Spike Milligan is, in my opinion, a genuine comic genius. He wrote the Goons, one of the great classics of British comedy. I have wondered if the pressures of writing it contributed to his nervous breakdown. The contracts at the time were for 25 episode series, and I got the impression that he was one of the writers, whose mind was blank right at the start of the week and only got their inspiration almost at the very last minute, when the show was due to go on air. As well as the Goons, he wrote his war memoirs, which are really funny despite the horrific nature of the subject. Milligan was left shell-shocked from the war after his gun emplacement was hit by an Italian shell. The Goons were a radio show and according to the cast, bitterly hated by the Beeb management. They believed it was due to the fact that they had served in the War, and they hadn’t. They also had their suspicions about some of the servicemen’s slang Milligan put into the show. Hence, when it first aired the Corporation insisted on calling it The Junior Crazy Gang. The Goons also briefly appeared on the box as The Telegoons. And after that there were the Q series. John Cleese has said that he admired Milligan and his silliness, and he influenced Monty Python, which amazed me when I first heard it, as the Pythons seemed to be aimed at the university level or come from that academic level with some of its material. Milligan also wrote children’s poetry, was an accomplished musician and he was also an environmental campaigner in the 1950s. For the sketch I selected a picture that showed him as I remember him – in middle age, but still bright, energetic and radiating his comic craziness. So, you got this picture of him in a vest wearing a very ragged hat.
I think Dick Emery is probably mostly forgotten today, but for a long time he was one of the country’s foremost comic actors. In the 1970s he had his own Saturday night comedy show, in which he played a range of bizarre characters. This included a Anglican vicar, a moronic young lad, with the late Roy Kinnear playing his father, a middle-aged woman desperate for younger men, a flamboyant gay man, and another young woman, whose conversations with men ended with her saying, ‘Oh, you are awful, but I do like you!’, followed by a shove with the hand which sent the unfortunate male flying. The comedy’s obviously very dated now, especially the gay character, who is stereotypically camp and dressed in colourful, effeminate clothes. While it grates on contemporary sensibilities, I really don’t think it was meant spitefully. It was just part of the general stereotype and attitude towards gays in the 1970s following the decriminalisation of homosexuality in 1968. He also appeared in a number of British comedy films, some undoubtedly best forgotten. He also appeared in a number of other British comedies, including Michael Bentine’s Square World. Bentine described one incident in the show’s career in his one-man show, From the Ridiculous to the Paranormal in the 1990s, in the show reported that China had declared war on the UK. The show’s cast sailed up and down the Thames in a junk, with Emery dressed ‘as Fu Manchu’, firing rubber rocks at parliament. This was before the Troubles and real terrorism. Eventually a police launch sailed towards them to investigate. One of the cops on board hailed them, and asked ‘Do any of you gentlemen speak English?’ Outside his screen appearances, he was also patron of the Airfix Club, run in one of the war comics in the 1970s, for all the boys and no doubt some girls who like sticking plastic models of WW II airplanes and tanks together. I’ve tried to show as the toothy vicar.
And Terry Thomas is British comedy’s greatest and most notorious cad, appearing in films from The School for Scoundrels with Ian Carmichael to Those Magnificent Men in Their Flying Machines, with Tony Hancock and Eric Sykes playing his put-upon servant. I heard a while ago that the characters Dick Dastardly, the villainous air ace, and his dog, Muttley, in the Hanna Barbara cartoon were based on Terry Thomas and Sykes in the above flick. He’s still remembered by today by the younger generation. I’m sure I’ve seen his fizzog gracing the sign for a nightclub in Bristol.
I found this brief biography, ‘Who Is Jacob Rees-Mogg’ on the Led by Donkeys channel on YouTube. It covers Mogg’s life and career from his birth to today and shows exactly why he shouldn’t be anywhere near government – the greed, snobbishness, mendacity, duplicity and sheer governmental incompetence. Here’s a summary of its contents.
Mogg was born in May 1969 in London, the son William Rees-Mogg, the editor of the Times. He was naturally educated at Eton. In 1982, while he was a twelve-year old schoolboy, he was the subject of a French documentary as he was a financial trader and supporter of Thatcher. In one interview for the programme he said, ‘I love money. I always have done.’ When asked if he wanted to get married, he replied ‘No’, as he didn’t want to get divorced and his wife to get his money. In 1997 he campaigned for the Tories in the traditional Labour seat of East Fife. The image accompanying this shows him stepping over a fence looking exactly like John Cleese as the Minister for Silly Walks, but without the bowler hat. The locals were bemused by the fact that he was accompanied by his nanny, who was there to iron his shirts. 1998 – according to a biographer, his maid and his nanny took turns holding a book over his head at a picnic at Glyndebourne to make sure he didn’t get sunburnt. That same year he campaigned in the Wrekin, where he also lost. In 2006 he made a statement comparing people who weren’t privately educated and who never went to Oxford and Cambridge to potted plants and implied that they were incapable of writing an articulate letter. The next year, 2007, he and two of his friends set up Somerset Investment Capital. This committed itself to business ethics, but then stated that environmental, social and governmental concerns would not form the basis of their ethical policy.
In 2010 he finally succeeded in getting his wretched backside elected to parliament in the Somerset Northeast constituency. Three years later in 2013, Mogg distinguished himself by denying that workers have a right to a paid holiday. Then he took the decision to attend the annual dinner of the far-right Traditional Britain Group, despite being briefed about them by anti-Fascist organisation and magazine, Searchlight. He only decided to disassociate himself from them when they issued a statement denouncing Doreen Lawrence, the mother of murdered Black teenager Stephen Lawrence, as a ‘monstrous disgrace’ and recommending that people like her should be asked to leave the country. He also described man-made global warming as ‘much debated’ – totally wrong, as the vast majority of scientists are convinced it exists. The next year, 2014, Mogg advises that humanity should adapt to rather than attempt to mitigate climate change. He also lies about a UN report, claiming that it states that if measures were adopted to combat climate changes today it would take hundreds or a thousand years to produce results. The report said no such thing. In March the same year it was revealed his investment company was making a cool £3million from mining and £2.4 million in oil and gas.
