Posts Tagged ‘Jazz’

More Tory Madness at the Polls: Theresa May Most Popular Leader Since Churchill

April 29, 2017

What are they on?
Or to put it another way, how stupid and gullible do they think the British public is?

I’ve blogged today about the unreliability of the polls. These supposedly show that May has a 16 per cent lead over Jeremy Corbyn, who is, as the Tories and the Blairites are constantly screaming, supposedly unelectable. But those same polls, as Mike has said on his blog, show that the Tory lead apparently fell by eight points in just one week. And the I newspaper also claimed in an article this past week, that while May was in an overall lead, Labour was far more popular with young people.

All this is I can believe. I also mentioned in my last article about the polls a piece by Guy Debord’s Cat, where he argued that polling isn’t designed to provide an objective description of how popular our leaders are, or who really thinks what about a particular issue. They’re carefully manufactured by the polling companies – largely Tory – and the media – also largely Tory – to show the results they want, in the hope of influencing the electorate, thus showing the power of the press as opinion formers.

Hence the constant refrain from the Blairites, the Tories and their lickspittles in the press that Jeremy Corbyn is supposedly massively unpopular with suitable polling figures trotted out to show this. Supposedly. In fact, the media and Corbyn’s opponents within and outside the Labour party are absolutely terrified of him being popular. If – terrible thought! – Corbyn actually wins the election, it will put an end to nearly forty years of Thatcherism in one form or another. The rich might have to start paying their fair share of the public purse again, while the poor might start seeing improvements to wages, services and proper welfare provision. One that provides them with the maintenance they need and treats them with the respect and dignity they deserve. And it will stop the privatisation of the NHS, which UNUM, Branson, BUPA, Circle Health and the other private healthcare providers angling to get some of the market occupied by the NHS are so keen on.

Now I’m prepared to accept that May probably is in the lead over Corbyn in terms of personal popularity, because of the relentless campaign by the mainstream media to promote her. That lead, however, needs to be heavily qualified. Richard Seymour in his book Corbyn: The Strange Rebirth of Radical Politics has pointed out that the ‘Project Fear’ the mainstream media has launched against Corbyn in the hope of terrifying people into not voting for him has backfired. People are reacting against the media’s demonization and constant lying. And so far from making Corbyn unpopular, he’s become more so with people expressing their support for the Labour leader, and getting news and information about him, not from the papers, TV or radio, but from social media on the Net. This is being done spontaneously by ordinary people not connected to the Labour party.

But this is one claim about May’s popularity I find extremely difficult to believe.

According to Have I Got News For You, who announced this straight-faced, Theresa May is the most popular British Prime Minister since the War.

As the little lad used to say on Different Strokes way back in the ’80s: ‘What you talkin’ about, Willis?’

So we’re being asked to believe that Theresa May, who doesn’t want to appear in the leader debates, says she doesn’t want to talk to the press, and makes very few public appearances, and when she does, they’re very carefully stage-managed, is more popular than, well, great British Prime Ministers like Clement Atlee, Harold MacMillan, Harold Wilson or even Tony Blair and Maggie Thatcher? Thatcher was a disaster for this country, but she was massively popular. She was also was massively unpopular, to the point where she was supposedly the most popular and unpopular British Prime Minister since the War. She’s still the great, molten idol of the Tories and Blairite Labour. The first thing Blair did was have her round No. 10 for tea after he won the election.

Thatcher was so strident and strong that she got the nickname ‘the Iron Lady’. May, by contrast, is very definitely weak and wobbly, as Mike’s pointed out, despite all the cries by the Tories and the press that she’s ‘strong’ and ‘stable’.

So the question has to be asked: do the Tories and the press really think that we’re all that stupid to believe this rubbish?

Or, alternatively, have they been drinking too much, or partaking of Jazz cigarettes or other illicit recreational substances? I mentioned in an earlier post that the mugwumps about which May was asked, apart from being an Algonkin word meaning ‘great chief’, were also the strange lizard creatures in David Cronenberg’s film version of The Naked Lunch. Very roughly based on the novel by William S. Burroughs, this is about a pest control man, who suffers massive, very weird hallucinations after he becomes addicted to the poisons he uses to exterminate the bugs and other vermin. The mugwumps in the movie are just some of the bizarre creatures he sees.

Boris Johnson this week called Corbyn a ‘mutton-headed mugwump’, and now the Tory press reckons she’s the most popular Prime Minister since Churchill. Whether or not illegal substances are involved, someone’s clearly tripping.


