Posts Tagged ‘Lemmy’

Starmer Takes Labour to Far Right with Appointment of Yvette Cooper and David Blunkett to Shadow Cabinet

December 1, 2021

Well, Starmer has had his cabinet reshuffle, and as Mike and the good folks on Twitter are saying today, the poor, the unemployed, the disabled and immigrants should beware. Because he’s just made Yvette Cooper Shadow Home Secretary. Cooper previously had the job from 2011 to 2015 when, according to Damian Willey, she was all but invisible except for the times she deigned to give us all the benefits of her views on immigration. In 2014 she denounced Tweezer’s immigration bill as too soft on it, the same bill which caused the illegal deportation of the Windrush migrants. She also wanted to stop immigrants and asylum seekers claiming child benefit for children living abroad, and her voting on immigration is comparable to Priti Patel’s. Daniel Grigg summed up just what her appointment means on this issue: “Nothing says couldn’t give a toss about migrants’ rights more than promoting David Blunkett and Yvette Cooper. So this is Labour now is it?”

The vile woman was responsible for the introduction of the Work Capability Test in 2008. These were subsequently kept in place by those Tory monsters, Iain Duncan Smith and Esther McVile. Kahlisee is right when he says, “In policy terms, it would appear Cooper has more in common with the Tories than she does with Labour values.” And other Tweeters described how Cooper’s fitness for work tests would dock points from the disabled for the following:

Amputees using their stumps to lift objects.

People being able to walk using an imaginary wheelchair.

People with speech problems who can nevertheless write down what they want to say, and deaf claimants who can read it.

On international issues, she voted for the illegal invasion of Iraq five times, 14 times voted against an inquiry into it, voted eight times for the use of British armed forces in overseas operations, and also voted to replace Trident with another nuclear missile. She and Ed Balls also flipped their homes three times. Ed Poole said of her appointment: “Yvette Cooper is an ableist nightmare. Among other things. If you need any more evidence that Labour is finished as a force for equality, democracy, socialism or just plain human decency her promotion is it.” And Julie Harrington said, “Labour is now a hard right party.”

And then there’s Starmer’s appointment of David Blunkett to his ‘skills council’. This has proven something of an embarrassment as the internet never forgets, and his critics were able to find a clip from years ago in which Blair’s former cabinet minister made a homophobic slur about legendary Queen singer, Freddie Mercury. Aaron Bastani posted a piece on Twitter which seems to be an extract from a longer film about Queen or Mercury. It begins with members of the band, including awesome axeman and astrophysicist Brian May, describing how hurtful some of the comments were when their friend and bandmate passed away of AIDS in 1991. This is followed by a clip of a much younger Blunkett on some kind of panel show saying that he didn’t want people idolising Mercury because of his ‘bizarre and perverted lifestyle’.

Now you could be generous, and argue that this is not homophobic but just fair comment about rock and pop stars. Gay, straight or whatever, pop music, especially Heavy Metal, is associated with debauchery and excess. Sex, drugs and rock and roll, as the old saying goes. I can remember the rumours going around college that the name of American rockers, WASP, was an acronym standing for ‘We Are Sexual Perverts’. Other suggestions are that it also stands for White Anglo-Saxon Protestant, or, as their lead singer answered a question about it on a chat show, ‘We Aren’t Sure, Pal’. Some of us can also remember that momentous occasion in the ’90s when Motorhead’s Lemmy got a letter of complaint and an apology published in one of the Brummie papers. They claimed that he’d hung a woman upside down from a cupboard for a day during about of rock and roll debauchery. No, corrected the late Mr. Kilminster. It was three days, and he tied her to a bed. The newspaper was happy to print apologise and print the correction. Which must be one of the few instances where someone has written to the press complaining that their article about them has made them appear less degenerate and degraded than they want to be known.

It may also have been a clumsy attempt to point out the dangers of getting AIDS through promiscuous sex. Part of the problem was that at the time there were parts of the gay community that were extremely promiscuous. I can remember one of the gay journos on the Observer writing an article about it back in 1984, with the detail that there was a self-group, Orgiasts Anonymous, in either LA or San Francisco. The group was set up to like Alcoholics Anonymous, but to help talk gay men out of going to the bathhouse every time they felt the overwhelming urge. Not that the dangers of catching the disease was limited to gays. It also affected promiscuous straight people having unprotected sex, as well those who caught it from their partners and haemophiliacs from contaminated blood products. It would have been possible to make a comment about the dangers of excessive sex without sounding anti-gay. But Blunkett didn’t. His comment about a ‘bizarre and perverted lifestyle’ sounds like the standard denunciations of homosexuality.