In 2015 he stated his opposition to gay marriage and followed this in 2016 with a statement backing Donald Trump, who was then running a very racist, sexist and bigoted campaign. A year after that, in 2017, he revealed that he had never changed a nappy despite having six children. He also lied again, this time claiming that Labour had deliberately not told people they could get help from food banks. He also said that he thought the idea of people giving to these charities was ‘uplifting’. This was much mocked at the time. It is uplifting that people are willing to give to them, but utterly despicable that they have to exist in the first place. He also still opposed marriage equality and abortion in all circumstances as well as the morning after pill. Thus, he suffered no little embarrassment when it was revealed that he had investments in a company producing a stomach pill widely used in illegal abortions in Indonesia. He also had shares in a company producing drugs for legal abortions in India. He sold these shares, but retained those in tobacco, oil and gas companies. He also met Trump’s aide, Steve Bannon, a journalist for the far-right news outlet Breitbart, discussing how the right could win both in American and Britain. This segment has footage of the torchlight fascists marching in the ‘Unite the Right’ rally in Charlottesville. In 2018 it was revealed that Somerset Capital had also invested in Sberbank, a Russian bank that had been sanctioned by the EU since 2014 because of the Russian occupation of Crimea. It was also revealed a year later in 2019 that he’d made £7 million in profit from the Brexit vote. But backing Brexit didn’t stop him establishing two funds in Dublin to take advantage of the fact that it was still in the EU while London was not. Somerset Capital was paying him £15,000 per month and he owned 15 per cent of the shares. His firm was managed by subsidiaries operating perfectly legally in the tax havens of the Cayman Islands and Singapore.
Going back to the far-right, in 2019 he retweeted a comment by the leader of Germany’s Alternative Fuer Deutschland. He was also interviewed by Trump-supporter James Delingpole for Breitbart. The ousting of Tweezer by Johnson that year was also due in no small part to his machinations and that of his European Research Group. He also chose to show precisely what he thought about a debate on Brexit by lying down and appearing to go to sleep on the hallowed green benches of parliament. He also implied in a radio interview that the victims of the Grenfell fire died because they were too stupid to leave the building. He then mysterious vanished from the campaign trail, suggesting that his aides had advised him to lie low for a while. When a voter did try to ask him about his comment, he fled.
This year Truss made him Minister for Brexit Opportunities, despite profiting from investments in a Russian gas company, whose chair was one of Putin’s chums. He did, however, promise to divest himself of these investment after the invasion of Ukraine. Truss then appointed him Secretary of State for Business, Energy and Industrial Strategy. He backed the disastrous minibudget to the hilt, which has resulted in catastrophic mortgage hikes and the reimposition of austerity. Rather than accept responsibility, he blamed the mess on the Bank of England. The video ends with a young female journalist at the Financial Times describing this as ‘bollocks’.
This is who is now in government. And he’s only just down the road from me in Bath and Northeast Somerset. Uuurgh!
And after watching that video, here’s something that might cheer you up. Mogg’s frank statement that he loved money made me think of the Flying Lizard’s cover of the Beatle’s class, ‘Money’. Here it is, also from the TopPop channel on YouTube.
Here’s another bit of art I’ve made. This time it’s a cartoon lambasting the current purging of left-wingers in the Labour party, and particularly those critical of Israel, all under the pretence that it’s about combating anti-Semitism. It isn’t. It’s Starmer, Evans and the Blairite right trying to silence and expel anyone who stand up from real socialism and decries the Israeli state’s persecution of the Palestinians. And there’s more than a bit of anti-Semitism in it. Jewish Voice for Labour only the other day submitted a report to the Forde Inquiry and the Equalities of Human Rights Commission pointing out that four-fifths of those purged have been Jewish, and Jews are more than 300 times more like than gentiles to be smeared as anti-Semites and purged.
I realise that there’s no better way to flatten a joke than to explain it, but to make sure there are no misunderstandings, this is what it all stands for. This is my particular view of what is going on, and in my opinion what is going on is comparable to a medieval inquisition by the Blairites on behalf of the Israeli state. The figures in Klan robes represent just such bigoted, inquisitorial justice. I chose their robes rather than the real costume of the Holy Office or Spanish Inquisition because they are more recognisable but have the same religious overtones in my view. David Evans, who is charge of this perverted kangaroo court justice, also wears them. This is because I regard him as chief inquisitor. I am not saying that he is personally anti-Semitic, although the witch hunt over which he presides certainly is. In my opinion, that is.
The figures at the bottom are supposed to be Jackie Walker, Tony Greenstein and Naomi Wimborne-Idrissi, who represents Jewish Voice for Labour. They are all Jewish. Walker and Greenstein have been purged as part of this witch-hunt. I think Wimborne-Idrissi is still a member, but she and her organisation of real Jews have suffered the same accusations of anti-Semitism. Grotty individuals like Neil Coyle have tweeted demanding JVL’s expulsion along with other ‘commies’. And before anyone claims that it’s anti-Semitic because it attacks Zionism, Zionism has never been solely a Jewish movement. It arose in the 19th century among Christians, who wanted the Jews to return to Palestine in order to hasten Christ’s return. It has also been popular amongst real anti-Semites, like the composer Richard Wagner. Wagner had Jewish friends, but he wanted the Jews to move back to Palestine so Germany would be rid of them. See Karl Dietrich Bracher, The GermanDictatorship. And as I’ve said very many times, in terms of membership the biggest Zionist organisation in America is Pastor Ted Hagee’s Christians United for Israel. I’d also like to point out that I do respect the opinion of left-wing Zionists, who believe in Israel but want humane treatment for the Palestinians. I should really have called it ‘the ultra-Zionist inquisition’, but this is too much of a mouthful.
