Posts Tagged ‘Jazz’

More on the Collapse of David Starkey’s Career after Racist Slavery Comments

July 4, 2020

Yesterday I put up two pieces on the outrage at David Starkey’s dismissive comments about Blacks and slavery in his interview on the Reasoned YouTube channel with Darren Grimes. Starkey was asked if slavery was a genocide. He replied that it wasn’t, as otherwise ‘there would be so many damn Blacks in Britain and Africa, would there?’ The outrage against this display of racism has been so strong, that many organisations are severing their connections with TV’s former favourite expert on the Tudors. Starkey resigned from the Mary Rose Museum, Dan Snow’s History Hit channel said that they hadn’t made any original films with him, and were removing one featuring him that they had acquired from a third party. And Fitzwilliam College at Cambridge University stated that they were reconsidering his honorary fellowship. This all came from Zelo Street.

But Mike also put up a piece about the controversy which added further details about the devastating effect Starkey’s comment is having on his career. His publishers, HarperCollins and Hodder & Stoughton, have condemned his comments and stated that they will not be publishing any more of his books. HarperCollins have also said that they are examining his backlist in the light of his remarks. He had signed a three-book deal with publisher. One had already been published, while two were forthcoming. One of these, the second part of a biography of Henry VIII was due to come out this September. These books have now gone.

Fitzwilliam College didn’t wait til next week before considering what to do about him. They contacted Starkey, and have announced that the Master has accepted Starkey’s resignation with immediate effect.

Canterbury Christchurch University also announced that they were terminating his position as visiting lecturer, declaring that his comments were unacceptable and went against the values of the university and its community.

Mike has put up a series of tweets attacking Starkey for his comments from some of the left-wing peeps on Twitter. This includes some of the descendants of the victims of slavery and the genocide of the indigenous peoples of the West Indies. One of those was from Kerry-Ann Mendoza, the might woman behind The Canary. She commented “I’m descended from the indigenous people of the Caribbean: the Kalinago. You’ve likely not heard of us. We were virtually annihilated during the first waves of slavery, which is when the Slavers moved on to importing Black Africans to the Caribbean. So f*** you, David.”

I think the Kalinago are the Caribs, one of the many Indian peoples of the West Indies before the Spanish conquest, along with the Arawaks and the Taino. The latter two peoples were completely wiped out, although I think some Arawaks still survive in South America. After they were conquered, the Amerindians were worked to death under the most brutal conditions mining gold for the Spanish conquerors. The Caribs put up very tough resistance, and it was a long time before they were forced off their ancestral lands. They fought both the Spanish and us, when we entered the Caribbean to conquer territory from the Spanish. We initially claimed that we were intervening on their behalf, but turned against them as soon as it proved useful.

Nevertheless the Caribs survived. Those in the West Indies are called ‘Black Caribs’ as they intermarried with escaped slaves. They have their own reservation. A few years ago there was a documentary following them as they made contact with the other Caribs in South America, rediscovering their language and ancestral skills and culture. Another documentary series on Channel 4, I believe, on the lost civilizations of the Caribbean revealed that genetic analysis of the present day population of one of the islands of the Spanish Caribbean showed that the people were also partly descended from the indigenous peoples. This was a surprise, as it was believed that the Amerindians there had been completely exterminated and had not intermarried with the European settlers. But they had, and now some of their descendants are trying to recreate the heritage, including the religion, of their indigenous ancestors.

The people’s of the ancient Caribbean had an advanced culture. Like the Maya and other peoples on the South American mainland, they played a ball game and built courts for it. One people also left behind stone balls carved with petroglyphs, designs and symbols which to my eyes look somewhat like the glyph writing of the Maya. These people and their culture, however, are now extinct, and so the meaning of these monuments is lost.

Apart from the outrage Starkey’s comments about genocide and slavery produced, others were also angry at what he had said about Black Lives Matter. He had compared them to a rich entitled lady shopping at Harrods, claiming that they ‘usually have lots of money and big cars’. Aaron Bastani, who produced a short video tearing apart Starkey’s claim that slavery wasn’t genocide because Blacks survived, and his stance that the British empire was benign, commented on this remark of Starkey’s ‘These morons have been allowed to set the political agenda in this country because they have been elevated by the media. Millionaires that help billionaires.’ Absolutely.

Others were also understandable furious that while other organisations were dropping Starkey, he still seemed to be acceptable to the Beeb. One of these was Jackie Walker, the Black Jewish activist smeared as an anti-Semite. Jackie’s mother was a Black American civil rights activist, and she is an expert on slavery and Caribbean history. She commented “Just let what he’s saying sink in, then ask how come the BBC/media allow this man to comment on history.” Tom London rhetorically asked if the Beeb had done any soul-searching after Jeremy Corbyn had complained about David Starkey’s comments about the ethnicity of the rioters in 2011. Starkey had appeared on Question Time and declared that they were all Black. When it was pointed out to him that they were also White, he refused to change his views, because ‘they had become Black’ by taking over Black culture. There are White youths who imitate Black gangster culture, but you obviously can’t blame it all for the riots. Starkey’s comments could have come from the racist right, which has been blaming Black music for corrupting Whites ever since the 1920s and the invention of Jazz. Craig Murray remarked that the Beeb has known Starkey was racist for at least nine years, but it has never stopped them inviting him on to spread his poison. Simon Maginn called on the Beeb to condemn his comments about ‘so many damn Blacks’ and will refuse to give him any further airtime and remove him from iplayer. Anything less would be racist.