Theresa May and Mugwump celebrate her lead in the polls. Don’t have nightmares.

Anti-Fascist Songs by Woody Guthrie and Leadbelly

February 19, 2017

I think my political views and biases have made an impression on the search engines on YouTube, as these came up in the ‘recommended’ and ‘you may also like’ bars. Not that I mind – they’re classic, American working class folk and jazz. The machines decided that I might like Woody Guthrie’s Tear the Fascist Down, and All You Fascists Bound to Lose, as well as Mr. Hitler by the Blues/Jazz legend Huddie William Leadbetter, or Leadbelly.

Here’s Tear the Fascist Down

All You Fascists Bound to Lose

Mr. Hitler

It’s a bitter fact of history that at the time Leadbelly was singing this, Blacks were still very much treated as second class citizens with Segregation in the south. Still, he was absolutely right to lampoon and attack Hitler. I also think that popular music had a strong role in bringing Blacks and Whites together to challenge racism. The Nazis hated Jazz. They regarded it as ‘Negro music’, whose raw sexuality was corrosive of White culture and would corrupt virtuous White youth. But it and Blues very swiftly became popular amongst Whites as well as Blacks, and produced numerous ‘White Negroes’ like ‘Mezz’ Mezzrow, who not only listened to Black music, but were highly sympathetic to the people and their sufferings, which produced it. And the same thing happened later when Rock ‘n’ Roll emerged from the fusion of Black barrelhouse Jazz and White Country music. A few years ago I was watching a rock documentary, which mentioned Little Richard. One of the speakers was a Black musician, who remembered how the crowd at dance halls were divided before Little Richard came along. The floor of the dance hall was clustered with Black people dancing, while the Whites tended to cluster around the edges. ‘White spectators, we called ’em’, he recalled. Then when Little Richard came along, the Whites joined the Blacks on the dancefloor. ‘And so we had integration before Dr. Luther King’, the muso concluded.

Absolutely. And the very best popular has been entertaining, uplifting and drawing people together ever since.

‘I’ Newspaper: Joshua Bonehill Found Guilty of Harassing Liverpool Jewish MP

December 8, 2016

After all the false accusations of anti-Semitism made smear genuinely decent people, here’s a story about a real anti-Semite. Yes, it’s that old Nazi troll, Joshua Bonehill-Paine, the ‘Founder’ and wannabe fuehrer of legions of Fascist storm troopers that don’t actually exist. Today’s I newspaper (8 December 2016) carried a report by Emily Pennink, Anti-Semitic blogger guilty of harassing Jewish MP, that Bonehill has been found guilty of racially harassing Luciana Berger, a Jewish MP for one of the constituencies in Liverpool. The article states

A racist internet troll was found guilty yesterday of harassing the MP Luciana Berger in a series of anti-Jewish rants he sent after the jailing of a fellow far-right extremist.

Joshua Bonehill-Paine, 24, wrote five hate-filled blogs about the Labour MP for Liverpool Wavertree after Garron Helm was sent to prison for four weeks in October 2014. Bonehill-Paine denied racially aggravated harassment but was convicted by an Old Bailey jury.

Helm, 21, from Merseyside, had admitted posting a picture on Twitter which showed Ms Berger, 35, with holocaust-era Star of David on her forehead and the hashtag “Hitler was right”. Over the next four months, Bonehill-Paine posted articles online calling her a “dominatrix” and “an evil money-grabber” with a “deep-rooted hatred of men”. In one, he claimed the number of Jewish Labour MPs was a “problem”.

He illustrated his posts with offensive pictures. Throughout, Bonehill-Paine, of Yeovil, Somerset, was on bail awaiting sentence for claiming on Twitter that several people were paedophiles. Giving evidence in person, Ms Berger said she felt sickened by the blogs and “very much under attack”. (p. 21).

Bonehill’s a weird character, who’s been hauled before the beak several times for his bizarre, far-right antics. He’s been arrested for trying to steal police uniforms from a police station, threatening to defecate in a supermarket, falsely accusing a pub of not serving members of the armed forces so as not to upset Muslims, and harassing a young woman when she spurned his advances. This included him sending her an Iron Cross, which he claimed had belonged to Adolf Hitler.

He’s set himself up as the leader of a vast and growing Fascist party that doesn’t seem to exist except in his own imagination. He gave a public speech announcing the launch of one of these shadowy parties in one of the parks in his home town of Yeovil, to a handful of people comprising a couple of police officers and a journalist. Even so, the audience massively outnumbered his Fascist legions, which consisted of precisely one person: himself. He claimed that the real meeting was being held in an undisclosed pub elsewhere in the town.

