Posts Tagged ‘LA Times’

Max Blumenthal on How Israel Destroys the Careers of Its Critics

September 24, 2018

In this video from RT America of just over eight minutes in length, posted in 2015, Priya Reddy, one of the broadcaster’s own producers, talks to the news anchor about Max Blumenthal and his book, Ruin and Resistance in Gaza: The 21 Day War. Blumenthal had been speaking about the book at an event the previous evening, which Reddy had attended and interviewed him.

Reddy begins by describing how well attended the event was, and how many Jewish people were there, talking and being very critical of Israel. Blumenthal made it very clear that Judaism and Zionism are not the same thing, not every Jew identifies as a Zionist, and that there’s a whole new generation of young Jewish people, who are very critical of Israel.

The news anchor asks her how she would compare Blumenthal’s approach to that of the general US media. Reddy states that what she respects about Blumenthal’s work is that, rather than doing Israel’s PR, he went to Gaza, interviewed the victims and extensively documented some of the most horrific war crimes in modern history. Which is what a real journalist does. Blumenthal stated that the standard US media coverage of Gaza was simply to take talking points from Netanyahu’s right-wing government and repeating them.

This is followed by a clip of Blumenthal saying that he wanted to honour the resistance of the Gaza strip by telling their own stories and presenting their testimonies in their own words. And most importantly he wanted to identify and expose the criminals, who devastated Gaza, who killed over 2,200 people, including 550 children.

Blumenthal described the incident when the Israeli navy fired on small Palestinian boys playing soccer, the kids were aged 9 to 11 years old. Israel routinely targets children, but what was different this time is that it occurred right in front of an hotel where foreign journalists were staying, and so they couldn’t ignore it, and it was reported with more accuracy than the rest of the war.

There’s then another clip of Blumenthal, in which he says that there’s still a fear here in DC among the media and political elites, among the influential people in Washington of taking on Israel as it is, as an apartheid state that doesn’t want peace, which intends to occupy permanently Palestinian land and hold Gaza under siege. To do that is just a bridge to far, not because people don’t realise that here. They realise it. You could see at his talk people knew something was wrong and it was resonating. But there is a pressure machine, there is a lobby that can still destroy your political career. For Blumenthal personally, he was able to do it because he’s an independent journalist, and he really has nothing to lose by telling the truth.

Reddy goes on to state that Blumenthal’s book exposes some of these extremely horrific war crimes. There’s a long-standing pattern in the US media of downplaying these crimes, which has been extensively documented by groups like Fairness and Accuracy In Reporting and many others. She also states that it was interesting to learn from Blumenthal that Sheldon Adelson and Haim Habad – who supports Hillary Clinton – actually discussed buying the New York Times and LA Times outright. Controlling the narrative is a top priority for the Israel lobby. Israel has not only banned journalists from covering Gaza, but has actually bombed media buildings and shot and fatally killed a number of journalists.

The news anchor continues, saying that Sheldon Adelson is a big heavyweight when it comes to buying, or as they would put it, contributing or donating to campaigns, typically to the Republicans. Reddy then interrupts, saying the buy both Republicans and Democrats.

The news anchor then goes on to describe a recent incident where Israeli settlers set fire to a Palestinian home, burning the family alive, killing an 18-month old baby. Reddy had asked Blumenthal, who he thought was responsible for inciting that kind of violence. Reddy replies that it is not unusual for settlers to target Palestinians, and there is almost never any legal penalties, which sends the message that it’s no big deal if you murder a Palestinian. Reddy says she asked Blumenthal specifically about inflammatory statements made by top level officials, like Netanyahu, Eilet Shaked that not only sanction but encourage this type of barbaric behaviour.

