Trailer for Remake of TV Series ‘Fresh Prince of Bel Air’

I found this trailer for a remake of the 90s comedy series, ‘The Fresh Prince of Bel Air’ on Will Smith’s channel on YouTube. Smith’s a great actor, who’s been in some great movies – Independence Day; I, Robot; and I Am Legend to name just three. But I think it was The Fresh Prince of Bel Air that launched his career. I never really watched it, but I caught the odd bits and pieces of various episodes while waiting for Star Trek to come on. Star Trek: The Next Generation and then Star Trek: Deep Space 9 used to be broadcast on BBC 2 on Wednesday, with the Fresh Prince just before it. From what I remember, the basis plot of Fresh Prince was that Will Smith was a bit of a tearaway from the ghetto, who kept getting into trouble. This wasn’t anything serious, just cheeky pranks. His family therefore sent him to live with his rich relatives in their mansion in Bel Air to straighten him out. The tone was generally light, and Smith had a naturally cheeky charm.

This, however, seems to be rather darker. It’s got cinematic production values, but the basic plot seems to be that the central character was in a fracas on the basketball court with a violent criminal, who has vowed to kill him. Hence he’s sent to live with his rich relatives to get him out of danger. There’s obviously a culture clash between his rough upbringing and the highly rarefied world of the superrich he now moves in. I think there’s also a comment on racial politics, as the characters amazed when I rich White lad gives him a Black ghetto greeting. The remake’s clearly had a very large budget and wants to explore some deep issues, and the lad cast for the Will Smith role certainly looks the part. I just don’t know if it should be darker and whether the concern with contemporary political issues will overshadow the comedy.

A few years ago there was an attempt to the 1980s werewolf comedy, Teen Wolf, into a TV series. This was originally a film starring Michael J. Fox as a teenager, who was afflicted with lycanthropy, It ran in his family. There’s a scene in which his father informs him while shaving that there an inherited problem condition in the family while Fox is shaving in the bathroom. When he opens the door, his father is there in full werewolf form. But the werewolf metamorphosis proved to be a benefit, as it helps him to lead his school basketball team to victory. It was a light, funny film. But when they planned to revive it, they decided they were going to make it darker. I don’t think it ever got made. I think there is a real problem when TV companies take old movies and TV series and try to make them darker for a modern audience. With all the economic pressure and the Covid lockdown make life tough for people, I think there’s a demand instead for more positive, cheerful stuff as well as grim dramas about serial killers.

And I hope that this remake preserves all the real comedy that made the original such a long-lasting hit.

Adele’s Adoption of Black Style Is In a Long Tradition of White Anti-Racism and ‘Allyship’

One of the controversies that has now broken out in the wake of Black Lives Matter has been over the dress and hairstyle Adele adopted yesterday. She was hoping, like many folks, to attend the Notting Hill carnival. But it was cancelled due to the restrictions on large gatherings imposed by the Coronavirus. I’ve heard that they held a Virtual one online instead. Adele decided to signal her support for the carnival by posting a picture of herself in a bikini showing the Jamaican flag and with her done in a Black hairstyle. So the league of those wanting to find any excuse to be offended have accused her of ‘cultural appropriation’.

I really don’t accept this. I believe that she wore the bikini and the hairstyle as a genuine gesture of support to the Carnival and the Black culture that created it. And moreover, without people like Adele adopting Black fashions and Black music, Black culture would not have the acceptance it does among Whites and the racism Black people experience would be much, much worse.

Real Appropriation of Black Music and Culture

I am very much aware that cultural appropriation has occurred. Black people have complained for a long time that ‘the White man stole the Blues’. One of the great stars of the Big Band era, Benny Goodman, is a case in point. Goodman was a White man, but all his hits were written by Black Jazzers. One of the most notorious cases is that of ‘Tar-ra-ra Boom-de-ay’ in the 19th century. It’s credited to a White musician, but he heard it from a Black lad singing it on the streets. And cultural appropriation also doesn’t just apply to Blacks. Native Americans are also uncomfortable when Whites adopt their traditional culture, like some of the New Agers and pagans, who have adopted aspects of their religion. And I can’t say I blame them. But what Adele has done is the opposite, and goes right back to the 1920s and before when White youths began adopting Black fashion and music.