It’s a moot point whether or not Bonehill himself believes the Nazi tripe he spouts. In a passage he wrote on his blog, which he has since denied, Bonehill claimed that he was only pretending to be a Nazi. It was, he claimed, an invented personality he created, inspired by David Bowie’s persona of Ziggy Stardust. It was intended to deceive and upset both Nazis and anti-Nazis.

Bowie himself did seem to come dangerously close to flirting with Fascism in the 1970s. There’s footage, which has been played by the Beeb on shows about the late pop idol’s life, in which he states that there could only be one real choice for prime minister, and so he was putting himself forward as the Fascist candidate. But Bowie very definitely wasn’t racist. His second wife, Iman, was, I believe, a Somali. The Nazis themselves hated Jazz, the ancestor of rock and roll, as Black music which corrupted Whites. And despite the homosexual undercurrent in Nazism, they hated gay men and sent them to the concentration camps. The ambiguous sexuality of the Ziggy Stardust persona would have been very definitely illegal in Nazi Germany.

It’d be good to think that if this is just a prank by Bonehill, that this time he just might take notice of where it’s getting him and drop it. Unlike Bowie and Stardust, there’s nothing clever or innovative about it. It’s just stupid, offensive and annoying. And it’s about time he realised this, and where it’s getting him, and stopped it.

Miley Cyrus Puts a Wrecking Ball into Trump

March 3, 2016

Mike over at Vox Political has put up a piece reporting that pop chanteuse Miley Cyrus has given her succinct opinion of the New York Nazi, Donald Trump. And it wasn’t approving. She described him as ‘a –ing nightmare’, and in the colourful demotic of contemporary rap, expressed her physical disgust and wish to leave the country.

Quite.

I realise that Cyrus isn’t exactly everyone’s musical cup of tea. She was Hannah Montana, but after growing up she decided to make her act much more raunchy, to the angry dismay of moralists, and the delight of Daily Mail journalists as they rushed to their keyboards to knock off stories about what an evil menace to western civilisation she is, and how twerking should be banned, with full pics so you can share the outrage too. But she’s done something cool here. And she’s right: Donald Trump is indeed a nightmare.

His racial attitudes are horrendous. His bigoted attitude towards Mexicans and Muslims is well known, as is his support for torture, even when it doesn’t work, and the targeting of civilians in the War on Terror, or whatever name they’re giving to the bloodbath in the Middle East. All of this is genuinely frightening enough. His alliance with the far right- he’s actually given press passes to a White supremacist radio show, The National Cesspool – could even pose a threat to pop culture.

Modern pop music, by and large, is pretty liberal. Part of the mainstream American right hates it because of its very frank embrace of sexuality, including homosexuality. The Moral Majority were most definitely not fans of David Bowie, because of the sexual ambivalence of his ‘Ziggy Stardust’ persona. Some of us can remember the 1980s when the Organisation of Senators’ Wives went chasing around demanding that the recording companies put stickers on the records stating that it had offensive lyrics. Just to protect good old American values, you know. The Reagan administration also inaugurate a series of congressional hearing in which various rockers and pop stars were hauled up before the nation’s elected representatives and interrogated about this new moral threat to America’s impressionable children.

They came a cropper when they got to Dee Snyder, the main man from Twisted Sister. They asked him about how he felt about exposing children to inappropriate material. Shouldn’t he be more careful about his band’s music? They actually didn’t know that Snyder was a responsible father himself, and said he was very careful indeed with what his children listened to. I’ve got the impression many rock stars are the same. Behind all the stage makeup and the bizarre performances, many of them in their private lives have exactly the same concerns about raising their children properly as the rest of society. Not all, by any means, but enough to take the wind out of some of those determined that rock is a genuine threat to western society’s moral fabric.

The Far Right also has ambivalent attitude to pop music. Of course, there is a Fascist music culture with the Nazi skinheads and the Eastern European Black Metal bands. On the other hand, there are also parts of the neo-Nazi milieu that bitterly hate pop and rock music because of its roots in Black culture. Modern rock ‘n’ roll started off as a mixture of White country music and Black barrel house jazz. Along the way it also drew on Blues music – it was due to the Chicago Blues style of Howlin’ Wolf that the guitar is the instrument of choice in contemporary pop music. Before then much Jazz was piano-based. Think Thelonious Monk tinkling the ivories, as well as, if I’m right about this, Professor Longhair. Gospel music has its origin in Black churches, while Punk after the initial fury passed was also influenced by Reggae. Let alone the influence of Ska, R’N’B, and so on.