In fact Mercury’s sexuality really wasn’t all that remarkable, and not what he was celebrated for. The 1980s had seen the appearance of a number of openly gay and gender-nonconforming pop stars – Marc Almond and Jimmy Summerville with the Communards and Bronski Beat; Boy George of Culture Club, Holly Johnson of Frankie Goes to Hollywood, Marilyn and the Pet Shop Boys. I can’t remember if Elton John and George Michael had come out of the closet by the time of Mercury’s death. And Mercury didn’t, as far as know, have the reputation of being the most promiscuous of them. There were rumours, for example, that either Almond or Summerville, I forget which, had had to have their stomach pumped following various shenanigans with a rugby team. I honestly don’t remember any such rumour about Freddie. And I think there were probably far more angry headlines in the Heil and other right-wing papers about Marc Almond and Frankie’s relax video than I ever remember about Mercury. People didn’t idolise him because of his sexuality or lifestyle, although I did notice than there was a fashion among young gays at the time to dress like him. What people celebrated him for was what he was: a superb performer with an incredible vocal range that even now few others can match.

Mercury passed away thirty years ago, but is still a towering presence in British pop music with legions of fans, many of whom will not have been best pleased by Blunkett’s denigration of their hero. As I doubt will many gays and their allies. Tony Blair was the Prime Minister who set the ball rolling for gay marriage with the introduction of civil partnerships, and this makes Blunkett’s comment seem very homophobic after the intervening years. And if Bastani hadn’t forgotten Blunkett’s views on Mercury’s death, you can bet others won’t have either. Quite apart from the other vile policies Blunkett shares responsibility for as a member of Blair’s cabinet.

Starmer has appointed as part of his team people who have caused untold suffering to the poor, the disabled, asylum seekers, immigrants and been responsible for the destruction and looting of an entire country, Iraq, for the benefit of the oil industry and multinationals. These are good reasons for anyone concerned about the massive growth of poverty and inequality and real imperialism and exploitation to despise Starmer and what he is turning the Labour party into.

Get Starmer, Cooper, Blunkett and the rest of the Blairites out before they do further damage.

isttps://voxpoliticalonline.com/2021/11/30/starmtrooper-cooper-new-shadow-home-sec-will-compete-with-pritipatel-in-race-to-the-right/https://voxpoliticalonline.com/2021/11/29/starmers-reshuffle-disaster/

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Trailer for Movie of HP Lovecraft’s ‘The Colour out of Space’

November 8, 2019

I found this trailer for a forthcoming movie version of H.P. Lovecraft’s short story, The Colour out of Space, over on YouTube. It stars Nicholas Cage and is directed by Richard Stanley.

Lovecraft was a master of cosmic horror, and the creator of the Cthulu mythos about malign, alien gods that seeped down from the stars untold aeons ago. Although they were banished from Earth by the ancient Elder Races, they are constantly seeking ways back. And when the stars are right, and the sunken city of R’lyeh rises from the deep, Cthulhu, the bat-winged, octopus-headed god will rule over a mankind reveling and killing. And in untold aeons even death may die.

The trailer says it marks the return of Stanley to directing. This is welcome news. He made an excellent film about a berserk robot going on the rampage in a decaying future, Hardware, back in 1989.  2000AD sued and won for plagiarism, as the film’s plot appeared to be stolen from a short story from comic, ‘Shocc!’, drawn by the master of macabre art, Kevin O’Neill. This was about an explorer, who finds a war robot and gives it to his girlfriend. It then comes back to life, and goes on the rampage. The film has cameos with Lemmy, a member of the Goth band The Mission, and Iggy Pop as the DJ, Angry Bob, and the soundtrack includes Motorhead’s ‘Ace of Spades’, The Mission’s ‘Power’ and Pil’s ‘Order of Death’. There’s a reference to the earlier film in the trailer. A shot of the family’s kitchen shows a framed Biblical quotation, ‘No flesh shall be spared’. This was also used in Hardware to explain the B.A.A.L. robot’s genocidal mission to exterminate all humanity.

Stanley disappeared from directing movies, although he continued to make documentaries and pop videos, after the debacle of a version of H.G. Wells’ The Island of Dr. Moreau. Stanley originally intended it to be a relatively low budget film, but the studio wanted a big star. Stanley chose Marlon Brando. Big mistake. Once in the movie, Brando proceeded to do his best to wreck it through bizarre demands and massively arrogant behaviour. There was a documentary made about this whole shambles a few years ago. One of the actresses provided an example of Brando’s weird, cavalier attitude to the film. She went to him to ask the great Hollywood star for acting tips. He told her to carry on doing whatever she liked, because it didn’t matter as the film would be shut down in three weeks anyway. He also asked a member of the production crew if they should ‘f**k with’ one of the producers. When the man asked why, as the producer was a good guy, Brando made a very lame excuse. It’s pretty clear from this that Brando didn’t have any respect for the film. With costs and time overrunning, Stanley was sacked, and a veteran Hollywood director brought in instead to salvage something from the mess. The result apparently is a competent film, but it’s not the really amazing movie that would have appeared if Stanley had been able to complete it according to his vision.