Meanwhile, Grimes seems to have emerged unscathed, despite the fact that he was responsible for the video. He made a kind of apology yesterday, stating that he should have questioned Starkey’s comments, but claiming that the interviewer isn’t responsible for what the interviewee says. But Lewis Parker commented “You didn’t just interview a racist. You interviewed him, nodded your head in agreement, edited the video, posted the video, and then promoted it. Also, the video is still up on your YouTube channel. What a sad sad excuse.”

Starkey’s career is thus sinking fast, thanks to his bigoted comments. It remains to be seen whether he will still be a welcome guest at the Beeb. Unfortunately, given the Corporation’s overtly Tory stance, my guess is that he will.

But odiously Grimes has so far escaped any kind of real punishment for his part in this debacle. And I’ve no doubt that he, and other ignorant and malign extreme right-wing pundits like him will still somehow be feted as real journalists with valuable, insightful opinions in the future.

See: https://voxpoliticalonline.com/2020/07/03/racist-historian-dropped-by-publisher-and-university-after-shocking-interview-remarks/

 

Bonkers Hateful Riley Compares Durham Miners’ Brass Band to KKK

July 17, 2019

Has Rachel Riley’s mind finally snapped? Is she really trying to discredit herself? Does she actually believe socialists and trade unionists are really anti-Semites? And does she think that of all working people? I ask this because yesterday Mike put up a piece reporting Riley’s deranged sneer at a tweet about Durham Miners’ Brass Band. They had held their annual gala at which they’d played the Israeli folk song, ‘Have Nagila’. This had been put on the web by Charlotte, who tweeted ‘A brass band playing Hava Nagila at Durham!! Chag Miners’ Sameach friends’ followed by three hearts. This was too much for the hateful Riley, who commented

‘As tasteful as showing Black Panther at a Klan rally’.

Which makes you wonder just how much hatred Riley has for the organised working class. From this sneer, quite a bit.

It really is quite irrational, and a very nasty smear at good people. Hava Nagila’s a great tune, which is widely enjoyed by all kinds of folks. I’ve got the sheet music for it at home here, and have enjoyed playing it. I’ve never heard anyone say that it’s offensive for non-Jews to play it. And it’s clear that Charlotte not only really loves the song, but she also might be Jewish. I can’t speak Hebrew, but know enough about Judaism to know that the chagim is the Hebrew word for the Jewish feasts and holy days. So the phrase ‘chag …. sameach’ might be a special greeting or phrase indicating approval. It seems very clear to me that Charlotte enjoys it being played regardless of the ethnicity or religious affiliation of the people playing it.

And the Durham Miners’ haven’t done anything to deserve the implied smear that they’re racists and anti-Semites. They’re simply working people playing great tunes. They replied to Riley with the following tweet

Dear Rachel Riley

Your damaging comments regarding one of our community brass bands has caused great hurt to good people.

Hava Nagila has been played at the Durham Gala by many bands over many years.

We invited you to Durham to meet and learn from the men, women and children who play in brass bands, celebrating their culture alongside music around the world.

It’s a very gracious response to a very ungracious sneer. But I doubt that Riley will take them up on their invitation. She seems too convinced in her twisted views of the working class and their organisations. She really does seem to believe that Jeremy Corbyn, his supporters, and by extension the entire Labour party and trade union movement are anti-Semites who want the destruction of Israel. But as has been said many times by very many people, some very strong members of the Jewish community, Judaism and Israel are not synonymous, no matter what Benjamin Netanyahu wants everyone to believe. Nor do everyone, who support the Palestinians, including Jeremy Corbyn, hate Jews or even the Israeli people. What they want is for the Israeli slow-motion ethnic cleansing of the Palestinians, and the Israeli state’s machinery of oppression and apartheid to stop. As do many Israelis, to whom the Israeli historian Ilan Pappe, pays tribute in his book, Ten Myths about Israel.

As for the Durham miners’ and their brass band, there’s absolutely nothing there to show that they in any way deserve Riley’s accusation. There’s nothing to indicate what views, if any, they have about Israel. And in fact, I’d say that if they’re playing it, it indicates that they have a positive view of Jews. The real anti-Semites and racists object to playing anything from other races and ethnicities. The Nazis didn’t like Jazz, because it was invented by Black people. Similarly they violently objected to modern music composed by Jews, just as they hated art and literature created by them, because they thought it was part of the plot to ‘jewify’ Germany. Genuine anti-Semites and Nazis therefore wouldn’t have played ‘Hava Nagila’ or any other kind of Jewish music. And in fact, for all we or anyone else know, some of the band themselves may even be Jewish, have some Jewish ancestry or have Jewish friends or relatives.

And there’s a nasty parallel here to the outrage Garrison Keillor caused last Christmas or so ago, with a comment he made which was very much seen as anti-Semitic. I think he was annoyed about the number of seasonal songs that had been written by Jews, like ‘White Christmas’ and ‘Rudolf the Red-Nose Reindeer’. So he posted a comment saying that Jews should stop colonising Christmas, or something like that. This naturally cause great offence, and people of all backgrounds replied to tell Keillor exactly what they thought of him. But it seems Riley holds similar views about music and ethnicity/ religion. Just as Keillor objected to Jews writing music celebrating a Christian festival, so Riley appears to hate the idea of working class non-Jews playing a Jewish song, based on no more than her own prejudiced views. If Keillor’s unacceptably prejudiced for his own comment, then so’s she.