And finally, the caption is, of course, a parody of the famous Monty Python sketch. Unfortunately the inquisition in the Labour party isn’t offering anybody comfy chairs Except, of course, for the backsides of those in charge of this corrupt, compromised ‘justice’.
The news broke yesterday that the great comedian and actor, Tim Brooke-Taylor, had passed away at the age of 79. He’d had a long career in radio and television, appearing in such shows as At Last, the 1948 Show, the Goodies and I’m Sorry I Haven’t A Clue, the ‘antidote to panel games’ on Radio 4.
I found this short video tribute to him on Mooch TV’s channel on YouTube. It includes a clip from Willy Wonka and the Chocolate Factory from 1971, in which he argues with a computer about trying to find three of the golden tickets, short clips from his appearance on chat shows, including The One Show, and of course the Goodies. This includes an outtake, in which he and Bill Oddie battle vainly against a record player and its disc that are resolutely refusing to behave. The video uses as its musical accompaniment to these clips a segment from I’m Sorry I Haven’t A Clue. One of the games the panel are regularly required to perform is singing one song to the tune of another. In this instance, it’s Tim very capably singing The Smith’s ‘Girlfriend in a Coma’ to ‘Tiptoe through the Tulips’. It ends with a clip of Michael Aspel being crushed by a giant paw from the Goodies episode ‘Kitten Kong’.
I was a great fan of the Goodies as a young child in the 1970s. It’s sheer, exuberant silliness appealed to my very juvenile sense of humour, and I still have fond memories of it as an adult. The show is out on DVD, and although there was a special looking back at the series a few years ago, it has never been repeated.
I know it was a children’s show, as the Pythons themselves laughingly point out in one early episode of the show, but I far prefer it to John Cleese and co. I might be projecting here, as I discovered Python in the 1980s when my depression and anxiety was becoming more severe, but there was something bleak, cynical and angry in Python which I didn’t like. Some of the Goodies‘ episodes were bleak too, such as one in which they find that the area about their home has been redeveloped so they are bricked in, and have to spend the rest of their lives in alone with each other. But mostly it was just sheer, brilliant fun, like the episode ‘Ecky-Thump’, in which Bill Oddie becomes a master of the ancient Northern martial art. The masters of this wear oversize flat caps and braces and use black puddings as nunchakas. It was so funny that one viewer literally died laughing of a heart attack while watching it.
Brooke-Taylor appeared in many other shows after the Goodies was finally cancelled, but it is for the Goodies he will be best remembered. Britain has lost one of its great comic talents.
In this 17 minute long video from the left-wing vlogger Gordon Dimmack, he talks about John Cleese’s decision to move from the UK to the Caribbean. When the papers covered the story a month or so ago, they very much gave the impression that it was all about a feud between Cleese and the Beeb. Cleese was angry at the Corporation for not showing Monty Python and annoyed that it was no longer rated over here as one of the greatest comedies ever. In short, he was going because of personal bitterness.
That appears to be part of it, sure, but from this wider coverage it’s clear that there’s much more to it. Cleese is concerned about the massive corruption in British politics and the major part played in this by the press. Dimmack plays a clip from an interview Cleese gave to Emily Maitlis of Newsnight, in which he talks about how terrible and mendacious the press is. He supports his point by showing Maitlis a graph illustrating a study done by the EU into the trust the citizens of its countries have in their press. Of 33 countries, Britain comes 33rd, with only 23 per cent of Brits saying they trust their media.
That’s damning.
Maitlis tried to get round this by pointing to a statistical outlier, Albania, which is near the top of the list, where 98 per cent of its citizens believe their press to be trustworthy. Albania under Hoxha was a Stalinist dictatorship. After the Fall of Communism it became a mass of seething corruption which destroyed several governments as the economy collapsed through pyramid schemes. So it very probably doesn’t have a remotely trustworthy press. But Maitlis’ remark ignores the greater trust other, stable countries with a history of open, democratic politics, like the Netherlands, have in their media. When Maitlis tries to object to Cleese’s point that the British press is not trusted and untrustworthy, he just laughs in her face.
The conversation then moves on to Cleese’s complaints about Python, which Dimmack supports, although he says he like Ricky Gervaise’s latest comedy, Malcolm. Dimmack then moves to another interview Cleese gave, in which talked more about his departure from these isles. He was going first to Nepal to see the tigers, then going to do another tour of America before finally settling in Nevis, which he and his wife saw and fell in love with. He states that he’s leaving because it’s nearer to his daughter in Los Angeles, and that he does most of his business in America. But he’s also moving because he’s sick of the corruption in British society. He states that he was personally involved in British politics, first for proportional representation and then in the Leveson II inquiry. But these were stifled by the British press. He’s also critical about the banks and their destruction of the economy. He’ll still be interested in British politics, but he won’t return until we get a government that is serious about changing things in Britain for the better. This is possible, but he fears he’ll be away for some time.
