Posts Tagged ‘‘Icarus’’

Franky Zapata, French Hoverboard Pilot and His Marvel Comics’ Predecessor

July 23, 2019

Yesterday’s I, for Monday, 22nd July 2019, carried a profile on page 3 of the ‘inventor and daredevil’, Franky Zapata by reporter David Woods. Zapata’s a former jet ski champion and French military reservist, who intends to attempt to cross the Channel this Thursday on a jet-powered hoverboard he’s invented. He’s doing it to mark the 110th anniversary of French aviator Louis Bleriot’s historic flight from France to England. Apparently, Zapata will fly from Sangatte near Calais to St. Margaret’s Bay near Dover.

He could only afford to make his vehicle after receiving a grant for £1.1 million from the French defence and procurement agency last December. The board has five mini turbo engines and can run independently for ten minutes, reaching a speed of 118 mph. Zapata has said, however, that he intends to cruise at 86.9 mp.

Zapata demonstrated the craft’s abilities at the Bastille day celebration last week, where he flew around the Champs Elysees waving a gun around in front of Macron and other European leaders. But he’s rather more pessimistic about his chances with this flight. He told the paper Le Parisien that he’s only got a thirty per cent chance of succeeding in this flight, saying that he only used 3 per cent of the board’s capabilities when he last used, but will need to use 99 per cent of them for this flight.

The French maritime officials have said that the Channel is extremely dangerous because of the sheer volume of shipping. They have insisted that Zapata informs search and rescue teams before he takes off. This means that he will only be able to refuel once instead of twice, as he originally planned. This makes the flight, according to him, 10 times more difficult.

I hope he’s able to make the flight and complete it successfully without killing himself. Louis Bleriot’s flight across the Channel is one of the great landmarks in the history of aviation, and hopefully, this will be too. People have been fascinated by flight and inventing flying machines since Daedalus and his son, Icarus, in ancient Greek myth. There are any number of people now building their own, often rickety and highly unwieldy flying machines, many of which use propellers driven by electric motors. I hope Zapata succeeds, and inspires even more hobbyists to create their own machines. Just as I hope his flight isn’t as disastrous as Icarus’. He flew too close to the sun, so that the wax holding his wings together melted and fell out of the air and crashed.

But looking at Zapata and his hoverboard also reminds me of another figure, this time from Marvel Comics. It doesn’t look that much different from the device Spiderman’s old enemy, the Green Goblin, used to fly around on. All it needs is a pair of bat wings. Here it is with the Goblin himself from the cover of Stan Lee’s Bring on the Bad Guys: Origins of the Marvel Comics Villains (New York: Simon & Schuster 1976), as drawn by the great Marvel artist, John Romita. So it seems that this is once again a case of life imitating art, and Stan ‘the Man’ Lee, Jolly Jack Kirby and the rest of the Marvel madhouse got their first.

 

 

 

 

 

 

 

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2014 Re-Release Trailer for 2001

December 23, 2017

It’s Christmas, so I’m trying to intersperse the serious stuff I’m posting up here with lighter material, so that’s there some seasonal good cheer flying around. I found this on the Movie Clips Channel on YouTube. Kubrick’s epic SF film, 2001: A Space Odyssey was re-released at the cinema in 2014, thirteen years after the film’s nominal date. And it shows brief clips from the movie, mixed with suitable quotes from critics and directors. The clips are from some of the film’s iconic moments – the black monolith, the discovery of clubs and tools by primitive apemen, HAL, the lone astronaut jogging around the spinning living space inside the Odyssey, which gives it artificial gravity, to Khatchurian’s ‘Gayane’. The Odyssey itself, natch, the super-sleek space shuttle approaching the wheeling space station to the tune of Strauss’ ‘Blue Danube’, the symbolism of the Sun and moon appearing in line with the Monolith early in human prehistory, the strains of ‘Thus Spake Zarathustra’, the Moon Lander descending to the underground moon base. And of course, the Star Gate.

Kubrick told Clarke he wanted to make the greatest SF movie of all time. And for many critics he did it. The film is epic, baffling and infuriating. When it was shown on BBC TV in Christmas 1983 or thereabout, my brother, father and myself all had an argument afterwards about what on Earth or space it all meant. It’s an intelligent, and paradoxically also a deeply religious one. Clarke, an atheist, who famously wrote the script, has made this point in interviews. It deals with intervention in human evolution by non-human intelligences, and has themes of death, rebirth and transcendence. Think of the last ten minutes or so of the movie, where Bowman ages before being transformed into the Star Child. And the pictures on his chamber walls are of the Madonna and Child. Again pointing up the theme of divine incarnation and birth with a salvific mission.

Back in the 1990s George Lucas re-released his Star Wars: Episode IV, which had been retouched with digital technology and computer graphics. Some of the critics got carried away, and announced that it was the greatest SF movie ever. Not so, replied the great man, who took out a whole page advert in the LA Times to say that 2001 was the greatest SF film of all time. A generous homage by one of the great masters of modern SF cinema.

There’s been a trend in some cinemas showing old movies. The other year one of cinemas around the country showed the original Blade Runner movie. Another showed the Czech SF epic Icarus. And one of the theatres in Cheltenham screened a series of old films, including the classic British comedy, The Ladykillers. This is film as it is made to be seen: at the cinema. My only regret is that I’ve managed to go to none of the re-releases, except Star Wars.