A Small Family Sex Show in Bristol Cancelled Because of Petitions and Death Threats

As a Bristolian, I feel I have to add my fourpence worth about this controversy. One of the arenas of the culture war is over sex education in schools and especially sex education, with particular concern about the teaching or promotion of homosexuality and transgenderism. Parents and politicians are concerned about proper age-appropriate teaching of these subjects. The controversy seems to be particularly acute in America, where various, mostly right-leaning journos, activists and media pundits like Michael Walsh have criticised videos posted on TikTok of teachers coming out to young pupils and announcing that they’re gay, non-binary or trans. There have been instances where primary school children have been asked about which gender they identify with, as apart from their biological sex. One teacher proudly announced the ‘gender closet’ in which children can get changed into the clothing of the opposite sex when they want to keep it secret from their parents. There have been very sexually explicit books published for schools about gay and gender issues, containing the kind of imagery that once upon a time only used to be found in hard porn. And schools have also been told that, if a child trans, they should not inform his or her parents. As a result, there have been meetings of outraged parents confronting their local school boards in various towns and cities across the US. The Republican governor of Florida,, Ron de Santis, has just passed his so-called ‘Don’t Say Gay’ act, which forbids the teaching of anything about sex and sexuality, including heterosexuality, from ages 5 – 9. The Disney corporation and various LGBTQ+ employees have been particularly incensed by it, and have tried to mobilise opposition against the bill. This was in conjunction with a leaked video showing some of its top brass saying that they want half of all their characters to come from ethnic minorities or the gay community. As a result, right-wing Republicans like Walsh are calling for an end to Disney’s autonomy in the state and its tax exemption. I have to say that this shows a somewhat skewed morality. As a massively profitable global enterprise, Disney should pay its fair whack of tax like the rest of us proles. And especially because conditions for its workers in China are so dire that they’ve had to install suicide nets in their factories to stop the wage slaves toiling over their merchandise from killing themselves.

The Tobacco Factory, one of Bristol’s many theatres, put its collective feet firmly into this mire of controversy last week when they announced they were hosting ‘A Small Family Sex Show’ by theatre company ThisEgg. The show was described as woke, Queer and feminist, ,and intended to teach children about sex, using personal experiences, covering sexual orientation, gender identity, boundaries and so on. The show was described as suitable for children of five upwards, and included a section where the performers were free to take their clothes to the extent they felt comfortable. This could be total nudity, or else the removal of bottoms but not underwear, or even just simply staying clothed. The content included teaching children about masturbation, touching as well as other, much more dubious and extreme practices. Quiet-voiced Benjamin Boyce, an American YouTuber who discusses topics like gender identity, went through the description of the show’s contents on their website. This also included various explicit drawings. It was a weird mixture of sex with information about theatre, such as pointing out that the areas to each side of the stage that are hidden from the audience are called the wings. It also promised to teach children about White privilege and supremacy. In the video introducing the show, it’s producers introduce themselves with their pronouns and a description of their race, complexion, hair colour and so on. They seem to have been White, and Boyce wondered why they thought such descriptions were necessary when everyone could see what they were like. But it was the sexual subjects they show intended to teach which naturally attracted Boyce’s astonishment and disapproval. Again and again he wondered aloud how it wasn’t grooming. And others wondered too, on both sides of the Atlantic, with many being very firmly convinced it was.

Karen Davis, a gender critical Black American YouTuber, covered it on her channel. She was concerned that it was aimed at a time when children were only just learning to differentiate between fiction and reality, and that you could not like people while still being civil to them. She was also concerned that it would break down barriers about sex between children and adults, barriers that children naturally have for very good reasons. She was concerned that it was teaching kids not to believe their own eyes and feelings about whether an adult presented a danger, and would so make them vulnerable to predators. Davis has very strong and uncompromising views on the trans issue and she goes further in her opposition than some other gender critical folks. But in this instance her views seem to be very well grounded. She frequently cites the medical and academic literature to support her opinions, which are also informed by her work as a special needs teacher for children. She has also previously worked in centres for people with mental health issues. She knows whereof she speaks. And one of her concerns was about the theatre companies name. ‘Egg’ apparently is trans slang for someone on the verge of being trans, who needs to be ‘hatched’. I wondered if the name wasn’t inspired by a cult BBC show about a group of graduates living in London called This Life, one of whose characters had the monicker ‘Egg’. The show claimed it had the support of one of the organisations charged with protecting children, but a glance at that organisation’s website – it might have been the NSPCC – showed that the show was in conflict with the organisation. This said on their website that one of the signs that a child was being abused or near to a child who was, was sexuality explicit talk.

There have been any number of people on YouTube in Britain and America tearing into the show. Meesh Makeida, a Black British mother, covered it in one of her videos and made it very plain that she definitely would not take her five year old to it. Karen Davis in her video about it compared it to the real, grubby sex shows for adults. Unfortunately, these have been about in my city. The city council voted a few months ago to shut down the, er, ‘gentlemen’s clubs’. And the tone of Park Street in Clifton went up when the strip clubs there closed down in the 1980s.

