Posts Tagged ‘‘Goodness Gracious Me’’

Right-Wing YouTubers Praise Priti Patel for Wanting to Repeal Blair’s Anti-Hate Speech Legislation

January 30, 2021

The noxious, smirking, ambitious idler Priti Patel was in the noxious Express last Sunday, delighting various right-wing Youtubers with her comments about the laws Blair passed against hate speech. These, she apparently declared, undermine proper free speech and so should be scrapped.

One of those applauding her was Alex Belfield, of whom I have previously blogged many times. Belfield is constantly reviling left-wing activists against racial and other prejudices of being oversensitive ‘snowflakes’. Instead of getting upset and moaning about comments or portrayals they find offensive or hurtful, they should instead grow up, stop whining and get over it. This is more than a bit rich coming from Belfield, as he is very ready to moan about anything which he feels casts unfair aspersions on White folks. For example, a week or so ago he got very annoyed at a sketch in a BBC comedy show, ‘Bamous’, or something like that. The show’s cast are Black, and it seems aimed very much at a Black, Asian and minority ethnic audience. The sketch that raised Belfield’s blood pressure was ‘the Black Broadcasting Corporation’, which portrayed what it would be like, or what it’s cast thought it would be like, if the Corporation’s management were all Black and they casually patronised and humiliated Whites who had suggestions for programmes and wanted to climb up the career ladder in television. Belfield tore into the sketch as yet another example of the Beeb’s ‘woke’ racism against Whites, and yet again demanded that the Corporation should be defunded.

I did find what little I saw of it offensive, and I only saw the clips Belfield included in his video, so I don’t know if this accurately reflected the sketch as it was originally broadcast. But I think the sketch reflected the anger of various Black actors and writers at having their ideas repeatedly turned down by the corporation. The historian David Olasuga said in an interview that he suffered from depression after having his ideas for programmes rejected, while Lenny Henry and others have also criticised the Corporation for not being sufficiently inclusive.

It also struck me that the sketch wasn’t all that original either. Previous comedy series by ethnic minorities have also lampooned White British racism through the same strategy of role reversal. Goodness Gracious Me, the Asian comedy show which ran on BBC 2 on the ’90s with the sketches ‘Going for a Blandi’, in which a group of Asian friends go to a restaurant serving traditional British food. And a friend of mine said he never realised how condescending shows like Great Indian Railway Journeys were about India and its people until Goodness Gracious Me sent it up in a sketch in which they looked at the British railway system making the same type of comments. Not that Goodness Gracious Me was anti-White. It also sent up British Asian culture and the bigoted attitudes of some Asians towards Whites. For all I know, Bamous might do the same to Black culture.

Belfield’s criticisms would also carry more weight if two of his comedy heroes didn’t specialise in racist material. He’s a friend of the notorious Jim Davidson, with whom he hosts a programme on his internet radio show in the week. He also seems to be a fan of the late Bernard Manning. Last week he put up a video praising Mark Lamarr and wondering what happened to the former host of Never Mind the Buzzcocks. The clips he used to show Lamarr’s skills as a interviewer came from a video in which he talked to Bernard Manning. And as older readers are probably all too aware, Manning was infamous for his racist jokes, although he always maintained that he was not personally racist. They were just jokes, right?

But those jokes are really hurtful to the Blacks and Asians, who were the butt of them. Way back in the ’90s Mike and I were on a bus coming home from an evening out drinking. We got talking to one of the other passengers, an Asian lad who’d been sent home from work. He was a waiter in one of the swish restaurants in town. Davidson had turned up for a meal, and the lad had been ordered to serve him. He refused because hated Davidson’s jokes about people of his colour. The manager insisted, the lad refused again, and was sent home. And I’m on the lad’s side and respect him for sticking to his guns against serving someone whose material he found deeply abhorrent.

I’m no fan of Blair, and do think that right-wing critics of the legislation against hate speech do have a point. I think they are stifling a proper and very necessary debate about immigration and race relations. But I also feel that they are also necessary. I think the first such laws in Britain were passed in the 1930s or thereabouts and were intended to stop the demonisation of Jews by Fascists, like Mosley’s BUF. At the same time, the BBC had a very strict code over what could and couldn’t be said on air. There was a list of about 200 words that couldn’t be used by presenters. This included slang terms, such as ‘lousy’, for something that was simply bad or poor in quality, and the crude and insulting terms for people of different ethnic groups. When the Goons started in the 1950s the Corporation also had a list of subjects which were strictly forbidden for comedy. These were religion, the monarchy, disability, the colour question and ‘effeminacy in men’. These prohibitions went a long time ago, especially regarding religion and the royal family, although they remain very sensitive subjects. Issues of race and racism can be lampooned, it seems, but only from the point of view of ethnic minorities or which sends up racism. But Belfield would, it appears, like to overturn this and return television to the days of the 1970s when Manning and Davidson were both telling their jokes on mainstream TV.

