Monbiot’s List of the Corporate Politicos in Blair’s Government: Part Two

Stephanie Monk

Human Resources director, Granada Group plc., which appealed against an industrial tribunal to reinstate workers sacked for going on strike after their pay was cut from £140 to £100 a week.

Member of the Low Pay Commission on the minimum wage, and the New Deal Taskforce.

Sue Clifton

Executive director, Group 4, criticised for mishandling of child offenders after escapes, bullying, riots and attacks on staff.

Advisor to the government’s Youth Justice Board on how young offenders should be handled.

Keith McCullagh

Chief executive of British Biotech. This company has been repeatedly censured by the Stock Exchange, particularly when it was revealed that it’s leading drug product didn’t work.

Chairman of the government’s Finance Advisory Group to help high-tech companies gain financial investors’ confidence.

Sir Robin Biggam

Non-executive director, British Aerospace, which sells weapons to Turkey, some of which are used against the Kurdish separatists.

Chairman of the Independent Television Commission. This revoked the license of the Kurdish satellite station Med TV because of complaints from Turkey that it gave a platform to Kurdish separatists.

Neville Bain

Non-executive director, Safeway, one of the supermarkets which was swallowing branches of the Post Office.

Made chairman of the Post Office.

Robert Osborne

Head of Special Projects division of Tarmac Plc, one of the major constructors of PFI hospitals.

Chief Executive of the Department of Health’s Private Finance Unit. In 1998, returned to Tarmac to run PFI division.

David Steeds

Corporate Development Director of Serco Group Plc.

Chief executive of the government’s Private Finance Panel.

Tony Edwards

Director of the TI Group, which owned Matrix Churchill, the company which provided machine tools to manufacture arms to the Iraqis. He is the company’s chief executive, which is engaged in 150 military operations around the world.

Head of the government’s Defence Export Services Organisation, advising the government on granting licenses to companies wishing to sell arms to different countries around the world.

Neil Caldwell

Director of PTBRO, the distributor of the government’s landfill tax money, for which it receives 10 per cent of the amount handled in administration fees.

Director of Entrust, the regulatory body supervising the distribution of landfill tax money.

Judith Hanratty

Company Secretary, BP-Amoco Plc, one of the most controversial mergers of the 1990s as it amalgamated two of the world’s biggest companies.

On the board of the Competition Commission, monitoring and regulating corporate mergers.

John Rickford

On the board of BT, which has been frequently attacked for having too great a share of the market.

On the board of the Competition Commission.

Sir Alan Cockshaw

Chairman of Construction Company AMEC
Watson Steel, part of AMEC group, won contract to build the masts and cables on the Millennium Dome.

Chairman of the government’s Commission for New Towns. Chairman of the government agency English Partnerships, which is supposed to help ensure that new developments meet public needs.

On the board of the New Millennium Experience Company, firm set up by government to supervise the millennium celebrations.

Michael Mallinson

Property of industry lobby group for property developers, the British Property Federation.

Deputy Chairman, English Partnerships.

Peter Mason

Group Chief Executive, AMEC plc. In 1997 the company was the seventh largest recipient of support from the government’s Export Credit Guarantee Department for construction work in Hong Kong.

The trade body to which it belonged, The Export Group for the Construction Industries – has lobbied against the inclusion of environmental and human rights conditions in the Export Credit Guarantee Department’s loans.

On the Export Guarantees Advisory Council, which governs the payment of government money by the Export Credit Guarantee Department. Liz Airey, a non-executive director of Amec, is another member.

Professor Sir John Cadogan

Research Director of BP.

Director-General of the Research Councils, which are supposed to fund scientific work that doesn’t have an obvious or immediate application for industry.

Sir Anthony Cleaver

Chairman of the Atomic Energy Authority Technology Plc, which oversaw the organisational changes at Dounreay. These were criticised by the Health and Safety Executive as leaving the company in a poor position to decommission the site. Some researchers believed that Dounreay was the most dangerous nuclear site in Western Europe.

