Posts Tagged ‘Greenpeace’

From C. 1989: Pravda International on Launch of Greenpeace Rock Album in Soviet Union

October 18, 2017

Pravda International, with pic of Yeltsyn before he became president. This seems to have been before the drunkenness took hold. It also doesn’t show his uncritical adulation of capitalism, which destroyed the Soviet economy and caused massive unemployment and poverty.

Way back in the 1980s when I was at College, I used to buy Pravda International occasionally. It was, very roughly, an English language version of the Russian Communist party newspaper, but with articles also drawn from the other Russian newspapers and magazines Izvestia, Argumenty I Fakty, Moscow News, as well as by the English editions own staff. Like many magazines over the years, it seems to have folded due to lack of interest. I tried to buy it from my local newsagent, but found out that it was unavailable. The two big magazine distributors had divided Bristol up between them, and one of them wouldn’t carry it. So guess which half of Bristol I was in.

I nevertheless kept hold of some of them, as they were records of an exciting, historic time. This was when Glaznost and Perestroika were in full swing, the Soviet Union was being democratised according to Gorbachev’s belief that democracy and Communism could be combined to produce a new, vigorous, prosperous Soviet Union. The Soviets were opening their borders and allowing western media into the country. The Cold War was thawing rapidly, and right across the Communist bloc censorship was being lifted. The Soviet people were making their voices heard, and books, plays, poetry and art that had previously been banned were now being published and publicly discussed. Stalin and his minions stood, thanks to dissident Marxist historians like Roy and Zhores Medvedev, openly condemned as monstrous mass murderers. And the families, friends and loved ones of his victims organised to demand memorials to the millions he had murdered. And instead of hatred, distrust and the looming threat of nuclear holocaust, for a few years it looked like the peoples of the West and East would live as friends and co-workers. The missiles were being decommissioned, the silos filled in. Across the world it seemed that our peoples would never again have to fear the threat of nuclear attack, or invasion from across the other side of the Iron Curtain.

And I also dug out the old copy of Pravda International out of a sense of mischief. RT UK and America have been under attack recently, accused of spreading Russian propaganda and interfering with our politics. What this means is that the Russian-owned news agency has actually done some good journalism, and uncovered the poverty, misery and despair caused by corporatist late capitalism and the gutting of the British and American welfare state and working class organisations. It’s what our own, domestic news networks should be reporting on, but instead they’ve been turned into part of the same corporate system, publishing nothing but mainstream propaganda for the corporatist elite and their puppets and shills in the political parties. I wanted to dig it out to show that the Russians have always had a media presence in the West, and there was a time when it also really frightened some capitalist interests. Although flicking through that issue of the magazine, many of the stories were about western businesses, including British firms, securing contracts to work with Soviet enterprises, as the economy opened up.

Russia, like everywhere else, is also suffering from environmental damage and climate change. Simon Reeve, in his recent TV journey across Russia from the Far East to St. Petersburg, stopped in Siberia to show the terrifying changes that are occurring in the Russian north. The permafrost is melting causing the remaining rock and soil to subside. This has created vast craters in the tundra. One Russian environmental scientist took Reeve to see one of these. It was staggering, the size of the vast Arizona meterorite crater in the US. It was as if a piece of land the size of a city had been scooped out of the Arctic.

These climatic changes are threatening the stability of many of the cities the Russians built up in the north. They’re also a further threat to all humanity, as they release methane, a greenhouse gas far more powerful than Carbon Dioxide. About 25 times more powerful. This threatens to create runaway global warming beyond the tipping point, to the point where the survival or human civilisation, if not the human species itself, is very much under threat.

Looking through this old issue of Pravda International, it was therefore particularly interesting to find an article by their staffer, Jennie Walsh, reporting the launch of a rock album by Greenpeace, released by the Soviet recording company Melodiya, to raise awareness of environmental issues.
The article, ‘Breakthrough for the Environment’, reads

The ecological pressure group Greenpeace has long highlighted the international potential of the environmental movement. The recent release of their rock compilation album, Breakthrough marks an important step forward for the campaign, and for Western music.

Two years ago Greenpeace chairman David McTaggart approached Ian Flookes of the Wasted Talent Artists Agency with a view to putting on a concert of Western bands in the Soviet Union in order to generate roubles for a Soviet-based Greenpeace campaign. Political problems prevented this at the time, but in the changing climate of perestroika the plans were restarted last year, though a compilation record was considered more appropriate.