It seems to me that Riley’s rage and hatred at Corbyn and his supporters is becoming increasingly irrational. Assuming that it was ever rational in the first place. it reminds me a little of the conspiracy theorists, who made themselves tinfoil hats in order to stop the CIA/Russians/Red Chinese/THEM beaming their mind-control rays at their brains. Years ago somebody made a documentary about the weird fears and myths some White Protestants in the American south have about Blacks and Roman Catholics. The film’s called The Darkness at the Top the Stairs, if I remember rightly, and records some really bizarre ideas, like:

  • Black people have a secret powder they put on themselves to make them appear White. Thus, your best friend could be Black, and you wouldn’t know it.
  • Roman Catholics are telepathic and use their powers to make Protestants think about Roman Catholicism. If you find yourself suddenly thinking about the Pope, it’s because somewhere a Roman Catholic is beaming this image into your mind.

I don’t think Riley has quite reached this level of deranged paranoia yet, but if she’s accusing decent people like the above brass band of being anti-Semites, simply based on her own weird political and ethnic assumptions and prejudices, then it seems to me that she’s not far off.

Mike in his piece about this nasty incident compares it to Riley’s own attack on Mike for his article reporting how she bullied a schoolgirl suffering from anxiety. He invited his readers to look at Riley’s tweet about the band and decide for themselves who they thought was right. As Riley is suing Mike, he also asked his supporters if they knew other people, who were as offended by her attack on the band as he was, and might consider donating to his fund to defend himself from her suit. Mike ended his article

It’s only my personal opinion but I think that Ms Riley’s behaviour is utterly unacceptable. If you agree, please spread the word about my campaign as widely as possible.

Did Rachel Riley’s ‘Durham Miners’ tweet upset you? Support Mike’s libel fight!

Mike’s right: Riley’s behaviour is unacceptable, but she’s getting away with it. As one of Mike’s great commenters, Mark C., says

Every day she is showing her true colours; this seemingly has nothing to do with anti-semitism, and everything to do with her hatred of the Labour movement and its desire to level this country’s playing field.

I wonder how long and how far she can go on before people in this country wake up and realise how crazy and venomously hate-filled she is.

 

 

‘I’ Newspaper Smears Corbyn’s Labour as Anti-Semitic Conspiracy Theorists: Part 3

March 10, 2019

The next anti-Semitic conspiracy theory Verber claims is held by people in the Labour party is ‘Twisting or denying the facts of the holocaust’. The example he gives of this is ‘Chris Williamson’s series of unfortunate events’. He writes of this conspiracy theory

Wander into any coffee shop in Tel Aviv and you will hear all manner of Israelis criticising the government of the day. But none of the Nazis’ anti-Semitic policies are remotely similar to any passed by Israel. The Nazis set out to murder every Jew in Europe and then – had they got their way – across the globe.

Each innocent Palestinian life that has been lost in the conflict with Israel is a tragedy, as it every Israeli life. But Gaza is not Auschwitz. Comparing the two is a lie, a low blow deliberately calculated to cause hurt and pain to a community still in trauma.

Other versions of this conspiracy theory include attempts to play down the Holocaust’s significance or event to question its existence.

Now look what’s being done here. It’s a classic example of ‘bait and switch’. For most people, ‘twisting or denying the facts of the Holocaust’ would mean straight out Holocaust denial, or the noxious variants of it that minimise the numbers murdered. But that’s not what concern Verber. He’s upset because, gasp, some people are comparing Israel’s treatment of the Palestinians to the Nazis. His statement that none of Israel’s policies are comparable to the Nazis is a flat-out lie. Firstly, Israel is an apartheid state. Only Jews can be citizens. This is identical to the Nazis’ policy that only ethnic Germans could be German citizens. The country’s indigenous Arabs also live under separate laws and may only use specific roads. Many municipalities in Israel have passed legislation forbidding property to be let to non-Jews. Furthermore, the country was born partly through a series of massacres against the Arabs. Those making the claim that Israel resembles Nazi Germany, like Tony Greenstein, qualify that statement by saying that it is like Nazi Germany before the launch of the Holocaust in 1942. Gaza is not Auschwitz, as Verber says. But I don’t think anyone has said it was. It has, however, been described as an open-air ghetto.

As for comparisons to Nazi Germany being hurtful to a community still in trauma, this is massively hypocritical. Israelis accuse their politicians of being Nazis all the time. There was even a cartoon in one newspaper of Netanyahu in Nazi uniform.

Now we come to what Verber calls ‘Chris Williamson’s series of unfortunate events’. This begins with Williamson signing a petition against Islington Council’s banning of Jazz saxophonist Gilad Atzmon, a Holocaust denier. Verber notes that he later claimed that he didn’t know about Atzmon’s views. It’s possible. Atzmon considers himself to be a supporter of the Palestinians, although the mainstream Palestinian solidarity movement doesn’t want to have anything to do with him because of his toxic views about Jews. But Atzmon is hardly a household name, and if the petition claimed that he was being banned because of his support for the Palestinians, then it’s quite possible that Williamson signed it in all innocence.