A large number of Bristol’s citizens also made their opposition to the show very plain. There was a petition against it, which garnered 38,000 signatures. There were also threats of death and violence against the theatre and ThisEgg. This resulted in the show’s cancellation. The producers have claimed that they were forced to pull the show due to the threats, and that these came from a small minority of extremists.

I don’t agree with making death threats, and sincerely hope that those sent did come from a small minority. But the 38,000 signatures on the petition definitely don’t come from a small number of people. I don’t know how many people were actually aware of the show’s existence – I haven’t seen it mentioned on the local news. But offhand I can’t think of anyone who would be happy at such a show being performed in front of children and especially not five year olds.

And grooming is a real and legitimate issue with this play. It appears to be informed by Queer Theory. This, in the view of scholars and critics like James Lindsay, explicitly wishes to break down the barriers between adults and children in matters of sexuality and sexual identity. It’s based on the theories of Foucault, a postmodern philosopher and paedophile. Foucault and other intellectuals tried to get the age of consent reduced to 12 or there about in France in the 1970s, and Foucault himself used to go to North Africa to take advantage of the prostituted boys. One of the issues here is that the gay rights movement in its early stages included many paedophiles and civil rights activists who mistakenly believed that it should be legalised. The gay movement in Britain began making headway when the gay organisations purged the paedophiles from their ranks and made it very plain that gay very definitely did not equal paedo. There are thus fears that the paedophiles are trying to come back in through Queer Theory and the kind of sex education that it produces.

Graham Linehan, the writer of Father Ted, Big Train and the IT Crowd and a very firm opponent of the trans ideology, also discussed the play with American gender critical feminist Kara Dansky. I think Linners believed that ThisEgg were genuine in their concern that children received proper information about sex, just misguided. Dansky, on the other hand, suggested that the company really may have been deliberately grooming children. I hope not. They seemed sincere, but terribly, destructively wrong in my opinion.

When the news that the show was being staged a week ago, some of the commenters on various videos had a dig at Bristol. The city’s terribly ‘woke’, you see, and somehow it’s all the fault of the University. Well, certain parts of the city are very left-wing. People joke about the ‘People’s Republic of Stokes Croft’, for example. Other parts are more moderate or Conservative. And the various initiatives taken by Bristol University, such as lowering admissions for Black and Asian applicants in order to encourage more of them to apply don’t come from a long history of left-wing activism. They seem to be initiated in order to dispel criticism that the university is too elitist and White. But of course, there are left-wing lecturers there, just as there are Tories and others, who keep their political views quiet.

As for theatre in Bristol general, the city has a number of excellent venues. The Hippodrome tends to stage West End musicals like Cats, Return to the Forbidden Planet and even, every so often, the Rocky Horror Show. The Theatre Royal in King Street is one of the oldest in the country, and has produced many of this great nation’s leading thesps. It’s had everything from one man shows by Michael Bentine and John Mortimer, to performances of Into the West, from the film starring Ron Moody as a villain. It also staged more challenging performances about the Vietnam War and its legacy. Another theatre venue, Quaker’s Friars, has staged great plays, one of which was by one of the great 18th century French playwrights, as well as a production of the Hollywood classic Key Largo. And before it decided to put on A Small Family Sex Show, the Tobacco Factory had also put on several excellent plays, including puppet shows for children.

I think it’s excellent that the show has been cancelled, but I’m also acutely aware that children do need proper sex education. There was a time when it was not taught in school, and so children were really ignorant about their bodies, the changes of adolescence and reproduction. We should very definitely not go back there, whatever opposition there is to it by right-wingers like Peter Hitchens.

I’m also not entirely convinced that there’s been this controversy about it just when Bristol is facing a referendum over the elected mayor. At the moment it’s Marvin Rees for Labour. Now the mayor and city council generally have had nothing to do with the show, and no-one has said they have. But I’m afraid that the controversy over the play and the constant statements by the right about it being the product of the ‘woke’ left will lead some people to mistakenly connect it to Labour.

Bristol’s a great city, with great theatre. A Small Family Sex Show isn’t one of them, and shouldn’t have been booked.

Children do need proper sex education, given at suitable ages and using appropriate material. They cannot be left ignorant, but should not be exposed to material that is too explicit either. Especially when there is the danger that real abusers could use to approach children, no matter how well-intentioned the people behind such material are.

Prize Winning Turkish Novelist Arrested Again for Talking about Armenian Genocide

All around the world there are states and arseholes trying to cover up the genocides their countries and favoured political regimes have perpetrated. Over here, the right-wing pseudo-historian David Irving is notorious for his books minimising the Holocaust, for which he lost a libel case and ended up in an Austrian prison, where Holocaust denial is a crime. Tzipi Hotovely, the Israeli ambassador, is an enthusiastic Judaeonazi who has declared that the Nakba – the Palestinian equivalent of the Holocaust when the indigenous Arab population was massacred and ethnically cleansed at the foundation of Israel – to be a ‘Palestinian lie’. She also support razing Palestinian villages to build Jewish settlements, believes that all of Palestine should belong to Israel and would like to start another war with Syria and Egypt. She’s a racist fanatic whose difference from European Nazis is one of race, not genocidal nationalism. And I caught I headline on the Internet yesterday reporting that the prize-winning Turkish novelist, Orhan Pamuk has been jailed once again for ‘insulting Turkish nationality’. What this means is that he committed the terrible crime of talking openly about the Armenian genocide and maintaining it was fact as opposed to the cover-ups and lies of the Turkish state.

