Here’s another interesting video from the same sociology professor, who showed that Korea and other societies outside Europe also had the ideal of pale features as their standard of beauty. In this video he shows that other peoples also don’t necessarily see race the same way as Americans. He talks of a trip he and his students made to Haiti. They had a couple of Black Americans with them, who the Haitians called ‘Blans’ – Whites. The Haitians regarded them as White, despite their dark skin colour, simply because they were Americans.
I came across much the same attitude in Nigel Barley’s The Innocent Anthropologist. Barley’s an anthropologist, and the book’s his hilarious account of his time doing field work with Dowayo of Cameroon. One of the other westerners in the area was a very racially aware Black American anthropologist. The man was very much into ideals of Black brotherhood, and so was keen to live the same way as the local people. They, however, regarded him as ‘the Black White man’, the African term for westernised Blacks. Rather than respect him for trying to live like them, they expected him instead to behave like every other American. They also despised him for being mean. The guy refused to have any servants to do his laundry, as his ancestors had been servants during slavery. But in Africa, if you’re wealthy you’re expected to spread it around by employing people. And so his refusal not employ laundrymen wasn’t seen as a gesture of Black dignity and solidarity, but simply him being tight-fisted. The guy also had been surprised to find out that nobody in that part of Africa had heard of a supposedly African festival celebrated at about the same time as Christmas. Thinking about the passage, it sounds like Kwanzaa. This is supposed to be an authentic African festival, but was actually invented by Black radicals in the 1960s, although it’s based on a Swahili harvest festival. Barley also talks about how he was blind to the racism within African society. For example, the fellow didn’t see the way the Fulani traders in the local market operated to keep other tribes out. There were other examples in the book. During conversations with some of the Africans, he was told that the nuns massacred in the Congo were killed because they were racist. When they were asked about the Dowayo, however, these same Africans denounced them as terrible pagans and ‘sons of dogs’ before asking him what was racist about that.
There are other ideas of race and other forms of racism not centred around colour, but this is too often ignored because of western ideas of race.
I know very, very little about Black American art. I’ve heard of Grandma Moses and the Harlem Renaissance, and that’s about it. I’ve been watching a number of art history documentaries on YouTube, and this piece about Jacob Lawrence from Paul Priestley’s Art History School channel came as something of a revelation. Lawrence was one of those great figures you’ve never heard of, a true pioneer. He was, for example, the first Black American artist to be taken up by a major gallery. This short video tells his story.
Lawrence came from dirt-poor working class parents, and at various times throughout his career he worked menial jobs simply to pay the rent. He was inspired to become an artist by looking at the Renaissance masters like Giotto on display in New York museums. He was exhibited in a gallery when he was only 18, but still had to keep that day job. His parents would have preferred him to have been a mailman. He carried on like this, painting while working day jobs and occasionally taking art courses for some years until he made his breakthrough and the big galleries began picking him up. During the War he did his national service in a segregated regiment, but was later moved to a desegregated one and served as a war artist. He also met various avant-garde artists, who had fled to America from the Nazis. After the War he was taken up by a number of increasingly prestigious galleries and foundations. The stress of the sudden fame and recognition was sadly too much for him. His mental health deteriorated and he was forced to spend time in a mental hospital. He recovered, and journeyed to Nigeria to explore Africa’s artistic heritage, while lecturing on the influence of African art on western modernism, like the Cubists. He also gained a post as university art teacher.
Much of his work is naturally about Black American history. He was also fascinated by Haiti’s history, and painted a series of pictures about this subject. He also painted a series on the migration of Black Americans from the south to the north after the Civil War, as well as at least one painting of the anti-slavery fanatic, John Brown. He was concerned to paint from every day life, and so much of his paintings show people at work, building, doing carpentry and so on. He also painted scenes based on his incarceration in the mental hospital.
His style is simplistic, and the figures do remind me a little of some of Picasso’s works, like The Bathers. But somebody also said that if you looked at them, there was too much craftsmanship for them to be naive. He also uses bright, vivid colours. It’s a great introduction to one of the unknown masters of modern American art.
A few weeks ago I found a notebook I had when I was working at the former Empire and Commonwealth Museum in Bristol, now sadly defunct. I’d made notes in it of anything relevant to what I was doing at the time, cataloguing the Museum’s documents relating to slavery or otherwise seemed relevant.
At the time Jamaica was promoting the Maroons, the free Black communities who had fought and won their freedom from British slavery, as a tourist attraction. There were five Maroon towns, one of which was Accompong. According to a travel book on the Caribbean nation I read at the time, there was a Maroon tour to Accompong which ended up in another towns founded by the free slaves, Maroon Town. On the 6th of January each year, the Accompong Maroon Festival celebrated the victory of the Maroon leader Cudjoe over the British. This took place at the Kindah area and the Peace Cave. There was also a Maroon Tourist Attraction Company, whose headquarters are, or were located 32 Church Street, Montego Bay. This is the company that organised the tours to Accompong.
The museum displaying the history and culture of the Arawak, who with the Caribs were Jamaica’s two indigenous peoples, and who also inhabited many of the other islands of the Caribbean before the European invasion and genocide, is the White Marl Arawak Museum in White Marl, St. Catherine, Spanish Town. This is run by Institute of Jamaica and includes a reconstructed Arawak village behind the museum proper.
Not all of the unfree population of the Caribbean were Black slaves. The Caribbean was also settled using indentured servants, who could be and often were as badly treated as the slaves and often joined them in revolt. There is a Historical Mini-Museum to Jamaica’s indentured German labourers in Seaford Town, also in Montego Bay, as well as a Jamaican German Society. I also believe one of the Caribbean islands also has a gallery or little museum devoted to the Polish settlers. They were freedom fighters, who joined Napoleon’s troops in his invasion Russia in order to liberate their country from Russian rule. Following the Corsican general’s defeat, they fled to the Caribbean. Because of their role in fighting against slavery in the French Revolutionary armies, I recall that they were the only Whites legally permitted to settle in the independent, Black republic of Haiti.
I don’t know if this information will help anybody, but these are important and fascinating parts of Jamaican and Caribbean history.
There were also a couple of books specifically about the Maroons. These were
Angorsah, E. Kofi (ed), Maroon Heritage: Archaeological, Ethnographic and Historical Perspectives (Kingston: Canoe Press/ University of the West Indies: 1994).
The anthropologist Katherine Duchamps also wrote an account of her Journey to Accompong in 1946.
There was also a History of the Maroons published by R.C. Dallas in London as far back as 1863. I don’t know if it’s been republished, but it might be that somebody at university with an interest in the subject could get a copy on academic loan.
This is a fascinating video I found on Novara Media’s channel the other day. In it, host Aaron Bastani talks to archaeologist David Wengrow about the origins of the state and the development of social inequality. Wengrow argues that the evidence from archaeology challenges assumptions that prehistoric and preliterate peoples were incapable of rationally deciding for themselves what kind of societies they wished to live in. He gives examples from prehistoric Europe and North and South America to show that ancient and indigenous peoples not only did decide on the kind of societies they wanted, but were perfectly capable of reversing trends in their societies towards authoritarianism. One of the examples of this, which I found truly jaw-dropping, was one of the city states the conquistador Hernan Cortes made alliance with against the Aztecs. Unlike the Aztec empire, that state city was a democratic republic. He also talks about the influence on Enlightenment critiques of western society of a Huron Indian chief in Canada, who was an intelligent conversationalist able to hold his own in conversations about the nature of society to such an extent that French, British and Dutch colonial authorities invited him to dinner to talk this matter over.
