Two weeks ago Mike over at Vox Political posted a piece about how he had praised on Twitter the Last Leg for its hosts describing the Tory government’s lethal policy of throwing disabled people off benefits for what it was: a disabled genocide. Alex Brooker and the show’s main man, Adam Hills had said of the policy
“At first these cuts looked like a good plan experiencing teething problems, then it started to feel like a badly executed system but now – it’s beginning to look a lot like disabled genocide.”
“This government is slowly killing off a generation of disabled people.””
He continued: “The only question is are they doing it on purpose? Because if you are, why stop at sanctions?
”Why not round us up put us on a reservation and sterilise the drinking water because that is literally more humane than what you’re doing right now. For any Conservatives watching that is not a genuine suggestion.”
Brooker and Hills then urged the government committee meeting to examine the issue not to issue bonus for swift assessments, but to punish people when they do so wrongly.
Mike makes the point that his blog had also been describing the Tory policy as a genocide for years. Mike also hoped this would spark a debate, but noted that the social media was far too much a minority pursuit to do so on its own. He hoped mentioning the Last Leg, a popular comedy news review show on Channel 4, would do something to get more people interested. Unfortunately, Mike was disappointed. After only a couple of days, the story had been overtaken by the controversy surrounding Emma Watson showing much of her bosom in one of the fashion magazines.
See: http://voxpoliticalonline.com/2017/03/05/praise-for-the-last-legs-attack-on-disabled-genocide-but-was-it-only-words/
I am not surprised there has been this silence over the organised murder of the disabled. Much of the supposed news content of the mass media is, as Mike and the other bloggers have pointed out time and again, ad nauseam, about provoking hatred and demonising those on benefits and particularly the disabled. Mike has frequently cited the statistic that while fraud accounts for only 0.7 per cent of benefit claims, the general public seem to have swallowed the media’s lie so that they believe 25 per cent of all benefit recipients are scroungers and malingerers. One of the worst offenders in this regard is the Daily Hail, where these stories are a constant staple of its ‘journalism’. The TV companies aren’t much better, however. Over the past few years we’ve also seen the emergence of ‘poverty porn’ TV series, like Channel 4’s Benefits Street, looking at the lives of Britain’s poorest people on welfare. These series also regularly show amongst their cast of real-life characters, at least one person, who is committing fraud. It wasn’t a coincidence that one of these series was produced by the TV company owned by Esther McVie, Cameron’s ‘Wicked Witch of the Wirral’, who was briefly in charge of throwing the disabled out off benefits and out of their homes when she was at the DWP.
The media’s and general public’s lack of reaction to the claim that Britain’s disabled people are being systematically targeted for extermination by an uncaring government reminded me of the controversy in America way back in the late 1980s and early 1990s about claims that there was a secret government plot to exterminate the Black population. Many Black Americans were so convinced of this, that Jack White, a journalist at Time magazine, wrote an article rebutting it with the title ‘Genocide Mumbo Jumbo’. Harry Allen, the ‘media assassin’ with the Black rap outfit, Public Enemy, was then asked to write a response to it. Adam Parfrey included the resulting article ‘How to Kill: Are Afrikan People Subjects of a Genocidal Plot?’ in his book Apocalypse Culture (Los Angeles: Feral House 1990) 229-44.
Apocalypse Culture is an anthology of essays and articles on fringe and extreme issues in America during the late ’80s and first year of the ’90s. Many of the articles are written from an occult perspective, or that of new religious movements, the paranormal, and extreme or fringe political movements so that the authors include the late head of the Church of Satan, Anton Szandor LaVey and the founder of the Nation of Islam, Elijah Muhammed, as well as Oswald Spengler, the conspiracy theorist John Shelby Downard and the chronicler of weird phenomena, Charles Fort, and the Red Brigades. This is genuinely transgressive writing. While I don’t agree with the occult and am not a member of a new religious movement or hold the extremist political views of some of the authors, this does not mean that I don’t think that some of the writers have a point.
Allen in his article interviewed Jack White and Asiba Tukahache, a First Nation American woman, who stated that she’d been aware of the genocide of Black people since 1973. Clearly the organised campaigns that have been inflicted on Black people and Indigenous Americans are different from the British government’s attacks on the disabled. Nevertheless, some of the observations Tupahache and White make do seem to parallel some of attitudes and the process of discrimination that disabled people on this side of the Pond are experiencing. For example, Tupahache remarks on the way racist portrayals of Blacks were still considered acceptable on television, and the way monuments to her people on Long Island were being obliterated in the 70s, at the same time Roots was on TV and everyone was talking about slavery. She said that what first brought this issue to her attention was
‘Seeing an ‘Inky’ Warner Bros. cartoon caricature on television. I was just amazed that the cartoon was still being shown, and just how easy it was for that to be shown, and no one objected. No one seemed to think anything was wrong. I started making photographs, taking pictures, shooting off the television-Flintstones cartoons, shooting ads out of magazines, billboards and everything. Just feeling like there was something I was going to do with it, just to tell everybody how wrong it was and how abnormal it was to pretend, or at least not know, that anything was wrong, when it really was a very hurtful thing. I didn’t what I was gonna do, I knew I was gonna do something, and I just started collecting stuff, and it turned into boxes…
I think the turning point was when some land markers were going to declare on (sic) of our ancestral areas Long Island’s first Black national land mark. It kind of flipped my brain inside out, trying to deal with the panic and outrage of my relatives, while at the same time trying to understand and cope with deaf, dumb and blindness of a public, who I thought wanted to know the truth, but who, in fact, only wanted to know what they wanted to hear. 1977, right after Roots was televised, and everybody was slave wild. And it was bicentennial time, and nobody wanted to hear about this obscure idea of a people called Matinecoc getting in the way of their slavery revelry and their bicentennial minutes.
