views. These are mostly individuals, whose views or comments are deemed offensive because of racism, sexism, homophobia or anti-trans. He appeared on a video on GB News talking about the work the Free Speech Union had done defending two such individuals. One was a railway worker, who’d been sacked because of a comment he’d posted on social media. He lived in one of the towns up north with a large Muslim community. After the lockdown was lifted, he posted that it was a relief no longer having to live in an alcohol-free Muslim caliphate. Someone complained to the company, and he was sacked. The Free Speech Union, however, took up his case, and an industrial tribunal declared in his favour that he was a victim of unfair dismissal and awarded him damages. The second case was a Christian woman, who offended woke sensibilities by stating that the Christian ideal of marriage should be the heterosexual one of a man and woman. Now I’d say that this was perfectly correct and normal, and that holding such a view doesn’t mean that you automatically hate gays or people in same-sex marriages. I’m absolutely sure you can hold such a traditional view of marriage, while recognising that gays also have the right to marry and for their marriages to be respected. But this traditional view was too much for someone, and she suffered because of it.
Now I realise that many people do disagree with these views, and particularly with the railway worker’s comments. It is islamophobic. But that’s the point. For free speech to mean anything, it has to include offensive or unpleasant speech. Free speech that only permits approved speech whether by the authorities or the populace, is no such thing. I’m not a free speech absolutist. There have to be limits, which in my opinion includes holocaust denial, the promotion of paedophilia or which urges people to commit other crimes, like incitement to riot. I’d also include real incitement to racial hatred, though my fear is that such reasonable legislation has been broadened too far to include comments which someone simply finds offensive, rather than which genuinely threatens the safety of Blacks and other people of colour. The guy’s remark is offensive and tasteless but not, I think, really worth his job.
Young explained that the Union would like to pass legislation protecting people from being sacked for their views, if they expressed them as private individuals and not as work or representatives of a company or organisation. He also talked about getting the trade unions to back such legislation, considering that the trade unions were founded to protect workers talking about their companies’ pay and conditions. Well, it was a bit more than that. They were founded to fight for workers’ pay and conditions, but yes, opposing victimisation for one’s views is part of that.
He also proposed having a two-year limit on what could be used to attack someone from their web history. Here I definitely agree with him. There have been a number of cases where politicos, celebrities and ordinary mortals have been embroiled in scandals because of something they said online a few years ago, sometimes when they were much younger. Quite often it’s people, who’ve said something unpleasant or bigoted about people from ethnic minorities and gays, sometimes when they were very young. Private Eye has done this several times. Quite often they’ve printed pieces showing that whatever such a politician, industrialist or media figure thinks now, back in the day he or she had very different views. Sometimes very far back, like in the ’80s or ’90s. People change, and don’t necessarily hold the same views they had when they were in their teens or twenties.
But another reason I’m prepared to give such legislation my approval is because it might stop some of the persecution by the witch hunters. The stock in trade of persecutory groups like the woefully misnamed Campaign Against Anti-Semitism and David Collier and the GnasherJew troll farm is going through their targets’ internet history looking for anything they can misrepresent as anti-Semitism. They’ve done it to a lot of people, many of them Jews and firm opponents of anti-Semitism. They did it to the great Jackie Walker, a self-respecting Jew by faith and blood and a very committed anti-racist activist. Jackie had been discussing the involvement of Jewish financiers – who she explicitly stated were members of her own people – in the slave trade. This is historic fact, and Jackie, as a proper historian and academic, has produced an enormous amount of mainstream scholarship by respected and respectable historians to support it. She has also made the obvious point that these financiers were working for Christian, European kings and states, with whom the ultimate responsibility lies. Again, perfectly correct. But she left out a word, which allowed the CAAS to misrepresent her grotesquely as an anti-Semite. That, and the Jewish Labour Movement secretly recording some of her perfectly reasonable comments about commemorating other groups’ holocausts, like the slave trade, during a workshop on commemorating the Holocaust, has led to her being expelled from the Labour party and receiving the most horrific abuse.
Another victim of the witch hunters was a perfectly innocent Jewish lady in Devon. She was mentioned in an online film Mike and other Corbyn-supporting peeps appeared on promoting a documentary refuting the accusation that Jeremy Corbyn is an anti-Semite. That film opened with a group of venerable rabbis in long beards, dark coats and broad-brimmed hats stating very clearly that Corbyn was no such thing. Many of the speakers, including Mike himself, were victims of the witch hunt and what looks to yours truly as gross libel. One of these wretched witch hunting groups had posted a map of the locations of anti-Semites, and this lady and her address were on it. As a result, she not only received abuse but her car was firebombed.
This is what is called ‘stochastic terrorism’.
This is the name given to the type of online activism when someone deliberately posts comments that will rile people up against a particular group or individual to the point where they may physically attack them. But the remarks that provoke and encourage the assault are carefully phrased so that the person making them can always disavow responsibility: ‘T’wasn’t anything I said, your honour. It’s nothing to do with me and I didn’t intend anything like it should happen.’ Except, of course, they did. As in my view was the case with this lady.
Toby Young is a Tory with deeply unpleasant views. But I do think the Free Speech Union has a point and deserves support.
Especially if it prevents malign witch hunters doxing innocent people, leading to attacks on them and their property.
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