Wengrow starts off by stating that modern political theory about the origins of society, as taught in politics courses, is completely divorced from archaeological accounts. The theory is based on the speculations of foundational Enlightenment thinkers like Hobbes and Rousseau, who admitted that they were speculating. But these accounts are now taught as fact. Archaeological research, however, is overturning previous ideas about the origins of urban society. For example, it was believed that agriculture and urbanisation were linked and appeared together as part of the Neolithic Revolution. But this is not the case. Excavations of the ancient city of Catalhuyuk in Turkey show that while it was an urban centre, although Wengrow hesitates to call it a city, show that its people were still hunter-gatherers, living by foraging rather than agriculture. And the same is true of the settlement at Amesbury at the time Stonehenge was being built. The people then had given up agriculture, although they retained animal husbandry. It appears they had tried growing crops and then rejected it in favour of foraging.
He then goes on to talk about the Huron Amerindian chief. He inspired a colonist from New France, who had been expelled from the colony, to write a book based on the chief and his dinner conversation when the colonist was penniless in Amsterdam. This became a massive Enlightenment bestseller, and inspired other books by Voltaire and others in which Chinese, Tahitians and other outsiders criticise European society. Wengrow states that the Indian societies surprise western Europeans because they were much less hierarchical than they were, and contact with these societies and the indigenous critics of western civilisation did influence European political philosophy. We easily accept that Europe took over many material products from these nations, but are much less ready to accept the idea that they influenced our ideas, even though the Enlightenment philosophers said that they had.
He also talks about Cahokia, a great pyramid and city state in the Mississippi valley in America. This appears to be another example of a society, in which people rebelled or simply walked away from authority and hierarchy. It was also another indigenous monument that was ascribed to everyone else but the native peoples when it was first discovered, and is now disrespected by having a road driven through it. When it was constructed, the local society seems to have been hierarchical. At the top of the mound is a structure from which all of the city could be viewed. But sometime after its heyday it was abandoned. The traditional reasons are that the climate changed, but Wengrow finds that unconvincing. What seems to have happened instead is that people simply got tired of living in such a society and walked away.
Tenochtitlan, one of the great cities in ancient Mexico, is another example of a strongly hierarchical society that underwent profound social change and became more democratic. Wengrow states that it’s a massive state, and they owe a debt to the French scholar who produced detailed maps of it. When it first emerged, it was hierarchical but then the nature of society changed. People started living in high-quality, single-floor homes. These were so good they were originally thought to be palaces, but now it appears they were villas occupied by ordinary citizens. At some point, the people of Tenochtitlan decided that they wanted a more equal society, to the extent that some scholars believe that there was a revolution.
Then there is the case of the democratic city state Cortes encountered. This really was democratic, as there are accounts of the debates in its assembly. This astonished the conquistadors, as there was very little like it in Europe at the time, except some of the Florentine republics. This all challenges the notion that once society develops to a certain extent and becomes complex, inequality also emerges and is very difficult to challenge or remove. These cases show that indigenous peoples could and did. He also argues that the same may have been true of slavery. The only successful slave revolt that we know of is Toussant L’Ouverture in Haiti. But Wengrow suggests there could have been thousands of other successful slave revolts in prehistory of which we are unaware. Slavery came about, he argues, from the expense of laying out offerings for the dead. In order to leave food and drink for the dead, the bereaved had to have access to the foods themselves and so they became indebted and dependent on the people who owned those resources.
He also talks about the problems in describing some of these urban centres as cities. There are huge sites in the Ukraine, but archaeologists are hesitant about calling them cities with some preferring other terms such as ‘mega-sites’ because they aren’t centralised.
Bastani asks him at one point about the problem of pseudo-archaeology. I think this came up because Graham Hancock is currently fronting a series on Netflix claiming that way back in prehistory there was an advanced society, but that it was destroyed in a global cataclysm. Wengrow states that quite often pseudo-archaeology is based on old and discarded idea, such as Atlantis. The people involved tend not to be anyone who’s ever been on an archaeological dig, and view archaeologists as spending their lives trying to hide some momentous secret from everyone. But it can act as an entry for some people to archaeology, and he doesn’t really like the sneering attitude of some archaeologists towards it.
Wengrow himself is an interesting character. He didn’t want to be an archaeologist originally, but came to it from acting. He also worked in the BBC Arabic service. He decided at one point he wanted to get a degree, applied to the best university he could, Oxford, and sent reams of applications to its various colleges. They turned him down. Then he was told that he should apply for a place on a course that was just being set up. One of the colleges was just setting up an archaeology course, so he did. When it came to the interview, he told the interviewer that he had always wanted to be an archaeologist. At which point she held up all the previous letters he’d written. But they admitted him, and he has now had a career teaching and excavating in places like Egypt.
He states that sometimes the pseudoarchaeology about a period or culture misses the point about what’s really interesting about it. He talks about the idea that the Sphinx was constructed before the pyramids, and admits that it’s actually a reasonable question. But if you go back to the predynastic period a thousand years before the pyramids were built, you come to the burial sites of one of Egypt’s first kings. This is fascinating, although you wouldn’t know it from the dry way it has been discussed in conferences and museums like the Petrie Museum. Excellent though these are, they talk about highly specialised subjects like pot typography which is excruciatingly dull if you want to know the wider picture. The early king’s tomb is composed of room after room of the bodies of the people and occasionally the animals that were slaughtered to accompany the king into the afterlife.
The interview is based on a book Wengrow wrote with a colleague, The Dawn of Everything. Sadly, after spending a decade writing it, the co-author died just a few weeks after its completion. The book has been widely praised, and has even inspired artistic pieces. He talks about a French woman, who composed a piece of music based on it. He regrets he was unable to attend its performance thanks to jet lag coming back from somewhere, but later met the lady when she came to Britain.
I know a little about some of what he’s talking about to have no doubt that he’s absolutely right. One of the seminars in the archaeology department at Bristol, which I attended, was about how cities like Catalhuyuk were established before the appearance of agriculture. One of the huge Neolithic sites in the Ukraine is discussed in the La Rousse Encyclopedia of Archaeology. The great mound of Cahokia is also discussed in a book I bought years ago on North American Indian archaeology. I wasn’t aware that the people of Stonehenge had given up growing crops, nor of the democratic city states in South America and Mexico. This is fascinating stuff.
He’s right about archaeology contradicting the ideas of Enlightenment philosophers about the origins of society, though I’m not sure how much of a problem this is. The philosophers he discusses – Hobbes and Rousseau – were Social Contract theorists. Social Contract theory is the idea that the state and society were set up when men came together to select an authority under whom they would live, so that their lives and property would be protected. Thus the first kings. These princes are the representatives of the people, and so from the 17th century onwards the idea developed that sovereignty lay with the people, who could revoke the power they had delegated to the prince. This was the view of John Locke. However, subsequent philosophers showed that this was just conjecture, and that it could have happened like that as the people at the time were using concepts that only subsequently developed after the foundation of states and kingdoms. I thought Social Contract theory was dead, and he closest it had to a modern advocate was John Rawls in his Theory of Justice. Rawls argued that if people were just disembodied entities wishing to chose the kind of society in which they would care to live, they would choose one that had the maximum freedom and justice for everyone, as that would also include them. Away from centrist politics, the anarchists have been keenly interested in anthropology and those indigenous societies where there is no central authority.
