Posts Tagged ‘Moors’

History Debunked Refutes the Myth that James I was Black

December 31, 2020

More from the whackier end of racial politics. History Debunked has put up a number of videos refuting various assertions and myths promoted as Black history. One of his videos attacked the claim, seen in the Netflix interracial historical romance, Bridgerton, that Queen Caroline was Black. This has arisen from the fact that one of her ancestors was a 13th Spanish Moorish prince. But that was five hundred years before her birth, and so any biological trace of her non-White ancestry would have disappeared way back in her lineage. Apart from which, the Spanish Moors were Berbers and Arabs from North Africa. They were darker than Europeans – the term ‘blue-blooded’ for the aristocracy comes from the Christian Spanish nobility. Under their idea of limpieza de sangre, ‘blood purity’, the racial ideology that distinguished them from the Moors, their skin was supposed to be so pale that you could see the veins in the wrist. But the Moors were nevertheless lighter-skinned than the darker peoples south of the Sahara, in what the Arabs called Bilad as-Sudan and the Berbers Akal Nguiwen, ‘The Land of the Blacks’. Which I think shows that the Arabs and Berbers, dark as they were compared to Europeans, very clearly didn’t think of themselves as Black.

In this video Simon Webb debunks a similar myth, that James I of England/ VI of Scotland, was Black. This ahistorical idea apparently began with the Black Hebrew Israelites, a Black Jewish sect who believe that one of the lost tribes of Israel went to sub-Saharan Africa. Webb mentions that a group of them settled in Israel in the Negev. He uses this to try to refute the demand that Israel should open its borders by stating that Israel had taken in people of a number of different racial groups. They are now, for example, taking in people from India. It’s true that Israel has taken in refugees from Africa, but many of the groups they’ve accepted were Jews. In the 1970s they mounted a rescue operation to transport the Falashas, the Black Jews of Ethiopia, away from their oppression in that country to safety in Israel. My guess is that the Indians they’re accepting are also Jewish. There’s an indigenous Jewish community in India, the Bene Israel, and it sounds like some of them may be migrating. There is, however, considerable racism amongst White Israelis. Abby Martin covered this in some of her reports for The Empire Files on TeleSur, in which she interviewed Black Israelis about the abuse, including physical assault, they’d experience. Gentile African refugees, although present, are resented by many Israelis as ‘infiltrators’, the term they also use for Palestinians trying to return to the ancestral lands from which they were evicted during the Nakba, the term they use for foundation of Israel and their massacre and ethnic cleansing in 1947.

But back to the Black Hebrew Israelites and James I. The Black Hebrew Israelites believe that the Spanish Moors were Black, and that they went from Spain to colonise Ireland and Scotland. Which must be news to most Scots and Irish. Mary, Queen of Scots was mixed race, but Lord Darnley, James’ father, was fully Black and so was James. The English, however, were determined to erase any trace of this Black ancestry, and so embarked on a deliberately policy of intermarrying with the Black Scots and Irish in order to make them White, at the same time destroying all the contrary evidence that they were Black. Although this myth began with the Black Hebrew Israelites it has spread out from them into the wider Black community. To support his description of this bizarre myth, Webb on the YouTube page for the video has link to an article in the Zimbabwean newspaper, The Patriot, which proudly promotes this claim.

Was King James I of England black? – YouTube

The belief that the Spanish Moors were Black has formed the basis for an anti-White racist view of history. A few years ago the American left-wing magazine, Counterpunch, carried on its online edition a piece by a Black historian, Garikai Chengu. This claimed that the Moors were ‘obviously Black’, and their colonisation of Spain brought science and reason to a Europe then gripped by ignorance and superstition. There’s some basis for this in that the revival of science in the West began when Christian scholars acquired Arab and Islamic scientific texts from places such as Islamic Spain and Sicily after that was conquered by the Normans. However, it’s grotesquely exaggerated and is really just a piece of racial supremacist propaganda, albeit one by Blacks rather than Whites. I think it’s fair to see such Afrocentric views of history as a form of Fascism, including this myth that the Irish and Scots were also really Black. Some historians have no trouble describing certain Black political movements as forms of Fascism. One recent book by an academic historian not only includes the classic Fascist movements of German Nazism, Italian Fascism and various other White, European far right movements, but also Marcus Garvey’s Negro Improvement Association and the Nation of Islam, as well as Narendra Modi’s BJP in India. The inclusion of Marcus Garvey and his organisation may well offend many Black activists. Garvey is one of the pioneers of Black liberation. A month or so ago there was a Black celebrity writing in the pages of the Radio Times recommending that children should be taught about him in school. I really know very little about Garvey, but the claim that he was Fascistic rings true. When I was working as a volunteer in the Empire and Commonwealth Museum in Bristol one of the jobs I was given was unpacking some of boxes of material given to the Museum by private individuals and institutions. One of these included a document by Garvey’s organisation. I didn’t do more than glance at it, but it appeared to be describing some kind of military parade or armed wing. This included women’s units and mechanised and mounted forces of various kinds. I don’t know if Garvey and his followers were ever able to set up such a paramilitary force or whether it was all a fantasy. But one of the features of Fascism is its militarism. The Nazis and Italian Fascists, not to mention the various other Fascist movements, all started out as paramilitary organisations complete with uniforms and arms.