But there is more half-truths and malign insinuations that follow. He states that Williamson has several times shared a platform with Jackie, who has been suspended for falsely accusing Jews of financing the slave trade and playing down the importance of the Holocaust, and defended Ken Livingstone, who said that Hitler supported Zionism. I’ve dealt with the accusations against Walker and Livingstone ad nauseam. Neither of the two are racist, and especially not Walker, who is a Black Jew, believes in Judaism as a religion, sends her daughter to a Jewish school, and has a Jewish partner. The quote the CAA used to claim that she believes Jews financed the slave trade was lifted out of context from a personal discussion with three friends, where it was understood that she was talking about how some Jews financed and profited from the slave trade. Which is true, as she cites the literature and authorities to back up her comment. As for downplaying the importance of the Holocaust, she did no such thing. She was secretly recorded by the Jewish Labour Movement at their Holocaust Memorial Day workshop questioning the exclusive focus on Jews at the expense of other ethnicities, that have also suffered Holocausts. She also asked them to give her a definition of anti-Semitism she could work with. When Marc Wadsworth asked the same question at his tribunal, when he was smeared as an anti-Semite, the tribunal called for an adjournment. When they returned, it was accompanied with four lawyers, all arguing. Walker was singled out because she did not accept the I.H.R.A. definition of anti-Semitism, because it is used to suppress criticism of Israel. As for Leninspart, he was right about Hitler and Zionism. Before the Final Solution was introduced, the Nazis were keen to find anyway of getting rid of Germany’s Jews. And this meant sending them to Israel through the short-lived Ha’avara Agreement. Which is historical fact.

Verber also goes on to say that Williamson has warned of ‘certain dark forces ‘ using their contacts in the media and power to undermine Corbyn. But as we’ve seen, there is abundant evidence to show that these fears are not unfounded, not least as regards Israel.

Verber concludes this section with the words

Outright Holocaust denial has been moved to the fringes even of the world occupied by conspiracy theorists. Given the vacuum, new and more subtle ways of trivialising and attacking the Holocaust have had to be created.

Well I dare say, but this doesn’t apply to criticism of Israel for ethnic cleansing of the Palestinians or the smears against Walker and Livingstone. The last two haven’t denied or played down the Holocaust at all, and neither has Williamson. This is just more lies and smears from him, to try to make them seem anti-Semitic monsters.

BBC 4 Looks Back at Tomorrow’s World

November 22, 2018

Tonight, Thursday 22nd November 2018 at 9.00 pm BBC 4 are looking back at the 1980’s BBC science show, Tomorrow’s World. The programme’s entitled Tomorrow’s World Live: for One Night Only, and the blurb for it in the Radio Times runs

Dr. Hannah Fry joins former presenters Maggie Philbin and Howard Stableford for a one-off live revival of the much-loved science and technology series, which ran from 1965 to 2003. They will be looking at the programme’s archive, discovering the latest in British inventions, testing new technologies in the studio and looking forward to the innovations that will shape our future. (p. 97).

The other short piece about the show by Mark Braxton, on page 95, says

To think the BBC’s flagship science show might have been called “To Be Announced”. Creator Glyn Jones only came up with the title the night before RT went to press back in July 1965. But then there was always something excitingly seat-of-the-pants about Tomorrow’s World.

The influential series ran for 38 years, fronted by a conveyor belt of hosts from the old-school (blazer-sporting Spitfire pilot Raymond Baxter) and the smooth (Michael Rodd) to the long-running (Judith Hann, for 20 years).

It soon became known for things going awry on live TV – Baxter later gamely spoofed both himself and the programme on The Goodies (“This entire studio is held together with string.” Crash!). But the fact is that this was the first chance the public had to see new tech in action: the home computer, artificial grass, the digital watch, personal stereos and so on.

So in this one-off special, ex-Tomorrow people Maggie Philbin and Howard Stableford take a fond look back and a peek into the future. though I won’t consider the project complete without Johnny Dankworth’s jaunty jazz theme and the show spelt out in cake, nails and fried egg.

The Radio Times also has an article on the show by James Burke, another of its presenters, on pages 18 to 21, which includes a list of the predictions the show got right and got wrong. I remember Burke presenting the Beeb’s coverage of the US space missions in the 1970s, like the Link-Up when US and Russian astronauts and cosmonauts docked in space for the first time, and then returned to Earth in each others’ craft, if I recall correctly. I was fascinated by it, despite being only eight at the time. Burke also presented the Beeb’s science blockbuster series Connections and The Day the Universe Changed.

And here’s the show’s titles and theme tune from the Revoxy Channel on YouTube.

More Tory Madness at the Polls: Theresa May Most Popular Leader Since Churchill

April 29, 2017

What are they on?
Or to put it another way, how stupid and gullible do they think the British public is?

I’ve blogged today about the unreliability of the polls. These supposedly show that May has a 16 per cent lead over Jeremy Corbyn, who is, as the Tories and the Blairites are constantly screaming, supposedly unelectable. But those same polls, as Mike has said on his blog, show that the Tory lead apparently fell by eight points in just one week. And the I newspaper also claimed in an article this past week, that while May was in an overall lead, Labour was far more popular with young people.

All this is I can believe. I also mentioned in my last article about the polls a piece by Guy Debord’s Cat, where he argued that polling isn’t designed to provide an objective description of how popular our leaders are, or who really thinks what about a particular issue. They’re carefully manufactured by the polling companies – largely Tory – and the media – also largely Tory – to show the results they want, in the hope of influencing the electorate, thus showing the power of the press as opinion formers.