I’m not sure how well some of this would go down with Sargon of Akkad and the Lotus Eaters. They’ve developed an interest in archaeology, recently posting a video discussing Homo Erectus, along with the Norman Conquest and ancient Rome. But Sargon is a huge fan of John Locke and describes himself as a classical liberal. I don’t know whether archaeology’s findings about the origin of early states would contradict his ideas or not.
Mark Christian Thompson, Black Fascisms: African American Literature & Culture between the Wars (Charlottesville: University of Virginia Press 2007).
This is one of the other books I’ve been reading during the last few days. It’s a fascinating examination of a little known episode of Black American literary history when, in the 1930s and early 1940s, a number of Black American authors and activists took over elements from European Fascism to form their own version of the totalitarian creed. The blurb reads
In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.
Taking on a subject generally ignored or denied in African American cultural and literary studies, BLACK FASCISMS seeks not only to question the prominence of the Left in the political thought of a generation of writers to change how we view African American literature in general.
Following the introduction, it has the following chapters:
Black Literary Fascism
The Myth of Marcus Garvey: Black Fascism and Nationalism
George S. Schuyler and the God of Love: Black Fascism and Mythic Violence
“In Turban and Gorgeous Robe”: Claude McKay, Black Fascism, and Labor
His Rod of Power: Zora Neale Hurston, Black Fascism and Culture
Richard Wright’s Jealous Rebels: Black Fascism and Philosophy
Conclusion: Historical Black Fascism, Black Arts, and Beyond
For some, this is no doubt shocking and uncomfortable reading. Thompson states that his book will be controversial, because it seems to challenge the dominance and achievements of Marxism in Black American politics and culture of the period. He does not seek to deny this, but to argue that there was a significant turn away from Communism towards Fascism at the tail end of the Harlem Renaissance, and that this was no mere blip in the career of the figures discussed, as some historians and critics have claimed. It’s also remarkable, in that as victims of racism it seems to run counter to reason that Black Americans would embrace a viciously racist ideology associated with White supremacy. But by the early 1940s some Black youngsters had become so alienated from their country, that they were singing songs about how they thought they’d move to Germany because they’d be better off there. The likelihood is that these kids probably didn’t understand what Nazi Germany was really like. The Black intellectuals, who turned to Fascism, didn’t support its specific European versions. They didn’t want to become Nazis or supporters of Mussolini’s Fascists. But they took elements of generic Fascism and adapted it as a vehicle for their own nationalist aspirations and desire for pan-African racial uplift.
Defining Features of Black Fascism
Thompson considers that the main elements in this turn were a dissatisfaction with Communist multiculturalism, the expectation that Ethiopia would produce a strong, modernising leader to redeem Blacks across the world, admiration for newly independent Haiti, and anti-Semitism. Black Fascists rejected Communism, because they were afraid that its emphasis on racial collaboration and the class war would lead to Blacks’ own aspirations and needs being neglected and Blacks used instead to improve conditions for White liberals. The Communist party in turn attempted to harness Black nationalism for the general class struggle, by defining Black Americans as working class. But this also created an anti-White racism that characterised all Whites as members of the exploiting classes. Which strikes me as not at all unlike Black Lives Matter and Critical Race Theory. The expectations of Black leadership from Ethiopia came from Psalm 68 in the Bible, which states that, after Egypt, Ethiopia will raise its hands to God. Ethiopia was the one African nation not conquered by the Europeans in the 19th century, which seemed to many Black Americans that the country was destined to lead the Black people. Coupled with this was the hope that Black Americans would return to Africa to take up positions of leadership and power in the continent, and free her from the European colonial oppressors. At the same time, the American army had just withdrawn from its occupation of Haiti. Many Black Americans admired this Caribbean nation because of the way it had thrown off French rule in the late 18th century to become a free, Black republic. At the same time, its new president, Stenio Vincent, sweeping autocratic powers dissolving the lower house and allowing him to appoint a sizable proportion of its senate. It was not a democracy in the American sense, as Zora Neale Hurston recognised, but an elected monarchy. Anti-Semitism and a hatred of Italians and Greeks among working class Blacks in Harlem was also part of the turn towards Fascism. The Black soapbox Caesar, Sufi Abdul Hamid, wished to create a separate trade union exclusively for Blacks. He was one of the leaders of a boycott against the White-owned department stores, which refused to employ Black clerks. He succeeded in getting this reversed, but his inflammatory anti-Semitic rhetoric – many of the stores were Jewish owned – resulted in the 1937 Harlem race riot.
Marcus Garvey and the Invasion of Ethiopia
Chapter one is a general discussion of Black American fascist aesthetics. The first of the writers and activists to be examined is Marcus Garvey, the founder and leader of the United Negro Improvement Association. This was a mass organisation, whose hierarchy was based on that of the army, with Garvey giving his followers various military ranks. Militantly nationalistic, the organisation also campaigned for a return to Africa, and Garvey was also impressed with the Italian Fascist corporatist state. Rejecting Communism, he instead supported private property. Blacks should work to acquire wealth, that they should then use to build the new Black state. However, private wealth should also be limited. Only the state should be able to hold investments over $5 or $6 million.
Of the figures discussed in the book, Garvey is the most overtly Fascist. Indeed, in a 1937 interview he claimed that Hitler and Mussolini based their movements on his. He was no fan of Mussolini, however, after the Italian invasion of Ethiopia, which also caused him to become a bitter critic of its former emperor, Hailie Selassie. Selassie had scarpered to London following the invasion, which bitterly disappointed Garvey. He had also expected the Ethiopian emperor to modernise the country, turning it into a modern, Fascist, corporate state, which would embark on its own destiny of imperial conquest. Selassie had not done this. Garvey also sneered at him because of the Biblical lineage of the Ethiopian monarchy. This claimed descent from Solomon and the Queen of Sheba. Thus, Garvey attacked him because he was, by virtue of this descent from the great Israelite king, Jewish. This was in contrast to Simon of Cyrene, who was Black, and Jesus, who was mostly Black.
Schuyler’s Pulp Fiction Supervillain Black Liberator
George S. Schuyler was a Black American writer and journalist, described by the book as somewhat like H.L. Mencken. He had started off as a vague socialist, believing that Africans were innately Communistic, and pan-African. Well, he was until he visited Liberia, which left him bitterly disillusioned to the extent that he wished the US army would invade so that America could take over and improve the country. This changed again with the Italian invasion of Ethiopia. Schuyler, like many other Black Americans, was outraged and wanted to raise an army of Black American volunteers, who would go and fight for the African nation. Seeking advice from the American foreign department, he was told that was impossible as America wished to preserve its neutrality. Schuyler thus turned to literature to express his anger and desire for revenge, writing the pulp story Black Empire. This tells the story of Dr. Belsidus, a Black American genius, who takes over Africa with his organisation, the Black Internationale, turning it into a military superpower through able to repel the Italians and then embark on the genocidal conquest of Europe through advance Black super science. Black scientists create death rays, hydroponic farms, fax machines and hypno-robots. Hypno-robots? Yes. Belsidus creates a new religion and deity, the God of Love, whose mission is to inculcate Black Africans with belief in their noble descent from the Babylonians and Egyptians and their future greatness. The hypno-robot is a giant, 50-foot tall figure of a naked Black man representing the God of Love, which has the power to move, raising its arms and nodding its head. Its eyes light up to hypnotise the congregation, so that they will become mentally receptive to Belsidus racial doctrines. Aiding Belsidus are a series of White women, his lovers, whom he casually murders if they fail him in bed or in their tasks of bringing down European rule. Belsidus comes across as Yaphet Kotto’s villain in the Bond film, Live and Let Die, but even nastier. He’s a genocide who ruthlessly kills White men, women and children. The story’s a nasty revenge fantasy, written by Schuyler to compensate for the Italian invasion. Schuyler himself didn’t stay a Fascist, but instead became a noted Black Conservative intellectual.