‘After what happened at Chernobyl, I think the Soviet authorities have become extremely environment-conscious and their approach to Greenpeace and to the project has been one of great support’, Flookes told Pravda International.

With the full cooperation of the Soviet state record company Melodiya, who were granted independent status last year, Breakthrough is the first major release of contemporary Western rock music in the USSR.

It is the first time that Melodiya has been able to do a ‘normal’ promotion campaign, with many of the artists (who all gave their services free of charge) present at the Moscow launch in March. There was an incredible reception. One record store queue was over 7,000 people, which is quite phenomenal – even by Soviet standards!

The purpose behind Breakthrough, however, must not be forgotten amid such hysteria. Kate Karam of Greenpeace emphasised that in releasing the album, they wanted to educate as much as to entertain. Despite perestroika, it is still difficult to put out independent information in the USSR, and the album provided a vehicle for the distribution of a booklet highlighting the work of Greenpeace and the environmental problems of the USSR.

The profits from the record sales will be shared between Greenpeace and the International Foundation for the Survival and Development of Humanity, one of the first independent, non-governmental organisations to be founded in the Soviet Union.

The money will be spent only on projects within the USSR. This is a major indication of the political changes that have taken place. Greenpeace is quite a radical organisation by any standards, and to have some of the top soviet scientists and public servants (including Velikov, vice-president of the Soviet Academy of Sciences) support them through the Foundation, has been vital to the project. It is also an important challenge – a challenge to get programmes started in the USSR while maintaining the traditional Greenpeace principle of direct action.

Several environmental projects have now been formally agreed. Greenpeace will use some of the funds from the record to organise an East-West exchange programme in cooperation with the Soviet Academy of Sciences, for children to study environmental problems. Projects in the pipeline include work with the International Foundation to establish a central clearing house for information on atmospheric pollution problems and trying to involve the Soviet Union in the campaign to stop the industrial pollution of the Baltic Sea.

‘We don’t want to impose our Western standards about the environment on the Soviet Union,’ explains Karam. ‘I think that’s a danger with many of the Western organisations taking advantage of the new political climate there. Greenpeace is going to Russia to learn about their specific problems, because it is wrong to develop homogeneous attitudes about the environment. We need to study and talk to people before we launch into setting up offices and membership drives. Getting educational materials out in Russia is a big enough challenge right now without going straight into direct action projects.’

The popularisation of ‘green politics’ in the West may be little more than rhetoric on the part of its leaders, but it has encouraged the critical eye to fall on eastern Europe with regard to its environmental record. The socialist system may have failed the environment as much as the capitalist, but the big difference is the West has had 10 years lead time with environmentalists pushing legislation through. ‘I think the question is now how bad the USSR’s record is, but what is going to happen over the next 10 years – not in the past 50. I don’t think its fair to criticise.’

Now that the Soviet authorities have made active moves to encourage environmental concern, particularly by creating a Ministry for the Environment, Greenpeace are keen to see whether other east European countries follow suit.

Breakthrough is to be released in all the east European countries as well as in the UK, USA, India, Australia and Japan, emphasising the international aspect of the green movement.

The release of the album worldwide, under the title Rainbow Warriors, will probably be slightly more of a gamble than it has been in the Soviet Union. Compassion fatigue in the West, however, might be overcome by the quality of the record.

There probably hasn’t been an album released yet, which features so many top musicians – U2, Simple Minds, The Eurythmics, Bryan Ferry, Peter Gabriel and Sting to name a few. There are 26 tracks, all of which have recently been hits. For many, the album will probably have an intrinsic value just for this reason. The fact that it supports Greenpeace will be a bonus.

In the three weeks since the album was released in the USSR over 10,000 copies have been received on the forms that were enclosed in the information booklets.

The worldwide launch is on May 22nd and if it sells for reasons other than its musical content, its educational and mobilising potential could be as effective as the fundraising.

Now, unfortunately, we have had Russian hackers releasing scientific data in an attempt to discredit climate change and global warming, while Trump is also trying to stifle climate science, including the virtual closure of America’s Environmental protection Agency. He and the rest of the Republican party are determined that only the paid propagandists for the Koch brothers will be heard.