Hence the constant refrain from the Blairites, the Tories and their lickspittles in the press that Jeremy Corbyn is supposedly massively unpopular with suitable polling figures trotted out to show this. Supposedly. In fact, the media and Corbyn’s opponents within and outside the Labour party are absolutely terrified of him being popular. If – terrible thought! – Corbyn actually wins the election, it will put an end to nearly forty years of Thatcherism in one form or another. The rich might have to start paying their fair share of the public purse again, while the poor might start seeing improvements to wages, services and proper welfare provision. One that provides them with the maintenance they need and treats them with the respect and dignity they deserve. And it will stop the privatisation of the NHS, which UNUM, Branson, BUPA, Circle Health and the other private healthcare providers angling to get some of the market occupied by the NHS are so keen on.

Now I’m prepared to accept that May probably is in the lead over Corbyn in terms of personal popularity, because of the relentless campaign by the mainstream media to promote her. That lead, however, needs to be heavily qualified. Richard Seymour in his book Corbyn: The Strange Rebirth of Radical Politics has pointed out that the ‘Project Fear’ the mainstream media has launched against Corbyn in the hope of terrifying people into not voting for him has backfired. People are reacting against the media’s demonization and constant lying. And so far from making Corbyn unpopular, he’s become more so with people expressing their support for the Labour leader, and getting news and information about him, not from the papers, TV or radio, but from social media on the Net. This is being done spontaneously by ordinary people not connected to the Labour party.

But this is one claim about May’s popularity I find extremely difficult to believe.

According to Have I Got News For You, who announced this straight-faced, Theresa May is the most popular British Prime Minister since the War.

As the little lad used to say on Different Strokes way back in the ’80s: ‘What you talkin’ about, Willis?’

So we’re being asked to believe that Theresa May, who doesn’t want to appear in the leader debates, says she doesn’t want to talk to the press, and makes very few public appearances, and when she does, they’re very carefully stage-managed, is more popular than, well, great British Prime Ministers like Clement Atlee, Harold MacMillan, Harold Wilson or even Tony Blair and Maggie Thatcher? Thatcher was a disaster for this country, but she was massively popular. She was also was massively unpopular, to the point where she was supposedly the most popular and unpopular British Prime Minister since the War. She’s still the great, molten idol of the Tories and Blairite Labour. The first thing Blair did was have her round No. 10 for tea after he won the election.

Thatcher was so strident and strong that she got the nickname ‘the Iron Lady’. May, by contrast, is very definitely weak and wobbly, as Mike’s pointed out, despite all the cries by the Tories and the press that she’s ‘strong’ and ‘stable’.

So the question has to be asked: do the Tories and the press really think that we’re all that stupid to believe this rubbish?

Or, alternatively, have they been drinking too much, or partaking of Jazz cigarettes or other illicit recreational substances? I mentioned in an earlier post that the mugwumps about which May was asked, apart from being an Algonkin word meaning ‘great chief’, were also the strange lizard creatures in David Cronenberg’s film version of The Naked Lunch. Very roughly based on the novel by William S. Burroughs, this is about a pest control man, who suffers massive, very weird hallucinations after he becomes addicted to the poisons he uses to exterminate the bugs and other vermin. The mugwumps in the movie are just some of the bizarre creatures he sees.

Boris Johnson this week called Corbyn a ‘mutton-headed mugwump’, and now the Tory press reckons she’s the most popular Prime Minister since Churchill. Whether or not illegal substances are involved, someone’s clearly tripping.


Theresa May and Mugwump celebrate her lead in the polls. Don’t have nightmares.

Anti-Fascist Songs by Woody Guthrie and Leadbelly

February 19, 2017

I think my political views and biases have made an impression on the search engines on YouTube, as these came up in the ‘recommended’ and ‘you may also like’ bars. Not that I mind – they’re classic, American working class folk and jazz. The machines decided that I might like Woody Guthrie’s Tear the Fascist Down, and All You Fascists Bound to Lose, as well as Mr. Hitler by the Blues/Jazz legend Huddie William Leadbetter, or Leadbelly.

Here’s Tear the Fascist Down

All You Fascists Bound to Lose

Mr. Hitler

It’s a bitter fact of history that at the time Leadbelly was singing this, Blacks were still very much treated as second class citizens with Segregation in the south. Still, he was absolutely right to lampoon and attack Hitler. I also think that popular music had a strong role in bringing Blacks and Whites together to challenge racism. The Nazis hated Jazz. They regarded it as ‘Negro music’, whose raw sexuality was corrosive of White culture and would corrupt virtuous White youth. But it and Blues very swiftly became popular amongst Whites as well as Blacks, and produced numerous ‘White Negroes’ like ‘Mezz’ Mezzrow, who not only listened to Black music, but were highly sympathetic to the people and their sufferings, which produced it. And the same thing happened later when Rock ‘n’ Roll emerged from the fusion of Black barrelhouse Jazz and White Country music. A few years ago I was watching a rock documentary, which mentioned Little Richard. One of the speakers was a Black musician, who remembered how the crowd at dance halls were divided before Little Richard came along. The floor of the dance hall was clustered with Black people dancing, while the Whites tended to cluster around the edges. ‘White spectators, we called ’em’, he recalled. Then when Little Richard came along, the Whites joined the Blacks on the dancefloor. ‘And so we had integration before Dr. Luther King’, the muso concluded.

Absolutely. And the very best popular has been entertaining, uplifting and drawing people together ever since.