It’s a pity that there was that plagiarism case between 2000AD and Stanley over Hardware. 2000AD want to produce films based on their characters. Two films have been made of ‘Judge Dredd’, but both have performed less than expected at the box office. The most recent, 2012’s Dredd, starring Karl Urban, was a critical success. There’s too much enmity there, but I’d say that if anyone could direct a great movie based on 2000AD’s cast of heroes, Stanley is the man for the job.

Looking at the trailer for the movie, it seems to have rejected Lovecraft’s original plot for the Hollywood cliche of a happy American family that moves into a rural area, only to find something sinister and threatening. It’s a long time since I read the original story, but I don’t think it’s the one Lovecraft wrote. Still, it looks like it could be a really good film, even if it is somewhat less than faithful to Lovecraft.

And to show everyone what Stanley’s Hardware was like, here’s a video for Pil’s ‘Order of Death’ using clips from the film from Hert Zollner’s channel on YouTube.

Enjoy!

Robot Heavy Metal Band Sing ‘Ace of Spades’

October 6, 2019

More robotics now. I’ve put up a number of pieces about the German all-robot heavy metal band, Compressorhead. I found this video on YouTube yesterday of them playing Motorhead’s ‘Ace of Spades’. They’ve done it before, but this time they’ve got a robot singer for the vocals. As he was in the late 80s SF movie, Hardware, about a war robot going berserk in a devastated future, I feel the late, great Lemmy would have loved it. It even begins with a dedication to him.

The whole style of the piece reminded me of the old ‘Robusters’ strip in 2000AD. In one story, the two heroes, Rojaws and Hammerstein, go to ‘Greasy Gracie’s’, a robot cafe and nightclub. There, as the robotic clientele drink their pints of oil – what else? – other robots dance the light fantastic while a robot band plays hits like ‘I Am Your Automatic Lover’. A few years ago, writer Pat Mills revisited this story. In this version, the two are still helping robots flee Earth and human oppression. However, the strip also draws on the Black experience during slavery and segregation. The Black slaves on the plantations developed the Cakewalk dance as a parody of the airs and graces put on by the White overlords as a piece of very conscious social satire. So robots, the slaves of the future, parody humans by mimicking them dancing. Thus Rojaws and Hammerstein climb onto the stage to perform ‘We Ain’t Got a Barrel of Money’ before the joint is raid by the human police. One of the characters, a robot resistance leader, is a blind bluesman.

‘Greasy Gracie’s’, from ABC Warriors: Return to Robusters, Pat Mills writer, Clint Langley, artist, Annie Parkhouse, letters, (Oxford: Rebellion 2016).

Fortunately for human artists, robots aren’t so intelligent yet that they can actually write songs, except through programmes written for them to produce music like particular artists. But in Compressorhead, Mills’, O’Neil’s – who was the first artist on the ‘Robusters Strip’ – and Clint Langley’s vision of a robot nightclub is coming close to reality.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Awesome! Robot Band Compressorhead Has a Singer At Last

February 25, 2018

As readers of this blog will have gathered, I’ve an interest in robots and robots as musicians. Compressorhead are an all-robot band from Germany, who play Hard Rock and Heavy Metal music. They started as purely musicians without a singer, but have at last built one. He’s called ‘Mega-Wattson’. The robot rolls around on caterpillar tracks, has a structure where a human’s eyes would be that resembles sunglasses, and, as a singer, has a massive mouth full of teeth. Oh yes, and he has a Mohican that raises and goes down in emphasis to what he’s singing. The band also sports a new guitarist and backing vocalist, ‘Hellga Tarr’. Her name seems to me to be a pun on ‘Hell Guitar’. She is very definitely female, as they’ve given her a waist and plastic boobs.

The song’s Motorhead’s ‘Ace of Spades’, and it’s dedicated to Lemmy!

Here’s the clip from YouTube:

This does, however, remind me of piece from the 2000 AD strip, ‘ABC Warriors’, in which the ‘Meknificent Seven’ of robot warriors for truth and justice discuss their favourite bands. It ends with Hammerstein saying that everything was rubbish after Led Zeppelin.

It’s from A.B.C. Warriors: The Volgan War – Volume 3, by Pat Mills and Clint Langley. I don’t agree that everything after Led Zeppelin was rubbish. And this is pure rock and roll. Rock on!

And one of the comments is also funny. One of them suggested that after this, there’ll be Cyborgs banging around down in the mosh pit.