Some of the White bands, who’ve been accused since of stealing the Blues, were originally real supporters and advocates of Black music. When they started out, the Rolling Stones covered songs by various Black American artists. The Stoned didn’t hide their musical debts – they told their audiences who the piece was really by, and the record label that had recorded it so they could hear it for themselves.

And some of the great Black performers were very proud of the fact that their music brought Black and White together. A little while ago Little Richard gave an interview into which he recalled the segregated nature of the dance halls in America. The Blacks tended to dance, while the Whites stood around the hall and watched. Richard, however, said that when he and his band came on, ‘the White spectators’ around the walls stopped spectating, and came and joined the Black folks on the dance floor. ‘And so’, he said, ‘Before Dr Luther King, we had integration’.

The racist right bitterly hates that interracial legacy and the tolerance that has been partly built up by Blacks, Whites and other ethnic groups, like Latinos creating a common musical culture. You can read rants by some of the American Nazi groups denouncing pop as ‘N*gger music’, and sneering at the people who like it, ‘dance like n*ggers’. It’s disgusting stuff, and it goes back a long way. The Nazis also objected to Jazz as ‘Negro’ music. By allying himself with White supremacists, Trump’s also given his support to people, who despise everything mainstream pop music stands for. Hence Miley Cyrus’ condemnation.

The War on Drugs, Racism and Eugenics in Modern America

January 29, 2016

There’s a particularly chilling passage in the chapter ‘The History of “Black Paranoia” in Cockburn and St. Clair’s End Times: The Death of the Fourth Estate, where they describe the revival and continuation of eugenics policies, including the use of castration and sterilisation, and the US government’s ‘war on drugs’. The chapter as a whole is intended to show that Black Americans have very good reason for not trusting the US government, considering the numerous policies that have been deliberately enacted against them. This has includes treating them as unwitting subjects for human experimentation, and the way crimes have been specifically framed by the legal authorities so that punishment bears down hardest on Blacks and other ethnic minorities. The various anti-drugs legislation is a case in point. Although middle class White Americans also used opium, marijuana and cocaine, the laws against them were formulated and promoted to specifically attack Blacks, Mexicans and Chinese, as a way of making them seem threateningly foreign. Cannabis was originally just called ‘hemp’. It was renamed ‘marijuana’ as a way of associating with Mexican workers, who were then competing with White workers in the Depression for jobs. It was associated with the racial threat supposedly posed by Black men, often using the crude imagery of school playground racial stereotype. One government headline screamed that ‘Negroes with Big Lips Lure White Women with Marijuana and Jazz.’ And all this was going on a mere few decades after one US cigarette manufacturer offered smokers cocaine-laced ciggies for their consumption.

The Destruction of Black Communities by the War on Drugs

Cockburn and St. Clair talk about the devastation wrought in downtown L.A. by the War on Drugs, which effectively turned poor Black neighbourhoods into war zones. Wards were walled off from each other, curfews imposed, and Black men were stopped and searched on the street. 89 per cent of those arrested were released without charge. Unemployment soared, as did the proportion of Blacks in US prisons. Poverty increased, and for the first in a century, the average Black life expectancy fell.

Fred Goodwin on Inner City Men Evolving Backwards

And as conditions in the inner cities deteriorated, there was a revival of eugenics. In 1992, Fred Goodwin, the director of ADAMHA, or the Alcohol, Drug Abuse and Mental Health Administration, declared that the increase in Black violence in the inner cities may well have been due to a gene for violence. He recommended that a national biomedical campaign should be launched to isolate the gene and treat the gene’s carriers. In February of that year he gave a speech to the National Mental Health Advisory Council, in which he explicitly stated that violence had increased, as individuals in the jungle conditions of the inner cities had reverted to more ‘natural’ behaviour. He stated:

There are discussion of “biological correlates” and “biological markers”. The individuals have defective brains with detectable prefrontal changes that may well be predictive of later violence. The individuals have impaired intelligence, in this case “cognitive deficit” … Now, one could say that if some of the loss of social structure in this society, and particularly within the high impact inner city areas, has removed some of the civilising evolutionary things that we have built up and that maybe it isn’t just the careless use of the word when people call certain areas of certain cities jungles, that we may have gone back to what might be more natural, without all of the social controls that we have imposed upon ourselves as a civilisation over thousands of years in our evolution.