To show how genuinely politically engaged Cleese is, Dimmack flashes up a couple of tweets from the great man about Russiagate and sources supporting his belief in Russian involvement in Trump’s election. Dimmack fully agrees with Cleese about the corruption of the lamestream media, and says he has tried to point him in the direction of people, who do tell the truth. Like Max Blumenthal about Venezuela, and Jimmy Dore. People Cleese could more easily contact in America. Dimmack admits that there’s hardly any chance that Cleese will read his tweets, as he’s got 597 million followers. But perhaps if enough people follow Dimmack and tweet to Cleese recommending he look at the above journos of the new media, this may change and Cleese will start supporting them. Which would be great, because Cleese’s support would obviously be highly influential. Dimmack states very clearly that he is trying to change the world, and if you’re not part of the solution, you’re part of the problem and should step away.
And now, as Monty Python once said, for something completely different. At least from politics. I found these two videos from the artist Xelasoma on YouTube, in which he discusses six masters of fantasy art and how they have influenced him. They are Roger Dean, Patrick Woodroffe, and Rodney Matthews in video 1, and Jean ‘Moebius’ Giraud, Philippe Druillet and Ian Miller in video 2.
Roger Dean will be remembered by fans of ’70’s prog rock for his amazing album covers for the bands Yes and Asia. Woodroffe and Matthews are also artists, who’ve produced record covers as well as book illustrations. Moebius and Druillet are two of the geniuses in modern French SF comics. Moebius was one of the ‘Humanoides Associes’ behind the French SF comic, Metal Hurlant. Among his numerous other works was Arzach, a comic, whose hero flew across a strange fantastic landscape atop a strange, pterodactyl creature. As Xelasoma himself points out here, it’s a completely visual strip. There’s no language at all. It was also Moebius who designed the spacesuits for Ridley Scott’s classic Alien. Xelasoma describes how, after he left art school, Moebius spent some time in Mexico with a relative. This was his mother, who’d married a Mexican, and the empty, desert landscape south of the border is a clear influence on the alien environments he drew in his strips. Xelasoma also considers him a master of perspective for the way he frequent draws scenes as viewed looking down from above. And one of the pictures illustrating this is of a figure in an alien planet looking down a cliff at a sculpture of rock legend Jimi Hendricks carved into the opposite cliff face. Druillet, Xelasoma feels, is somewhat like Moebius, but with a harder edge, drawing vast, aggressive machines and armies of fierce alien warriors. He’s also known for his soaring cityscapes of vast tower blocks reaching far up into the sky, which also influenced Ridley Scott’s portrayal of the Los Angeles of 2019 in Blade Runner. The last artist featured, Ian Miller, first encountered in the pages of the British Role-Playing Game magazine, Warhammer. His style is much more angular, deeply hatched and very detailed. Fans of H.P. Lovecraft will recognize several of the pictures Xelasoma chooses to represent his work as depictions of some of the weird, sinister gods from the Cthulhu mythos. They include not only Cthulhu himself, but also of the half-human, amphibious, batrachian inhabitants of the decaying port in the short story, The shadow Out of Innsmouth.
What Xelasoma admires about all these artists is that they don’t follow the conventions of modern western art established by the ancient Greeks and Romans and the Renaissance. They alter and distort the human form and that of other objects and creatures. He describes Dean’s landscapes as organic. Patrick Woodroffe and Matthews also create strange, alien creatures and landscapes, and with the creatures Matthews depicts also very different from standard human anatomy. Many of the creatures, machines and spaceships in Matthews’ art are based on insects, and appropriately enough one of the bands whose cover he painted was Tiger Moth. This featured two insects dancing on a leaf. Another picture, The Hop, shows an insect band playing while other bugs trip the light fantastic in the grass, surrounded by items like used cigarettes. His humanoid figures are tall, stick thin, with long, thin, angular faces and immense, slanted eyes. Xelasoma admires the way Matthews can take a train or a deer, and turn them in something uniquely his, as he shows here. He states that he first encountered Dean’s and Woodroffe’s art in the art books his mother had, such as Woodroffe’s Mythopoiekon. He also identifies somewhat with Woodroffe, as neither of them studied at art school. Woodroffe was a French teacher, while for Xelasoma art was far too personal for him to submit to formal training.
Xelasoma points out that these artists were creating their unique visions before the advent of computers using the traditional artist materials of paint and brush, and before courses in SF, Fantasy and concept art were taught at colleges and universities. Nevertheless, he finds their work far more interesting and inspiring than modern SF and Fantasy art, which may be more anatomically accurate, but which, too him, seems very ‘samey’. He complains that it doesn’t make him hallucinate, which the above artists do. Well, I hope he doesn’t mean that literally, as that could be very worrying. But I know what he means in that Dean, Woodroffe, Matthews, Moebius, Druillet and Miller create strange, fantastic worlds that have a striking intensity to them. They seem to be complete worlds, either in the far past or future, or parallel realities altogether, but with their own internal logic drawing you into them.
Discussing their influence on him, he is critical of artists that simply copy the work of others, changing a few details but otherwise keeping to and appropriating the other artists’ own unique visions, some times trying to justify this by saying that their work is a ‘hommage’ to the others. Xelasoma is well aware that his own work is very different to the artists he talks about here, and that many of his viewers won’t be able to see their influence. But he goes on to describe how they have influenced him at the general level of form or composition, while he himself has been careful to develop his own unique style.
