Posts Tagged ‘Gerald Scarfe’

Gerald Scarfe Caricature of Menachem Begin

June 11, 2018

I found this caricature of the former Israeli premier, Menachem Begin, as a desert tank, on page 71 of Scarfe’s book, Scarfeface (London: Sinclair-Stevenson 1993).

I’m posting it as a rebuttal of the latest attempts to silence criticism of Israel, and particularly the censorship of cartoons commenting on Israeli atrocities and human rights abuses. Like the Guardian’s spiking of Steve Bell’s cartoon of Netanyahu and Tweezer having a chin-wag, while the murdered Palestinian medic Razan al-Najjar burns in the fire. Or the German cartoon, which was censored for anti-Semitism, because its depiction of Netanyahu was held by the censor, Klein, to be like the Nazi caricatures of Jews. And then there was the case of Scarfe’s own cartoon of Netanyahu building his wretched wall to keep the Palestinians out a few years ago. Mark Regev, the odious Israeli ambassador, speciously claimed that because it showed Netanyahu building it using the blood and bodies of Palestinians, that it was somehow a reference to the infamous ‘Blood Libel’.

It’s all rubbish. None of these cartoons were anti-Semitic. And as Mike has pointed out, in these cases authorial intention have to be taken into account. Scarfe isn’t an anti-Semite, and neither is Bell, who has vigorously denied that there was any anti-Semitic intention in his cartoon. But the people making these accusations aren’t interested in whether they’re really anti-Semitic. They’re interested solely in using the issue of anti-Semitism as a convenient weapon for shutting down criticism of Israel.

I don’t know when Scarfe’s cartoon of Begin was published, but it was clearly a much freer time journalistically. It’s a comment on his militaristic character and period in office. And I’m very sure that there were no accusations of anti-Semitism, and it was accepted as ‘fair comment’. And looking at it, it is not very different in its intent and comment on Israeli politics as the others that have recently been censored.

How very different to today, where if you draw a cartoon that the Israelis and their supporters don’t like, you will be automatically libelled as an anti-Semites and your cartoon spiked.

It’s time this grotesque infringement of free speech and libelling of perfectly decent people stopped. Journalists should hold everyone to account, including Israel and its leaders, just like every other nation, without fear of defamation and censorship.

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Israel Based Journo Shows How Censorship of Steve Bell Cartoon Plays into Hands of Real Anti-Semites

June 11, 2018

Last week the editor of the Groaniad, Kath Viner, spiked a cartoon by the paper’s Steve Bell for supposed anti-Semitism. The cartoon commented on the complete indifference to the murder of 21 year old Palestinian medic, Razan al-Najjar by the IDF shown by Netanyahu and Tweezer. Bell depicted the two having a cosy chat by the fire, in which al-Najjar was burning. This was too much for Viner, who immediately did what the Israel lobby always does whenever the country is criticised for its brutal treatment of the Palestinians: she immediately accused the critic of anti-Semitism. The cartoon was anti-Semitic, apparently, because al-Najjar’s place in the fire was supposedly a reference to the Holocaust and the murder of the Jews in the Nazi gas ovens. Despite the fact that Bell denied that there was any such intention in his work, or indeed, any overt references to the Holocaust at all.

Bell was naturally outraged, and issued a strong denial. I’ve blogged about this issue, as has Mike, and Bell’s denial was also covered by that notorious pro-Putin propaganda channel, RT. And an Israel-based journalist, Jonathan Cook, has also come down solidly on Bell’s side and against censorship.

Mike posted a piece reporting and commenting on Mr Cook’s view and analysis of the case on Saturday. Cook is a former Guardian journalist, who now lives in Nazareth, the capital of Israel’s Palestinian minority. Cook praised Bell’s cartoon because of the way it held power to account, and indicted the powerful and their calculations at the expense of the powerless. He stated

In other words, it represents all that is best about political cartoons, or what might be termed graphic journalism. It holds power – and us – to account.

He then went on to describe how, by siding with Israel over the cartoon, the Guardian was siding with the powerful against the powerless; with a nuclear-armed state against its stateless minority. He then goes on to make the point that when criticism of Israel is silenced, the country benefits from a kind of reverse anti-Semitism, or philo-Semitism, which turns Israel into a special case. He writes

When a standard caricature of Netanyahu – far less crude than the caricatures of British and American leaders like Blair and Trump – is denounced as anti-Semitic, we are likely to infer that Israeli leaders expect and receive preferential treatment. When showing Netanyahu steeped in blood – as so many other world leaders have been – is savaged as a blood libel, we are likely to conclude that Israeli war crimes are uniquely sanctioned. When Netanyahu cannot be shown holding a missile, we may assume that Israel has dispensation to bombard Gaza, whatever the toll on civilians.

And when we see the furore created over a cartoon like Bell’s, we can only surmise that other, less established cartoonists will draw the appropriate conclusion: keep away from criticising Israel because it will harm your personal and professional reputation.

He then makes the point that doing so plays into the hands of real anti-Semites, and generates more:

When we fail to hold Israel to account; when we concede to Israel, a nuclear-armed garrison state, the sensitivities of a Holocaust victim; when we so mistake moral priorities that we elevate the rights of a state over the rights of the Palestinians it victimises, we not only fuel the prejudices of the anti-Semite but we make his arguments appealing to others. We do not help to stamp out anti-Semitism, we encourage it to spread. That is why Viner and the Guardian have transgressed not just against Bell, and against the art of political cartoons, and against justice for the Palestinians, but also against Jews and their long-term safety.

Mike goes on to make the point that we need to be more critical about the raving paranoiacs, who see anti-Semitism in Steve Bell’s cartoon, and also in Gerald Scarfe’s depiction of Netanyahu building his anti-Palestinian wall using the blood and bodies of the Palestinians themselves. This was attacked by Mark Regev, the Israeli ambassador, as ‘anti-Semitic’, who claimed that it was a reference to the Blood Libel. It wasn’t, but the I apologised anyway. Mike goes on to say that there is no such thing as an unintentional anti-Semite, but authorial intentions are routinely ignored in these cases.