McKay, Sufi Abdul Hamid and Black Labour
Claude McKay was another Black American who had started out as a Communist, but then moved away from it, converting to Roman Catholicism. In the 1930s and ’40s McKay was also concerned with building a Black labour movement for which he also adopted aspects of Fascism. He was also an admirer of Sufi Abdul Hamid, an eccentric individual who styled himself Bishop Amiru Al-Minin Sufi Abdul Hamid, an Egyptian, but whose real identity may have been Eugene Brown of Philadelphia. Hamid had founded his own cult, the Universal Temple of Tranquillity. In 1932 he led a jobs boycott in Chicago and in 1934 led a similar boycott against Blumstein’s department store in Harlem. He was not popular with the other Black intellectuals, who regarded him as a charlatan and racketeer. Before his death in the late 1930s he was trying to promote himself as a cult leader in an attempt to challenge Father Divine. Called the Black Hitler because of his virulently anti-Semitic speeches, Hamid was partly responsible for the 1937 race riot, for which he was unsuccessfully prosecuted by the Jewish Minute Men. He appears as ‘Omar’ in McKay’s unfinished novel, Harlem Glory. This is partly an examination of the divided psychology of Black America. ‘Omar’ represents its Fascist side, while Father Divine, who appears as ‘Glory Savior’, and his cult, the ‘Glory Soulers’, represent religion and Communism.
Hurston, Moses and Haiti
Zora Neale Hurston is included because of her novel about Moses leading the Exodus, Moses, Man of the Mountain, in which both the greatest of the Hebrew prophets and his adversary, Pharaoh, have the nationalistic, genocidal qualities of modern Fascist dictators. Hurston also linked Moses to Haiti’s founder, Toussaint L’Ouverture. L’Ouverture’s power was represented by the Voodoo god, Damballah, who was also Moses’ rod of power. Damballah’s a snake god, while one of the miracles Moses performed was changing his staff into a snake. This novel is strongly influenced by Hurston’s admiration for Haiti and its authoritarian leader.
Cross Damon, Fascist Murderer or Existentialist Anti-Hero
Wright was another Communist intellectual, who then went to France to hang out with Sartre. He then wrote his own existentialist novel, The Outsider, about a former postal worker, Cross Damon. After losing his job, and suffering problems from the women in his life, Damon becomes a murderer, committing a series of killings across America. The novel was widely criticised at the time for not saying anything about the condition of Black America. Thompson argues that this is untrue. The book does examine their plight, as Damon personifies the Fascist tendency within Black America through his ruthless pursuit of the power over life and death. His murder of two twins, one a Communist, the other a Fascist, shows that to Wright these political creeds were essentially the same, and that Damon is also similar to them through their murder.
The Black Arts Movement and Neo-Fascism
The Black Arts movement was a post-War phenomenon, in which Black intellectuals and artists attempted to create a distinctly Black artistic culture, in contrast and opposition to that of White America. This chapter argues that historic fascism ended with the Second World War, and that its post-War successor, neo-Fascism, is markedly different. Fascism itself is also broader than Nazism, with which it has been identified, and which has itself been reduced to murderous anti-Semitism. It is a distortion, therefore, to describe the Nation of Islam as Fascist and genocidal simply because they held a joint rally with the American Nazi party, for which the party’s Fuhrer, Lincoln Rockwell, donated $20 to them. The chapter nevertheless states that the Black Arts movement constitutes an extreme form of Black nationalism, and ends with a call for it to be examined as a form of neo-Fascism.
Belsidus’ Statue and Fascist Homosexuality
Thompson’s a professor of English at the University of Illinois at Urbana-Champaign, so the book is less a work of political science as literary criticism. Thus it frequently refers to the works of such literary theorists as Georges Bataille, Foucault, Althusser and Guy Debord. I found some of the book’s arguments extremely convoluted, particularly in the chapter on Wright and The Outsider. There are times when he seems to be arguing for the Fascist nature of Cross Damon, from that character’s difference to or opposition to Fascism. He also follows the German writer, Ludwig Theweleit, in considering that their is a homosexual component to the Fascists’ adoration of their leaders. This causes the book to contain some bizarre passages about the significance of the penis in some of the pieces discussed. For example, he writes of the Belsidus’ 50 foot statue of a naked Black man
The statue is what Siegried Krakauer calls the “mass ornament”: a ritual object that is “an end in itself”. But even after the “ritual meaning” of such objects is discarded, “they remain the plastic formation of the erotic life which gave rise to them and determined their traits”. (146). The mass ornament is emptied of its ritual content and plenitude and re-cathected with an erotics of power that seeks to control the masses’ libidinal urges by converting them into an iconic religious outpouring. This is why Schuyler’s mass ornament is depicted as “a huge statue of a nude Negro standing with legs apart, gazing sardonically downward with arms crossed. It was all of 50 feet high and every part of the body was clearly depicted” (58). The bearer of the sardonic gaze cannot be mistaken. “Sardonic” is, after all, one of Schuyler’s favorite adjectives for the good Doctor and his notorious gaze. Also inescapable in this mammoth fifty-foot statue of a male Negro is an anatomical accuracy that surpasses the bounds of decency. If one wondered whether Dr. Belsidus’s movement followed the fascist phallocentric logic of male ego-reintegration Theweleit theorizes, the appearance of the fifty foot “God of Love” in all his anatomical glory removes all doubt. (pp. 90-1).
Black Fascism and other Forms of Dictatorship
The book acknowledges that none of the authors and activists discussed founded Fascist parties or movement, and he regards them as individual figures rather than the leaders of mass Fascist organisations. Garvey, with his militaristic nationalism and claims to have inspired the European Fascist dictators is the closest figure to European Fascism. So too is Sufi Abdul Hamid with his emphasis on labour, Black separatism and anti-Semitism. Hamid’s similar to the Nazis in another way: they also hated the department stores as an example of ‘Jewish capital’. Schuyler’s Black Empire is a revenge fantasy, whose hero – or anti-hero – would certainly qualify as a Fascist, even though Belsidus himself doesn’t appear to his followers to make speeches from the balcony. He just leaves that to his naked 50-foot robot. But this doesn’t make Schuyler himself a Fascist or mean that he is calling for a similar Fascist movement. It is questionable, however, whether Hurston’s Moses or Pharaoh are really fascist either. Political scientists have debated the difference between Fascism and other forms of authoritarianism and aggressive, intolerant nationalism. Noel O’Sullivan in his book, Fascism, argues that it possesses distinct features that distinguish it from the militant, dictatorial regimes of some of the nations in Africa and the Developing World. Stenios Vincent was highly authoritarian, but it’s questionable whether his regime can be considered Fascist. This also raises the question of how far Hurston’s Moses and Pharaoh are Fascists, although they certainly act in a way which could be described as fascistic. I find the argument about Wright’s The Outsider rather less convincing. It may be that Cross Damon partakes of part of the psychology of Fascist and Communist dictators through his murders, but it seems to me to be a straightforward piece of existentialist literature rather than an examination of Black American Fascism. It reminds me of Albert Camus’ novel of the same name, about a Frenchman in Algeria who murders an Arab out of boredom. Wright’s outsider is another murderer, but is a Black American rather than French.
