Yesterday a friend and I went to see the submarine thriller, Black Sea. I won’t say too much, as I don’t want to spoil it for anyone who hasn’t seen it. It’s been advertised on the TV, and the basic plot is that a group of British and Russian divers and submariners get together to search for a sunken German submarine lying at the bottom of the Black Sea. The sub’s cargo is a consignment of gold from a loan the Germans extorted from Stalin during the brief period of peace during the Nazi-Soviet pact prior to the Nazi invasion of the USSR. Ethnic tensions between the Brits and the Russians, and personal betrayal leads to a series of catastrophes that eventually scupper the mission and lead to a battle for sheer survival. It’s a taut thriller, with much of the tension derived from the situation of desperate, dangerous men working in a highly confined, dangerous environment, while trying to avoid detection by the authorities.
Despite the ethnic friction between Brits and Russians, I also found the film optimistic in its portrayal of relations between the two nations. The two leading characters, who set it up, one British and one Russian, are friends living in London. Even after the outbreak of violence, the hero and his Russian counterpart continue working together and try to prevent its escalation. Even after the end of the mission, the friendship between the few surviving crew, Russian and British, continues. I liked it, because not only does it show the current reality in that since the fall of Communism, people from the former eastern bloc, including Russia, have come over here to live, work and set up businesses, but that friendship co-operation between Brits and Russians is as much the norm, indeed possibly more normal, than chauvinistic distrust.
Glasnost and the Rise of a Shared Pop/Rock culture
In this respect, it’s a slightly better world than when I was growing up. I was at secondary school during the new Cold War between Reagan, Thatcher and the pre-Gorbachev Soviet Union. It was an absolutely terrifying time, when many people feared that at any second the world would end in a flash of gamma radiation and fall out. There were some truly horrific films, like Threads and The Day After on American TV, showing what a nuclear war and its consequences would be like, along with documentaries about the possibility of a limited nuclear war in Europe. It was very much a cause for celebration when tensions eased when Reagan and Gorby started to talk to each other around the negotiating table in Iceland, and the USSR began to open up to Westerners and western influences. The first pop video I bought was of UB40’s concert in Moscow, not so much because I liked the great Reggae popsters themselves, but because I was fascinated and delighted by the fact that they were now playing live in Russia in front of their fans from that side of the former Iron Curtain.
And the same process happened in reverse too, as Russian bands and clothing became fashionable over here. The USSR always had a very strong youth culture, and they were not as nearly as backward as was often portrayed in the British press. If you believed the Sun – I know, that’s a very big stretch, but go with it – then the young and cool in the Soviet Union had only just caught up with the Beatles in the 1980s. In fact, the Soviets had a large skinhead culture, who were, I was told at College, referred to by the rest of the Soviet press as ‘British horrors’. A massive Heavy Metal rock culture developed extremely rapidly. The greatest and most visible exponents of Soviet Heavy Metal were the mighty Kruiz, who toured the West and whose albums were available over here. I think one of their songs was ‘Heaviest in Town’, in which the singer searches for the heaviest rock band, only to conclude ‘I’ll fly to Moscow for Kruiz’. There were also a number of other Russian bands, who were virtually unknown over here. Martin Walker, the Guardian’s Russia correspondent, tried to make people on this side of the Baltic aware of some of the best and most interesting in his column. There’s a lot of really good rock and pop in Russia and the former eastern bloc states, quite apart from some of the stuff that appears on the Eurovision Song Contest. They’re on Youtube and worth checking out.
Black Sea reflects this changed situation, and I am profoundly glad that it does and the world has moved on and improved just that little bit since the late 70s and early 80s. Moreover, the film’s sympathetic portrayal of the Russian characters shows it’s aimed partly at the Russian market. Its release during this period of strained international relations between Russian and the West over the situation in the Ukraine shows that the friendship and co-operation between Russia and Britain is now considered the natural, normal reality. My deepest hope is that this situation will continue and that our politicians will have the wisdom to build on it, and not let the conflict in Ukraine drag us back to the fear and hatred of the Cold War, that nearly destroyed our world.
Countdown to Zero and the Persistence of the Nuclear Threat
Mark Kermode is the film critic over at Radio 5 live. He’s a very literate commenter, having a doctorate in Horror film. When he was younger, he was the British correspondent for the Horror film magazine, Fangoria, or as he states it was known to aficionados, ‘Exploding Chests Monthly’. His reviews are always interesting and well argued, even if you disagree with him, such as on the subject of the Star Wars films. He dislikes them, while I really loved the first three films, and enjoyed the prequels. He also genuinely appreciates his listeners writing to him and giving their views, even when they take the opposite view to his.
One of the films he reviewed is Countdown to Zero, a documentary about what happened to all the nuclear weapons that were supposedly packed away at the end of the Cold War. The film shows that the weapons and the hair-trigger response systems are still in place. A nuclear bomb is much easier to make than may be thought, and the danger that these could fall into the hands of terrorists and rogue states is very real. The film reveals how at several points after the supposed end of the Cold War, mistakes made by the superpowers could have resulted in a nuclear holocaust. I haven’t seen the movie, but it does sound like a deeply unsettling, thought-provoking movie, and the opposite of the slightly more optimistic vision behind Black Sea. Hopefully, the optimists and peace-makers will win through, and that the world won’t go back to the ideological, economic and nationalistic fears and hate that nearly led to nuclear Armageddon. Countdown to Zero shows that we shouldn’t be complacent, but it does seem that the world is just that little bit better after the end of the Cold War. And we should be profoundly glad of that.
Kermode’s review of Countdown to Zero is on Youtube at https://www.youtube.com/watch?v=Xfkfn4W_hgM. It’s well worth a listen, especially as it shows we still need to get our politicians working on a truly secure peace.
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