He then goes to state very clearly that as the authorial intentions of these cartoons weren’t anti-Semitic, Viner was wrong about Bell’s cartoon. Just as the Sunset Times, as Private Eye dubbed the rag, was wrong about Scarfe and Mike himself, as was the Campaign Against Anti-Semitism. And so are the people, who’ve accused Ken Livingstone, Jackie Walker, Tony Greenstein and so many others of anti-Semitism. And in the meantime, Netanyahu gets away with mass murder.

Mike concludes

But Mr Cook is right – these attitudes only fuel real anti-Semitism among those who draw the only logical conclusion about what’s going on in the media, which is that the Establishment is protecting the Israeli government against censure for its crimes.

It suggests to me that all those involved in this charade have been creating problems that will come back to harm all of us in the future.

https://voxpoliticalonline.com/2018/06/09/israel-based-journo-shows-how-guardian-editor-helped-anti-semites-by-censoring-steve-bell/

Now part of the problem here could be certain developments in anti-racism and postmodernist literary theory. For example, some anti-racist activists have argued that there is such a thing as unconscious racism, and have used it to accuse people and material they have seen as spreading or legitimising racism, but without any conscious intent to do so.

In postmodernist literary theory, the author’s intent is irrelevant. In the words of one French postmodernist literary theorist, ‘all that exists is the text’. And one person’s interpretation of the text is as good as another’s.

Hence, those arguing that the above cartoons are anti-Semitic, could do so citing these ideas above.

Now there clearly is something to unconscious racism. If you look back at some of the discussions and depictions of racial issues in 1970s popular culture, they are often horrendously racist by today’s standards. But they weren’t seen as such then, and I dare say many of those responsible for some of them genuinely didn’t believe they were being racist, nor intended to do so. And unconscious racism is irrelevant in this case too. The accusers have not argued that these cartoons are unconsciously racist. They’ve simply declared that they are, without any kind of qualification. Which implies that their authors must be deliberately anti-Semitic, which is a gross slur.

As for postmodernist literary theory, the accusers haven’t cited that either. And if they did, it could also easily be turned against them. If there are no privileged readings of a particular text, then the view of someone, who thought Bell’s cartoon was anti-Semitic, is no more valid than the person, who didn’t. Which cuts the ground out from such accusations. That argument doesn’t stand up either, though here again, the people making the accusations of anti-Semitism haven’t used it.

Nevertheless, their arguments about the anti-Semitic content of these cartoons and the strained parallels they find with the Holocaust, or anti-Semitic conspiracy theories, are very reminiscent of the postmodernist texts the American mathematician Sokal, and the Belgian philosopher Bricmont, used to demolish the intellectual pretensions of postmodernism in their 1990s book, Intellectual Impostures. One of the texts they cited was by a French feminist arguing that women were being prevented from taking up careers in science. It’s a fair point, albeit still controversial amongst some people on the right. However, part of her evidence for this didn’t come from studies showing that girls start off with a strong interest in science like boys, only to have it crushed out of them later in their schooling. No! This strange individual based part of her argument on the medieval coat of arms for Brussels, which shows frogs in a marsh. Which somehow represents the feminine. Or at least, it did to her. For most of us, the depiction of frogs in a marsh in the coat of arms for Brussels is a depiction of precisely that: frogs in a marsh. Because, I have no doubt, the land Brussels was founded on was marshy.

But Cook and Mike are right about these accusations, and the favouritism shown to Israel, playing into the hands of anti-Semites.

The storm troopers of the right are very fond of a quote from Voltaire: ‘If you want to know who rules over you, ask who it is you can’t criticise’. Or words to that effect. Depending on whether the person using the quote is an anti-Semite or an Islamophobe, the answer they’ll give will be ‘the Jews’ or ‘the Muslims’.

Of course, their choice of the French Enlightenment philosopher is more than somewhat hypocritical. Voltaire hated intolerance, and in the early stages before it became aggressively anti-religious, the French Revolution stood for religious toleration. A set of playing cards made to celebrate it showed on one card the Bible with the Talmud, the Jewish holy book containing extra-Biblical lore and guidance, and the Qu’ran.

But by ruling that criticism of Israel is anti-Semitic, the Israel lobby very much appears to show – entirely falsely – that the anti-Semites are right, and that the Jews really are in control of the rest of us. It gives an utterly false, specious confirmation of the very conspiracy theories they claim to have found in the works of the people they denounce. The same conspiracy theories they claim to oppose, and which have been responsible for the horrific suffering of millions of innocent Jews.

It’s high time this was stopped, and accusations of anti-Semitism treated with the same impartial judgement as other claims of bias or racism. And false accusations should be firmly rejected as a slur, and apologies and restitution demanded from the libellers.

Steve Bell Cartoon in Guardian Spiked for Supposed ‘Anti-Semitism’

June 8, 2018

More fake accusations of anti-Semitism by the Israel lobby to censor criticism of their barbarous treatment of the Palestinians. Yesterday Mike put up a piece reporting that Guardian editor Kath Viner had spiked a Cartoon by Steve Bell commenting on the shooting of the Palestinian medic Razan al-Najjar. This showed May and Netanyahu having a cosy chat around the fireplace, in which al-Najjar is burning. The cartoon was intended to show the complete indifference to al-Najjar’s murder by the IDF. But Kath Viner decided it was anti-Semitic, because she thought it compared the actions of modern Jews to those of the Nazis in the Holocaust. Bell himself strongly rejects any such comparison, and wrote to her in an email, saying

“I cannot for the life of me begin to understand criticism of the cartoon that begins by dragging in ‘wood-burning stoves’, ‘ovens’, ‘holocaust’, or any other nazi-related nonsense.

“That was the last thing on my mind when I drew it, I had no intention of conflating the issues of the mass murder of European Jews and Gaza.