Resisting the Tories War on the Poor: Bring Back the Underground and Alternative Comics

December 24, 2013

As I’ve written in previous blog, one of the problems facing Left-wing opponents of the Coalition and its vile policies is how to get the message across, when the media are nearly all biased towards the Conservatives. One possibility may be to use comics and graphic novels, following the examples of the great underground and alternative comics that first appeared in the 1960s and ’70s, before expanding and changing, along with the rest of the comics world in the ’80s and ’90s. Two of the most famous examples of comics creators using the medium to make extremely serious political points were Brought to Light and Aargh in the 1980s. These were a response to atrocities committed by CIA-backed Contra rebels in Nicaragua and the Thatcher government’s attempt to pass the now notorious Clause 28 respectively. This last piece of legislation was intended to prevent schools promoting homosexuality. Gays and libertarians were outraged by what they saw as the official promotion of homophobia, and feared that it would be followed by even more punitive legislation directed at gays themselves. Since Mrs Thatcher’s death, there has been some attempt to rehabilitate her regarding her attitude towards homosexuality. It’s been rightly observed that she did not personally hate gays, and that an attraction to one’s own sex was no obstacle to serving in her cabinet. Thatcher’s economic model was, however, Chile under the Fascist dictator General Pinochet, who was a personal friend of hers. At a time when homosexuality was far less tolerated than at present, there was a real fear that Thatcher would not only import Pinochet’s monetarism, but also follow him in destroying personal and political freedoms over here. Under the Right-wing totalitarianism Thatcher seemed ready to establish, gays would also be brutalised and persecuted, as well as other social and political groups the government deemed offensive or a threat. This was the background to the Fascist dystopia depicted in Moore’s and Lloyd’s comic strip and graphic novel, V for Vendetta.

Moore also contributed to Brought to Light, writing the strip ‘Shadowplay’, illustrated by the American comics artist Bill Sienkiewicz. ‘Shadowplay’ is a bitterly funny history of the way the CIA had backed Right-wing dictators and conspired to overthrow left-wing regimes, as well as engage in other, illegal and extremely unethical tactics across the world, as told in a sleazy bar by a cynical American eagle. It’s an example of the way comics, in the hands of good writers and artists, can be used to make deadly serious political points based on fact in a manner that it is entertaining as well as informative.

Shadowplay art

Art from ‘Shadowplay’ from Brought to Light, written by Alan Moore with art by Bill Sienkiewicz, showing the caricature-based artistic style used to make their point about the CIA infamous legacy of atrocity and human rights abuses.

Moore also contributed to Aargh!. This was a collection of strips, whose title was an acronym supposedly standing for ‘Artists Against Rampant Government Homophobia’. Although it was a British response to Thatcher’s Clause 28, it followed a line of American underground gay comics from the 1970s, such as Harold Hedd, Barefootz and the lesbian comic, Dynamite Damsels, culminating in the anthology, Gay Comix, published by Kitchen Sink.

Aargh1

Page from Aargh!

The underground comics were largely a product of the 1960s Hippy counterculture, and much of their contents were based around drugs and sex. This is shown very much in the work of the best known of the underground comics creators, Robert Crumb, and Gilbert Shelton’s Fabulous Furry Freak Brothers, a comic about the weird adventures of a group of hippy drug freaks. In the 1970s a number of explicitly political underground comics appeared, including Slow Death Funnies, Edu-Comics and Anarchy Comics. Slow Death produced a number of issues, each devoted to a particular topic, such as the medical-industrial complex, nuclear power, the campaign against the Vietnam War and Greenpeace. As well as satirical strips, they also included facts and figures. Edu-Comics also produced a number of individual comics devoted to particular issues, such as All-Atomic Comics (1976) and Energy Comics (1980), which attacked the nuclear power industry.

Atomic Comics

Pages from All-Atomic Comics showing the mixture of satirical strip and factual contents.

Britain also had a number of political underground comics, such as the Optimist and Committed Comics. The Optimist appeared in 1976, and featured strips that discussed squatting, the dole, abortion and hypothermia amongst British pensioners.

Optimist

Cover from The Optimist.

Committed Comix, for its part, had strips discussing Northern Ireland, gay rights and the rise of the National Front.

Back to the Thirties

Back to the Thirties strip from Committed Comix, warning of the rise of the extreme Right-wing National Front.

These underground comics helped create a tradition of highly political comics that continued well into the 1990s, with titles such as Downside. This was a soap opera set in Thatcher’s Britain, which strongly criticised her government and its policies, and which ironically used quotes from her for each issue’s titles.