The ‘White Negroes’ of Jazz and Rock-n’Roll and Anti-Racism

One of the first in the 1920s was ‘Mezz’ Mezzrow. He was a White kid, who first immersed himself in the emerging Jazz scene. He adopted Black culture to such an extent that he has been called ‘the first White Negro’. Later on, one the ‘White Negroes’ – I’ve forgotten which one, painted himself with melanin in order to see what being Black in America was really like. I think he got an unpleasant surprise. But this didn’t stop him writing a book pleading for reconciliation between Whites and Blacks. And after Jazz faded with changes in youth culture, it’s place was taken by rock’n’roll. The books on music I’ve read state clearly that it’s a hybrid musical genre – a mixture of White Country music and Black barrel house Jazz. I’ve got a feeling that the primacy given to the guitar in rock and pop, rather than the piano or keyboard, comes from the old Blues master Howlin’ Wolf when he was performing in Chicago. Little Richard, who passed away recently, once claimed in an interview that it was thanks to him Blacks and Whites started dancing together. Before he started performing, he noticed that White the dance floors were full of Blacks tripping the light fantastic, the Whites just stood around the edges watching. ‘White spectators, we used to call ’em’, he reminisced. Then he started playing and they suddenly joined the Blacks on the floor. ‘So a decade before Dr. Luther King, we had integration’.

Nazi Hatred of the  White Adoption of Black Culture

And those Whites that did adopt Black music got real hate for it from the real racists. It comes from the old biological determinism that sees culture as the product of biology. By this standard, Whites are somehow betraying their race and degrading themselves by adopting Black music and fashion. Back in the 1980s there was a book, The Best of Signal, which published articles from the big popular Nazi mag of the Third Reich. It was published by a mainstream publisher as I think one of the very many titles on the Nazis, the Third Reich and World War II that appear every year. I found a copy in a secondhand bookshop. One of the articles in it was an explicit attack on the contemporary Jazz scene in America. It showed a groups of American youths – I can’t remember whether they were White or Black – wearing the characteristic ‘Zoot suits’ and made it very plain what the writer and the vile regime he served thought of them. When White kids in the 1950s started listening and dancing to rock’n’roll, Conservative voices accused them of taking over ‘Negro sensuality’.

And the same criticisms was still being voiced in the 1990s. That was the decade that saw the emergence of the Militia movement in the US and the gathering of various neo-Nazi outfits in the Hayden Lakes area, where they started building communes and compounds. These are real Nazis, not the casual racists who are often simply called it for their vile opinions. I think Louis Theroux went to one of them in his Weird Weekends. It was built like an armed fort or concentration camp, complete with watchtowers and barbed wire fencing. The obergruppenfuhrer Theroux interviewed proudly showed him the stack of greeting cards he’d had printed for his storm troopers to send. For most people, it would have been blasphemy, as it showed Adolf Hitler as Santa coming down a chimney bringing presents. In the interview I read, the writer tried to tackle one of these Nazis on the subject of Whites. The reply they got was that contemporary White culture had been corrupted by Black. They listened to Black music, wore Black fashions and danced like Blacks. Except he didn’t say Blacks. He said ‘N***ers’. It’s the same sentiments David Starkey got rightly panned for in 2012 or so when he was asked what was responsible for the riots. He blamed Black music. When it was pointed out to him that a fair proportion, at least, of the rioters were White, he stated that ‘they have become Black’. I don’t doubt that same White racists would condemn Adele for her choice of dress and hairstyle yesterday.

Blacks and Musical Apartheid

And these sentiments are contributing to apartheid in music. One of the complaints that has been voiced in the wake of the Black Lives Matter has been by Black musicians about the racism in their industry. I remember reading newspaper interviews 25-30 years ago by Black British musicians complaining about the musical apartheid they found when they toured America and parts of the continent, like Austria. They found there that music was strictly compartmentalised between ‘White’ and ‘Black’. One section dealt with Black performers another with Whites. I can’t remember who the Brit muso was, but she was really shocked because back here in Blighty she performed for people of all colours. But when she went to America, there was an expectation in the record company that she’d only perform for Blacks. At the same time, she and other Black musos, when they toured Austria, found their CDs and records put in the section of the music stores devoted to Black music.

I’ve also heard since then about the racism and abuse Black artists have had to face when they’ve tried performing in ‘White’ genres. A friend of mine told me a little while ago about the amount of hate the founder of the Heavy Metal band, Living Colour, got. Living Colour was an all-Black band, who wanted to produce awesome Rock. And apparently they got a lot of hate from both sides, Blacks as well as Whites, for daring to play a ‘White’ style of music. A month or so ago Radio 4 one started broadcast a piece about a Black American Country and Western performer. I can’t remember who he is, but I think he’s pretty old and has been playing it for a long, long time. And he’s suffered the same kind of abuse from the same type of people. It’s hard for me not to think that by accusing Adele of cultural appropriation, her critics are supporting the same kind of racist attitudes that would keep Whites and Blacks from appreciating and performing music outside very strict racialised boundaries.