Conclusion
I don’t know how far the Black Arts movement could be described as neo-Fascist, but historians of post-War British Fascism have noted the radical revisions of doctrine the BNP went through under its generalissimo, Nick Griffin. But Critical Race Theory does seem very similar to the Communist party’s simplification of race relations in America to Black workers versus White exploiters. My guess is that an examination of the Black Arts movement would uncover clear parallels and influences from European neo-Fascism, as would Black Lives Matter today.
Radio 4’s ‘Book of the Week’ next week, according to the Radio Times for 14-20 November 2020, is Sudhir Hazareesingh’s Black Spartacus, a biography of Toussaint L’Ouverture. L’Ouverture was the leader of slave rebellion in what is now Haiti in the late 19th century, which threw out the French and turned their former colony into the first Black republic. The piece about the serial on page 130 of the Radio Times by David McGillivray runs
Book of the Week: Black Spartacus – the Epic Life of Toussaint Louverture
In 1791 enslaved Africans on the island now known as Haiti rose up against their French masters in the world’s first and only successful slave revolution. Their leader was the brilliant general and diplomat Toussaint Louverture, subject of a new book by Mauritian-born lecturer in politics at Balliol College Oxford, Sudhir Hazareesingh. Using correspondence and military reports in French archives, Hazareesingh brings startling new insights into the life of the man largely responsible for the establishment of the first black republic. Louverture, a real-life black superhero, fought not only the French but also the British and Spanish. “It was the greatest revolution of all time,” the author says. The serialisation is read by Adrian Lester.
The programme’s on at 9.45 each day, Monday to Friday. The blurbs for the days’ instalments are as follows:
Monday
1/5 Adrian Lester reads from Sudhir Hazareesingh’s biography of the former slave who headed an insurrection that led to the Haitian Revolution. The first instalment looks at Toussaint’s early life, his progress to coachman and his education by the Jesuits. Abridged by Libby Spurrier.
Tuesday
2/5 Following the Saint Domingue uprising, Toussaint show himself to be both a focused military leader and a man of compassion.
Wednesday
3/5 In 1798, Napoleon sends an agent, Gabriel de Heouville, to reduce Tousaint’s power in Saint-Domingue.
Thursday
4/5 Toussaint’s sweeping reforms of both public and private activity help to bring about huge rises in productivity and exports, but his authoritative leadership style inspires rebellions, led by his nephew Moyse.
Friday
5/5 Napoleon Bonaparte and Toussaint Louverture engage in a fierce battle of both wit and force over Saint-Dominge. After three months of fighting, Toussaint seeks to negotiate a truce, but is arrested and embarks on his first sea voyage – one way – to France.
Louverture was clearly a brilliant and gifted leader. His revolution was an inspiration to slaves across the Caribbean, and the sought to emulate his success in their own revolts. These also included the British West Indies, alarming the colonial authorities there and the government at home.
However, there was also a serious negative aspect to the revolution. Major Moody used the condition of the former slaves in Haiti after the revolt as part of the argument in his parliamentary report in the 1820s that slaves in the British Caribbean weren’t ready for their freedom. After the revolution, the government had been faced with a financial crisis due to possible loss of their export commodity, sugar. The country was therefore divided up between Louverture’s generals, and the former slaves were forbidden to leave their plantations. Each plantation was given a quote of sugar to produce. If they failed to produce this quota, then the generals and army moved in and started executing those workers. I believe they were burned to death. I don’t know whether this came after Louverture was removed from power, although it might have been during his rule when the book says that rebellions broke out against his ‘authoritative’ leadership.
Moody’s conclusion surprised contemporaries, because he certainly wasn’t personally racist. He lived in Somerset with a Black wife. His report is interesting because it also includes letters from a former American slave, who had been freed by his mistress in Louisiana. The former slave had travelled to Haiti, and obviously felt a strong attachment to his former mistress by writing letters to her about his new adopted country and its conditions.
The report also discusses issues that are still, unfortunately, very relevant today. He felt describes the greater numbers of Blacks than Whites in American prisons, and concluded that there is so much prejudice against Blacks in America and Britain that the only way they can possible succeed as equals would be if they had their own country. This is the view of Black radical groups like the Nation of Islam. Let’s work together to make sure it’s mistaken.
I haven’t come across this particular book before, but there have been other works recently published about the Black revolutionaries of the late 18th and early 19th centuries. One of these is The Black Jacobins. Louverture was inspired by the French Revolution, which attempted to end slavery as well as liberating the White serfs from their aristocratic masters. I don’t think the French were able to restore serfdom after the revolution’s failure, but they were successful in restoring Black slavery. This led to the growth of French anti-slavery movements like Amis des Noirs.
I sent this piece below off to the left-wing American website and magazine, Counterpunch. It’s a reply to a previous article they put up about the satirical statues of Trump, which appeared when he was campaigning for the presidency. These showed him naked, with a small penis and no testicles. One of their female writers compared this humiliating portrayal with the way nudity has been frequently historically used to punish women. She also cited the Fantasy series Game of Thrones and one of the punishments inflicted on a female character in that. But the statues’ genital deficiencies point to another way nudity was also used. Along with castration, it was also used in South American colonial society to punish captured runaway slaves. The Statues’ portrayal of Trump thus seems very fitting, given his aggressive masculinity and support for racists and White supremacists.
The magazine hasn’t used the article, and I don’t think they ever will. So here it is.
Nudity, Emasculation and the Humiliation of Slaves:
The Hidden Politics of the Anti-Trump Statues
Remember those statues of Trump which appeared in various cities across America about a year or so ago, when the Orange Generalissimo of reality TV was strutting about stadiums across America trying to get people to elect him? These were life-size statues of him, naked, with a tiny penis and no testicles. Today, Wednesday 28th March, the British papers reported that the last remaining one of a set that wasn’t destroyed, was put up for sale at Julien’s Auction in New Jersey. The statues were a subversive comment on a man, whose personal behaviour and style of government is one of aggressive masculinity and misogyny. One of the female contributors to Counterpunch published a piece a year or so ago when these statues first appeared. Written from a feminist perspective, it commented on this sculptural humiliation of the future president, and in particular its similarity to the methods used in the past to humiliate women. The statues’ nudity recalled the way errant women were also humiliated by being paraded naked.
It’s true that public nudity has been most used to humiliate women, but it wasn’t exclusively so. Men have also been humiliated on occasion by being exhibited naked by their enemies. In the culture of the Hebrew Bible, nudity was a badge of shame, and there’s a plaque from ancient Egypt showing a group of Asian prisoners being led, naked, by their Egyptian captors. And during the 18th century heyday of the transatlantic slave trade, public nudity and mutilation, including castration were used to humiliate enslaved Africans, who ran away or otherwise resisted their White masters. The slave societies of the New World was gripped by the fear of slave resistance, which itself took various forms. Enslaved Africans revolted in armed rebellions. They also ran away from their masters, or confined themselves to less dramatic forms of resistance, such as eating dirt, sabotage, or finding ways not to perform, or perform badly, their allotted work. To combat this, the slave masters punished their slaves with a variety of brutal measures, ranging from whipping to execution. These included various forms of mutilation, including castration.