Downside Thatcher

Other comics in the 1980s devoted to particular contemporary issues include Strip AIDS, El Salvador: A House Divided and Palestine. Alan Moore also produced another political comic in consultation with an American conscientious objectors’ group, Real War Stories. This was intended to promote its anti-War message through presenting the reality of armed conflict, based on the experiences of real soldiers.

Apart from these Underground and alternative comics, mainstream comics also became far more adult with an increasing demand from their readers for them to include more mature themes and issues. One issue of Daredevil attempted to show the horrific effects of drugs on American schoolchildren, while another superhero comic, The Vigilante, dealt with child abuse. In Britain a range of comics were produced by Fleetway, aimed at readers over the age of 16. These included Crisis, and its strip, ‘Third World War’. This was about a pair of teenagers drafted in to serve the multinational food corporations as they exploited the Developing World.

Crisis Cover

Cover of Crisis.

Most of these new, adult strips didn’t last very long. The new emphasis on gritty realism and politics did not attract the younger readers, on whom the industry traditionally depended, and the comics industry in general suffered a massive collapse after the initial boom of the 1990s. Nevertheless, despite this decline, 2000 AD has survived. Many of its strips, including Judge Dredd, were sharply satirical. As the millennium approached, for example, the comic decided to celebrate the approaching year of its title with a satirical strip harking back to Mach 1, one of the very strips in the new comic. Mach 1 was based very much on the Six Million Dollar Man. Instead of bionics, however, Mach 1 owed his massively increased strength and speed to ‘compu-puncture hyperpower’. To help him control it, Mach 1 had a special computer implanted in his head which gave him advice. 2000 AD took this early strip, and reworked it into a strip satirising Tony Blair, the then current prime minister. He appeared as Blair 1, with his inbuilt computer advisor, Dr Spin. Two of the problems facing the fictional PM was how to support single mothers, as well as what should be done about the abandoned mines left through the closure of the mining industry by Major’s regime. Dr Spin’s advice is to solve these problems by combining them, so that the single mothers are then sent down the mines. A long line of them appear in characteristic miner’s gear, singing ‘Hi ho, hi ho, it’s off to work we go! We work all day for rubbish pay, thank you, Tonio!’ Other politicians skewered by the strip also included Chris Patten and Anne Widdicombe.

The 1980s also saw the appearance of Diceman, a comic in which the individual strips were adventure games that could be played by the reader, and whose narrative and ending depended on the choice they made as they progressed through the game. It was the graphic successor not only to similar, text-based games like The Warlock of Firetop Mountain, but also to the various ‘Have Your Own … Adventure’ books aimed at younger readers, which used comic strips as the format for similar adventure games. Diceman was a spin-off from 2000 AD, and many of the games were based on its strips and characters, including Slaine and Nemesis the Warlock. It also shared the satirical slant of its parent, and several of its games attacked the leaders of the British and American governments. Thus, Diceman ran the strips Thatcher: A Dole-Playing Game, and one in which the reader played Ronald Reagan. This was illustrated by that veteran of underground comics and political subversion, Hunt Emerson. These were humorous in tone. One of the problems presented to the reader in the Reagan strip is that, as the present, your popularity is falling. The way to regain popularity is to launch an investigation into your own family tree, in the hope that a suitably popular and glamorous ancestral link can be found. The reader thus spun the dice to decide, who the investigation would say Reagan was related to. The highest numbers produced the most popular relatives, who duly boosted your score as Ronald Reagan. The most popular of these was the Queen, followed by ‘a lot of Irishmen’. The lowest score, however, made you related to Bonzo, Reagan’s chimpanzee fellow star from his film, Bedtime for Bonzo. The strip also made extremely serious and alarming factual points, such as when it discussed some of the occasions in which mistakes and malfunctions had left the world a millimetre away from nuclear war. One of these, for example, was when a technician accidentally dropped a spanner down the shaft of a nuclear silo.

A number of alternative comics have also appeared in Britain, which also include a strongly political element. These include Pete Loveday’s Russell: The Saga of a Peaceful Man, whose hero is a hippy going from one weird experience to another. Like the Underground comics before it, much of the humour in this centres around the alternative culture and the various festivals that had appeared by the ’90s, and drugs. It also showed and satirised the demoralising experience of job hunting, government cuts to unemployment benefit at the Job Centre, and the callous attitude of hospital administrators, eager to get people out of their hospital beds as quickly as possible in order to accommodate the next person in the queue.