Alongside the entirely reasonable demands for social and economic improvement and renewed action to combat White racism, the Black Lives Matter movement has also brought out and articulated strains of overt anti-White racism. One example of this was the attempt by Sasha Johnson, of the Oxford branch of the organisation, to set up her own paramilitary Black army in Brixton to protect Blacks from the cops, and her tweet that the White man wouldn’t be Blacks’ equal, but their slave. Which got her banned from the social media platform. I think there is a real need to start studying and publishing material specifically on Black racism and Fascism. At the moment, there appears to be very little, if any, books specifically published on it. If you search for ‘Black racism’ on Google, what comes up is articles and books on the attacks on affirmative action programmes by right-wing Whites. Way back in the ’90s and early parts of this century there was a book published on Black anti-White violence in America. This might be White Girl Bleed A Lot, which is a similar book. However, I’m not sure how academically respectable the latter is, as I think its author may have joined the extreme right. I can see many people on the left resisting any attempt to categorise and study various Black Fascist movements from the belief that, as Blacks have been oppressed in the West, and are still disadvantaged, it is unfair to characterise such movement as they arose in response to White racism and persecution.

But this does not change the nature of these movements and the racism and racist history they promote. Whatever their connections to the broader Black liberation movement, they’re still racist and Fascist themselves, and should be viewed as such. Fascism everywhere needs to be fought, regarded of race.

History Debunked on the Anachronistic Casting of Black Actors to Play Ann Boleyn and Queen Caroline

December 14, 2020

One of the complains raised by some members of the right against the demands for more Black presenters and actors on screen is that it represents a form of cultural colonisation. The past is deliberately being re-shaped to suit the multicultural present. The right-wing internet YouTuber, Alex Belfield, has argued that by the Beeb’s standards, Blacks are actually overrepresented on television. At the moment British Black and Asian population constitutes about 13 per cent of the overall population, but form 22 per cent of the presenters, performers and broadcast on the box. It’s why he choose in one of his videos to attack the Beeb for wasting even more license-payers’ money on someone to head a diversity department. He maintained that the problem wasn’t the underrepresentation of Blacks and Asians in front of the camera. It was that they weren’t represented in the ranks of BBC management, which remained very White and middle class.

There are a number of recent and forthcoming adaptations of classic literature, in which Blacks and Asians have been cast in traditionally White roles. And so Blacks have been cast to appear in the children’s classic, The Secret Garden, Philip Pullman’s Fantasy series, His Dark Materials, and Dev Patel, who played the Master in the last series of Dr. Who, appeared in a colour blind, multi-ethnic version of Dickens and is due to star in an adaptation of the medieval story, Gawain and the Green Knight. There’s also a version of the Lord of the Rings planned by the Corporation, in which a third of the cast will be Black or Asian with Lenny Henry.

But this desire to recast White characters with Blacks isn’t confined to fiction. Channel 5 has announced that it has cast a Black actress, Jodie Turner-Smith, to play Ann Boleyn in a three part series about Henry VIII’s second wife. And Netflix has also chosen a Black actress to play Queen Caroline in its regency romance, Bridgerton.

History Debunked’s Simon Webb has posted several videos about this. He was rather incensed by the decision to recast one of the characters in The Secret Garden as Black, and describes how there was some popular criticism of a similar recasting in His Dark Materials. However, he says that left-wingers and progressives answered that by arguing that the role was fiction, and that Pullman never specified what colour the character was.

That argument, however, cannot be used to defend the false representation of Boleyn and Caroline as Blacks. He views this as a deliberate attempt to colonise the past so that it resembles what he describes as the ‘bastardised’ multicultural present. It is also not being done in a vacuum. There are Blacks, who believe that Queen Caroline really was Black, as was James I of England/VI of Scotland, and Edward III’s son, Henry, the Black Prince. This recasting of real, historical figures has to be resisted because it is actively falsifying history to make it appear that Blacks had a far greater role in shaping history than they did.