This fear intensified during the French Revolutionary and Napoleonic Wars, when the British and other European colonial nations feared that the slaves would follow Toussaint L’Ouverture and Black Jacobins of Haiti, and rise up against their masters to found free Black states. And so they resorted to increasingly brutal methods to discourage them. In one British Caribbean colony, one enslaved man was forced to sit on a cannon as it was fired, which understandably left him shaken and terrified. A female planter was also awarded five pounds by the local legislative assembly in another British colony, for having her male slaves castrated as a deterrent to further resistance.
It wasn’t just in the British colonies that emasculation was used to crush rebellious slaves. The Spanish slave code provided that runaway male slaves should be punished through the amputation of their member, and then exhibited naked to the public, a further punishment intended to humiliate them further after the horror of the mutilation itself, as well as dire warning to others also considering absconding. And it is this punishment, which the Trump statues, with their nudity and lack of genital endowment most closely resemble.
As a caricature of the President, it’s very appropriate indeed. Not only is Trump keen to project aggressive masculinity and sexuality, his regime is also notorious for its racism and connection to White supremacism. Trump tried and failed to pass legislation banning Muslim immigration from specific countries, largely those where he has no business dealings. He’s promised to build a wall to stop Mexicans and other Latino/as getting into the country illegally. And his supporters and staff have included members of the Alt Right, determined to preserve White dominance as America rapidly becomes racially diverse. One of the most notorious examples of this racist support base came when Richard Spencer, the founder and leader of the Alt Right, greeted Trump’s election at a meeting at the Ronald Reagan room with the cry of ‘Hail Trump! Hail our race!’ and a raised right arm in something that looked very much like the Fascist salute, despite his claims to the contrary later.
And some right-wing extremists in the Republicans have gone further. Not only do they defend slavery, but some of them have advocated it, or something close to it. A few years ago, one Republican politician recommended that illegal Mexican immigrants should be held captive by the state, and forced to work on public works. This is forced labour, which comes under the UN definition of slavery. Michelle Bachman, during her 2011 presidential campaign recommended a biography of General Robert E. Lee by J. Stephen Wilkins, which blamed the ‘radical abolitionists’ of the north for starting the Civil War, claimed that Southern slave masters treated their slaves with respect, and gave them enough food and personal possession to live a ‘comfortable but spare’ existence. The book even claimed that American slaves were fortunate in being brought out of their own, pagan homelands, and their godless brutality to Christian America. The Victorian English explorer, Sir Richard Burton, made the same argument nearly 250 years ago in his Wanderings in West Africa. It was also repeated by a number of Trump supporters during his presidential campaign back in 2016.
The disgraced former anchor of Fox News, Bill O’Reilly, also repeated it, claiming that the slaves, who worked on the White House were well treated and fed. The Texas school board also tried indoctrinating their children with a carefully sanitized view of it. Back in 2015 one Texas mom was horrified to find that her child’s geography textbook described the enslaved people ripped from their homes in Africa to toil in American plantations as ‘workers’. The protestors, who turned up to demonstrate against the removal of the statue to Robert E. Lee in Richmond, Virginia, also argued that slavery had been beneficial. And some Libertarians also resent anti-slavery legislation. One confused Libertarian caller to Sam Seder’s internet news show back in 2013 also tried arguing that the anti-slavery laws were a tyrannical infringement of his liberty. Why? Because they deprived him of his right to own slaves. It’s an argument which shows how dangerous and demented at least some Libertarians are.
This shows there’s considerable nostalgia for slavery amongst some Republican supporters, who were very encouraged by Trump’s election and his racist policies. It’s true that during the 18th century some paternalistic slave masters, like George Washington, were concerned to treat their slaves well. Archaeologists working on Benjamin Franklin’s estate found that many of his slaves had very good material possessions. Some had fine china, and played the violin, for example. But for others, the reality was grinding poverty and the tyranny of the whip. In the British Caribbean, the slave codes provided only that male slaves should be given a pair of drawers, and women shifts once a year. Even in the 19th century visitors to these colonies remarked on seeing slaves toiling naked in the fields. As for benefiting from being taken to America, many Africans instead naturally desperately yearned to return to their homes. Some threw themselves into the sea on their arrival in the Caribbean in attempts to swim back to Africa. And if they couldn’t return to Africa, some of them dreamed of recreating an African society in the New World. In one late sixteenth century rebellion in the British Caribbean, the slaves planned on creating a new social order based on the type of monarchies, with a king and queen mother, they had known in Africa.
The subversive statues of Trump not only comment on and invert his projected image of potent masculine leadership. They also attack and undermine the racism at the heart of his administration by subjecting him in image to the humiliation meted out to runaways in the Latin south. Since then, the statues have nearly all vanished, while unfortunately their real-life model remains at large in his occupancy of the White House.
I blogged earlier this week about how Haiti was the first Black republic, where its enslaved people threw off their chains under the Black revolutionary, Toussaint Louverture, and threw out their French colonial overlords at the time of the French Revolution. The country became an inspiration to slaves struggling for their freedom in America and the Caribbean, and created panic among the European masters. They feared that their slaves were in contact with the Haitian revolutionaries, and that the next Black revolt would succeed where the others had been suppressed. And from the late 18th through the early 19th century, there were a series of revolts in the Caribbean by slaves, impatient for their freedom.
Mark Schuller, the Associate Professor of Anthropology and NGO Leadership and Development at Northern Illinois University, and affiliate at the Faculte d’Anthroplogie, l’Universitat d’Etat d’Haiti, wrote a piece discussing Haiti and America’s obsessive hatred of the country. Put simply, it’s because the American plantation masters were terrified of the example the Black republic gave to their slaves, and so they did everything they could to limit discussion of it and ultimately to conquer and dominate it. And not just America, but also France, and the exploitation and class rule imposed by the Americans under neoliberalism after the overthrow of the last Haitian president. He writes
What is behind Trump – and white America’s – obsession with Haiti?
Haiti has been targeted for its decisive role in challenging what Southern planters – including eight U.S. Presidents – called a “peculiar institution.” The Haitian Revolution was the first time slaves were able to permanently end slavery and forge an independent nation. It also was a tipping point in U.S. history, leading to the 1803 Louisiana Purchase, paving the way for U.S. “Manifest Destiny” stretching from sea to shining sea and eventual dominance. Chicago, the country’s third largest city, was founded by a Haitian, Jean Baptiste Point du Sable, who Haitian historian Marc Rosier called an “agent” of the Haitian government to pursue a pro-freedom international policy.
Haiti’s contribution to U.S. “greatness” has long been unacknowledged. The pivotal Haitian Revolution was literally “unthinkable,” as Haitian anthropologist Michel-Rolph Trouillot argued. The demonization of Haiti was so strong, its inspiration to slaves so dangerous, that Congress imposed a gag order in 1824, preventing the word Haiti from being uttered in Congress, a year after the imperialist Monroe Doctrine.