Whites and Black Fashions and Hairstyles

As for Whites adopting Black hairstyles, I’m old enough to remember the ’70s and the big Afros that were in style then. From what I understand, they did so as part of the ‘Black is beautiful’ movement. Instead of adopting White hairstyles, Blacks in America and Britain wanted to wear their hair more naturally. And because of the influence of Black musical culture, so did many Whites. Leo Sayer had one, and when I was child I honestly thought he was Black. I don’t know if anyone from the Black community complained, but as this was also when the NF were back on the rise over here, along with organisations like the ‘Anti-Paki League’ – that’s what they called themselves – I think people had colour had worse to worry about.

I only came across the accusations of cultural appropriation for Whites adopting Black culture in the 1990s, and that was only in the American satirical comedy, Spin City. This starred Michael J. Fox in one of his last roles, as the head of the communications team for a fictional New York senator. In one episode, his Black co-workers are upset because one of the Whites has moved into a Black neighbourhood. And to fit in, he’s started wearing stereotypically Black clothes. Like turning up in an African robe. Fox’s character tries to explain that the man isn’t trying to be racist. He’s just trying to identify with the people of his new community. He also tries to explain to the man that he is, inadvertently, causing offence. The next day the guy comes in very obviously wearing a hat. Fox whips it off to reveal that the guy’s had his hair dressed in dreadlocks.

At roughly the same time that was on, I knew White people with dreads. As there still are. And the Black people I’ve known and worked with had absolutely no problem with it. They told me they had White friends, who looked good with it. Victor Lewis Smith, the satirist, TV critic and practical joke responsible for such shows as TV Bile and Inside Victor Lewis Smith, used to wear dreadlocks. Now I’ve got very mixed views about Smith. Some of his material I found funny, but in other ways he could be anything but. And he was an ex-public schoolboy, and so could be accused of cultural appropriation. But I don’t think anyone did.

Western Black Traditional Culture, Hip Hop Fashion and Ethiopian Dreadlocks

It seems to have begun with some Black Americans claiming Whites were stealing Black culture when they took over Hip Hop fashion in the 1990s. But I also remember one Black celeb scornfully pointing out that expensive trainers and the designer accessories also aren’t a traditional part of Black culture. And then a few years ago there was a video clip going round on YouTube of any angry Black female student haranging a young White lad in an American university because he had his hair in dreads. It was clipped and repeated in posts by Conservative Whites attacking the aggressively intolerant anti-racist culture in parts of American academia. And now that same attitude appears to have crossed the Atlantic.

But what was said about Hip Hop style not being part of traditional Black culture, could also be said about dreadlocks. Don’t mistake me – they are an authentic part of African Black culture. They were taken over by the Rastafarians from the hairstyle worn by Ethiopian warriors. They did so because at the time – I don’t know if they still do – they revered the Ethiopian emperor, Haile Selassie Makonnen as the Black messiah they believed was foretold in the Bible, who would liberate western Blacks from their bondage. But it’s a hairstyle that was introduced from Africa, not one that was preserved in the traditional culture of Black slaves and their descendants. And many of the Blacks who wear it just do it because they like the style, but aren’t Rastafarians. Which, if we’re strict about the issue of cultural appropriation, raises all kinds of awkward questions. If it’s wrong for Whites to adopt Black styles, it could be argued that it’s also wrong for western Blacks, as the same dress and hairstyle properly belongs to its original African people.

Black Performers in White Makeup

And then there’s the question of how you judge Black performers, who have adopted White hairstyles and makeup. There are a number of videos, for example, where Beyonce actually looks White. She has straight hair, which appears blond rather than brown or black, and her skin has been made up to appear very pale. Certainly much paler than she appears in other videos, where she appears much darker. I am not accusing her of racism. But if people start flinging accusations of cultural appropriation around, then it could be applied to Black musos like Beyonce.