‘I’ Newspaper: Joshua Bonehill Found Guilty of Harassing Liverpool Jewish MP

December 8, 2016

After all the false accusations of anti-Semitism made smear genuinely decent people, here’s a story about a real anti-Semite. Yes, it’s that old Nazi troll, Joshua Bonehill-Paine, the ‘Founder’ and wannabe fuehrer of legions of Fascist storm troopers that don’t actually exist. Today’s I newspaper (8 December 2016) carried a report by Emily Pennink, Anti-Semitic blogger guilty of harassing Jewish MP, that Bonehill has been found guilty of racially harassing Luciana Berger, a Jewish MP for one of the constituencies in Liverpool. The article states

A racist internet troll was found guilty yesterday of harassing the MP Luciana Berger in a series of anti-Jewish rants he sent after the jailing of a fellow far-right extremist.

Joshua Bonehill-Paine, 24, wrote five hate-filled blogs about the Labour MP for Liverpool Wavertree after Garron Helm was sent to prison for four weeks in October 2014. Bonehill-Paine denied racially aggravated harassment but was convicted by an Old Bailey jury.

Helm, 21, from Merseyside, had admitted posting a picture on Twitter which showed Ms Berger, 35, with holocaust-era Star of David on her forehead and the hashtag “Hitler was right”. Over the next four months, Bonehill-Paine posted articles online calling her a “dominatrix” and “an evil money-grabber” with a “deep-rooted hatred of men”. In one, he claimed the number of Jewish Labour MPs was a “problem”.

He illustrated his posts with offensive pictures. Throughout, Bonehill-Paine, of Yeovil, Somerset, was on bail awaiting sentence for claiming on Twitter that several people were paedophiles. Giving evidence in person, Ms Berger said she felt sickened by the blogs and “very much under attack”. (p. 21).

Bonehill’s a weird character, who’s been hauled before the beak several times for his bizarre, far-right antics. He’s been arrested for trying to steal police uniforms from a police station, threatening to defecate in a supermarket, falsely accusing a pub of not serving members of the armed forces so as not to upset Muslims, and harassing a young woman when she spurned his advances. This included him sending her an Iron Cross, which he claimed had belonged to Adolf Hitler.

He’s set himself up as the leader of a vast and growing Fascist party that doesn’t seem to exist except in his own imagination. He gave a public speech announcing the launch of one of these shadowy parties in one of the parks in his home town of Yeovil, to a handful of people comprising a couple of police officers and a journalist. Even so, the audience massively outnumbered his Fascist legions, which consisted of precisely one person: himself. He claimed that the real meeting was being held in an undisclosed pub elsewhere in the town.

It’s a moot point whether or not Bonehill himself believes the Nazi tripe he spouts. In a passage he wrote on his blog, which he has since denied, Bonehill claimed that he was only pretending to be a Nazi. It was, he claimed, an invented personality he created, inspired by David Bowie’s persona of Ziggy Stardust. It was intended to deceive and upset both Nazis and anti-Nazis.

Bowie himself did seem to come dangerously close to flirting with Fascism in the 1970s. There’s footage, which has been played by the Beeb on shows about the late pop idol’s life, in which he states that there could only be one real choice for prime minister, and so he was putting himself forward as the Fascist candidate. But Bowie very definitely wasn’t racist. His second wife, Iman, was, I believe, a Somali. The Nazis themselves hated Jazz, the ancestor of rock and roll, as Black music which corrupted Whites. And despite the homosexual undercurrent in Nazism, they hated gay men and sent them to the concentration camps. The ambiguous sexuality of the Ziggy Stardust persona would have been very definitely illegal in Nazi Germany.

It’d be good to think that if this is just a prank by Bonehill, that this time he just might take notice of where it’s getting him and drop it. Unlike Bowie and Stardust, there’s nothing clever or innovative about it. It’s just stupid, offensive and annoying. And it’s about time he realised this, and where it’s getting him, and stopped it.

Miley Cyrus Puts a Wrecking Ball into Trump

March 3, 2016

Mike over at Vox Political has put up a piece reporting that pop chanteuse Miley Cyrus has given her succinct opinion of the New York Nazi, Donald Trump. And it wasn’t approving. She described him as ‘a –ing nightmare’, and in the colourful demotic of contemporary rap, expressed her physical disgust and wish to leave the country.

Quite.

I realise that Cyrus isn’t exactly everyone’s musical cup of tea. She was Hannah Montana, but after growing up she decided to make her act much more raunchy, to the angry dismay of moralists, and the delight of Daily Mail journalists as they rushed to their keyboards to knock off stories about what an evil menace to western civilisation she is, and how twerking should be banned, with full pics so you can share the outrage too. But she’s done something cool here. And she’s right: Donald Trump is indeed a nightmare.

His racial attitudes are horrendous. His bigoted attitude towards Mexicans and Muslims is well known, as is his support for torture, even when it doesn’t work, and the targeting of civilians in the War on Terror, or whatever name they’re giving to the bloodbath in the Middle East. All of this is genuinely frightening enough. His alliance with the far right- he’s actually given press passes to a White supremacist radio show, The National Cesspool – could even pose a threat to pop culture.

Modern pop music, by and large, is pretty liberal. Part of the mainstream American right hates it because of its very frank embrace of sexuality, including homosexuality. The Moral Majority were most definitely not fans of David Bowie, because of the sexual ambivalence of his ‘Ziggy Stardust’ persona. Some of us can remember the 1980s when the Organisation of Senators’ Wives went chasing around demanding that the recording companies put stickers on the records stating that it had offensive lyrics. Just to protect good old American values, you know. The Reagan administration also inaugurate a series of congressional hearing in which various rockers and pop stars were hauled up before the nation’s elected representatives and interrogated about this new moral threat to America’s impressionable children.