“It’s a fireplace, in front of which VIP visitors to Downing Street are always pictured… and the figure of Razan al-Najjar is burning in the grate. It’s a widely known photograph of her, becoming iconic across the Arab world and the burning is of course symbolic. She’s dead, she was shot and killed by the IDF while doing her job as a medic.”

He said he suspected “the reason that you did not get in touch was because you did not really have an argument. The cartoon is sensitive, not tasteless, not disrespectful, and certainly contains no anti-Semitic tropes.”

Mike makes the point here that the people making the accusation of anti-Semitism see what they want to see. They expect to see anti-Semitism, and so they see anti-Semitism. And so they ignore issues of authorial intent, context and commonsense.

Mike makes the point that it is not anti-Semitic to point out that an unarmed medic was murdered by an Israeli soldier, nor anti-Semitic to point out that Britain’s own response to the murder has been lukewarm. He goes on to say it is not anti-Semitic to question whether this lack of an appropriately strong response is due to the immense amount of trade Britain does with Israel, or whether the arms we sold them were used in her killing. He goes on to conclude that if the author’s intent is ignored in the interpretation of the image, then it’s the wrong interpretation.

https://voxpoliticalonline.com/2018/06/07/guardian-cartoonist-steve-bell-accused-of-anti-semitism-over-razan-al-najjar-image/

I’m not surprised that Bell has been censored because of this cartoon. The Israel lobby regularly responds to criticism of the barbarism it metes out the Palestinians with accusations of anti-Semitism, including cartoons. A few years ago, Mark Regev, the noxious, lying Israeli ambassador, sent an angry letter to the I attacking a cartoon by Gerald Scarfe about the construction of the anti-Palestinian wall as ‘anti-Semitic’. Why? The cartoon showed Netanyahu building the wall using the blood of murdered Palestinians as mortar. He decided that this was anti-Semitic because it referred to the ‘Blood Libel’, the vile anti-Semitic myth that Jews murder Christians and use their blood to make the matzo bread eaten at Passover. The cartoon did nothing of the sort, but nevertheless, the I caved and issued an apology.

And last week a German cartoonist was accused of anti-Semitism and sacked for the alleged anti-Semitism of his caricature of Netanyahu. Klein, the minister or civil servant responsible for rooting out anti-Semitism, decided that this was anti-Semitic because it exaggerated Netanyahu’s nose and lips, just like the caricatures of the Jews produced by the Nazis and other anti-Semites. It’s a highly debatable point. caricaturists work by exaggerating features, including, and often particularly, the nose and lips. Germany has been very pro-Israel since the end of the Second World War, partly out of guilt for the Holocaust, and Jews are actually treated very well there. So much so that it’s a favoured destination for young Israelis to go on holiday. a few weeks ago I found an article published in Counterpunch by a radical, anti-racist German journo, which followed the Israeli embassy in Germany in equating anti-Zionism with anti-Semitism. Which is what the real issue is here: suppressing criticism of Israel.

As for Bell’s cartoon, he is certainly not alone in depicting political figures holding their talks around the fireside. in the 1980s, the games comic Diceman ran one game story in which the reader played Ronald Reagan, desperate to save the world from nuclear war. One scene showed him and Gorbachev holding talks around a blazing fire. As Reagan droned on, Gorby dozed, and the artist, Hunt Emerson, had great fun drawing all kinds of figures in the fire. At one point the flames made little KKK figures, who joined hands and danced. I’m afraid I can’t put my hands on the issue at the moment, otherwise I’d put up the image, but it’s around here somewhere. There is nothing as strong as that in Bell’s cartoon.

And the Guardian has always, like other newspapers, been under pressure to spike any reports of Israeli atrocities. Alan Rusbridger, the former editor of the Guardian, described in the Channel 4 Despatches documentary on the power of the Israel lobby, how after accurately reporting them, he would be visited by someone from the Israel lobby or the Board of Deputies of British Jews, complete with their pet lawyer, who would rant and rave about how such reports were anti-Semitic. After his reporting of the Gaza bombardment, the two visitors claimed that the newspaper’s accounts were anti-Semitic, because they would encourage people to attack Jews in the street. Which didn’t happen.

Since then, the newspaper has been the conduit for the Israel lobby’s propaganda. For example, they once ran an article by Steve Pollard of the libel organisation the Campaign Against Anti-Semitism, which claimed that the far-right, anti-immigrant president of Poland couldn’t be anti-Semitic, because ‘he was a good friend of Israel’. Well, the Israelis have all kinds of ‘good friends’ who are Fascists and anti-Semites. They’ve welcomed Alt-Right leader Steve Bannon to one of their military jamborees, and had Richard Spencer, the founder of the Alt-Right, on their television. Why? Spencer describes himself as a ‘White Zionist’, who admires Israel as the kind of racially pure ethnostate he’d like America to become, but for Whites only. Tony Greenstein was so angered by the Groan’s switch from objective reporting to servile pro-Israel commentary, that he wrote Viner or her subordinates a letter of complaint.

This isn’t about real anti-Semitism in the press. This is about censoring criticism of Israel, using the horrific suffering of Jews in the Holocaust as a pretext. It’s a disgusting desecration of their memory as well as a gross libel on the cartoonists. Viner, Klein and Regev should be ashamed.

Refuting Anti-Semitism Smears with the Reasonableness Test: Part Two

May 25, 2018

The claims that some of the comments made by critics of Israel are anti-Semitic because of their imagery and language used also reminds me very strongly of the claims made by some of the paranoid conspiracy theorists themselves. For example, Israel has constructed a wall around itself designed to keep the Palestinians out. This is very controversial, and the great British caricaturist, Gerald Scarfe, drew a cartoon of the Israelis building it using the blood of the Palestinians as mortar. The picture was published either in the Independent, or the I. The Israeli ambassador, an odious creep called Mark Regev, immediately declared that the cartoon was anti-Semitic. The inclusion of blood in the picture was a reference to the Blood Libel, the murderous lie that Jews kill Christians and use their blood in the matzo bread at Passover.