Russel Job Hunting

The reality of looking for a job, as depicted in Russell: The Saga of a Peaceful Man.

Russel DofE

Russell finds that Unemployment Benefits are being replaced by payment in kind. From Russell: Part 2.

Russel Hospital Admin

Apart from the political comics themselves, many contemporary British comics artists and writers entered the field through the Underground comics, including Brian Bolland, Angus McKie, Dave Gibbons, Bryan Talbot, Hunt Emerson and Steve Bell, known for his political cartoons in the Guardian and the Indepedent, like Maggie’s Farm. There are also a large number of younger comics artists and writers out there in the wider fan culture, many of whom have got around problems of finding a commercial publisher by publishing their work themselves. Comics are also no longer confined to print and hardcopy. A few artists have taken to the web to publish their work. There is thus a large pool of talent available to create such comics, and the developments in comics publishing over the last couple of decades means that a political comic attacking the governments’ welfare policies could be published independently, or on-line and so get around the problem of finding a commercial publisher that way. Graphic novels have established comics as a medium in which serious issues can be discussed, and the growth of comics and their readership has meant that Waterstone’s now has a section devoted to comics and graphic novels. I also believe that Forbidden Planet would also be willing to stock such a comic. As well as conventional, mainstream comics like Batman, Superman, Spiderman and so on, Forbidden Planet has also stocked the independent, alternative and underground comics, including some of the very political work published by Knockabout. It might even be worth some of the comics companies republishing some of the old satirical strips. Margaret Thatcher has passed away, but her shadow still looms large over the British political landscape, with politicians on both the Right and the Left presenting themselves as her political heir and successor. It would thus be a timely reminder of how much suffering she caused in her day. And some of the issues discussed in the British undergrounds are still all too relevant. The references in The Optimist to pensioners suffering from hypothermia is, tragically, one of these. There was shock a few months ago when it was revealed just how many tens of thousands of senior citizens had died of the cold the previous winter.

Rather than a comic, published in serial instalments, I think the best way of using the comic strip to satirise and attack the government would be a graphic novel, or anthology, dedicated to the issue of poverty and the Coalition’s war on the poor, the unemployed and the disabled, like Brought to Light, Aargh! and the others in the 1980s and 1990s. The harshness of the government’s policies and the immense suffering they have created, such as the very many disabled people, who have committed suicide after being found fit for work by ATOS, surely warrant a similar treatment to the issues graphic novels explored and publicised in those decades. I am not saying that such a graphic novel or comic would be sufficiently influential to persuade the public to vote Cameron, Clegg and the others out. Ian Hislop, the editor of Private Eye and one of the creators of British satirical puppet show, Spitting Image, was once asked on Radio 4 whether he thought satire could change anything. He answered, ‘No’, and pointing out that no matter how viciously Spitting Image caricatured and attacked Mrs Thatcher and her government, people still kept voting for her. Nevertheless, if told with wit and style, such a graphic novel or comic might still reach and affect some people, who would otherwise find politics boring and help change the minds of those, who would otherwise quietly accept the Right-wing media’s misleading reporting and views of these issues. If even some people change their mind as a result, or are encouraged to vote against the government or become politically active against their policies, then such a graphic novel or comic will have succeeded.

A political comic attacking the government and its welfare policies would doubtless be extremely controversial. This is nothing new. The underground comics were notoriously controversial, and in the 1970s were the subjects of a series of obscenity cases in America that decimated the underground scene. Their counterparts over this side of the pond were similarly attacked. I remember that back in the ’70s and ’80s Knockabout always seemed to be raided by the police. Martin Barker in his book, Comics: Ideology, Power & the Critics, has also pointed out how mainstream children’s comics have also been the frequent target of official disapproval. Many of these were on the grounds that they were cheap rubbish that kept children away from reading proper literature, or that they indoctrinated their younger readers with the wrong values, either from the subversive Left or capitalist right. Barker wrote the book while Mrs Thatcher was Prime Minister, and popular literature, particularly comics, was coming under increasing attack. In the postscript to the book Barker makes a passionate defence of comics in the face of growing demands for censorship. Although comics and graphic novels are now better accepted than they were in the 1980s, his comments are still relevant today.