Planting Electrodes in Brains to Control Violence

Cockburn and St. Clair link Goodwin’s attempt to find the genetic origins of violence and a medical treatment, with that of Lewis “Jolly” West, who presided over the neuropsychiatric institute at UCLA. In 1969 West announced his plan to plant electrodes in the brain of violent offenders, in order to control them. This caused such an outcry that he was forced to abandon his plans. There are shades here of the limiter in the BBC SF series, Blake’s 7. One of the early characters, Oleg Gan, had had a limiter – an electronic device designed to prevent him from killing anyone – implanted in his brain after he killed the Federation trooper, who’d raped his girlfriend. Blake’s 7 was a kind of ‘Dirty Dozen’ meets Star Wars, in which a motley crew of criminals led by the dissident Blake took on the totalitarian Federation. It was very much of its time, and strongly influenced by the medical abuse of psychiatry against dissidents in the former Soviet Union. West and his electrodes suggest that its creator, Terry Nation, the man, who gave children the world over the terrible joy of the Daleks, was also very much aware of the totalitarian tendencies in western science.

The Castration of the Violent

One of West’s own mentors was Dr Ernst Rodin, who was in charge of the Neurology department of Lafayette Clinic. He recommended neurosurgery and castration for the ‘dumb young males who riot’. His views were echoed by West after the Watts riots, but instead of surgery, West recommended sterilising them with cyproterone acetate. In 1972 he recommended that this should be carried out on the inmates in US prisons. This caused such an outcry that his funding was cut.

The Eugenic Sterilisation of the Unfit

Cockburn and St. Clair also cover the eugenics laws enacted in twelve US states in the first two decades of the last century. Between 1907 and 1964 about 63,678 people had been compulsorily sterilised in thirty states and one colony. But this was probably an underestimate of the true numbers of the policy’s victims. In 1974 Federal Judge Gerhard Gessell, reviewing the suit brought by them, declared that 100,000 to 150,000 people with low incomes had been sterilised annually over the past few years in federally funded programmes. Allan Chase, the author of a book on this, The Legacy of Malthus, states that this is comparable to the rate of the Nazis in their sterilisation campaign.

Such programmes were supposed to be voluntary, but Gessell ruled that an unknown number had been forced into it through the authorities threatening to take away their welfare benefits. Those most frequently targeted with this kind of pressure were women reliant on Medicaid to pay their bills for childbirth. One of the intended victims of this was Katie Relf, who successfully fought it off by locking herself into her room. Chase has estimated that by the end of the 1970s, the US was sterilising 200,000 citizens annually.

Winston Churchill, Eugenics, and the Bengal Famine

And the policy was not without its supporters over here. Winston Churchill also supported the policy, and wanted to see about 100,000 degenerates in the UK forcibly sterilised. This isn’t by far the most loathsome thing the great War Leader ever said or did. Last week, Secular Talk covered the story in the Independent that 40 per cent of Brits miss the Empire. The show covered a series of crimes against humanity committed by the Empire and its servants. These included the Amritsar Massacre, the incarceration of Afrikaaner women and children in concentration camps during the Boer War, and the Bengal Famine, in which 27 million people died of starvation. The wheat that could have fed them was diverted to British troops fighting in Europe in the Second World War. For the victims, Churchill had no sympathy. He said he hated Indians, and that it served them right for ‘breeding like rabbits’. He may have been the great leader who kept Europe free, but that doesn’t stop him from also being a moral slug.

Conclusion: Don’t Trust Those Who Claim to Have Found the Gene For Whatever

Apart from its main point – that American Blacks have every reason to be alienated and distrustful of the government and authorities, the chapter also shows how recently such racist attitudes were accepted by medical authorities, as well as the use of sterilisation against the poor generally. And it also provides very good reasons for being extremely distrustful of scientists when they claim to have found the gene for ‘X’. This includes the gene for schizophrenia, for homosexuality, and for violence. The latter surfaced yet again about a few months ago. Someone was claiming that extremely violent crims had a certain mutated chromosome. Then another biologist pointed out that roughly half of everybody also had the gene, and it didn’t make them into psychos. There’s a real danger here that if we pay too much attention to these scientists, we’ll be back with sterilisation and compulsory lobotomy. Just like the early 20th century and Nazis.

Cult SF/ Fantasy Artist Roger Dean Talks about his Art

July 22, 2015

I found this short video with Roger Dean over on the 70s Sci Fi Art tumblr page. Dean’s an illustrator, who has been producing literally fantastic work since the 1970s. He’s best known for his album covers for the ’70s prog rock band Yes, and the floating islands, which have become a kind of artistic signature.