In fact, the cartoon contained no reference to this vile libel. There were no references to either the Passover, matzo bread or ritual murder. It was purely about the wall, and the Israelis’ butchery of the Palestinians. But the accusation had the intended effect. The I or Independent caved in and made an apology. But blood and its imagery is a very common image used to portray the brutality of oppressive, violent regimes and groups of all types around the world. It is certainly not confined to Jews. Regev was, of course, making the accusation of anti-Semitism to close down a graphic portrayal of the Israeli state’s brutality, as the Israel lobby has been doing to its critics since the 1980s. But his accusation bears less relation to objective fact than to some of the really paranoid theories that have circulated around America about secret cabals of Satanists plotting to destroy American society from within.

One of these, which surfaced c. 1982, concerned Proctor and Gamble and their logo, as shown below.

As you can see, this shows a ‘Man in the Moon’ surrounded by thirteen stars. According to the rumour, which was boosted through its inclusion by several Southern fundamentalist Christian preachers in their sermons, the imagery reveals that the company is run by Satanists. The thirteen stars represent the thirteen members of a witches’ coven, and the ‘Man in the Moon’ is really Satan himself. Especially as the curls of the figures hair is supposed to show the number 666, the number of the Beast, the Antichrist, in the Book of Revelations. See the illustration below, where I’ve circled where I think these ‘Satanic’ curls are.

Now if you applied the rule adopted by the lawyers for the Israel lobby to the imagery here, you could argue that it is fair to accuse Proctor and Gamble of Satanism, because that’s how its logo and its imagery has struck thousands of Americans. But you be ill-advised to do so, because the company vehemently denies any Satanic connections. It’s actually a patriotic symbol, with the thirteen stars representing the thirteen founding colonies of the USA. The company has also redesigned the logo to iron out those curls, so that they no longer appear to show 666, and engaged the services of other right-wing fundamentalist preachers, like Jerry Falwell, to show that the company is not run by Satanists. They also have a very aggressive legal policy, so that if you do claim that they’re a bunch of Satanists, they will sue. And I very much doubt that the court will be impressed by claims that the company must be Satanic, ’cause somebody can think that looking at their logo.

This is real, Alex Jones, tin-foil hat stuff. And stupid rumours of Satanic conspiracies have real consequences for ordinary people, just like the smears of anti-Semitism have been used to damage the lives and reputations of decent people. We have seen people falsely accused of child sacrifices and abuse, based on no more than fake recovered memories, in scenes that could have come out of the Salem witch hunt back in the 17th century. Some of them have even gone to prison. This is why it is absolutely important that people are always considered innocent until proven guilty, and that accusations of Satanic ritual abuse, and anti-Semitism, should always be held to objective, not subjective standards. The rule that such accusations must be believed, because somebody may think that a person is a Satanist or racist, simply on the way a comment subjectively strikes them, only leads to terrible injustice.

The Israel lobby here are showing the same paranoid psychology that permeates the racist, anti-Semitic extreme right. The type of people, who search the newspapers and other texts looking for proofs that the Illuminati really do run the world. Or that the Zionist Occupation Government really has taken over America and the West, and is attempting to destroy the White race through racial intermixing. Or that Communists have burrowed into the American government.

One of the proofs of this last conspiracy theory was the tiny lettering on the Roosevelt dime. Just below FDR’s neck and extremely small, were the letters ‘JS’. According to the rumour, the letters stood for ‘Joe Stalin’. This rumour first appeared in the Cold War, in 1948, when the scare about ‘Reds under the bed’ was just beginning. But it’s completely false. Oh, the letters are there, but they don’t stand for Stalin. They’re the initials of the coin’s designer, John Sinnock. You can claim all you want that the claim is subjectively true, because liberalism and the welfare state = Communism, or some such similar right-wing bilge. But it wouldn’t stand up in a court of law.

And some Christian fundamentalists in America have also seen in the colours used by state roads signs evidence of a conspiracy to put them in concentration camps. Back in the 1990s there was a rumour panic going around about the colours used in spots adorning the highway signs in Pennsylvania. These were supposed to show the location of the concentration camps, in which true Christians would be incarcerated when the Communists or one world Satanic conspiracy came to power. In fact they showed no such thing. The state’s highway department used the dots as a colour code to mark the year the sign was first painted. This was to show how old the sign was, and so indicate when it should be repainted.

Continued in Part Three.

Kevin Logan on Milo Yiannopolis’ Editor’s Notes

December 29, 2017

I’ve been avoiding talking too much about politics this week as I simply haven’t had the strength to tackle the issues in as much detail as they deserve. Quite apart from the fact that the issues that have been raised in the media this week – the continuing running down of the NHS, the growth of food banks, homelessness and grinding poverty, all to make the poor poorer and inflate the already bloated incomes of the Tory elite, all make me absolutely furious. I’ve been feeling so under the weather that, quite simply, I couldn’t face blogging about them and making myself feel worse mentally as well as physically.

But this is slightly different.

Slate has published a piece about the guidance notes Alt-Right Trumpist cheerleader Milo Yiannopolis has got from his publishers at Simon and Schuster. In this short video, scourge of anti-feminists, racists and general Nazis Kevin Logan goes through the notes, and it’s hilarious.

There are pages and pages of them. And the more you read, the funnier it gets.

You remember Milo Yiannopolis? He was one of the rising stars of the Alt-Right. He’s anti-feminist, anti-immigration and in many peoples’ eyes, racist, although he’s denied that he actually has any Nazi connections. All this despite the fact that he was filmed in a bar getting Hitler salutes from a party of Alt-Right fans.

He was the IT correspondent for Breitbart, many of whose founders, managers and leading staff are racists, and have been described as such by the anti-racism, anti-religious extremism organisation and site Hope Not Hate. Yiannopolis has constantly denied that he’s racist or bigoted by playing the race and sexuality card. He’s half-Jewish, gay, and his partner is Black. And so he argues that he can’t possibly be prejudiced against people of different ethnicities and gays. Well, possibly. But he has said some extremely bigoted, racist and homophobic comments, quite apart from his anti-feminism.