This is followed by a clip of Blumenthal stating that incitement to genocide and incitement to killing children is legitimate when it’s inciting the citizens of Israel to do it in army uniform, and that’s what Eilet Shaked did when she called for the killing of mothers in the Gaza strip, their extermination in order to prevent them giving birth, in her words, to ‘little snakes’. This was the Justice Minister, the person in charge of the court system. Moshe Alon, the Defence Minister, recently pledged to hurt children in airstrikes in Lebanon, in April 2015. That was considered legitimate. What is not considered legitimate is a fanatical settler like Moshe Orbach, who wrote a manual, which isn’t even in wide-publication, for burning Palestinians alive in their homes. He wasn’t calling for that in army uniform, he called for it in vigilante fashion and so was pulled in for interrogation. So the state, which has killed 550 children, many of whom were burned alive, uses the settlers as moral cover for its own crimes.

The news anchor says that this is a difficult situation, and many people will be asking what they can do to change it. Reddy says that there is international law, but there is a massive failure of international institutions to hold Israel accountable, such as the UN or the ICC, that’s why grassroots movements are so important and individual actions are so important. Blumenthal talked about the Boycott, Divestment and Sanctions movement. Reddy therefore asked him why the BDS movement, which is explicitly anti-racist and pro-human rights, is so aggressively attacked by well-funded Israel lobbyists as anti-Semitic.

There’s then a clip of Blumenthal saying that it’s the same thing people hear from White supremacists here in the US: that when African-Americans talk about racism, they’re being racist, or when they talk about White violence against African-Americans, racially inspired violence, they’re being racist. It’s the language we hear from Zionists when they complain that the BDS movement is a movement of hatred, when all they’re doing is supporting international law.

2014 Re-Release Trailer for 2001

December 23, 2017

It’s Christmas, so I’m trying to intersperse the serious stuff I’m posting up here with lighter material, so that’s there some seasonal good cheer flying around. I found this on the Movie Clips Channel on YouTube. Kubrick’s epic SF film, 2001: A Space Odyssey was re-released at the cinema in 2014, thirteen years after the film’s nominal date. And it shows brief clips from the movie, mixed with suitable quotes from critics and directors. The clips are from some of the film’s iconic moments – the black monolith, the discovery of clubs and tools by primitive apemen, HAL, the lone astronaut jogging around the spinning living space inside the Odyssey, which gives it artificial gravity, to Khatchurian’s ‘Gayane’. The Odyssey itself, natch, the super-sleek space shuttle approaching the wheeling space station to the tune of Strauss’ ‘Blue Danube’, the symbolism of the Sun and moon appearing in line with the Monolith early in human prehistory, the strains of ‘Thus Spake Zarathustra’, the Moon Lander descending to the underground moon base. And of course, the Star Gate.

Kubrick told Clarke he wanted to make the greatest SF movie of all time. And for many critics he did it. The film is epic, baffling and infuriating. When it was shown on BBC TV in Christmas 1983 or thereabout, my brother, father and myself all had an argument afterwards about what on Earth or space it all meant. It’s an intelligent, and paradoxically also a deeply religious one. Clarke, an atheist, who famously wrote the script, has made this point in interviews. It deals with intervention in human evolution by non-human intelligences, and has themes of death, rebirth and transcendence. Think of the last ten minutes or so of the movie, where Bowman ages before being transformed into the Star Child. And the pictures on his chamber walls are of the Madonna and Child. Again pointing up the theme of divine incarnation and birth with a salvific mission.

Back in the 1990s George Lucas re-released his Star Wars: Episode IV, which had been retouched with digital technology and computer graphics. Some of the critics got carried away, and announced that it was the greatest SF movie ever. Not so, replied the great man, who took out a whole page advert in the LA Times to say that 2001 was the greatest SF film of all time. A generous homage by one of the great masters of modern SF cinema.

There’s been a trend in some cinemas showing old movies. The other year one of cinemas around the country showed the original Blade Runner movie. Another showed the Czech SF epic Icarus. And one of the theatres in Cheltenham screened a series of old films, including the classic British comedy, The Ladykillers. This is film as it is made to be seen: at the cinema. My only regret is that I’ve managed to go to none of the re-releases, except Star Wars.