Tupahache was nevertheless successful in bringing the issue to a large number of people, and said in the interview that she was overwhelmed by the public’s response. She stated that it had received
Very positive reactions, for those who have seen it. And I guess that’s probably what really overwhelmed me the most. The first week I sold a hundred copies of it, after a radio discussion on a show called Night Talk. I didn’t really understand the impact that it made on people, but it did [make one]. And just the process of sending them out to people, then finding it had been understood and useful was kind of a transition right there, because I had spent all the time gathering the evidence, figuring it out, writing it all out, and then sending it out. Saying goodbye to it.
She also makes the point that many people in Nazi Germany also did not believe that their government was trying to exterminate people because of their race.
Well, you have an environment of extreme terror. People are responding in terms of genocidal acts of aggression against them, because of how brutal things are and can be. And also, as DePres has said in his book, that a lot of people refused to believe that it was going on in Nazi Germany too.
And it was just that people who, quote, ‘live decently’, unquote, don’t want to think that there is anything going on around them that could mean a guilt on their part, or an examination of their lives, or a questioning of their own motives or failure to do something about it. But that has its opposite reaction: For all of that denial, you also have that very same panic and fear. Not that the fears of the people are unfounded, when I talk about panic, but from the absolute fright of what’s going on =which is so obvious to them, but is totally deniable and invisible to others who seem to wilfully not want to address it or change it.
There’s another form of absolute terror! When you totally rearrange what’s going on around you into “Mumbo Jumbo”, or to trivialise it, to the point of contempt, is another form of denial. To say it isn’t rue, to trivialize.
White and Tupahache also differed in their attitude to whether genocide was possible in a democracy. Tupahache did not believe it was, while White admitted it could. When asked if it was possible in the United States, he replied
Well, I think it’s probably unlikely. But sure, why not? I mean, probably not in the United States, but you’re asking in principle, right? In theory? Sure, I think it’s possible. I think that’s why in societies like this one we have constitutional protections: To protect minorities, because I think it’s always possible. I mean, the mass hysteria that attended the rise of Nazism in Germany could conceivably take rise in any society in the world, if had sufficient friction, and the right ethnic group, and the right sort of numbers involved. Again, I say, I don’t think that pertains to the United States, but it’s conceivable it could occur somewhere else, and probably has. I don’t know that it has but it probably has.
Some of the difference between White’s and Tupahache’s view of whether there is a Black genocide in America comes from their difference in attitude to what constitutes it. For White, it seems to be a matter of the use of physical force. For Tupahache, it comes through a system of racialization that denies people their nationhood and connection to the land, which makes them other than human, and which also leads the victims to blame themselves for the brutality that is inflicted upon them.
Reading these different, it’s clear from Tukahache’s experience that disabled people in Britain are not alone in finding that a public that considers itself liberal and informed does not want to hear about or discuss the way they are being systematically discriminated and killed through the withdrawal of the support they need. People don’t see it, because, like the racist images of Black people in mainstream culture, they don’t see anything wrong with it and don’t connect it to mass death.
The public is being told by the mass media that welfare recipients, and particularly the disabled, are all scroungers and malingerers, so they think that if people are being thrown off benefit, they’ve only themselves to blame, because they’re obviously a scrounger or malingerer. And like the Nazis, the Tories have been very carefully to keep the numbers of people they’ve killed from reaching the public. You look at the articles posted by Mike over at Vox Political about his struggle to get the information from IDS’ DWP. The Department refused again and again, decried his requests as ‘vexatious’, and did everything it could to block or evade answering the question. And it’s still doing so.
And my guess is that much of this indifference also comes from the was accusations of Fascism have become so routine, that there is a tendency not to take it seriously. For example, one of the people, who took the opportunity to pose on the empty fourth plinth as a public work of art, was a disabled woman in a wheelchair. She dressed in Nazi costume, and sat in her chair, on top of the plinth, as a protest against the government’s treatment of the disabled. This was reported in the Independent, and then, I think, forgotten. Yet another person from a minority making an hysterical and inflated claim to persecution.
My guess is that for most of the public, discrimination against the disabled is probably connected with issues of accessibility and jobs. These are issues of frustration and injustice, yes, but not at the same level as being herded into gas chambers, shot, or dragged into reservations or forced labour camps. And because of that – because the organised campaign to deny disabled people the funding they need to live, let alone live with dignity – it is easy for the public and the media to dismiss any complaints about genocide as grossly exaggerated. More inflated hyperbole from grievance-mongers.
Except that this is a genuine grievance, and the disabled are being genuinely killed by the government’s callousness and determination to save money, even if it means death to those refused it.
As for the issue of racial genocide, I’m afraid that now, after a quarter of a century, that seems far more possible in Trump’s America than it did when the article was first published. Trump’s administration is racist in its determination to deport and ban Latin American and Muslim immigration, and it includes people, who are genuinely racist and hold views that could reasonably be considered Fascist and White supremacist, like Steve Bannon, Richard Spencer and Sebastian Gorka. They need to be stopped, before they start killing people.
As for raising awareness of the genocide against the disabled in this country, Stilloaks, Atos Miracles and DPAC are publishing details of the people the government are victimising and throwing off benefit. I hope the Last Leg will continue to cover this issue, and persist in calling it what it is so that the Tories can’t get away with denying what they’re doing. There are artists out there, who’ve also made it the subject of their work. Johnny Void had on his site a few years ago a picture made up of smaller photos of some of the victims of the government’s policy. I hope they also carry on, and are joined by more artists, journalists and commenters. And perhaps what we need here is for a few more people on talk radio to cover this, and not be satisfied by the smooth, patronising lies of Damian Green, Iain Duncan Smith, Cameron or May.