He describes himself as ‘a virtuous troll’. Others just call him a troll. That’s all he is. He’s only good at writing deliberately offensive material, but is otherwise completely unremarkable. But he’s British public school elite, and so Americans, who should know much better, assume that somehow he’s more cultured, knowledgeable, better educated and insightful than he actually is. Sam Seder commented on Yiannopolis that if he wasn’t British, nobody would take any notice of him. I think it’s a fair comment. But it does show the snobbery that goes with class and accent. Incidentally, when I was a kid reading comics, my favourite characters were the Thing in the Fantastic Four, and Powerman, in Powerman and Iron Fist. And it was partly because of their accents. Stan Lee has a terrible memory, and to help him remember which character said what, he used to give them different voices, sometimes based on who was in the media at the time. He made the Thing talk like Jimmy Durante. He was a space pilot, but his speech was that of New York working class. I liked him because he was kind of a blue-collar joe, like my family.

The same with Powerman. He was a Black superhero, real name Luke Cage, who had been subjected to unethical medical experiments to create a superman by a corrupt prison governor after being wrongly convicted. I didn’t understand the racial politics around the strip, but liked the character because he was another lower class character with a working class voice. He also had the same direct approach as the Thing in dealing with supervillains. Whereas Mr. Fantastic, the leader of the Fantastic Four, and Cage’s martial artist partner in fighting crime, Iron Fist would debate philosophically how to deal with the latest threat to the world and the cosmos, according to the demands of reason and science in the case of Mr. Fantastic, and ancient Chinese mystical traditions, in Iron Fists’, the Thing and Powerman simply saw another megalomaniac, who needed to be hit hard until they cried for mercy and stopped trying to take over the world or the universe.

But I digress. Back to Milo. Milo was due to have a book published, but this fell through after he appeared on Joe Rogan’s show defending child abuse. Yiannopolis had been sexually abused himself by a paedophile Roman Catholic priest, but believed that he had been the predator in that situation. From what I understand, the victims of sexual abuse often unfairly blame themselves for their assault, so I’m quite prepared to believe that something like that happened to Yiannopolis. What was unusual – and revolting – was that Yiannopolis appeared to feel no guilt and regret at all about the incident.

Very, very many people were rightly disgust. He got sacked from Breitbart, along with a lot of other companies, his speaking tour had to be cancelled, and the book deal he had managed to finagle fell through.

Well, as Sergeant Major Shut Up used to say on It Ain’t ‘Alf Hot, Mum, ‘Oh, dear. How sad. Never mind.’ It couldn’t happen to a nicer bloke, and Yiannopolis got a taste of the kind invective and vitriol he poured on the ‘SJWs’ and the Left.

He appeared later on to ‘clarify’ his statement – not an apology – saying that he now knew he was the victim of child abuse, and stating that he didn’t promote or approve of the sexual abuse of children. But the damage was done.

Now it seems Yiannopolis’ book deal is back on, though Simon and Schuster really aren’t happy with the manuscript.

Comments include recommendations that he remove the jokes about Black men’s willies, doesn’t call people ‘cucks’, and stop sneering at ugly people. One of these is particularly hilarious, as his editor writes that you can’t claim that ugly people are attracted to the Left. ‘Have you seen the crowd at a Trump rally?’ Quite. I saw the front row of the crowd at BBC coverage of the Tory party convention one year, and they were positively horrific. It seemed to be full of old school country squire types, as drawn by Gerald Scarfe at his most splenetic.

The guidance goes on with comments like ‘No, I will not tolerate you describing a whole class of people as mentally retarded’, and then factual corrections. Like ‘This never happened’. ‘This never happened too.’ ‘No, you’re repeating fake news. There was no Satanism, no blood and no semen’. At one point the editor demands that an entire chapter be excised because it’s just off-topic and offensive.

Here’s the video.

There probably isn’t anything unusual in the amount of editing that Simon and Schuster require. Mainstream publishing houses often request changes or alteration to the manuscript. It happens to the best writers and academics. Years ago I read an interview with the editors of some of the authors of the world’s most influential books. One of them was Germaine Greer’s. Greer had sent in a manuscript about cross-dressing in Shakespeare. A fair enough subject, as there’s a lot of female characters disguising themselves as boys in the Bard’s plays. But she had the insight that Greer was far more interested in gender roles, and suggested she write about that instead. And the result was The Female Eunuch.

At a much lower level of literature, Private Eye had a good chortle about one of ‘Master Storyteller’ Jeffrey Archer’s tawdry epics. Apparently the gossip was that it went through seven rewrites. Ian Fleming’s editor for the Bond books, according to one TV documentary, was a gay man with a keen interest in dressing well. Which is why some of the sex in Bond was less explicit than Fleming intended, but also why Bond became suave, stylish dresser fighting supervillains in impeccably cut dinner suits.

No shame in any of this, then. But what makes it funny is that it’s happened to Yiannopolis, who seems to have been too much of an egotist to think that anything like it could ever really happen to him. Looking through the comments, it’s also clear that the editor really doesn’t like his bigotry, and the invective he spews against racial minorities and the disadvantaged. I got the impression that he or she really didn’t want to have anything to do with book, but has presumably been told they had to work with Yiannopolis because the publishers were going to put it out anyway, no matter what anyone else in the company felt.

And the editor’s clear dislike of his bigotry is a problem for Yiannopolis, because he’s a troll, and that’s just about all he does: pour out sneers, scorn and abuse, like a male version of Anne Coulter, another right-winger, who’s far less intelligent than she thinks she is. And I know that grammatically standards are a bit looser now than they were a few years ago, but when you have the comment ‘This is not a sentence’, it’s clear that Yiannopolis is failing at one of the basic demands of any writer from the editors of small press magazines to the biggest publishing houses and newspapers and magazines. They all insist that you should write properly in grammatically correct sentences. But Yiannopolis has shown that he can’t do that either.