Here’s the video about Ann Boleyn.

Jodie Turner-Smith to play Ann Boleyn – YouTube

The idea that Queen Caroline was Black comes from the fact that she was partly descended from a thirteenth century Spanish Moorish prince. The Moors in Islamic Spain – al-Andalus – were Arabs and Berbers, rather than Black Africans. Caroline herself was so far removed from her Moorish ancestor that any Black ancestry she had wouldn’t have been expressed physically. She was a German princess, and so would have been White in appearance.

A black queen in Netflix’ new series Bridgerton – YouTube

See also:

New, multicultural versions of two classics of English literature – YouTube

TV Diversity Is NOT A Problem 🇬🇧 22% 📺 BBC Give Us Back The £100,000,000! – YouTube

Multi-Racial Casting Already in Theatre

I think there are also a number of other factors driving this trend. Multiracial casting has been around in the theatre for a very long time. I think as far back as the 1990s Black and Asians actors were being cast in traditionally White roles in Shakespeare. I remember an article in the Independent or the I came out a few years ago commenting that such casting was accepted by audiences, even when people of different ethnicities played members of the same family. There was also something of a furore a few years ago when the Black opera singer, Willard White, was cast as Odin in Wagner’s Ring. What seems to be happening is simply that this same process is being extended to film and TV. The Dickens’ adaptation that came out recently not only starred Dev Patel as the central character, but also had members of the same family played by actors of different races. It was made by Armando Iannucci, one of the brains behind the comedy news programme, The Day Today and other shows in the 1990s.

Few Explicitly Black Parts and the Metropolitan Bubble

I also believe that it’s due to the fact that there are too few parts specifically for Black and Asian actors. That’s been the complaint voiced by one of the Black activists pushing for the greater inclusion of Black performers when he was interviewed in the I a little while back. Blacks and Asians are minorities, and generally are under represented in the upper ranks of society. Hence the demand for colour blind casting and that directors should be willing to cast Blacks and Asians. It also seems to me to be also partly a product of the metropolitan bubble in which the media and its chiefs live. Over a third of London’s population is Black and Asian, and I think there’s an automatic assumption that somehow this is true of the rest of Britain. Some Black activists and performers have been really shocked to find that there are large parts of Britain with hardly any people like themselves. Years ago the late Black actor and comedian, Felix Dexter, appeared on the panel in an edition of the News Quiz, which came from Edinburgh. He expressed his surprise that there were areas of Scotland with hardly a Black face to be seen. While undoubtedly true, his surprise struck me as also a tiny bit racist in itself. There was an element of complaint in it, as if it was somehow a defect that these places happened to be nearly all White. It reminded me a bit of the comments by Victorian explorers about going into parts of Black Africa and elsewhere previously untouched by the White man. I’m sure Dexter and those, who share his views would have been horrified by the comparison, but I believe it’s a true one.

Selling Programmes to a Non-White Foreign Audience

I also wonder if it’s also driven by a need to sell these programmes abroad. Blacks constitute something like 10-13 per cent of the American population, and together with Asians constitute 25 per cent of the American population. I’ve no doubt that the Beeb will also be seeking to sell the programmes to Black majority and Asian countries, such as Africa, the Caribbean, India and so on. Hence the decision to cast Black and Asian actors may well come from a desire to appeal to foreign, non-White audiences.

Dangers of the Falsification of History

I wouldn’t have a problem with this, were it not for two reasons. I’m afraid that it really will result in a falsification of history. If it was just a case of TV companies trying to reach new audiences in line with present, multicultural sensibilities, I’d be perfectly happy with it. Provided that the audience understood that what they were seeing was fiction. They they understood that Queen Caroline and Ann Boleyn weren’t really Black, and that Victorian and medieval Britain weren’t as multicultural as today’s London. But I really don’t think they do. And this is going to be a particular problem with some Blacks, who believe that their history has already been appropriated by Whites. This is very much the case with Afro-Centric History and ancient Egypt. All the Black people I’ve met have believed that the ancient Egyptians were Black. This isn’t unreasonable. They portrayed themselves as darker than the other peoples further north and east, like the Minoans and the Semitic peoples of Canaan and the Ancient Near East. Examination of human skeletons from ancient Egyptian tombs show that many were more Black African in appearance than previously assumed, and certainly the sculpture of Queen Ty shows her as being very Black. On the other hand the Egyptians portrayed the African peoples further south, such as those of Nubia, to be much darker than themselves. I also don’t think that the ancient historians, like Herodotus, described them as Black. Herodotus was well aware of Black African peoples and tribes, like the Ethiopians, but he doesn’t describe the Egyptians as one of them, at least, not that I can remember. It isn’t unreasonable by any means to believe the Egyptians were Black, but there’s also room for debate. Unfortunately, I’ve heard some really bonkers conspiracy theories about the supposed White appropriation of the ancient Egyptians. One Black American I knew at college claimed that the reason so many statues from ancient Egypt had chipped or missing noses and lips was because the European archaeologists deliberately removed them in order to hide their African identity. It’s a paranoid, ludicrous idea, though you can’t really blame people for believing it. Black people have historically been abused and exploited, so it’s to be expected that this sense of exploitation, and that they are being deliberately denied a glorious history, should extend to one of the most famous and brilliant of ancient civilisations.