The video was produced for an exhibition of his work on a cruise ship. As the 70s Sci Fi Art page notes, however, it’s treated as a kind of mini-documentary. Despite being only just over five minutes long, it’s full of insights. Dean describes how he came to England from Hong Kong in the late 1950s, his first work for Ronnie Scott’s Jazz Club (Nice!) and how he came to design the logo for Yes.

He also gives advice about where he gets his ideas for aspiring artists: read, fill your head with great images, and don’t get too anxious about your work. Care about it, but don’t worry. Worry is the enemy of creativity.

Joshua Bonehill: Hollywood Nazi Troll?

April 30, 2015

I found this interesting little statement by the comedy fuehrer, Joshua Bonehill, on the entry for him on the Rationalwiki site through the link to it on the SlatUKIP page. I’ve posted a number of pieces on Bonehill commenting on his ludicrous attempts to set himself up as some kind of Far Right generalissimo. He is notorious for hacking into other people’s blogs and twitter accounts in order to malign or threaten them. One of his favourite tactics is to claim falsely that they are paedophiles, a particularly vile and dangerous smear. He was also found guilty of making false claims against pub, whose staff were threatened following another of his lies. He claimed that they wouldn’t serve British servicemen in order not to upset Muslims.

Bonehill as Britain’s prospective Fascist dictator, Bonehill posts racist and anti-Semitic material on his blog. He was appealing for people to join his neo-Nazi organisation as members of an elite bodyguard for him, now styling himself the Founder. He was one of the leading names behind a Far Right march against the ‘jewification’ of Stamford Hill, a predominantly Jewish community in London.

The National British Resistance

A few weeks ago he also got in his local paper for launching his latest Fascist party, National British Resistance, in one of the parks in Yeovil. Despite claiming later on his blog that his party’s founding was attended in secret by fifty Fascists, some of whom had flown in from Northern Ireland, the only member of his massive Fascist legion to appear was, er, him.

He pretty much resembles Spode and his Blackshorts , P.G. Wodehouse’s spoof of Oswald Mosley and the British Union of Fascists in Jeeves and Wooster, though ‘Founder’ Bonehill’s antics include stunts that Spode would definitely consider well below acceptable behaviour. Like being thrown out of Tesco for trying to defecate in their frozen food section, or prosecution for trying to break into a police station to steal uniforms and equipment.

Bonehill and Trolling

According to a statement by Bonehill himself, preserved on the Rationalwiki, all this Fascist posturing may be just that: a pose. Bonehill has said that this is an attempt to create a false persona in order to troll the Far Right and anti-Fascists alike, based on David Bowie’s adoption of the Ziggy Stardust persona in the 1970s. The full statements says

“It was after listening to David Bowie’s iconic album, “The Rise and Fall of Ziggy Stardust” on repeat for the best part of a day, I realised that I too could potentially create a “Persona” and play a character but instead of basing my character in the musical world, I’d place him in the political world – Leader Bonehill, the Founder was born.

Firstly I created my fictional and satire news website – this was the Daily Bale – and set about generating headlines which quickly went viral throughout 2013. I was responsible for creating myths such as the campaign to ban black pudding and various other oddities that were quickly picked up upon right-wing groups such as the EDL and Britain First to which went viral.

Very quickly I found myself at the head of a large news network and found that I had the power to make many hundreds of thousands of people believe utterly insane and crazy things under the guise of Daily Bale News. To this day, people still share Daily Bale articles and I believe it will withstand the test of time.

[…]

After the Daily Bale I took upon elevating my persona the Leader and Founder to another level which became the “National British Resistance”. The NBR was a Far-Right Nationalist movement led by the fierce and no-nonsense dictator, Leader Bonehill.

Through the NBR I made many outlandish claims for instance one of them was that I could “heal” the Left-Wing through a rebirth process and I also claimed to be a “Right-Wing messiah”. I stood in astonishment as people were eating this bait and taking me VERY seriously to the point where I became the obsession of many social media users.

It wasn’t until the press and media caught onto my activity and started reporting on me as a real person that the ego started to be transferred into the real world. I was invited to speak at meetings and felt almost forced to display this persona in public and this I couldn’t keep on doing because it fundamentally went against everything I believe in as a person.

Yes – I make no bones about it, for the past 16 months I have been trolling relentlessly at the expense of both the Left and the Right – it has been through this trolling that I am now appearing back in court over Daily Bale articles but this was a price I was prepared to pay and knew that my actions would of course have very real world consequences.