As for the kind of literary snobbery that used to look down very hard on comics and graphic novels, while promoting opinionated bigots like Yiannopolis as ‘serious’ writers, my recommendation is that if you’re given a choice between going to comics convention or seeing Milo, go to the comics convention. You’ll be with nicer people, the comics creators on the panels are very good speakers, and themselves often very literate and cultured. I can remember seeing Charles Vess at the UKCAC Convention in Reading in 1990. Vess is a comics artist, but he’s also produced cover art for SF novels. He gave a fascinating talk about the great artists that have influenced him with slides. And one of the highlights was listening to the publisher of DC, Roy Kanigher, who was very broad New York. Didn’t matter. He was genuinely funny, to the point where the interviewer lost control of the proceedings and Kanigher had the crowd behind him all the way.

Which shows what a lot of people really know already: just because someone’s got a British public school accent, does not make them a genius, or that they’re capable of producing anything worth reading. Comics at their best can be brilliant. They open up children’s and adults’ imaginations, the art can be frankly amazing and quite often the deal with difficult, complex issues in imaginative ways. Think of Neil Gaiman, who started off as one of the writers at 2000 AD before writing the Sandman strip for DC. Or Alan Moore.

Yiannopolis is the opposite. All he does is preach hate, trying to get us to hate our Black, Asian and Latin brothers and sisters, despise the poor, and tell women to know their place. He has no more right to be published, regardless of his notoriety, than anyone else. And the editor’s demand for amendments show it.

Oh, and as regarding publishing fake news, he’d have had far less sympathy from Mike, if by some misfortune Mike had found himself as Yiannopolis’ editor. Proper journalists are expected to check their facts, which Mike was always very keen on. It was he was respected by the people he actually dealt when he was working as a journalist. The problem often comes higher up, at the level of the newspaper editors and publishers. In the case of Rupert Murdoch, I’ve read account of his behaviour at meetings with his legal staff that shows that Murdoch actually doesn’t care about publishing libellous material, if the amount of the fine will be lower than the number of extra copies of the paper the fake news will sale. Fortunately it appears that Simon and Schusters’ editors don’t quite have that attitude. But who knows for how long this will last under Trump. The man is determined to single-handedly destroy everything genuinely great and noble in American culture.

Tories Plan to Rob Elderly of their Homes as Plan to Enrich Insurance Companies

May 20, 2017

Gerald Scarfe’s personification of Thatcherite greed. Still going strong under ‘Red Tory’ May.

One of the policies ‘strong and stable’, ‘Red’ Tory May has put forward in her manifesto is that house prices are to be included in calculating the cost of social care for the elderly. Which means that even more people face the prospect of losing their homes in order pay for the care they will need as they grow older. I know people, who are already worried about this. And people are already worried that Tory policies will make them homeless. Mike reports in one of his posts on this matter, how one caller to Nick Ferrari’s show on LBC was desperately afraid that she’d lose her home when her mother died.

http://voxpoliticalonline.com/2017/05/19/at-last-britons-are-uniting-against-theresa-may/

Yesterday Mike put up a piece, based on a social media post by Trish Campbell, which suggested that May had introduced this policy to give more work, and more money, to the insurance companies. She stated that she had read a piece on the Net, by someone, who had been told by a City worker that the Tories had approached the insurance industry months ago with the opportunity of selling more insurance policies. The elderly wouldn’t have to sell their homes to pay for their care, if they took out an insurance policy for it.

Mike has posted the original text and graphic on his blog, as well as transcript provided by one of his commenters if you can’t read it. It runs

“The Conservatives will attempt to soften the blow by promising that pensioners will not have to sell their homes to pay for their care costs while they or a surviving partner are alive. Instead, ‘products will be available’ allowing the elderly to pay by extracting equity from their homes, which will be recovered at a later date when they die or sell their residence.

“I have just seen this post online:

“‘People need to read the small print associated with this because its a lot nastier than it looks.

“I work in the City. The insurance industry was approached by the Government several months ago with the aim of creating a new market for a new product.

“This arrangement is a culmination of those discussions. You wont have to sell your house PROVIDED that you purchase an insurance product to cover your social care. The “premiums” would be recovered from the equity after the house has been sold and the Insurance company will have a lien on the house and can force a sale if it wants to. So your offspring cant keep it on the market for long in order to get the best price.

“The real kicker in this is that in order to encourage the industry to market these products the government guaranteed that there would be no cap on the premiums.

“This was in some ways “atonement” for Osborne’s destruction of the highly lucrative annuities market. This means that the premiums could be up to (and including) the entire remaining equity in the property after the government has taken its cut. Companies will be falling over themselves to get their snouts in this trough.

“In short your offspring and relatives could get absolutely nothing from your estate.

“If you buy one of these products you need to read the small print very very carefully indeed because there will be some real dogs on the market.

“I suspect that this is another financial scandal waiting to happen, but by the time it does May will be long gone.’”

Mike concludes his piece by wonder if Unum had something to do with it.

http://voxpoliticalonline.com/2017/05/19/now-it-makes-sense-dementia-tax-is-an-insurance-scam/

Well, this doesn’t seem at all unlikely. The work capability tests, that have seen tens of thousands thrown off benefit, and hundreds of severely sick and disabled people die in misery and starvation – see Stilloak’s blog and the site, Atos Miracles – were introduced at the behest of American fraudster Unum, and its chief, John Lo Cascio. And other insurance companies have also been very strongly involved in the privatisation of the NHS.

And I can remember the Financial Times reporting, way back in the 1990s, a scheme by the Tories and the insurance companies to launch special insurance schemes at workers to cover them if they were made redundant.

This is how the Tories and their backers in big business and the financial sector see poverty – not as something that should be removed, but as an excellent business opportunity. And so they are doing their best to cause more anxiety, to make people’s financial situation even more precarious, in order to make their friends and paymasters in the City even richer.

Till, like the figure above, they puke money.