Skin Whiteners and the Damage to Black Skin

And incidentally, I am also very much aware of the harm being done to Black people by the feeling that somehow they should try to make themselves appear more ‘White’. Akala apparently discusses his book on race and racism the use of skin lighteners by many Blacks in a desperate attempt to appear Whiter. It’s nasty stuff. These chemicals work by taking off the top layers of skin. Other Black and ethnic minority writers have attacked their use. And there was a nasty incident that got into the pages of Private Eye’s ‘Funny Old World’ column. It was during a boxing match in Ghana. One of the boxers had been using these wretched potions, and as a result he lost the skin on part of his face after a particularly vicious blow from his opponent. Which provides an extreme, and very graphic argument why people shouldn’t use them. Skin has its own natural beauty, whatever shade it is.

I realise this is a long article and that some of the outrage is understandable coming after the condemnation of certain comedians for appearing in makeup as Black characters, like Bo Selecta and Lucas and Walliams in Little Britain. But Adele was not in Blackface, and she is nowhere near the Black and White Minstrels, who were subject of massive controversy in the ’70s before being axed in ’80s because they did perform the old Black minstrel songs in Blackface.

But Adele seems to be coming from a completely different direction. She’s following a century-old tradition in which the White aficionados of Black culture have shown their appreciation by adopting it. People like Mezzrow, who would now be viewed, using the jargon of intersectional feminism, as ‘allies’.

White Youth, Black Music and the anti-Racism Campaigns of the 1980s

It was people like Adele, who helped push back against the NF and BNP in the 1980s. Rock Against Racism before it collapsed thanks to a takeover attempt by the Socialist Workers Party brought Black and White youth together through a series of concerts by some of the great bands of the day. But I’ve friends, who are worried we’re losing that musical culture. I was watching the old episodes of Top of the Pops one of the cable/ satellite channels has been repeating. Yeah, I know it was cheesy and some of the bands that appeared were jokes even in their time. But some of the bands were awesome. The first pop video I ever bought was UB40. In case you’re too young, they were a reggae band with Black and White performers. I bought the video of their tour in Russia. They were one of the first western groups that were able to play when Gorby gave the country glasnost. And they rocked! The video shows the crowd dancing after their translator tells them that they can. This was the country that banned Boney M’s ‘Ra-Ra Rasputin’ as evil and subversive. There were other bands, too, who mixed White and Black performers. Quite apart from White groups like Madness, who played Ska- more Black music – and wore the characteristic suits. Yes, they took over Black music and culture, but it came from a place of affection and solidarity. The kids of my generation saw them bands like them on TV, in concert, heard them on the radio and absorbed the general anti-racist message as it was coming out.

A New Apartheid in Music?

But my friend was afraid that this is being lost because of hardened attitudes that Black and White performers should stay to certain genres within very racially defined boundaries. So racially mixed bands can’t come forward and perform. Because it’s cultural appropriation, or somehow betraying Black culture or some nonsense. Whatever it is, it’s still segregation.

Conclusion

I think before accusations of cultural appropriation are directed at people like Adele, there are some, who should do a bit of reading first. About Mezrow and the adoption of Black culture and music by alienated Whites. There are some classic studies of it. I think one of them has the title ‘White Youth and Black Culture’. They should understand why the Punks took over the Pogo – it came from the jumping style of dancing of the Masai. And at the same time they did so, they were mixing it on the streets giving the real Fascists – the NF, BNP and the rest of the scumbags the hiding they deserved.

Adele’s trying to show anti-racist solidarity. And it’s the people denouncing her for cultural appropriation who are strengthening real racism.

Because the opposite side of that coin is that the Whites, who do adopt Black culture are somehow betraying their Whiteness. And that’s always been an argument for real racism and apartheid.

 

 

Have the Internet Giants Censored Mike due to Tory Lies Spouted by Chris Stevens

I’m amending this piece, as I wrote it in haste late last night because I couldn’t get on Mike’s site to read his article responding to Chris Stevens’ denouncement of the journalists showing how the Tories are murdering benefits claimants as ‘inflammatory rubbish’. I’ve talked to Mike since then, and he’s managed to correct me on a few points.

Mike put his article up, which can be found at http://voxpoliticalonline.com/2017/11/11/tory-tv-plant-peddles-ugly-lie-to-hide-the-uglier-truth-about-dwp-deaths/ after last Thursday’s edition of Question Time, in which Chris Stevens, a Tory councillor from Horley in Surrey, was planted in the audience as an ‘ordinary man’. Picked out by the man Private Eye describes as ‘Dimblebore’, Stevens responded to Aditya Chakrabortty’s remarks on the deaths caused by the Tories’ policies to the disabled and long term sick as ‘inflammatory rubbish’. Chakrobortty is a Guardian columnist. Real journalists, as opposed to the hacks writing for the Scum, the Heil and the Torygraph, have to check their facts.