But I’m very much afraid that once the decision is taken to cast Blacks as real, historical figures, some people will genuinely believe that these figures really were Black, and that those evil Whites have falsified history once more to hide their true racial origins.

There is also the problem that recasting the past so that it appears more multicultural than it really was may also lead to modern audiences not realising just how hard a struggle Blacks and Asians had to gain their freedom. Nearly a year ago now Mr H of the YouTube channel Mr H Reviews raised this objection to the Beeb’s new adaptation of that horror classic, Dracula. The convent to which Harker flees for help and medical treatment in Budapest is shown as multiracial, with many of the nuns Black and Asian. He felt that this was anachronistic, though I’m told by a friend of mine with a greater knowledge of church history that the Roman Catholic convents in the city were staffed with people from the missions to Asia and elsewhere, so it’s possible there would have been Black and Asian nuns there.

In the case of regency Britain and the upper ranks of society, intermarriage between Whites and Blacks wasn’t unknown, but it was rare. A few years ago back in the ’90s Radio 4 did a programme about the Black son of a White planter or British aristocrat, who had a glittering political career as an MP and ended up, I believe, as the sheriff of Monmouthshire. One the other hand, when Major Moody came to write his report in the 1820s on whether Blacks were ready for their emancipation, he argued that they would never be accepted and treated fairly by White society. Part of his argument was that there were so few marriages between Whites and Blacks among the upper classes. Moody’s wife was Black, and so his report and its conclusion that the enslaved population of the British empire weren’t yet ready for their freedom was a real shock. But if Queen Caroline is presented as a Black woman, it obviously contradicts Moody’s own observation. And his observation and the argument it supports shows just how strong racial prejudice was among some sections of the populace in 19th century Britain.

Double Standards on ‘Cultural Appropriation’

My other problem with this is that of the accusation of ‘cultural appropriation’. This only seems to go one way. Black involvement and participation in White culture is actively encouraged and its absence condemned and deplored as a form of racism. But this doesn’t go the other way. When Whites adopt non-White culture, it’s condemned as a form of cultural theft. In the case of those cultures that have been colonised and nearly destroyed by White expansion and imperialism, like the Amerindians and Aboriginal Australians, this is fair enough. But there should surely be no objection to the casting of White actors as Black characters in works by Black and Asian writers and playwrights. Not if it’s done as part of a multi-ethnic cast and avoids the obviously offensive, like blacking up. But I’ve yet to see a White actor cast in a Black part in an adaptation of one of Wole Soyinka’s works, or Chinua Achebe’s Things Fall Apart. I therefore feel that Webb has a point when he attacks it as a form of cultural colonisation. Because until Whites are allowed to play Black roles, that’s what it is.

I’m prepared to accept that the portrayal of myths and literary characters on screen is changing as society changes, and that mostly this harmless. Dickens, Shakespeare and medieval classics like Chaucer and Gawain are great tales, and should appeal to everyone, regardless of their colour. But I have grave reservations about the decision to do the same to historical figures.

It might be well intentioned, but too many people may believe it’s fact, and so a mythical, false history created.

Is the BBC Really Trying to Change the Name of the Anglo-Saxon Period Because They Think It’s Racist?

December 12, 2020

Simon Webb posted this video on his ‘History Debunked’ channel nearly three weeks ago, on the 23 November 2020. In it he discusses the BBC’s decision to stop calling the period between the departure of the Romans in 410 AD and the Norman Conquest of 1066 the ‘Anglo-Saxon period’ because the term is apparently perceived as racist. A BBC programme he was listening to on the radio referred to it as ‘the early medieval period’ and there is, or was, apparently, an article in the Corporation’s BBC History Magazine stating that there are moves to change it, as it deters Black people studying it because they associate ‘Anglo-Saxon’ with White supremacy. And in America there are moves to stop using the term altogether and simply refer to it as the early middle ages.