Dean, Woodroffe and Matthews have produced books of their work, published by Paper Tiger. Matthews and Miller also have their own websites, for those wishing to see more of their work. Moebius passed away a couple of years ago, but was the subject of a BBC4 documentary. There’s also a documentary about Roger Dean on YouTube, presented by that grumpy old Yes keyboardist, Rick Wakeman. Xelasoma believes in their fantastic depictions of landscapes and animal and human forms makes them as important and worth inclusion in museums and galleries as Graeco-Roman and Renaissance art. I wouldn’t go that far, but I would maintain that in their way, they are far more significant than many contemporary artists that have been promoted as ‘official’ art. Xelasoma’s documentary really shows only a few pieces from these artists’ works, and the bulk of these videos are about the particular impact they have on him. But nevertheless it’s a good introduction to their work, and explanation why they should be taken seriously as artists beyond their origins in popular culture.
The Friday before last, former president George H.W. Bush, the father of former president George ‘Dubya’ Bush, finally fell off his perch at the age of 94. Like Monty Python’s parrot, he had shuffled off this mortal coil and joined the choir invisible. He was an ex-president, and well and truly. He was buried with due state honours last Wednesday.
And the press and media fell over themselves to praise him to the rafters. If you believed them, you would have thought that America had lost a statesman of the stature of the ancient Athenian politico, Pericles. Or that he combined in himself the wisdom of Thomas Jefferson, Maddison and the rest of the Founding Fathers.
He wasn’t. He was the successor to Ronald Reagan and a former head of the CIA, and had been involved with shady dealings, dirty, proxy wars and invasions in Latin America and Iraq, that had cost thousands their lives, while thousands others were tortured by the dictators he supported. And domestically he was responsible for racist electioneering and a highly discriminatory drugs policy that has resulted in the massive disproportionate incarceration of Black American men.
Mehdi Hasan on George Bush Senior
He was a disgusting creature, and Mehdi Hasan wrote a piece in the Intercept describing just how disgusting and reprehensible he was. In the piece below, he also appeared on Democracy Now! to talk to host Amy Goodman about Bush senior and his legacy of corruption, murder and terror.
Bush was elected president in 1990. He was a former director of the CIA, and served from 1981-89 as Reagan’s vice-president. Despite calling for a kinder, gentler politics when he was vice-president, Bush refused to tackle climate change, saying that the American way of life was not up for negotiation, defended future supreme court justice Clarence Thomas even after he was accused of sexual harassment. He was responsible for launching the first Gulf War in Iraq in 1991. During the War, the US air force deliberately bombed an air raid shelter in Baghdad killing 408 civilians. The relatives of some of those killed tried to sue Bush and his deputy, Dick Cheney, for war crimes. The attack on Iraq continued after the end of the war with a devastating sanctions regime imposed by Bush, and then his son’s invasion in 2003.
The Invasion of Panama
In 1990 Bush sent troops into Panama to arrest the country’s dictator, General Manuel Noriega on charges of drug trafficking. Noriega had previously been a close ally, and had been on the CIA’s payroll. 24,000 troops were sent into the country to topple Noriega against Panama’s own military, which was smaller than the New York police department. 3,000 Panamanians died in the attack. In November 2018, the inter-American Commission on Human Rights called on Washington to pay reparations for what they considered to be an illegal invasion.
Pardoning the Iran-Contra Conspirators
As one of his last acts in office, Bush also gave pardons to six officials involved in the Iran-Contra scandal. This was a secret operation in which Reagan sold arms to Iran in order to fund the Contras in Nicaragua, despite Congress banning the administration from funding them. Bush was never called to account for his part in it, claiming he was ‘out of the loop’, despite the testimony of others and a mass of documents suggesting otherwise.
The Collapse of Communism and Neoliberalism
Bush’s period in office coincided with the collapse of Communism. In the period afterwards, which Bush termed the New World Order, he was instrumental in spreading neoliberalism and the establishment of the NAFTO WTO treaties for international trade.
Hasan not only wrote for the Intercept, he also hosted their Deconstructed podcast, as well as a show, Up Front, on Al-Jazeera English.
The Media’s Praise of Bush
Goodman and Hasan state that there is a natural reluctance against speaking ill of the dead. But they aren’t going to speak ill of Bush, just critically examine his career and legacy. Hasan states that as a Brit living in Washington he’s amazed at the media hagiography of Bush. He recognizes that Bush had many creditable achievements, like standing up to the NRA and AIPAC, but condemns the way the media ignored the rest of Bush’s legacy, especially when it involves the deaths of thousands of people as absurd, a dereliction of duty. He states that Bush is being described as the ‘anti-Trump’, but he did many things that were similar to the Orange Buffoon. Such as the pardoning of Caspar Weinberger on the eve of his trial, which the independent special counsel at the time said was misconduct and that it covered up the crime. And everyone’s upset when Trump says he might pardon Paul Manafort. Bush should be held to the same account. It doesn’t matter that he was nicer than Trump, and less aggressive than his son, he still has a lot to answer for.
The Iran-Contra Scandal
Goodman gets Hasan to explain about the Iran-Contra scandal, in which Reagan sold arms to Iran, then an enemy state, to fund a proxy war against a ‘Communist’ state in South America despite a congressional ban. He states that it was a huge scandal. Reagan left office without being punished for it, there was a Special Council charged with looking into it, led by Lawrence Walsh, a deputy attorney general under Eisenhower. When he looked into it, he was met with resistance by Reagan’s successor, Bush. And now we’re being told how honest he was. But at the time Bush refused to hand over his diary, cooperate with the Special Counsel, give interviews, and pardoned the six top neocons responsible. The Special Counsel’s report is online, it can be read, and it says that Bush did not cooperate, and that this was the first time the president pardoned someone in a trial in which he himself would have to testify. He states that Bush and Trump were more similar in their obstruction of justice than some of the media would have us believe.