I thought that this was a personal attack on Mike, as I couldn’t get through to Mike’s blog. It seemed that the internet providers had taken Mike off the air. I got on to his website and read the long, long list of articles he put up refuting Stevens’ bilge about his documentation of the Tory crimes against the disabled being ‘inflammatory nonsense’.

Then I tried to get through to the previous article, describing Stevens’ smears against the many journalists and disability rights activists documenting this issue.

I failed to get through to it. And despite repeated attempts I couldn’t get through to his later post or his website. This was with Internet Explorer. I tried with Google, and had no more success with that. I was told that my computer was configured correctly, but the website could not be found.

So it appeared that Mike’s been censored.

Talking to Mike today, it appears that he probably wasn’t. He said that afterwards he had been inundated by people asking for his response to the show. Hence the long list of articles he put up, which, by no means exhaustive, extensively documents just how this government and its predecessor are killing the disabled.

All to give the rich 25 per cent a whopping tax break. And create a cowed workforce, which will accept any starvation wages.

It reminded me very much of how Mike was smeared by another Tory, Chris Davies, the Tory MP in Mike’s part of the principality. He smeared Mike as an anti-Semite based on the entirely false accusations and sheer lies of the Campaign Against Anti-Semitism, a pro-Israel lobby group that was founded in 2014 when the Zionist lobby got worried that severely normal Brits, Jews, Gentiles, whatever, were turning away from supporting Israel due to the Israeli state’s bombardment of Gaza. They have been responsible for smearing anyone, who raises difficult questions about the Zionists long and bloody history of ethnic cleansing against the Palestinians, and their willingness, over and over again, to make deals with real anti-Semites and outright Nazis, ending in the persecution of diaspora Jews, in order to provide more prospective colonists for Israel. Very many of the people smeared by the CAA are Jews, ranging from secular liberals, to the Torah-observant and devoutly ultra-orthodox. So many, in fact, that Alexei Sayle, himself the son of Jewish communists, observed that it was strange that the majority of those smeared were Jews.

Mike was smeared because he dared to speak up for those smeared as anti-Semites. People like Ken Livingstone, who was notorious for his opposition to racism, whether against the Irish, Blacks or anti-Semitism. And Jackie Walker, a Jewish woman of colour, who aroused their ire because she criticised their attempts to conflate anti-Semitism with opposition to Israel, or at least its policy of apartheid and ethnic cleansing.

The press took up the story about the smears against Mike, and asked Stevens what he thought of it. So, showing his utter ignorance, Davies opened his mouth and declared Mike to be a disgusting anti-Semite with no place in politics. Stevens knew nothing of the background to the story. He had not asked Mike for his views, or whether the accusations were genuine.

He didn’t even have the decency to ask the people Mike was at College with, who asked him to perform in a theatrical work they staged to commemorate those murdered by the Nazis in the Shoah.

And he didn’t ask Mike, or other members of his family, like myself, about our uncle Bill. Uncle Bill’s surname was Hyman. It used to be Goldberg-Hyman, which is, you reverse the order, an almost stereotypical Ashkenazi surname. But we and Mike just called him ‘Uncle Bill’. As you do.

And now we have another bilious ignoramus, who appeared on TV to claim that articles attacking the government’s merciless persecution of the disabled are ‘inflammatory rubbish’.

They are not. They are sourced, reasoned descriptions of an objective truth, which Mike himself has sought to publicise over and over again.

And Mike speaks from personal experience. He cares for Mrs. Mike, who has fibromyalgia, which has left her in terrible pain. Our uncle, Bill, suffered from Parkinson’s Disease, a terrible, paralysing illness that struck down Michael J. Fox, the star of movies such as TeenWolf and The Frighteners, and the TV series Spin City. Our grandmother was also severely disabled with Alzheimers in the last few years of her life, when our mother gave up her career as a teacher to look after her.

But Mike has suffered from censorship in the past. He has reblogged several of his articles, after he found that they had mysteriously disappeared from Facebook.

Just like the other left-wing bloggers and vloggers, who are finding their sites demonetised or flagged down as ‘controversial’.

This is how the Tories handle criticism, as does that section of the Zionist establishment that is totally behind the massacre, brutalisation and ethnic cleansing of the Palestinians, and the contemptible vilification of decent, genuinely liberal anti-racist women and men. Simply because they include Israeli racism amongst the other forms, including anti-Semitism, that they have fought and, in very many case, of which they have been a victim.

I have nothing, absolutely nothing, but contempt for this censorship.