They came a cropper when they got to Dee Snyder, the main man from Twisted Sister. They asked him about how he felt about exposing children to inappropriate material. Shouldn’t he be more careful about his band’s music? They actually didn’t know that Snyder was a responsible father himself, and said he was very careful indeed with what his children listened to. I’ve got the impression many rock stars are the same. Behind all the stage makeup and the bizarre performances, many of them in their private lives have exactly the same concerns about raising their children properly as the rest of society. Not all, by any means, but enough to take the wind out of some of those determined that rock is a genuine threat to western society’s moral fabric.

The Far Right also has ambivalent attitude to pop music. Of course, there is a Fascist music culture with the Nazi skinheads and the Eastern European Black Metal bands. On the other hand, there are also parts of the neo-Nazi milieu that bitterly hate pop and rock music because of its roots in Black culture. Modern rock ‘n’ roll started off as a mixture of White country music and Black barrel house jazz. Along the way it also drew on Blues music – it was due to the Chicago Blues style of Howlin’ Wolf that the guitar is the instrument of choice in contemporary pop music. Before then much Jazz was piano-based. Think Thelonious Monk tinkling the ivories, as well as, if I’m right about this, Professor Longhair. Gospel music has its origin in Black churches, while Punk after the initial fury passed was also influenced by Reggae. Let alone the influence of Ska, R’N’B, and so on.

Some of the White bands, who’ve been accused since of stealing the Blues, were originally real supporters and advocates of Black music. When they started out, the Rolling Stones covered songs by various Black American artists. The Stoned didn’t hide their musical debts – they told their audiences who the piece was really by, and the record label that had recorded it so they could hear it for themselves.

And some of the great Black performers were very proud of the fact that their music brought Black and White together. A little while ago Little Richard gave an interview into which he recalled the segregated nature of the dance halls in America. The Blacks tended to dance, while the Whites stood around the hall and watched. Richard, however, said that when he and his band came on, ‘the White spectators’ around the walls stopped spectating, and came and joined the Black folks on the dance floor. ‘And so’, he said, ‘Before Dr Luther King, we had integration’.

The racist right bitterly hates that interracial legacy and the tolerance that has been partly built up by Blacks, Whites and other ethnic groups, like Latinos creating a common musical culture. You can read rants by some of the American Nazi groups denouncing pop as ‘N*gger music’, and sneering at the people who like it, ‘dance like n*ggers’. It’s disgusting stuff, and it goes back a long way. The Nazis also objected to Jazz as ‘Negro’ music. By allying himself with White supremacists, Trump’s also given his support to people, who despise everything mainstream pop music stands for. Hence Miley Cyrus’ condemnation.

The War on Drugs, Racism and Eugenics in Modern America

January 29, 2016

There’s a particularly chilling passage in the chapter ‘The History of “Black Paranoia” in Cockburn and St. Clair’s End Times: The Death of the Fourth Estate, where they describe the revival and continuation of eugenics policies, including the use of castration and sterilisation, and the US government’s ‘war on drugs’. The chapter as a whole is intended to show that Black Americans have very good reason for not trusting the US government, considering the numerous policies that have been deliberately enacted against them. This has includes treating them as unwitting subjects for human experimentation, and the way crimes have been specifically framed by the legal authorities so that punishment bears down hardest on Blacks and other ethnic minorities. The various anti-drugs legislation is a case in point. Although middle class White Americans also used opium, marijuana and cocaine, the laws against them were formulated and promoted to specifically attack Blacks, Mexicans and Chinese, as a way of making them seem threateningly foreign. Cannabis was originally just called ‘hemp’. It was renamed ‘marijuana’ as a way of associating with Mexican workers, who were then competing with White workers in the Depression for jobs. It was associated with the racial threat supposedly posed by Black men, often using the crude imagery of school playground racial stereotype. One government headline screamed that ‘Negroes with Big Lips Lure White Women with Marijuana and Jazz.’ And all this was going on a mere few decades after one US cigarette manufacturer offered smokers cocaine-laced ciggies for their consumption.

The Destruction of Black Communities by the War on Drugs

Cockburn and St. Clair talk about the devastation wrought in downtown L.A. by the War on Drugs, which effectively turned poor Black neighbourhoods into war zones. Wards were walled off from each other, curfews imposed, and Black men were stopped and searched on the street. 89 per cent of those arrested were released without charge. Unemployment soared, as did the proportion of Blacks in US prisons. Poverty increased, and for the first in a century, the average Black life expectancy fell.

Fred Goodwin on Inner City Men Evolving Backwards

And as conditions in the inner cities deteriorated, there was a revival of eugenics. In 1992, Fred Goodwin, the director of ADAMHA, or the Alcohol, Drug Abuse and Mental Health Administration, declared that the increase in Black violence in the inner cities may well have been due to a gene for violence. He recommended that a national biomedical campaign should be launched to isolate the gene and treat the gene’s carriers. In February of that year he gave a speech to the National Mental Health Advisory Council, in which he explicitly stated that violence had increased, as individuals in the jungle conditions of the inner cities had reverted to more ‘natural’ behaviour. He stated:

There are discussion of “biological correlates” and “biological markers”. The individuals have defective brains with detectable prefrontal changes that may well be predictive of later violence. The individuals have impaired intelligence, in this case “cognitive deficit” … Now, one could say that if some of the loss of social structure in this society, and particularly within the high impact inner city areas, has removed some of the civilising evolutionary things that we have built up and that maybe it isn’t just the careless use of the word when people call certain areas of certain cities jungles, that we may have gone back to what might be more natural, without all of the social controls that we have imposed upon ourselves as a civilisation over thousands of years in our evolution.