Chairman of the government’s Medical Research Council, which has been repeatedly criticised for failing to provide research funds for investigating the medical effects of radiation. Also member of the government’s panel on sustainable development.

Peter Doyle

Executive director, Zeneca Group Plc. Zeneca’s a major biotechnology firm, and was the foremost developer in Britain of GM crops. The company was engaged in a ten-year deal with the John Innes Centre in Norwich to find profitable applications for biotechnology.

Chairman of the Biotechnology and Biological Sciences Research Council, which gives substantial funding to the John Innes Research Institute. Employees of Zeneca sit on all seven of the BBSRC specialist committees.

Member of the government’s advisory committee on Business and the Environment.

Professor Nigel Poole

External and Regulatory Affairs Manager of Zeneca Plant Science; sits on five of the taskforces set up by EuropaBio, the lobbying organisation seeking to persuade European governments to deregulate GM organisms.

Member of the government’s Advisory Committee on Releases to the Environment.

Professor John Hillman

Member of the board of the Bioindustry Association, the lobbying group seeking to ‘enhance the status of the industry within government’.

Director of the government’s Scottish Crop Research Institute, charged with supervising government-funded research projects and providing the government with impartial advice on biotechnology.

Antony Pike

Director General of the British Agrochemicals Association Ltd; Managing director of Schering Agrochemicals/ AgrEvo UK Ltd.

Chairman of the government’s Home Grown Cereals Authority (HGCA), carrying out and funding research into cereal crops. It has not funded any projects aimed at improving organic cereal production.

Professor P.J. Agett

Head of the School of Medicine and Health, University of Central Lancashire. This has received support for its research from three companies producing baby milk. Agett has personally received fees from two companies producing baby milk, including Nestle. The promotion of baby milk to developing nations is one of the most controversial issues in food and nutrition.

Chair of the Department of Health’s Committee on the Medical Aspects of Food and Nutrition Policy (COMA). Three other members of COMA have either directly benefited from payments from the baby milk manufacturers or belong to academic departments which have. One of those, who personally received payments was a Nestle executive.

Professor Peter Schroeder

Nestlé’s director of research and development.

Director of the government’s Institute of Food Research.

Sir Alastair Morton

Chairman of the Channel Tunnel construction consortium, Eurotunnel. This had debts of £9m.

Advised John Prescott on financing of Channel Tunnel Rail Link; Chairman of the Strategic Rail Authority responsible for advising the government on the use of significant amounts to the industry, and ensuring that rail transport gives good value for money.

Motherboard Report on the Japanese Robot Hotel

This is another interesting video I found over on Youtube. It’s a piece by the science news programme, Motherboard, on the Henn-na – Japanese for ‘weird’ Hotel in Tokyo that’s staffed by robots. The presenter states that Japan has legions of industrial robots, and Japanese trends were believed to show what the future would be like. In the case of the hotel industry, a few decades ago this was believed to be the capsule hotels, where tired Sararimen hired what was basically a stacked space about the size of a coffin to sleep in. The presenter tries one of these out, and talks to a traditional Japanese hotelier about how he feels about the rise of hotels where everything is done by robots.

The human hotelier states that he believes that people actually want the human touch, and personal contact with other human beings. So to compete, he believes that ordinary hotels will have to concentrate on being more human, rather than like those run by the machines. The journalist then goes on to sample what a night in one of these robot hotels is like. He states that the Japanese are turning to robots in order to cut down on high labour costs.

Inside the hotel, he is greeted with the hotel reception, which consists of two robots on a desk. One is in the guise of a woman, the other is a dinosaur in a hat. To check in, he has to use a touch-screen, which he describes as like those used at checkouts. Any valuables you have is placed in a locker behind glass by a robot arm, which the journalists says could come from a state of the art factory. Your luggage is taken to your room by another robot, though this is a robot trolley, not any kind of humanoid machine. In the bedroom on the bedside drawers is another, rather diminutive robot, which responds to your voice, greets you, and asks if you want the lights on or off.