As for Chris Stevens, he has shown himself to be totally unfit to stand as an MP. In a party now notorious for its utter mendacity, he has shown himself one of the most mendacious.

He has to go.
Like his fellow Tory Chris Davies.

By siding with the CAA, Davies has shown how willing he is to adopt the postures of real racists, whose own language against Jewish critics of Zionism recalls some of the worst tropes of anti-Semitic rhetoric.

And Stevens has shown himself completely at ease with the Tories’ murderous policies towards the disabled, which have seen hundreds of thousands, if not millions thrown off the benefits that support them, and which has led to the deaths of 700 plus people.

If they has any decency, they should recant and resign. As indeed, should his entire vile government.

Vox Political: Stephen Crabb, IDS’ Replacement, Believes People with Progressive Degenerative Diseases Able to Work

Mike over at Vox Political has written about how the latest sputtering from the new head of the DWP have effectively ended satire. Stephen Crabb, apparently an expert on such diseases, has declared that sufferers of brain tumours and progressive degenerative diseases like Parkinson’s and Motor Neurone are able to work. And so, presumably, they should not get any PIP or ESA, but the normal jobseeker’s allowance, until they are eventually sanctioned for not trying hard enough to get a job.

Mike states that this is beyond satire, because he commented in an earlier post about Crabb’s bizarre views on homosexuality. Crabb believed that homosexuality could be cured, and supported CARE, a Christian organisation that claimed it could cure gay people. In fact, gay cures don’t work. There have been a series of scandals in American involving these organisations, as well as concerns in the UK apart the potential harm they can do to the mental health of vulnerable people. Mike commented after Crabb announced his belief that there was a cure for gayness, that perhaps the new minister thought that Parkinson’s could also be cured.

And now he does.

Mike quotes Tom Pride as saying that satire died the moment this vile crew took power. Just like the pianist and satirist, Tom Lehrer, pointedly gave up satire after Henry Kissinger won the Nobel Peace Prize after the bombing of Hanoi.

Mike’s article can be read at:http://voxpoliticalonline.com/2016/03/25/after-this-blog-joked-about-it-stephen-crabb-has-said-people-with-parkinsons-can-work-satire-really-is-dead/

Go there and be amazed at this pratt’s immense medical ignorance.

Now, I’m aware that some people might be able to work with Parkinson’s and Motor Neurone disease. Many years ago, I was interviewed for a place at Uni by a lecturer, who suffered from Parkinson’s. As I was told about his condition by one of the students, who was showing us around. He kindly told me about this gentleman’s condition so that I would not be alarmed when he did not stand up to greet me. It wasn’t because he was being hostile. It was because he was physically unable. I’m sure there are others like him that are able to keep working.

However, one of my own uncles, as Mike has already mentioned in the comments to his piece about Crabb, suffered from Parkinson’s. He was, like the lecturer, confined to a wheelchair and very definitely could not work because of the disease. It’s a progressively degenerative disease, which means it gets worse. It’s the reason we no longer see the American actor, Michael J. Fox, on our screens any more. He also suffers from this disease. It’s why he had to leave his hit series, Spin City. Crabb possibly believes people with Motor Neurone Disease can work, because he’s seen the severely disabled Stephen Hawking zooming around in his wheelchair and talking through his computer. Hawking is able to do so because he has the benefit of excellent care and computer engineers, which most people probably can’t afford. He has also been lucky enough to outlive vastly other sufferers from the Disease. I’m not expert, but from the reports about it on TV and the papers, it seems to me that most of the poor souls, who contract it only live for about two or three years at most.

My point here is not that there aren’t some fortunate souls who are able to carry on working, but that many, the majority of sufferer’s, can’t. And this should be enough for the government. If a doctor, a properly qualified doctor, not some paid clerk with Unum or Maximus, who just ticks boxes, says that a sufferer cannot work, then that should be enough for them. Anything else is pure bureaucratic quackery and pseudoscience based on right-wing wishful thinking.

As for Crabb himself, his occupation of the place vacated by IDS reminds me of another quote from the Surrealist artist, Fascist supporter and pervert Salvador Dali. During his sojourn in America, Dali declared that his aim was ‘to cretinise the public’. Dali was, however, despite his considerable personality flaws, one of the greatest painters of the 20th century. Looking at the Crabb and the current members of the cabinet, his desire to reduce the public to sheer imbecility seems to be pointless. Cameron and his big business paymasters have clearly found a better way to lower intellectual and moral standards by promoting the culpably stupid, like IDS, Osbo, and now Crabb.