Don’t let them do this. Don’t let them rob you of your house, to pay for your elderly relatives care – care that they’ve worked for and paid for through their national insurance contributions and tax.

Vote Labour on June 8.

Spoof Interview with Benjamin Netanyahu on the Jimmy Dore Show

September 24, 2016

In this video from the American comedian and frequent guest on The Young Turks, Jimmy Dore, he takes a phone call from ‘Benjamin Netanyahu’. During their conversation, ‘Netanyahu’ talks about how some American politicos need to be given a stiff talking-to by him, as they have not spread panic and fear-mongering about all Muslims being responsible for the terrorist attacks on their country. He calls Muslims ‘the most dangerous of all the ‘M’s’, and praises Hillary Clinton as being every bit as belligerent and pro-war as he is. And also very manipulable. The only drawback is that while Clinton would give Israel more than previous American leaders, there would still be a ceiling on what they would give them. As for Donald Trump, he states that Trump’s surname was originally Drumpf, a German name, and the idea of America led by someone with a German name would not be particularly pleasing to his people. Nor is the anti-Semitism in the Alt-Right movement which supports him. But the man himself is not personally anti-Semitic, and, like ‘Netanyahu’ himself, is a bully, so he understands him and they can do business. Indeed, he thinks that if Trump wins the presidency, he will be the first president to give Israel everything it wants, including the ethnic cleansing or ‘resettlement’ of the Palestinians from Gaza. Indeed, he’ll offer The Donald a deal. If he allows it to go ahead, Bibi ‘Netanyahu’ will offer him a deal to build a casino there. It ends with Netanyahu offering Dore a series of gigs to perform there for three weeks, which he angrily withdraws when Dore asks if he can bring his own opening man. ‘Netanyahu’ also gets angry when Dore mentions that there are many Israelis, who dislike the fact that their country is now ruled by the Likud party, an extreme right-wing faction.

I know this is another video about America, but it makes several excellent points. Netanyahu is indeed the leader of an extreme Right-wing party, Likud. he is a thug and a bully determined to browbeat any opposition to the ethnic cleansing of the Palestinians. Hillary Clinton is a belligerent hawk, fiercely pro-Israel, who is determined to start more wars. Trump is also a bully supported by neo-Nazis, who has tried to make money – and failed – from casinos. And Netanyahu has promoted the war on terror by promoting Islamophobia, and the fear that all Muslims are real or potential terrorists.

I’m also posting this up as it’s a subject that the Israel lobby is doing its absolute best to close down. As we’ve seen, any opposition to Israel’s ethnic cleansing of the Palestinians and the country’s numerous human rights abuses is loudly denounced as anti-Semitism, even when those protesting against them are committed anti-racists with a proud personal history of attacking anti-Semitism. Many of the victims of this smear tactic have been Jews, who have been abused as ‘self-hating’. This sketch probably wouldn’t be shown on mainstream American television, for fear of offending the Zionist lobby and influential Zionist donors to the political parties. I doubt if something similar would be shown over here either, for exactly the same reasons. If it was, I can imagine there would be howls of protest from groups like BICOM, Labour Friends of Israel, the pro-Israeli section of the Tories, and the Israeli ambassador, Mark Regev.

The other year, when Israel embarked on yet another military attack on the Palestinians, Gerald Scarfe satirised it in the Independent in a cartoon showing Netanyahu building the wall, which is designed to keep Arabs out of Israel, using their blood as part of its mortar. Regev sent the newspaper an angry letter, complaining that the cartoon was anti-Semitic because it was allegedly based on the medieval blood libel that Jews ritually sacrificed Christians to use their blood in the matzoh bread at Passover. The blood libel is, of course, disgusting rubbish, and has been responsible for causing terrible pogroms and violence against the Jews ever since it appeared in the 12th century. However, blood is also a common metaphor for human suffering and carnage, and to me the cartoon is fair comment. The wall is metaphorically built on the blood of the Palestinians, who have been killed and expelled from their homeland. That’s fact, not a vile and pernicious medieval myth. Scarfe’s cartoon made no reference to the blood libel. He did not show it as any kind of ritual murder, or include any Jewish religious observance. And the cartoon wasn’t about the Jewish people as a whole, just Israel. And Scarfe is not an anti-Semite. Rather, the cartoon was part of his repertoire of bitter visual invective against brutality and atrocity, regardless of the ethnicity of those responsible.

The Indie should have defended Scarfe against Regev’s accusations. Instead, it printed his letter and an apology. The cartoon didn’t need one, and Regev didn’t deserve one.

I mention this incident as it’s an example of the difficulty in criticising Israel for its multifarious attacks on the persons, property and dignity of the Palestinians, and those Israelis, who courageously take a stand against this. But the more Likud and its allies smear and demonise critics of Zionism, the more opposition to them will grow as increasingly more people, including Jews, will become sick and tired of such bullying and harassment. The more Netanyahu and his allies complain, libel and smear, the more they will lose support.

Cecil Parkinson Dead at 84

January 26, 2016

Scarfe Parkinson

Gerald Scarfe’s bilious view of Parkinson: All matinee idol looks and smarmed down hair.

Mike yesterday also reported yesterday the death of the Tory politician, Cecil Parkinson, at the age of 84: http://voxpoliticalonline.com/2016/01/25/former-tory-minister-cecil-parkinson-dies-aged-84/. Parkinson was a member of Thatcher’s cabinet and was being groomed to be her successor, when the news broke of his affair with Sara Keays, by whom he had a daughter, Flora. Mike states that this was his first exposure to political sleaze. Mike’s disgusted by Parkinson’s treatment of his lovechild, who has Asperger’s and learning difficulties. Parkinson has supported the child financially, but never met her, to the girl’s distress. Mike states that its because of this callous treatment of his handicapped daughter, that he has nothing good to say about the former politico.

