Posts Tagged ‘Hitchcock’

‘To End All Wars’ Sample Page

April 3, 2014

Coward's War pic

Page from the story ‘The Coward’s War’ from the To End All Wars Graphic Novel

Yesterday I put up a piece about the article in that day’s edition of the I newspaper reporting the publication of a new graphic novel on the First World War. Introduced by 2000 AD’s Pat Mills, the comic aims to present the grim reality of the conflict, documenting some of the challenging, embarrassing and difficult facts and attacking the jingoistic lies told about the War by Michael Gove and similar Right-wingers. The article also contained the above sample page of artwork from one of the stories, ‘The Coward’s War’, about Thomas Highgate, the first British squaddie executed for cowardice in the War. I didn’t put it up yesterday, and so here it is today. It’s credited to Jonathan Clode, writer, Matt Soffe, artist, and with lettering by Jim Campbell. Enjoy!

This is not the first time comics have taken an anti-War stance. Back in the 1990s during Gulf War I there was a strip attacking that conflict, The Unknown Deserter, if I remember correctly. I don’t know if Alan Moore is anything to do with the above anthology, but he also wrote another anti-war comic, Real War Stories. This was intended to show the horrific reality of modern conflict. Moore wrote it in connection with a conscientious objectors’ group in the US, and based it on real soldiers’ accounts of combat, such as what it feels like to be shot and so on. This volume seems to be similarly meticulously researched, as you’d expect from a creative team that includes Mills, the writer of the classic comic First World War story, Charley’s War. I’ve reblogged Mike’s story about the forthcoming graphic novel adaptation of classic First World War poetry, and the news that Mills and his artist, Hitchcock, also have another First World War project, Brothers in Arms, waiting for a publisher. With all this coming out from the funny papers, it should provide something of an antidote to some of the views on the War being broadcast by the BBC. It’s also a reminder why David Cameron’s recommendation that people should commemorate the centenary of the War’s outbreak with street parties is such colossal, tasteless and offensive nonsense. Jeremy Paxman, away on a lecture tour of the Gulf States, criticised Cameron for that.

Unfortunately, Paxo didn’t get the reason why so much of British yoof arguably wouldn’t volunteer en masse as they did for the War. A few weeks ago the I reported that Paxo had complained that in today’s climate, the army would struggle to fill a trench due to the apathy and luxury of today’s young people. He claimed that most of today’s kids really wouldn’t know what to do with a military trench, and instead of doing anything militarily useful would probably stand around taking pictures of it on their mobile phones.

This is too cynical and dismissive a view of modern kids. Right through history the older generation have complained about the immorality of the younger. One old Soviet cosmonaut, when asked how he felt about Russian young people grooving in a disco held at the Moscow Space Museum the day before the collection was due to be broken up and the Museum closed, simply remarked that they’d found a complaint about how terrible the kids of today were scribbled on a wall in Babylon. He had no desire to complain about the young lads and lasses partying the night away there, but quietly sat there with his wife enjoying the evening. It’s a good attitude.

If today’s young people aren’t as ready and willing to volunteer to fight and die for their country as they once were, it’s because history has left them with fewer illusions than that generation. The lessons of history have all too often shown that the imperialism, which the British and other Western powers viewed with pride as bringing civilisation and justice to the benighted peoples of the rest of the world was all too often simply a pretext for invasion, carnage, oppression and exploitation. And people are now far more aware of the reality of warfare – the soldiers returning home with shattered minds and missing limbs, or who simply don’t come back at all. The illusion that you can somehow have a sportsman’s war that’ll be over by Christmas is extremely difficult to maintain. Hence the way the reporting of the harsh reality of the wars in Iraq and Afghanistan are very carefully concealed and managed by the military and civilian authorities. The American radical magazine, Counterpunch, did a piece on this a few years ago. They noted, for example, that unlike in the Vietnam War, the journalists covering the conflict are embedded within the troops themselves, so they get to feel part of the team, and rely on them for their own personal safety. It’s all part of a strategy of managing the War’s coverage to keep it as positive as possible, and avoid the negative coverage like that which turned American public opinion against the Vietnam War.

And with Pat Mills and his fellow artists creating these strips, the lessons of what war is really like in the case of the First World War, will be brought home once more. And its going to be grim. Wilfred Owen’s piece, ‘Dulce et Decorum Est’, anthologised in To End All Wars, contains some truly horrific descriptions of what actually happened. It describes the froth spewed from a stricken trooper’s lungs after he was gassed as like a ‘cud’ and ‘a Devil’s sick of sin’. This is ugly stuff, described in beautiful poetry and doubtless with beautiful artwork that’ll do the poem justice. And the fact that Paxo doesn’t understand why so many young people after the First World War are less than enthusiastic about joining the army for another one shows how needed such comics are. Except that it’s probably not the kids who need to read them, but the older generation of the establishment looking on and castigating them for a cynicism that has been ground into them by the bleak lessons of history the elders of the establishment don’t understand or share.

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