White supremacy was not defeated in the Appatomox Court House in 1865, nor the 13th Amendment that allowed for a back-door legalization of slavery, nor in the 1954 Brown v. Board of Education Supreme Court ruling, nor in the 1965 Voting Rights Act following “Bloody Sunday” in Selma, nor in the 2008 election of the first African American President.
Through it all, as Haitian anthropologist Gina Athena Ulysse analyzed, Haiti has served as the “bête noir” in a deliberate smear campaign against the descendants of the people who said no to white supremacy.
These narratives of Haiti continued throughout the initial response to the 2010 earthquake, from the likes of televangelist Pat Robertson and the New York Times’ David Brooks. As New Yorker contributing writer Doreen St. Felix pointed out, this obsession with Haiti has to do with white society’s rejection of black self-determination.
These discourses have definite and powerful material consequences.
France, which in 2001 declared slavery a “crime against humanity,” extorted 150 million francs from Haiti as a condition of recognition of Haitian independence, plunging Haiti into a 120-year debt that consumed up to 80% of Haiti’s tax base. Socialist president Jacques Chirac scoffed at Haitian president Jean-Bertrand Aristide’s demand for reparations before being the first to call for his resignation in 2004.
Calling Haiti “ungovernable” provided justification for U.S. intervention: The United States invaded Haiti twenty-six times from 1849 to 1915, when U.S. Marines landed and occupied the country for nineteen years. During the U.S. Occupation, the Marines set up the modern army, opened up land for foreign ownership, solidified class and racial inequality, laying the groundwork for the 1957-1971 Duvalier dictatorship.
Incorrectly blaming Haiti for its role in the AIDS epidemic killed the tourist industry, which, along with the deliberate destruction of Haiti’s pig population, sent the economy in a nosedive. Neoliberal capitalist interests seized the opportunity to take advantage of the massive rural exodus to build sweatshops, exploiting people’s misery by offering the lowest wages in the world. With poverty wages, and a crippling foreign debt that according to the IMF’s own recordkeeping went to the paramilitary tonton makout, Port-au-Prince’s shantytowns had no services and no government oversight. These foreign interventions were the main killer in the 2010 earthquake.
He also makes the point that the accusation that indigenous Haitians were ‘looters’, along with other racist claims, meant that the efforts of the Haitian people themselves in combating the disasters that beset their country were ignored. The Interim Haiti Reconstruction Commission was chaired by Bill Clinton, and the humanitarian aid coordinated by the UN. Native Haitians were excluded from these meetings either by foreign soldiers, or by the simple fact that they were in English, while Haiti itself is a bilingual country, speaking French and a French-based creole. The NGOs themselves had a top down, hierarchical structure, excluding people in the refugee camps from their decisions. The result was the break-up of Haitian families, and increasing violence against women.
His article ends:
Calling the world’s beacon of freedom a “shithole” sullies not only Haiti’s ten million residents on the island and three million in the U.S., but is an affront to human freedom and equality.
As award-winning Haitian author Edwidge Danticat argued, “today we mourn. Tomorrow we fight.”
Yesterday there were mass demonstrations in America, and expressions of outrage around the rest of the world at Trump’s grotesque comments about immigrants to America from ‘sh*thole countries’. As Mike put up on his blog, one of the countries that was most definitely not impressed was Botswana in Africa. This tiny African state, with a population of 2 million, has, as Mike pointed out, the highest growth rate in Africa, and a tradition of stable democratic government. It’s a developing nation, but definitely not a ‘sh*thole’. And the country’s authorities seemed determined to make that point when they called the American ambassador in to explain if their nation was one of the countries Trump was sneering at.
I was particularly impressed by a young Haitian woman, who appeared on the BBC news yesterday when the Corporation covered a demonstration against Trump and his racist comments in Florida. She stated that Haitians were a proud people, and that their country became the first Black republic, where the slaves overthrew their masters. She’s absolutely right. Modern Haiti was created by the ‘Black Jacobins’ under Toussaint Louverture, who organised a slave revolt inspired by the Revolution in France. Haiti had been a French colony, but they toppled colonial rule, and threw the French out. Louverture then renamed the country ‘Haiti’, rather than continue using the old French/ European colonial name, justifying the change by claiming that this was the indigenous name for it.
Lourverture’s revolution sent a shock wave throughout the Caribbean and America. It was an inspiration to Blacks struggling for their freedom, and alarmed the colonial authorities. The late 18th and early 19th centuries saw a series of slave revolts break out in the Caribbean, by enslaved people impatient for their freedom. These were ruthlessly and brutally suppressed, as the colonial authorities feared the influence of Haiti upon their enslaved subjects, and that the slaves would be in contact with the Haitian revolutionaries. And some free Black Americans moved to Haiti after they obtained their freedom. Major Moody, a British army officer, who was sent to the Caribbean in the 1820s to produce a report on whether the enslaved people of the British colonies were ready for emancipation, includes in his report correspondence between a Black American, who had done this, and his former mistress in America, who had freed him.
Haiti is a desperately poor country, as has been shown by the suffering and destruction it has sustained in recent years through a series of disasters. But much of this poverty and deprivation comes from American imperial intervention. The Americans invaded in the 1920s as part of their campaign to assert their dominance over the Caribbean, and defend their economic interests. And they’ve done the same thing at various intervals throughout the 20th and now the 21st century. A little while ago I found a piece on YouTube – I think it might have been by Abby Martin of TeleSur English’s The Empire Files, or it could have been the Real News people, which made the point that when the Americans invaded again a few years ago to overthrow the latest dictator, it wasn’t because of his human rights record. Rather, it was because he was redistributing wealth, which threatened American corporate interests once again. And the dictator’s left-wing opponent was kept from standing and taking over office through armed soldiers posted outside his house. It was the same pattern of invasion and coup that has been repeated over and over again, around the world, whenever a smaller, weaker country elects anyone remotely left-wing, or otherwise threatens the dominance of the big American corporations in their country’s economy. Just like Hillary Clinton five years ago in 2012 gave her backing to the Fascist coup which overthrew the liberal regime in Honduras.
One peculiar consequence of the American invasion of Haiti has been the rise of the zombie movie. The first of these appeared shortly after the 1920s American invasion, and left-wing, anti-colonial critics have argued that the movies represent an attempt by the country’s new colonial masters to present a picture of it as a terrifying land, steeped in superstition and black magic. Since then the zombie movie has moved away from Haiti to America itself, and under George A. Romero also developed satirical overtones criticising contemporary American society and capitalism. Like in one of his movies, the survivors seeks refuge in a mall.
Trump’s comments were offensive, and they clearly stung the pride of migrants to America, who nevertheless still felt strong bonds with their countries of origin, as well as the other peoples in the Developing World. But the young Haitian woman speaking up for her mother country made a very good point about how important it was for Black history. And if many of these countries are poor, ruled over by brutal, corrupt governments responsible for human rights abuses, one of the reasons is because the Americans have assisted these thugs into power to stop any redistribution of wealth or growth of democracy. All under the guise of protecting the world from the threat of Communism, and upholding American corporate interests. People around the world have been demanding that Trump apologise for his comments. They’re right, but it’s not just his comments that need to be critically analysed and opposed. It’s American imperialism itself, and the underlying cynical contempt for the nations of the Developing World and their people, who are there to be abused and sneered at in the interests of American corporate capitalism.