Planting Electrodes in Brains to Control Violence

Cockburn and St. Clair link Goodwin’s attempt to find the genetic origins of violence and a medical treatment, with that of Lewis “Jolly” West, who presided over the neuropsychiatric institute at UCLA. In 1969 West announced his plan to plant electrodes in the brain of violent offenders, in order to control them. This caused such an outcry that he was forced to abandon his plans. There are shades here of the limiter in the BBC SF series, Blake’s 7. One of the early characters, Oleg Gan, had had a limiter – an electronic device designed to prevent him from killing anyone – implanted in his brain after he killed the Federation trooper, who’d raped his girlfriend. Blake’s 7 was a kind of ‘Dirty Dozen’ meets Star Wars, in which a motley crew of criminals led by the dissident Blake took on the totalitarian Federation. It was very much of its time, and strongly influenced by the medical abuse of psychiatry against dissidents in the former Soviet Union. West and his electrodes suggest that its creator, Terry Nation, the man, who gave children the world over the terrible joy of the Daleks, was also very much aware of the totalitarian tendencies in western science.

The Castration of the Violent

One of West’s own mentors was Dr Ernst Rodin, who was in charge of the Neurology department of Lafayette Clinic. He recommended neurosurgery and castration for the ‘dumb young males who riot’. His views were echoed by West after the Watts riots, but instead of surgery, West recommended sterilising them with cyproterone acetate. In 1972 he recommended that this should be carried out on the inmates in US prisons. This caused such an outcry that his funding was cut.

The Eugenic Sterilisation of the Unfit

Cockburn and St. Clair also cover the eugenics laws enacted in twelve US states in the first two decades of the last century. Between 1907 and 1964 about 63,678 people had been compulsorily sterilised in thirty states and one colony. But this was probably an underestimate of the true numbers of the policy’s victims. In 1974 Federal Judge Gerhard Gessell, reviewing the suit brought by them, declared that 100,000 to 150,000 people with low incomes had been sterilised annually over the past few years in federally funded programmes. Allan Chase, the author of a book on this, The Legacy of Malthus, states that this is comparable to the rate of the Nazis in their sterilisation campaign.

Such programmes were supposed to be voluntary, but Gessell ruled that an unknown number had been forced into it through the authorities threatening to take away their welfare benefits. Those most frequently targeted with this kind of pressure were women reliant on Medicaid to pay their bills for childbirth. One of the intended victims of this was Katie Relf, who successfully fought it off by locking herself into her room. Chase has estimated that by the end of the 1970s, the US was sterilising 200,000 citizens annually.

Winston Churchill, Eugenics, and the Bengal Famine

And the policy was not without its supporters over here. Winston Churchill also supported the policy, and wanted to see about 100,000 degenerates in the UK forcibly sterilised. This isn’t by far the most loathsome thing the great War Leader ever said or did. Last week, Secular Talk covered the story in the Independent that 40 per cent of Brits miss the Empire. The show covered a series of crimes against humanity committed by the Empire and its servants. These included the Amritsar Massacre, the incarceration of Afrikaaner women and children in concentration camps during the Boer War, and the Bengal Famine, in which 27 million people died of starvation. The wheat that could have fed them was diverted to British troops fighting in Europe in the Second World War. For the victims, Churchill had no sympathy. He said he hated Indians, and that it served them right for ‘breeding like rabbits’. He may have been the great leader who kept Europe free, but that doesn’t stop him from also being a moral slug.

Conclusion: Don’t Trust Those Who Claim to Have Found the Gene For Whatever

Apart from its main point – that American Blacks have every reason to be alienated and distrustful of the government and authorities, the chapter also shows how recently such racist attitudes were accepted by medical authorities, as well as the use of sterilisation against the poor generally. And it also provides very good reasons for being extremely distrustful of scientists when they claim to have found the gene for ‘X’. This includes the gene for schizophrenia, for homosexuality, and for violence. The latter surfaced yet again about a few months ago. Someone was claiming that extremely violent crims had a certain mutated chromosome. Then another biologist pointed out that roughly half of everybody also had the gene, and it didn’t make them into psychos. There’s a real danger here that if we pay too much attention to these scientists, we’ll be back with sterilisation and compulsory lobotomy. Just like the early 20th century and Nazis.

Cult SF/ Fantasy Artist Roger Dean Talks about his Art

July 22, 2015

I found this short video with Roger Dean over on the 70s Sci Fi Art tumblr page. Dean’s an illustrator, who has been producing literally fantastic work since the 1970s. He’s best known for his album covers for the ’70s prog rock band Yes, and the floating islands, which have become a kind of artistic signature.

The video was produced for an exhibition of his work on a cruise ship. As the 70s Sci Fi Art page notes, however, it’s treated as a kind of mini-documentary. Despite being only just over five minutes long, it’s full of insights. Dean describes how he came to England from Hong Kong in the late 1950s, his first work for Ronnie Scott’s Jazz Club (Nice!) and how he came to design the logo for Yes.

He also gives advice about where he gets his ideas for aspiring artists: read, fill your head with great images, and don’t get too anxious about your work. Care about it, but don’t worry. Worry is the enemy of creativity.