Back down stairs, there are no catering staff. All the meals come from vending machines. There is a small human staff of about three guys. When interviewed, they also talk about how these hotels are driven by the need to cut labour costs. The journalist also interviews the managers, who states that he believes these hotels will become more popular and appear around the world. He and his staff also believe that to compete, hotels staffed by humans will also have to offer a more uniquely human experience.

The presenter himself and some of the guests he interviews are, however, in the end less than enthusiastic about the experience. He states that while its exciting to begin with, it’s actually rather lonely. The group of young women he interviews actually state that it’s really rather boring.

Here’s the video:

Now the presenter makes the point that as machines take more of our jobs, businesses like these raise the question of what can be uniquely done by humans. I’d argue that hotel catering and accommodation may not be an industry that can only be done by humans, but at the moment its an industry that can only be done well by humans.

If you look at the type of robots that have been popular in SF, they’re fictional machines that have had real characters and personalities. Think of Robbie the Robot in Forbidden Planet, C-3PO and R2D2 in the Star Wars films and K-9 in Dr Who. The same with the sentient computers, like Zen, Orac and Slave in Blake’s 7, or the Hal 9000 computer in Stanley Kubrick’s 2001. Or even Marvin the Paranoid Android in the Hitch-Hiker’s Guide to the Galaxy. These machines became favourite SF characters because they were precisely that: characters. They were essentially artificial people, with human-like intelligence, personality traits and even flaws. Robbie the Robot had all the polite aloofness of a human butler. C-3PO was fussy and rather camp, but a foil for R2D2, who was cheeky and slightly wilful, in the manner of a child determined to have its own way. Orac in Blake’s 7 was arrogant and pedantic, like a rather tetchy university professor. Slave was grovelling and subservient. K-9 was a perky companion, eager to help his master, but also with his own mind and opinions. The Hal-9000 computer was proud of its model’s computing power, accuracy and reliability, stated it enjoyed human companion, even though it went on to kill the crew on the grounds that human unreliability made them a threat to the success of the mission. Finally, it felt fear, when Dave Bowman, the hero of that segment of the film, closed it down. Zen was the most impersonal of all the machines. Except for its dying moment in the last episode of the third series, ‘Terminal’, it did not refer to itself. It was basically a hemisphere in a corner of the Liberator’s flight deck, across which flowed patterns of lights. Yet these lights and the slight inflections in its voice gave the impression of a distinct personality, and again, real human-like intelligence. Peter Tuddenham, the voice actor for Orac and Zen, in an interview with Blake’s 7 magazine in the 1980s, stated that of the two, Zen was his favourite. Orac, he felt, had merely taken on the personality of its creator, Ensor, who was also tetchy, pedantic and professorial. Zen’s personality was a more natural growth of the machine’s basic nature. It could have become human-like, but had deliberately held back and remained as it was.

And back in the 1970s and ’80s, 2000 AD also gave their own very comic version of what form robot accommodation for humans would take in the Robohunter strip. This followed the adventures of Sam Slade, that’s ‘S-L-A-Y-E-D to you’, as he attempted to combat robot crime. In the first story, Slade found himself despatched to the distant planet, Verdus. This had been occupied by robots in preparation for human colonisation. The robots, however, had refused to recognise the colonists as humans on the grounds that humans would obviously be superior to them in the every way. When the human colonists turned up, the robots found that they were instead weaker, and less intelligent. They concluded that they must somehow be ‘sims’, simulated humans, sent to deceive them for some purpose they didn’t understand. As a result, humans were rounded up into concentration camps to be experimented on and culled. Slade managed to break out, find the original robot sent to colonise the planet, who duly recognised and testified that he was indeed human. This convinced some of the robots that the Sims were humans, while others remained unconvinced. A war broke out between the two sides, which was only stopped by Slade destroying every robot on Verdus. This restored peace, but left his employers furious.