A few days ago I posted up a list of the nations in William Blum’s Rogue State: A Guide to the World’s Only Superpower where the US had interfered in its politics to block the election of a left-wing or liberal candidate, have them overthrown, or colluding and gave material assistance to a Fascist dictator and their death squads. As well as outright invasions, such as that of Grenada and Panama under Reagan and Bush in the 1980s, and the invasions of Afghanistan and Iraq under George Dubya.
Blum also has a list of countries, where the US has interfered with their domestic politics to pervert their elections. These include
The Philippines 1950s
Setting up by the CIA of a front organisation, the National Movement for Free Elections to promote its favoured politicians and policies, giving finance and other assistance to those candidates, disinformation, and drugging and plotting to assassinate their opponents.
Italy 1948-1970s
Long-running campaigns against the Communist party and to assist the conservative Christian Democrats.
Lebanon 1950s
CIA funding of President Camille Chamoun and other pro-American politicians; sabotaging of campaigns of politicos sceptical of American interference in their country.
Indonesia 1955
CIA donated a million dollars to Centrist Coalition to attack the electoral chances of President Sukarno and the Communist party.
British Guiana/Guyana 1953-64
Campaign to oust prime minister Cheddi Jagan, using general strikes, terrorism, disinformation and legal challenges by Britain.
Japan 1958-1970s
CIA funding of conservative Liberal Democratic Party against the Japanese Socialist Party, allowing the Liberal Democrats to stay in power continuously for 38 years.
Nepal 1959
CIA operation to help B.P. Koirala’s Nepali Congress Party to win the country’s first ever election.
Laos 1960
CIA arranged for massive fraudulent voting to ensure electoral victor of local dictator Phoumi Nosavan.
Brazil 1962
CIA and Agency for International Development funded politicos opposed to President Joao Goulart, as well as other dirty tricks against various other candidates.
Dominican Republic 1962
US ambassador John Bartlow Martin instructs the heads of the two major parties before general election that the loser would call on his supporters to support the winner, and that the winner would offer seats to the loser’s party. Also worked with the government to deport 125 people, including supporters of previous dictator Trujillo and Cuba.
Guatemala 1963
Overthrow of General Miguel Ydigoras, as they feared he was about to step down and call a general election, which would be won by previous reforming president and opponent of American foreign policy, Juan Jose Arevalo.
Bolivia 1966
Funding by CIA and Gulf Oil of campaign of president Rene Barrientos. The CIA also funded other rightwing parties.
Chile 1964-70
Interference in the 1964 and 1970s elections to prevent the election of Salvador Allende, democratic Marxist, to the presidency.
Portugal 1974-5
CIA funded moderates, including Mario Soares and the Socialist Party, and persuaded the other democratic socialist parties of Europe to fund them in order to block radical programme of generals, who had overthrown Fascist dictator Salazar.
Australia 1974-5
CIA funding of opposition parties and use of legal methods to arrange overthrow of prime minister Gough Whitlam because he opposed Vietnam War.
Jamaica 1976
Long CIA campaign, including economic destabilisation, industrial unrest, supplying armaments to his opponent and attempted assassination to prevent re-election of Prime Minister Michael Manley.
Panama 1984, 1989
CIA-funded campaigns first of all to support Noriega, and then against him in 1989, when the CIA also used secret radio and TV broadcasts.
Nicaragua 1984, 1990
1984: Attempt to discredit the Sandinista government by CIA. The opposition coalition was persuaded not to take part in the elections. Other opposition parties also encouraged to drop out; attempts to split Sandinistas once in power.
1990: Funding and partial organisation of opposition coalition, UNO, and its constituent groups by National Endowment for Democracy to prevent election of Sandinistas under Daniel Ortega; Nicaraguans also made aware that US intended to continue proxy war waged by Contras if they elected him.
Haiti 1987-88
CIA supported for selected candidates after end of Duvalier dictatorship. Country’s main trade union leader claimed US aid organisations were smearing left-wing candidates as Communists and trying to persuade rural people not to vote for them.
Bulgaria 1990-1, Albania 1991-2
Interference in both countries election to prevent re-election of Communists.
Russia 1996
Extensive backing and support to Yeltsin to defeat Communists.
Mongolia 1996
National Endowment for Democracy funded and helped form the opposition National Democratic Union, and drafted its platform, a Contract with the Mongolian Voter, based Newt Gingrich’s Contract with America. The goal here was to accelerate the regime’s privatisation programme and create government favourable to the establishment of American corporations and intelligence agencies in the country.
Bosnia 1998
US turns country into ‘American protectorate’ by appointing Carlos Westendorp as high representative in 1995 Dayton Peace Accords. Before 1998 elections Westendorp removed 14 Bosnian Croatian candidates, claiming reporting by Croatian television biased. After election removes president of Bosnia Serb republic on grounds that he was causing instability.
In 2001 and 2005 high representative also removed one of the three joint presidents of the country. In 2005 high representative Paddy Ashdown, who sacked Dragan Covic.
Nicaragua 2001
US smears against Sandinista leader, Daniel Ortega, accused of human rights violations and terrorism. US ambassador openly campaigned for Ortega’s opponent, Enrique Bolanos. US also pressurised Conservative party to withdraw from the elections so as not to split right-wing vote. There were also adds in the papers signed by Jeb Bush, claiming that Dubya supported Bolanos. Bolanos himself also stated that the Americans had told him that if Ortega won, they would cease all aid to the country.
Bolivia 2002
Extensive campaign against socialist candidate Evo Morales because he was against neoliberalism and big business, as well as the attempts to eradicate the coca plant, the source of cocaine.
US ambassador smeared him with accusations of connections to drug cartels and terrorism. US Assistant Secretary of State for Western Hemisphere also said America could cut off aid if Morales elected. Meetings between US ambassador and officials and leading figures in rival parties to support Morales’ rival, Sanchez de Lozada.
Slovakia 2002
Warnings by US ambassador to the country and the US ambassador to NATO that if they elected Vladimir Meciar, former president running on anti-globalisation campaign, this would damage chances of their country entering EU and NATO. Also interference by National Endowment for Democracy against Meciar.
El Salvador 2004
Campaigning by US ambassador and three US Republican members of congress, including Thomas Tancredo of California, threatening cessations of aid and work permits for the countries’ people to work in America, in order to prevent election of FMLN candidate Schafik Handal and win victory of Tony Saca of the Arena party. FMLN former guerilla group. Handal stated he would withdraw Salvadorean troops from Iraq, re-examination privatisations and renew diplomatic contacts with Cuba. Arena extreme rightwing party, pro-US, free market, responsible for death squads and the murder of Archbishop Oscar Romero.
Afghanistan 2004
Pressure placed by US ambassador, Zalmay Khalilzad, on political candidates to withdraw in favour of Washington’s preferred candidate, Hamid Karzai.
Palestine 2005-6
Massive pressure by the Americans to prevent the election of Hamas, including funding of the Palestinian Authority by the National Endowment for Democracy.
This last country is my own suggestion, not Blum’s.
Great Britain?
Go and read various articles in Lobster, which describe the way the US and its various front organisations collaborated with the right-wing of the Labour party to stop possible Communist influence. In the 1980s Reagan also created the British-American Project for the Successor Generation, alias BAP, to cultivate rising politicians of both the left and the right, and make them more favourable towards America and the Atlantic alliance. These included Tony Blair and Ed Balls, but you won’t read about it in the Times, because it’s editor was also a BAP alumnus.
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