If the jokes manning and Davidson told about race had no effect, and people took them as just jokes, then perhaps there’d be an argument for allowing that material back on television. I don’t believe that the producers of Love Thy Neighbour, a comedy about a racist White man who finds out that his new neighbours are Black, were being deliberately offensive or trying to promote racism. But there was much more overt racism then, including jokes going round playground and workplace that really did show a contempt for people of colour. I think one of the issues with racist jokes is that, even if they are meant to be innocuous, they can and do reinforce real racism in wider society.

Speech and the attitudes expressed matter. Sir Alan Burns, the last governor of Ghana, says in his book, Colour Prejudice, that much could be done to tackle racism simply through courtesy and politeness. His book, published in 1948, is clearly very dated, but that observation is undoubtedly very true. The legislation against hate speech, and the attitudes against racist comedy that has accompanied them, are really an attempt to make this courtesy mandatory.

It appears very much to me that Patel and Tories like her want to repeal all of the 1970s anti-racism legislation. The attack on Blair’s legislation against hate speech is just the beginning, and the explanation that they stifle free speech just a pretext. They’d like to drag us all back to the days when businesses could refuse service and employment to people on the grounds of their colour or nationality. When hotels and guesthouses could put signs up in their windows saying ‘No dogs, no Blacks, no Irish’. And when the Tory party could put up posters telling the British public that if they wanted Blacks for neighbours, they should vote Labour. But they should vote Conservative if they didn’t.

Patel’s Asian, and so is potentially one of those affected by such prejudices and the removal of the laws protecting people of colour. She obviously feels she’s exempt because of her lofty position as a government. Or perhaps she feels that British society has changed so rapidly these laws aren’t necessary. I think they are, and no matter how secure she is, others aren’t so lucky. And there is a real danger that the vicious racism these laws are designed to combat will return all too quickly.

For those reasons, the laws should stay and it doesn’t matter how funny some Tories think Manning and Davidson are. The racism the laws are intended to combat is very definitely no laughing matter.

Vox Political on John Whittingdale’s Attack on the Beeb’s Independence

May 12, 2016

John Whittingdale, the Tory perv and walking security risk currently in charge of spearheading the government’s campaign to privatise the Beeb, has finally released his White Paper on the subject. Among his proposals are recommendations that the BBC Trust should be dissolved and replace with a unitary board. This would have members directly appointed by the government, though he tries to reassure critics that most of the board would still be appointed by the Beeb itself. He also wants a new mission statement to be launched by the Corporation, expressing its goals “to act in the public interest, serving all audiences with impartial, high-quality, and distinctive media content and services that inform, educate and entertain.” He also wants it to be “required to give greater focus to under-served audiences, in particular those from black, Asian and ethnic minority backgrounds, and those in the nations and regions”.

Mike here points out what a mass of contradictions the Paper is, as well as its highly patronising tone to the great British public. Mike says

John Whittingdale must think we’re all too stupid to see the contradiction in terms he has written into his White Paper on the BBC.

He reckons the BBC needs a new mission statement: “”To act in the public interest, serving all audiences with impartial, high-quality, and distinctive media content and services that inform, educate and entertain.”

But he also wants to dissolve the BBC Trust, replacing it with a new unitary board including some members appointed by the government – so that’s impartiality out of the window before his new version of the Beeb even gets going.

Some might say the BBC is already biased towards the Tories – we only have to look at the protests against arch-Tory Laura Kuenssberg in her role as political editor at BBC News – but this would instill that bias at an institutional level.

Mike also points out that Whittingdale’s demands for it to give greater service to Blacks and ethnic minorities risk turning the Beeb into a service aimed primarily at catering for minority communities. In Mike’s view, this is better left to the commercial companies.

Mike’s article is at http://voxpoliticalonline.com/2016/05/12/an-impartial-bbc-not-if-tories-get-to-choose-who-runs-it/ Go and read it for more information.