All this makes the strip seem grimmer than it actually was. The strip, scripted by long-time 2000 AD writer John Wagner, and drawn by Ian Gibson, was funny and satirical with a distinct cartoonish quality. On Verdus, everything was done by robots. There was a robot parliament, occupied by deranged and moronic MPs, like the Stupid Parties, which existed solely to provide comic amusement to the planet’s true leader, Big Brain. There was a robot archbishop and chief rabbi, demanding rights for Sims as God’s creatures. The robot armies included stereotypical ‘Colonel Blimp’ generals, while members of the robot constabulary in Robopoly, a robot board game, where also corrupt and brutal, following several real police scandals of the time. There were also robot singers and TV stars, like Frankie Droid, and Valve Doonican, a pastiche of the Irish singer, Val Doonican, who had his own show on British television at the time.

In the last couple of decades, a number of computer entrepreneurs and SF writers have predicted that eventually, everything will have computers chips in and so be computer controlled. The Robohunter strip also depicted that possibility, but gave it its own, twisted slant. In the page below, Slade and his diminutive sidekick, Kidd, on the run from the robots break into an apartment. Once inside, they find that everything, from the kettle, to footwear and furniture, is a robot.

What makes this interesting, and extremely funny, is that all these machines have their own personalities. They talk and argue. They discuss whether Slade and Kidd are really human, or just Sims, and then decide to put it to the vote whether they should turn them in or not.

This is absolutely unlike the real robot hotel. For all the talk about Artificial Intelligence, the machines there aren’t really sentient. They respond in a very limited way to a set of instructions. These may be verbal or keyed in. Unlike the fictional machines, there is no ‘I’, no sense of self lurking within the chips and circuit boards. And no real understanding of what they’re doing either. It’s just one set of circuits responding to a certain stimulus according to its programme or wiring. They’re moving mannequins, rather than the artificial people of SF.

So instead of the robotic maniacs of Verdus, what is instead presented is something far more like the antiseptic, alienated futures of Stanley Kubrick’s SF films. In 2001 everything is gleaming white, clean, and sterile. People speak, but don’t actually communicate or really say anything much at all. And that was deliberate. Clarke had told Kubrick that he had trouble writing dialogue for the movie. Kubrick told him not to worry. He liked it stilted, as he saw the people in this future as brittle and alienated. They had reached a high stage of technological sophistication but had little human warmth or empathy in their social interactions themselves. Critics have commented that the only real personality in the movie is that of Hal, the murderous computer.

The programme’s presented states that the increasing use of robots in Japan is driven by the need to cut labour costs. I dare say that’s part of it, but not quite what has been said elsewhere. Japan actually has a labour shortage, partly caused by a falling birth rate and strongly traditional attitudes against women in the workplace. As a result, there’s been campaigns not only to introduce robots into Japanese industry, but also to humanise them, to get the other, human members of the workforce to accept them as a fellow being, rather than just a machine.

And for all the country’s immense technological sophistication and ingenuity, it’s actually extremely reluctant to implement mechanisation itself as comprehensively as its competitors in the West have done. Way back in the 1990s I read a book on Japan written by a Times journalist. The author stated that while in the West were used to computer checkouts, if you went into a Japanese shop or the post office, the clerk there would be using old fashioned ledgers. The Japanese had worked out that if they fully automated their industry, it would put half their workers out of a job. And the actual numbers of robots in Japan may well be colossally exaggerated. Geoff Simons in his book Robots: The Question for Living Machines, states that most of the what the Japanese call robots are what in the west are viewed as machine tools. The impression I have is that the Japanese love robots, but want to introduce them as an addition to the human workers, not as a replacement.

The film shows the journalist enjoying the robot actors and dancers at a carnival or nightclub. Alongside some machines, are people dressed as robots, playing at them. This strikes me as what visitors to a robot hotel would really want from the experience – real humans alongside the machines, and the machines themselves to be more like personalities than just simple automatic mechanisms. The danger there is that if you did give robots personalities, you run the risk of creating miserable robots like the eternally depressed Marvin, the Paranoid Android. He was a ‘personality prototype’. ‘You can tell, can’t you?’ as he himself put it.

I’ve no doubt that the ruthless logic of capitalism means that there’ll be more of these hotels in the future. I think there’s already another like it in Los Angeles. But in the meantime I think human-run premises probably offer a better service. At least they have real cooks, rather than vending machines.