Iraq Invasion
They then move on to the Iraq invasion, and play the speech in which Bush states that he has begun bombing to remove Saddam Hussein’s nuclear bomb potential. It was done now, because ‘the world could wait no longer’. Because of Bush’s attack on Iraq, his death was marked by flags at half-mast in Kuwait as well as Washington. Hasan states that Hussein invaded Kuwait illegally, and it was a brutal occupation. But Hasan also says that Bush told the country that it came without any warning or provocation. But this came after the American ambassador to Iraq, April Glaspie, told Hussein that American had no opinion on any border dispute with Kuwait. This was interpreted, and many historians believe, that this was a green light to Hussein to invade.
Bush also told the world that America needed to go into Iraq to protect Saudi Arabia, as there were Iraqi troops massing on the border of that nation. This was another lie. One reporter bought satellite photographs of the border and found there were no troops there. It was lie, just as his son lied when he invaded twelve years later. As for the bombing of the Amariyya air raid shelter, which was condemned by Human Rights Watch, this was a crime because the Americans had been told it contained civilians. Bush also bombed the civilian infrastructure, like power stations, food processing plants, flour mills. This was done deliberately. Bush’s administration told the Washington Post that it was done so that after the war they would have leverage over the Iraqi government, which would have to go begging for international assistance. And this was succeeded by punitive sanctions that killed hundreds of thousands of Iraqi children. It all began on Bush’s watch.
Racism, Willie Horton and Bush’s Election Campaign
They then discuss his 1988 election campaign, and his advert attacking his opponent, Michael Dukakis. Dukakis was attacked for having given a weekend pass from prison to Willie Horton, a Black con serving time for murder, who then went and kidnapped a young couple, stabbing the man and repeatedly raping the woman. This was contrasted with Bush, who wanted the death penalty for first degree murder. The advert was created by Lee Atwater and Roger Ailes, who later apologized for it on his deathbed. This advert is still studied in journalism classes, and until Trump’s ad featuring the migrant caravan appeared it was considered the most racist advert in modern American political history. Atwater said that they were going to talk about Horton so much, people would think he was Dukakis’ running mate. Bush approved of this, and talked about Horton at press conferences. And unlike Atwater, he never apologized. Roger Stone, whom Hasan describes as one of the most vile political operatives of our time, an advisor to Donald Trump and Nixon, actually walked up to Atwater and told him he would regret it, as it was clearly a racist ad. When even Roger Stone says that it’s a bad idea, you know you’ve gone too far. But the press has been saying how decent Bush was. Hasan states he has only two words for that: Willie Horton.
In fact, weekend passes for prison inmates was a policy in many states, including California, where Ronald Reagan had signed one. Hasan calls the policy what it was: an attempt to stoke up racial fears and division by telling the public that Dukakis was about to unleash a horde of Black murderers, who would kill and rape them. And ironically the people who were praising Bush after his death were the same people attacking Trump a week earlier for the migrant caravan fearmongering. It reminded everyone of the Willie Horton campaign, but for some reason people didn’t make the connection between the two.
Racism and the War on Drugs
Hasan also makes the point that just as Bush senior had no problem creating a racist advert so he had no problem creating a racist drug war. They then move on to discussing Bush’s election advert, in which he waved a bag of crack cocaine he claimed had been bought in a park just a few metres from the White House. But the Washington Post later found out that it had all been staged. A drug dealer had been caught selling crack in Lafayette Square, but he had been lured there by undercover Federal agents, who told him to sell it there. The drug dealer even had to be told the address of the White House, so he could find it. It was a nasty, cynical stunt, which let to an increase in spending of $1 1/2 billion on more jails, and prosecutors to combat the drugs problem. And this led to the mass incarceration of young Black men, and thousands of innocent lives lost at home and abroad in the drug wars. And today Republican senators like Chris Christie will state that this is a failed and racist drug war.
This was the first in a series of programmes honouring the dead – which meant those killed by Bush, not Bush himself. The next programme in the series was on what Bush did in Panama.
Dark Rock and Bush: The Sisters of Mercy’s ‘Vision Thing’
I’ve a suspicion that the track ‘Vision Thing’ by the Sisters of Mercy is at least partly about George Bush senior. The Sisters are a dark rock band. Many of front man Andrew Eldritch’s lyrics are highly political, bitterly attacking American imperialism. Dominion/Mother Russia was about acid rain, the fall of Communism, and American imperialism and its idiocy. Eldritch also wanted one of their pop videos to feature two American servicemen in a cage being taunted by Arabs, but this was naturally rejected about the bombing of American servicemen in Lebanon. Another song in the same album, ‘Dr Jeep’, is about the Vietnam War.
‘Vision Thing’ seems to take its title from one of Bush’s lines, where he said, if I remember correctly, ‘I don’t have the vision thing.’ The song talks about ‘another black hole in the killing zone’, and ‘one million points of light’. It also has lines about ‘the prettiest s**t in Panama’ and ‘Take back what I paid/ to another M*****f****r in a motorcade’. These are vicious, bitter, angry lyrics. And if they are about Bush senior, then it’s no wonder.
Last week Mike also put up a series of articles discussing the Beeb’s proposal to host the debate over Brexit between Corbyn and Tweezer, and showed why Corbyn should choose ITV instead. It seems the Corporation had been in negotiations with May to host the debate through Robbie, one of Tweezer’s spin doctors, who used to work at the Corporation. This had been done weeks before May issued her challenge to Corbyn, which suggested that Tweezer was hoping for some help from the ever biased BBC.
The Beeb didn’t just want a straightforward, head-to-head debate between the two party leaders. They also wanted this to be
followed by a discussion between eight panellists, including politicians, with a wide range of views on Brexit, and ending with further head-to-head debate and closing statements.