Webb takes this view that this is an attempt by the Beeb to rewrite the past so that it resembles the multicultural present. But he points out that his was the period when what had been Roman Britain was settled by Angles, Saxons and Jutes. ‘English’ comes from the word ‘Anglish’, for Angles, who also supplied the country’s name, England, from Engla Land, ‘Land of the Angles’. He states that this process of settlement is described in the last chapter of his book, Life in Roman London, published by the History Press, which is one of the few popular treatments of this subject. As for the term’s racial connotations, well, the Anglo-Saxons were White. Webb shakes his head in amazement at this attempt to rewrite history in the wake of the Black Lives Matter movement, and wonders where it will end.

The BBC wish to replace longstanding historical expressions – YouTube

I’m not sure what’s actually going on here. Historians have referred to the period between the Fall of the Roman Empire and the Norman Conquest for a long time as the early Middle Ages. It used to be referred to as the Dark Ages. Some older readers of this blog will no doubt remember Michael Wood’s great series, In Search of the Dark Ages, broadcast by the Beeb in the ’70s/’80s. However, historians and archaeologists have largely stopped calling the period that as more has been found out about it, and the period has increasingly seemed to be less dark. I think it might still be used for the couple of centuries after the departure of the Romans from Britain and the emergence of Anglo-Saxon England. Other terms used for those centuries are ‘Post-Roman’ and ‘Sub-Roman’. And the term ‘early Middle Ages’ of course makes perfect sense for the rest of Europe, which weren’t settled by the Anglo-Saxons, although northern Germany, the Netherlands and Jutland in Denmark were their ancestral homelands from which they migrated to Britain. The term also makes good sense for Ireland and the Celtic parts of modern Britain, Wales and Scotland. But in the context of English history, the period absolutely should be called the Anglo-Saxon period. That’s what the people, who founded and created England have been called following King Alfred himself. There were Black people seen in the British Isles and Ireland during this period. Round about the 8th-9th century or so the Vikings of Dublin brought in a shipload of ‘blamenn’ – blue, or Black men. I think the historian David Olusoga has also talked about the arrival of another shipload of Black people in Cumbria round about the same period. Medieval people certainly knew that Black people existed. They describe them as living in Africa and believed they had acquired their Black complexion through being burnt by the sun. But Black people in Europe at the time would have been very, very rare and the vast majority of the population would have been White. That’s not racism, but a simple statement of historical fact.

I’m afraid that racism has cast a very long shadow over this period ever since the Nazis. For many years I was a member of a Dark Age re-enactment society, Regia Anglorum. This tried to recreate the history of the British Isles round about 1066. While re-enactment in Britain is largely acceptable, except for World War II, or at least, the idiots who want to dress up as the SS, in Germany it’s regarded very much with loathing and contempt. This is because of the appropriation of the history and archaeology of the Teutonic tribes and the Vikings by the Nazis. The overtly Fascist fringe has done the same over here, harking back to the Celts and especially the Anglo-Saxons. As a result, some perfectly historical symbols were banned for very obvious reasons. Some of the pottery from migration period Anglo-Saxon graves is decorated with the Swastika, and you can find it on rock carvings in Scandinavia. But obviously no self-respecting re-enactor for the early middle ages is going to use it on their clothing or equipment because of the connections with Nazism. I can’t talk about re-enactment as a whole, as it’s a very large milieu and there were are large number of different groups, but the organisation I joined was very definitely non-racist and certainly had members from different ethnic groups. A number of the people in Regia when I was there, including some of its leading members, were Jewish. And their religion made absolutely no difference to anyone, whatsoever.

From what I can make out, there was little racism in Europe until after the Middle Ages. There was conflict between ethnic groups, states and nations, but little in the way of racism based on colour. From what I’ve read I think that modern racism really emerged through transatlantic slavery, although I think that the wars with darker skinned people, such as the Arabs and Moors during the Crusades and the Muslim conquest of the Balkans also played a part. The term ‘Anglo-Saxon’ in ‘Anglo-Saxon’ history, simply refers to a period. It has, or shouldn’t have, any connotations of racism or White supremacism.

This needs to be got across, assuming that some people genuinely feel that it is somehow racist and that this isn’t a misperception or exaggerated reaction by whoever makes these judgements after Black Lives Matter. But to stop calling that period of English history ‘Anglo-Saxon’ is in itself a falsification of history. It should go on being called the Anglo-Saxon period, but also made clear, if necessary, that it is an historical term, not one from any racial or racist ideology.