Leader Bonehill came alive and consumed me at times, the ego almost controlled me and took upon a very powerful and possessive role in my normal everyday life. I found myself almost believing that I was a “Right-Wing messiah” and had been sent from another planet to free the people and bring about a new great nationalist age – though this of course in reality was absolute bollocks and would never happen.

[…]

Everything I have said and done, right from posing for photographs or the videos I have made are the result of this “Persona”. These do not represent my real views and can instead be seen as a comical ‘act'”.

According to the RationalWiki site, Bonehill has since taken this down, but it’s been archived elsewhere. The piece can be read at http://rationalwiki.org/wiki/Joshua_Bonehill-Paine.

From this, it would seem that Founder Bonehill is a ‘Hollywood Nazi’, the term the Far Right give to those play acting at being Fascists, but who aren’t the real Nazi thing. And there have been any number of them.

The grotesque theatricality of Fascism, with its bonkers leaders spouting their vitriolic nonsense to crowds at from government palaces and the Nuremberg stadium, the whole weird, twisted spectacle of marches, rallies and parades, and the sinister fascination with its regalia – the uniforms, flags, badges, propaganda posters – has attracted a number of characters over the years, who have adopted it not from any sympathy with Fascism, but from a simple desire to shock and upset. To epater les bourgeois.

Hippies and Punk Fascist Styles

In the 1960s there was a Hippy Nazi party in Florida, which probably had no purpose other than to wind up the straights. One section of the Punks in the 1970s deliberately courted controversy by dressing up in Nazi uniform as part of their general assault on staid, conventional society. Sid Vicious apparently wandered around a Jewish area of Paris in Nazi uniform, but surprisingly wasn’t beaten up.

David Bowie

Bonehill claims he was inspired by Bowie and Ziggy Stardust. In fact, the Thin White Duke did was at the centre of controversy in the 1970s because of his apparent Nazi inclinations. He was arrested by West Berlin’s finest for getting drunk and making the Fascist salute outside the remains of Hitler’s bunker on the anniversary of the Fuehrer’s birthday. Or death – I can’t remember which.

Bowie also directly prompted the formation of Rock Against Racism, after he announced on British television that in the elections that year there was only ‘one choice’ to run the country, and so was offering himself as the Fascist candidate.

Bowie obviously isn’t, and never was, a true Fascist of any kind. For all the homosexuality amongst certain sections of the Nazi party, the Nazis themselves hated gay men and sent them to the concentration camps. They also had very strict and traditional ideas on gender roles. A woman’s place was ‘Kinder, Kuche, Kirche’ – children, kitchen, church. As for masculinity, this was belligerent and aggressive. One Italian Fascist slogan proclaimed ‘Fighting is to man, what motherhood is to woman’. Bowie’s bisexual, androgynous persona in Ziggy Stardust would have been bitterly hated and denounced by the Nazis, just as it was by more traditional, staid members of the older generation.

And there are two other reasons why the Nazis also wouldn’t have adopted Bowie. Pop music has its roots in the mixture of White American country music, and Black barrelhouse jazz. The Nazis, as racists, hated Jazz because of its origins in Black culture, and what they saw as its permissiveness and sexual decadence. Quite apart from the fact that Bowie wasn’t racist, as shown by his later marriage to Iman, a woman whose name is the Arabic for ‘Faith’.

The impression I had was that Bowie in the 1970s was less a Fascist, than a very confused mam, driven nearly to the edge of sanity by the adulation of his fans.

Laibach and the NSK

Then there’s NSK and the Industrial rock band, Laibach. They were from the former Yugoslavia, and were part of a wider art collective, Neue Slowenische Kunst, or ‘New Slovenian Art’ in English. Way back in the 1980s they produced a very Wagnerian cover version of ‘Live is Life’, by the Austrian pop band, Opus. The video was shot very much in the style of the kind of Nazi propaganda films celebrating the countryside, hiking and healthy peasant values. The whole album, Opus Dei, could be seen as an exercise in the kind of music that would have been produced, had the Nazis decided to cover the Beatles, Rod Stewart and Queen.

According to one, very scurrilous and entirely unreliable website, the group deliberately set out to portray themselves as genuine neo-Nazis, dressing in Nazi uniforms. They did so, not because they really were members of the hordes of European stormtroopers, but simply to frighten and annoy the Yugoslav government. The band themselves were anti-Nazi, some of the images they used in their art was designed by anti-Nazi artists. Matters finally came to head when the band spectacularly announced that they were ending the whole charade at a concert. They apparently declared ‘We are as much Fascists as Hitler was an artist’. The Aryan warriors of the Far Right immediately went into meltdown. I’ve heard tales of British Nazis angrily destroying their records when they heard about how they’d been deceived.