This was in contrast to ITV’s offer, which was just for a straight head-to-head debate between May and Corbyn. As Mike points out on his blog, the Beeb had no right to change the format of the debate, and suggested that their doing so may have been part of their negotiations with Tweezer. The inclusion of a panel, with members that included other politicians, also gave the Corporation too much freedom to pack the show with pro-Tory viewpoints. Like the Corporation has been doing every Thursday evening on Question Time, and on just about every news programme. If they can get in an attack against Corbyn, they will.
On Tuesday Mike put up a piece reporting that the Beeb had withdrawn their offer, and published their official reply. Which he also critiqued. Apart from the above comments about possible bias in the format, and its origins with Tweezer, Mike also commented that the Beeb’s disappointment at being unable to bring the British people this programme and its wide variety of views, shows why the Corporation still deserves its nickname of ‘Auntie’. It’s still trying to tell the British public what to think.
The Corporation did, however, say that it would have a Brexit edition of the One Show, which was apparently broadcast yesterday, and would show a programme completely devoted to Brexit on Monday, 10th December.
Mike concluded his article on this by saying that the Beeb’s withdrawal puts May into a quandary. He writes
It seems clear she has been trying to manoeuvre Mr Corbyn into a position where she can accuse him – of not understanding her Brexit plan; of trying to sabotage Brexit; or even of running away from a TV debate.
But now, with her BBC set-up scotched and all the smart money saying she won’t agree to the ITV plan, it seems that – once again – Mrs May will be the one accused of “running away”.
In fact many people said on Twitter that Corbyn would be far better off going to ITV, Channel 4 or Sky for the debate, rather than the Beeb. Because the Beeb simply can’t be trusted. Lord Adonis, one of Blair’s former cabinet ministers said it. And Tom Pride gave four good reasons in one of his tweets. These were about Andrew Neil, the host of the Daily Politics, Nick ‘Macclesfield Goebbels’ Robinson, Sarah Sands, a Beeb politics editor, and Lynn Hayter, the fake vicar.
Neil before he joined the Beeb was a former chair of the Confederation of Conservative Students, Robinson was also a chair of the Young Tories, Sands was a former editor at the Mail and Torygraph, while Hayter is an actor the Beeb dragged on claiming she was a proper, accredited member of the clergy. Instead of a self-appointed pastor of an internet church flogging the Prosperity Gospel heresy.
He also commented on how May threw a strop at the Philip Schofield for asking her an awkward question over on ITV’s This Morning. Schofield’s a good professional interviewer, but This Morning is very definitely not the Spanish Inquisition. Which May definitely didn’t expect, and couldn’t handle the torment of the comfy chair (gratuitous Monty Python reference). So Mike went on to argue that, from past evidence of May running away from a debate with Corbyn at the last election, if anyone’s going to do a runner, it’s her.
As for the Neil and Robinson, they’re only two of a newsroom packed with Tories. Mike and the other left-wing bloggers have discussed many other Tory spin doctors, who used to work at the Corporation before deciding that even trying to put up a pretence of being impartial was too much for them, and went off to join Cameron and Tweezer. Neil was also the editor of the Neoliberal The Economist, and then the Sunday Times, where, according to Lobster, he ran fake stories and disinformation for MI5. And Robinson showed how massively biased he was in his editing of an exchange between him and former SNP leader Alex Salmond during the Scots Referendum debate the other year. Goebbels Nick asked Salmond whether he was afraid that the big financial houses in Edinburgh would flee south if the Scots gained independence. Salmond gave him a full answer, denying that this would happen. Confronted by awkward facts, Robinson and his team went off and edited the exchange. First of all they made it appear as if Salmond hadn’t really answered the question, then they removed his response completely and claimed that he ignored the question.
It was one of the most blatant falsification of news that I’ve seen.
And the Beeb has a long history of this, which they’re desperately trying to deny. They’ve launched a campaign against ‘fake news’, which is risible, considering they and the lamestream media are responsible for a fair number of fake and spurious news stories. And in next week’s Radio Times, there’s a feature praising Question Time to the roof, complete with a piccie of Dimblebore with a quizzical smile on his mug.
But older readers remember how the Beeb faked footage of the police attacking the miners at the Orgreave colliery during the 1980s miners’ strike, to make it look like the miners were attacking the rozzers. And too many people have now woken up to how Question Time is consistently biased against the Left. Quite apart from the systemic bias against Corbyn on nearly every Beeb news show.
The Beeb’s withdrawal of their offer to host the Brexit debate seems to confirm just how deeply the British public are suspicious about the Beeb and its Tory bias. They don’t trust it, and will continue turning away from it until it does something to correct its bias. But this may be far too much for a state broadcaster, that automatically follows the Tory, establishment line.
And now, before the serious stuff, something completely different, as Monty Python used to say. This is a short video I found on YouTube from the Inside Edition channel. It’s their report on the successful flight of a steam-powered rocket, built and crewed by ‘Mad’ Mike Hughes. Hughes is a limousine driver and a self-taught engineer. His reason for building the vehicle is, er, eccentric: he wanted to see if the Earth was flat.
The video was posted on 18th March 2018, and shows Hughes and his rocket taking off in the Mojave desert in the south-western US. It climbed to an altitude of 1,850 feet before finally returning to Earth, its descent slowed by two parachutes. Hughes had spent ten years building it, and the video shows stills of early versions of the rocket.
Hughes’ landing was rough, however. The video describes it as a crash. A rescue team got him out of the cockpit, but he complained that his back was broken. When the news crew caught him with him to talk, ironically just outside a courthouse where he’d been giving a ticket for speeding, Hughes’ claimed that he might have a compressed vertebra.
The video ends by reassuring its viewers that, yes, the Earth is indeed flat.