The Armenian genocide was a series of massacres carried on the orders of the last Ottoman emperor in the last days of the Turkish empire. It was a response to a failed revolt by the Armenians during the First World War. The Armenians were encouraged to believe the west would help them, and were tragically let down. In response, the Ottoman emperor issued a firman, an imperial decree, the Armenians were rounded up en masse, forced to march through the desert, starved, shot, bayoneted and crucified amongst other horrible methods of extermination. No reputable historian believes that the massacres didn’t happen and there is plentiful evidence, documentary and eyewitness, to support it. Including by serving Turkish officers who were disgusted and opposed to it. But the Turkish state continues to deny it, and anyone maintaining that it actually occurred, like Pamuk, will be jailed under a law forbidding the insulting of Turkish nationality.

This has also caused problems at the annual commemoration of the Jewish Holocaust by the Nazis. A few years ago various other Holocausts experienced by other nations and peoples were also commemorated at the ceremonies around Holocaust Memorial Day. When Jackie Walker got accused of anti-Semitism by the Jewish Labour Movement simply for asking what was going to be done about the commemoration of other Holocausts, such as that against her people, the Black Atlantic slave trade, at a workshop on Holocaust Memorial Day, she was actually asking a reasonable question. Other Holocausts were indeed mentioned on camera during the proceedings. Except the Armenian massacres. People, especially Armenians, were upset and wanted to know why. They were reassured that there was a ceremony to commemorate the Armenian Massacres, but that it was held off camera. Which is precisely the kind of mealy-mouthed double-talk you expected from Blair’s government.

I suspect the real reason was geopolitical diplomacy. Blair didn’t want to start a row with the Turks. The west needs Turkey to be a part of NATO and a bastion of western power in the Middle East. But not enough to allow Turkey to join the EU, and potentially flood Europe with even more Muslim immigrants as is the fear of certain right-wing Tories. Remember all that rubbish about 7 million Turkish immigrants finding their way to Europe if Turkey joined the EU?

But the Armenian Massacres have a direct connection to the Nazi Holocaust. They’ve been described as ‘the first genocide of the 20th century’. This isn’t quite true – the first genocide was the attempt by the German authorities in southern Africa to exterminate the Herero tribe after they revolted. The Armenian massacres were rather later. Nevertheless they had a far greater impact. The refusal of the great powers – Britain, France and America – to intervene taught Hitler that they could similarly persecute and murder the Jews with impunity. He summed it up in the phrase, ‘No-one remembers the Armenians’.

Well, to be fair, some Jews do. Years ago Mike and I went to see a play at Quaker’s Friar’s theatre in Bristol. Burning Issues was a updated version of King Lear, set in a struggling Jewish-owned publishers. It was a family drama centre around the conflict between the aging patriarch, who was head of the firm, and his children. The company is losing money hand over fist and the children wish to save it by publisher more popular books with a wider appeal to the reading public. The father, however, is determined to publish a lavish atlas of the Holocaust. As the play goes on and the man’s estrangement from his family worsens, it becomes clear that the old man may have been through the horror of the Shoah himself. He talks about coming back to nothing except a devastated Europe. The only person who really understands him his Armenian housekeeper, he feels. Because the Jews and the Armenians have clearly undergone similar horrors.

It’s a great play, and if the lockdown is ever lifted and you feel that it’s the type of play you want to see, please go to see it. I can remember seeing a number of excellent plays performed locally in the ’90s when Mike was briefly the theatre critic with one of the local newspapers. Some of the very best were performed in pubs, ranging from 17th/18th century French comedic classics to far more modern plays, One of my favourites was an adaptation of the classic Key Largo, about a man struggling to come to terms with the his betrayal of the Internationalists after being captured by the Fascists during the Spanish Civil War. This won prizes when it appeared in the 1940s, and really is one of the great classics of 20th century stage and film. It’s theatre like this which, without sounding snobbish or pretentious, makes a city genuinely civilised.

Pamuk’s arrest simply for speaking the truth about the Armenian massacres is another assault on real objective history by a highly authoritarian state. Revealing the truth about your nation’s dark deeds is not insulting. Indeed, it’s necessary so that a society can come to terms with it and move on. Apart from the more simple fact that covering up massacres and genocide is a disgraceful act in itself. Unfortunately, I don’t expect Starmer to raise any questions about the proper commemoration of the Armenian Massacres. I doubt he even knows where Armenia is. He’s too concerned with trying to silence people in the Labour party who challenge Israel’s gradual ethnic cleansing of the Palestinians.

Orhan Pamuk is a courageous man, and I stand with him in his attempts to challenge official lies. As I do with everyone set against mass murder and violence.

And this is also why I believe that Tzipi Hotovely is a disgusting human being who should be thrown out of the country, rather than defended, regardless, or especially, because she’s the Israeli ambassador.