Mike is absolutely right that even having some of the new unitary board appointed by the government would result in a loss of the Beeb’s independence. This has happened on the continent. Sarkozy in France used the government’s control over funding for the state broadcaster to get genuine well-respected French news anchors sacked for daring to criticise him. Berlusconi in Italy used the government’s control of the state broadcaster to pull a late night satirical programme, Rayot, from Ray, the name of the channel, off the air because it dared to spoof him. The writer, Sabina Guzzanti, who used to play Berlo himself in her sketches, later made a film about the affair, Viva Zapatero!
This takes its title from the name of the Spanish president, who ended his government’s power to appoint the head of the state broadcaster, thus making it independent of government control.

Now Whittingdale is trying to do the opposite, and thus join Sarkozy and Berlusconi in trying to make television and the media generally the mouthpiece for their official propaganda.

As for the Beeb catering more to BAME audiences, the Corporation has tried to do that through radio stations set up specifically to serve different ethnic minorities. One of these was the Asian Network, for which the Beeb has been running trailers a couple of weeks ago. I think there’s also another radio station for Blacks. I seem to recall there also being adverts for this station being run about 12 years ago. It was also specifically part of the remit of Channel 4, when that station was set up as a public service broadcaster. And Channel 4 did broadcast much material aimed at Black and Asian audiences. Apart from the Indian films on ‘All-India Goldies’, they also broadcast a history of the world, which was designed to put European history in its place as the history of just part of our planet, and give equal space to events elsewhere around the globe. There was a history of Africa, presented by Basil Davidson. Davidson’s White, but he’s an Afrocentric historian, who believes that the major cultural developments supposedly pioneered by ancient Greece and Rome were actually taken from Black African civilisations. It’s the same view as Martin Bernal in his immensely influential book, Black Athena. A couple of years later, the BBC also produced a series on African history, presented by a Black Muslim historian, Dr Ali Mazrui.

Between them the Beeb and Channel 4 have also nurtured much Black and Asian talent, like Lenny Henry, the Asian comedy show, Goodness Gracious Me, which first appeared on radio as The Secret Asians, Felix Dexter, Stephen K. Amos, who now has a weekly show about his own life growing up late night on Radio 4. Saturday tea-time on Channel 4 there was also a comedy programme set in a Black London barber shop, which was on just before the awesome Max Headroom. Many of the performers in these shows managed to make the crossover into more mainstream programming. Mira Syal has appeared in many different programmes over the years, including a soap with the Bog-Eyed Brummie Git, Jasper Carrot. Nina Wadia was in Chambers, a comedy set in a firm of lawyers, with one of the Long Johns. And Sanjeev Bhaskar has also gone to a variety of other shows, not least the Kumars at No. 42, which has spawned various versions across the world. The American version is called The Ortegas, and is about an Hispanic family. And Lenny Henry really needs no introduction.

I’m not saying the Beeb’s record in this is perfect. There is still much controversy about the lack of performers and directors from ethnic minorities in television. For example, a year or so ago a number of celebrities gave their support to a campaign for greater representation for Black and Asians on television. Those joining the campaign included Benedict Cumberbatch and Daniel Craig. I am merely trying to point out that the Beeb has made some effort in this direction.

Mike also points out that TV favourites like Strictly Come Dancing and Dr Who also have a very wide appeal, including minorities. Indeed they have. What struck me about the new Dr Who when it was revived by Russell T. Davies was the increased presence of Black and Asian characters. What made the news was Davies determination to include gay characters, like Captain Jack, but Davies was also very obviously keen to make the series more representative of British society. And so Rose Tyler’s boyfriend, Mickey, last seen fighting the Cybermen in a parallel dimension, was Black. As was another of the Doctor’s companions, a lady doctor. And the various future worlds and planets to which the Doctor has travelled have also been very multicultural. Or at least, they are if their inhabitants are humanoid. There are, for example, Black Timelords, while the besieged human mission attacked by the forces of darkness in the episodes ‘The Impossible Planet’ and ‘The Satan Pit’ included Blacks and Asians.

I got the distinct idea that it’s this type of representation – more Black and Asian faces on mainstream programmes – that anti-racist campaigners are keen to promote, rather than separate broadcasting ghettoes. A few years ago Private Eye ran a few pieces noting that the BBC Asian network was having trouble recruiting talent for precisely this reason. The aspiring British Asian stars and directors of tomorrow wanted to go into mainstream broadcasting, rather than confine themselves simply to their own communities. Of course, Whittingdale would like the Beeb to become mainly a broadcaster for minority interests, as it would leave the field free for the big corporations the Tories represent to move in on the mainstream audiences the Corporation has vacated. The Eye has also satirised that attitude in this fortnight’s addition, in which it has Murdoch’s papers whining about how the BBC is terribly unfair for producing genuinely popular programmes, and thus discriminating against all the rubbish produced by Murdoch’s and the other commercial broadcasters.