I’m actually saluting this bloke, because he’s obviously really clever and has done something I’d love to do myself: build a low power rocket that could hold a man or woman and send them up to a reasonable height. Way back in the 1990s I had a paper printed in the Journal of the British Interplanetary Society arguing for the construction and flight of such vehicles as a new leisure industry. I based this on the use of hang-gliders, paragliding and microlight aircraft as hobby aviation. People fly them because they want to enjoy the experience of powered flight, not because they actually want to go from A to B. In the same way, I feel, human-carrying rockets could be built and flown to give ordinary people something of the experience of astronauts going into space aboard real rockets, like the Space Shuttle or the Russian Soyuz craft. But obviously without having to spend millions on a ticket to space.
Steam, or hot water rockets, have been around since the 19th century. The first modern hot water rocket was patented in Britain in 1824 by the American inventor, Jacob Perkins (1766-1849). The American Rocket Research Institute, based in California, and founded in 1943, established a special centre for the research and construction of hot water rockets, the Perkins Centre, named after him. The Institute runs a number of training programmes for students and aspiring rocket engineers. The rockets developed could carry payloads up to 5,000 feet.
After the War, the German rocket scientist, Eugen Sanger, and his wife Irene Sanger-Bredt, carried out research into hot water rockets to see whether they could work assisting heavily loaded aircraft into the air. The main US researcher in the area was Bob Truax.
The rocket engines developed by the RRI ranged from senior student college engineering projects with a thrust of 700 lbs per second to the Thunderbolt II constructed by Truax Engineering, which had a thrust of 16,000 lbs per second.
The photo below shows the STEAM-HI III hot water rocket being installed at the Perkins Safety Test Centre in 1963.
This photo shows Truax Engineering’s Thunderbolt rocket and its static test firing in 1973.
See ‘The Rocket Research Institute, 1943-1993: 50 Years of Rocket Safety, Engineering and Space Education Programs’, George S. James and Charles J. Piper, in Jung, Philippe, ed., History of Rocketry and Astronautics, AAS History Series, Vol. 22; IAA History Symposia, vol. 14 (American Astronautical Society: San Diego 1998), pp. 343-400.
And the Earth is very, very definitely round. As it has been known to be by educated European since the 9th century, and by the Greek astronomers long before that. All that stuff about how people in the Middle Ages believed the world was flat and that if you sailed far enough west you’d fall off was basically invented in the 19th century by Washington Irving. The Church Fathers knew and accepted that it was round. St. Augustine said so in one of his works, and argued that when the Bible spoke of the world as flat, it was an instance of God using the beliefs of the time to make His moral message intelligible to the people then alive.
I’ve no idea where the modern delusion that the world’s flat comes from. Well, actually, I do – it seems to have started a year ago in 2017 with the comments of a rapper on American radio. But before then I thought the idea was very definitely dead and buried. In Britain, the Flat Earth Society had dwindled to a single member. This was actually a physicist, who believed that the Earth was round. He used the Society to argue against dogmatism in science. And I thought he had packed finally packed it in, leaving the number of Flat Earthers in Britain at zero.
Now it seems that there are any number of eccentrics, who believe the world is really flat. They’re completely wrong about that, including Hughes.
But Hughes did something superb in building his own, human-carrying rocket
Another day, another smear from the Blairites and the Israel lobby. Mike on his blog this morning put up a piece commenting and exposing another lie made from John Mann. Mann apparently has previous when it comes to making false statements, including to parliament. This, as Mike rightly points out, is an offence, but the Tories have done it so regularly and with such absolute impunity that it’s more or less a dead letter. Mann also gets very stroppy when people actually point out he’s lying, and threatens them with m’learned friends.
In this case, the man, who libels you as an anti-Semite if you mention the historical fact that the Nazis did sign an agreement with the Zionists to send Jews to Israel, as been claiming that ‘the anti-Semites’ in Momentum sent his wife a dead bird through the post.
I’ve some little sympathy for him, as his wife was sent the dead animal, and yes, it was nasty and distressing. However, that’s where the truth stops in Mann’s latest half-truth. The incident happened in 2012, three years before Momentum was formed. The man, who sent it, Roger Dyas-Elliot, isn’t a Marxist, but has instead been described as ‘slightly eccentric’. He has a lot of books and is a massive fan of Barbara Cartland. Mann’s wife is a councillor for Worksop East, and Dyas-Elliot sent her the creature because he was angry at the applications panel for Bassetlaw not allowing him to stand as a Labour candidate.
Mann also ranted on Twitter about ‘anti-Semitic’ tweets from Momentum rubbishing yesterday’s debate about anti-Semitism. Mike commented that from what he’d seen, there was no anti-Semitism. Just people making accurate comments about the issue. He also declared that it was time to sue each and every member of Momentum for libel.
Having critiqued this latest claim of abuse by Mann, Mike ends his piece about it by drawing the obvious comparison with Monty Python: it is an ex-claim, having joined the Choir Invisibule.
As for Mann threatening to sue people, who point out his lies, there’s a simply answer to that. Private Eye use it whenever someone they’ve exposed threatens them with legal action and they’re absolutely confident that they’re right:
Arkell Vs. Pressdram.
Which is a polite way of telling them to go away, but using much cruder language inadmissible before the judge.
You do wonder, however, how long the Blairites and the Israel lobby can go on making these flagrant lies, before it becomes too much for even the mainstream media to bother repeating them. The more they make these claims of anti-Semitism and abuse, the more people are actually starting not to believe them. Even the Israel lobby itself is starting to wake up to the fact that these smears aren’t working like they did, and people are seeing through them. But that doesn’t stop them from making them.
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