When the civil war erupted in the former Yugoslavia, and real Fascism raised its ugly head in the chaos of violence, terror and brutal ethnic cleansing, NSK fled to western Europe. They’ve still continued to make music. One of their most recent projects was on the score for the Finnish SF film, The Iron Sky. This was about a war between an America led by a female president, not too far removed from Sarah Palin, and a Nazi colony on the Moon founded after the fall of the Third Reich.

Laibach’s imagery and artistic style draws partly on Wagnerian opera and the imagery and non-racial motifs of the Third Reich, but this is very much artistic pastiche. Their album Opus Dei can be seen as a comment on the Fascist cult of the leader, and the Second World War as trans-European international conflict, but there’s no racist or anti-Semitic content in the music or covered songs themselves.

The Imperial league of British Fascists

At a much lower level, there also have been a number of small groups here in Britain that have attempted to pose as Nazis in order to cause panic and outrage. Way back in the 1990s or early part of this century, the sceptical Ufolks at Magonia reported the furore surrounding the appearance of another bunch of neo-Nazis in the greater London area. This group styled themselves the Imperial League of British Fascists, and were photographed in the local press in Nazi regalia. Further investigation, however, revealed that there was no such Imperial League, and the assembled stormtroopers were merely the supposed informant, who revealed the story to the press, and his mates having a tasteless laugh.

The Fake Nazis of German TV News

Something similar happened in Germany at about the same time. The Fortean Times reported a case, where a group neo-Nazis supposedly filmed in secret goose-stepping about and generally lowering the standards of the Bundesrepublik, were also found to be the film-maker’s own mates in fancy dress. The film-maker had started a scam in which he produced bogus footage of fringe groups performing weird rituals, and then sent them in to the local news programmes on German television as supposedly real events. For which he was paid. He started with the KKK, then moved to the Odinists and Germanic Neo-Pagans before finally being caught with the Nazis. A particularly eagle-eyed viewer noticed that some of the stormtroopers were the same people as the Klansmen and pagans in his other films.

It’s a funny incident, but underneath the comedy is the sobering, horrific reality of the Third Reich and its murder of tens of millions purely because of their race and political beliefs. Contemporary Germany is still coming to terms with the Hitlerdiktatur and its horrors, which means that stunts like this go beyond a joke.

Bonehill – Not Artist, Just Bully

So, if Bonehill is only posing as Nazi as part of some twisted idea of trolling the public and the Far Right, then he’s not the first by any means. Others have done it long before, and no doubt there’ll be similar idiots doing the same in the future as long as the Nazis and their shock value retain some kind of perceived comedic potential.

Possibly the best thing that can be said of many of these individuals, like the German Nazis in the spoof footage, and the Imperial League of British Fascists, is that they stopped when they were finally caught out. Laibach, by far the best of them, knew when to pack it all in and just carry on as rock musicians. Although their music was partly a pastiche of Nazi forms, they had a following, which recognised this as an artistic statement, rather than a genuine political stance , which allowed them to go on long after they had given up the joke.

Bonehill, by contrast, seems to be just a genuinely malign and unpleasant character, who seems to get some kind of perverse pleasure through being personally insulting and persecuting his victims. He is responsible, after all, for posting grotesquely libellous smears against others, including manufacturing a fake image of a Labour election poster for a particularly controversial Black female politico, claiming that she hates Whites.

There’s no artistic value in these antics. Bonehill doesn’t have the musical talents of Bowie, Sid Vicious, Siouxie Sioux or Laibach, and, unlike some of the provocations of the extreme Left, he can’t and doesn’t justify these as Situationist happenings, as Malcolm McLaren did with the excesses of the Punks. It just seems to be personal abuse and victimisation, simply from a bizarre, malicious delight in tormenting others. It’s bullying, pure and simple, no better than the weird personal abuse meted out online by other, normal trolls, who at least don’t try to justify their actions through appeals to David Bowie’s stage antics four decades ago.

This is, of course, assuming that Bonehill is a ‘Hollywood Nazi’. He may well be, but if he is, it appears that there’s also something inside him that enjoys the feelings of malign power he gets by posing as a wannabe dictator.
Whatever the reality is, he’s unpleasant, and it’s long past time the trolling and vilification stopped.