‘In this book I have worked hard at being the analyst. Assessing and weighing, investigating and evaluating. Not above a bit of anger when I find bad theory and empirical misrepresentation, but basically cool. Perhaps every now and then a bit of laughter or passion when something I really love comes up before my eyes, but most of the time outside it all. This is, of course, not true at all. I live in this damned country at this damned time and comics are part of my and my children’s lives. And I now say passionately: let us have as many of the things as we possibly can. In the face of the capital-calculating machine called Thatcherism which used morality like murderers use shotguns, all the little things like comics matter. Little by little, the cohorts of the ‘competitive-minded’ seek to shut down, enclose, militarise our imaginations. Comics prise open the bars just a little. Dreaming, eh? Give that chap a ‘short, sharp shock’! I am quite willing to say passionately: all those in whom humanity remains prized about the ‘laws of the market’ have no business (you own none, you have none) helping to block the dreaming that people manage to do. Imagination, fantasy, call it what-you-will, is not some fixed drum which, filled with the wrong stuff, will then be unavailable for other purposes. For heaven’s sake, let us have dreamers; or we will have hell. My defence of the comics is, to me, in the end a defence of the right to imagine.’ (p. 301). He then proceeds to attack comics’ left-wing critics for their censorship, which they share with Thatcher.

Comics and graphic novels have a long tradition of highlighting social and political problems, and satirising and attacking repressive governments and exploitative organisations and corporations. This tradition provides a fertile ground for attacking the present, repressive, exploitative government, and I’m sure there are plenty of talented and enthusiastic young comics writers and artists willing to do this. Such a graphic novel may not be successful, but it would be worth trying, and might, just might, help change a few minds.

On the subject of the way comics in the 1980s began to tackle serious, adult issues, here is an edition of the 1980s documentary series, Signals from 1989, I found on youtube. Entitled ‘The Day Comics Grew Up’, it features interviews with Alan Moore, Archie Goodwin, John Byrne, Tom Veitch and Jim Baikie, amongst other writers and artists, talking about their work and the demand for comics to include such mature, serious subjects.

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Sources

Martin Barker, Comics: Ideology, Power & the Critics (Manchester: Manchester University Press 1989).

Pete Loveday, Russell: The Saga of a Peaceful Man (London: John Brown Publishing 1991).

Pete Loveday, Russell: The Saga of a Peaceful Man, Part 2 (London: John Brown Publishing 1993).

Roger Sabin, Comics, Comix & Graphic Novels: A History of Comic Art (London: Phaidon 1996).

Former French Foreign Minister: Britain Planned to Attack Syria Two Years Previously

September 3, 2013

The clip below is of the former French foreign minister, Dumas, stating on French television that he had been at a meeting two years previously in London. He claimed that during the meeting, David Cameron told him Britain had made plans to invade Syria, because of the threat the Syrians posed to Israel. He claimed further that the Israeli president had said to him that Israeli wished to leave in peace with the surrounding states. If they couldn’t, they would take these states down.

I don’t know whether this claim is true or not. The bombing of Greenpeace’s ship, The Rainbow Warrior, in New Zealand in the 1980s by French special forces shows that the French are also capable of taking violent covert action against those groups they see as acting against their national interests. In the case of the Rainbow Warrior, the ship had been active in demonstrations against French nuclear testing in the Pacific. It is possible that this claim is disinformation, designed to serve some purpose of the French state in the region in some way. It could, of course, also just be complete rubbish uttered by the former minister for his own ends, or simply due to a poor memory.

My guess is that there’s probably something to it. Although Syria had initially cooperated with America in intelligence gathering after 9/11, by 2002 the relationship had soured. Michael Young, in his paper, ‘Syria, the US and Terrorism’ states that the pro-Israel and Neo-Conservative groups in Bush’s government increasingly disliked Syria, partly because the Syrians had provided sanctuary to Palestinian terrorist groups such as Hamas. This wasn’t the sole cause of these groups’ hostility towards Syria. Other reasons included Syria’s occupation of Lebanon and the fact that the country also appeared to be allowing Islamic terrorists and remnants of the Ba’ath party to enter Iraq to attack Coalition forces. I think that it’s therefore highly likely that some kind of decision was made several years ago to attack Syria for these reasons.

Source

Michael Young, ‘Syria, the US and Terrorism’, in Christopher Heffelfinger, ed., Unmasking Terror: A Global Review of Terrorist Activities (Washington DC: The Jamestown Foundation 2005) 56-8.