Mike’s right, and the more you know about it, the more disgusted you are with Parkinson’s behaviour. Parkinson was in Private Eye on and off for years in the 1990s because of his treatment of his former lover and their daughter. He was extremely reluctant to pay Keays sufficient maintenance to support them both, and, from what I recall, imposed some kind of weird gagging order on her. I’m afraid it’s so long since I looked at the articles, that I can’t remember the details, but the Eye reported that this had the effect of making Keays unable to claim some of the welfare benefits or financial relief she needed. At one point I think she and her daughter were facing losing their home.

This was the grim reality facing Keays later on. At the time the scandal was regarded as a huge joke. Radio 4’s I’m Sorry I Haven’t A Clue, the antidote to panel games, had this little song about the affair:

John Selwyn Gummer is a name warm and dear,
Isn’t it a pity,
Cecil Parkinson wasn’t a trifle queer.

This caddish behaviour didn’t stop Parkinson from staging something of comeback. He appeared on Have I Got News For You a decade or so ago on television. Ian Hislop said that he charmed all of them. This is surprising, given the way the magazine uncovered and described his lover’s ill-treatment. As for his general demeanour, I don’t think many women shared this opinion of him. My mother and her friends agreed that he looked the kind of man they would not like to be caught behind the back of the filing cabinets with.

Clearly, he was not a man who valued marital fidelity, and his persecution and neglect of Keays seems mean-spirited and spiteful, at the very least. He probably wasn’t the worst, but he certainly did personify to an extent the personal sleaze and corruption of the Tory front bench.

Back to Censorship with the Tories

June 6, 2015

One of the reforms now being mooted by the Tories is the introduction of legislation to allow the Broadcasting Standards Authority to intervene in a possibly controversial or offensive programme before broadcast. This is, of course, censorship, and the Tories are well aware of what a hot potato this issue is. Mike’s already reported on his blog over at Vox Political the reaction of Sajid Javid, who has apparently raised some objections to it. It’s ‘apparent’, as Mike considers that Javid’s objections are merely cosmetic formalities. The decision has already been made, but the Tories are presenting a façade of objections in order to stave off criticism that they are all in favour of it.

In fact, sections of the Tory party have for some time now bitterly objected to what they see as appallingly lax, permissive standards on television and the theatre. A few years ago, one of the High Tories with either the Daily Mail, the Spectator or possibly the Telegraph, wrote a piece declaring that British society had been wrecked by the evil Roy Jenkins. Why Roy Jenkins, of all people? After all, Woy was hardly some Marxist or other radical Left firebrand, determined to destroy capitalism. He was one of the founders of the SDP. Some idea of his character can be seen in Gerald Scarfe’s description of him as having ‘a good claret face’.

Nevertheless, the Tory right despises him as the personification of the very worst aspects of the Sixties. It was Woy Jenkins as home secretary in the 1960s, who ended censorship in the theatre, legalised homosexuality and removed the property qualification for jury service. This meant that all kinds of ‘orrible filth was allowed on stage, to the consternation of Mary Whitehouse and the other members of her Viewers’ and Listeners’ Association. The judiciary became soft of crime, because the great unwashed now allowed to judge whether defendants were guilty in the courtroom were not respectable householders, and so had no interest in defending property rights. And most heinous of all, gays were allowed the freedom to indulge their sexuality in the privacy of their own homes, instead of being arrested and properly punished for the threat they posed to society.

Looking back, the restrictions on what was considered suitable for performance, either broadcast, or on stage, was quite severe. Michael Bentin, one of the Goons, said in his one man show, From the Sublime to the Paranormal, way back in the 1990s that the Beeb’s regulations forbade them from making jokes about the following:

The monarchy

Disability

The colour question

‘Effeminacy’ in men

and they couldn’t blaspheme.

They remembered all this through the mnemonic ‘My God, said the Queen, I do believe that one-eyed N*gger’s a poof’. According to the regulations, this would be the single most unbroadcastable sentence possible.

Of course, this censorship became increasingly untenable as popular attitudes changed and traditional authority came under increasing questioning, not least during the satire boom. Ways could be found for entrepreneurs to get round the statutory requirement for theatres to submit their scripts to the Lord Chamberlain for approval before they were staged. And the restriction’s became increasingly anachronistic and absurd. Peter Cook in an interview with Clive James back in the 1990s gave an example of just how absurd and unworkable they were. One of the plays he staged at his club, The Establishment, began with the line ‘Enter three terrible old queens’. Obviously, this violated the prohibition against the portrayal of homosexuals. The script came back covered in blue pencil. They then changed the line to ‘Enter three aesthetic young men’. This, however, was deemed completely accepted and duly passed.

The lifting of those restrictions thus prepared the way for the portrayal of racism and discussions of racial issues in Til Death Us To Part, with Alf Garnett on TV and the extremely camp characters, Julian and Sandy, on the radio comedy series, Round the Horne. Their sexuality was never clearly stated in English, but they spoke in Parlary, the language of actors and the gay underground. And if you understood that, then it was. There were numerous lines about men being ‘omee palones’. ‘Omee’ is the Parlary word for man. ‘Palone’ meant woman, and ‘Omee palone’ was the term used to mean a gay. So, provided you knew the lingo, it was pretty much in front of you all the time, even if the BBC never dared to say it quite outright.

As for the increasingly questioning attitude towards authority, this appalled members of the older generation to the extent that twenty years after it was broadcast, the BBC’s foremost political journalist and broadcaster, Robin Day, still declared That Was The Week That Was ‘deplorable’ in his autobiography, Grand Inquisitor, when it was published in the 1980s. The Tories would dearly love to drag the country back to situation before 1968/9, when there was due to deference to the monarchy and established authority, and the airwaves were full of clean, wholesome family entertainment without the sex and violence that they feel is destroying the British family and sending crime figures shooting up.

It’s highly debatable how far the reactionary Right can turn the clock back to the 1950s. Homosexuality is still bitterly opposed and hated in some sections of British society, but it’s been so widely accepted elsewhere since the 1980s that the Tories have been forced to support gay marriage. Weirdly, even UKIP, which has viciously attacked gay rights, has now gone so far as to want to take part in a gay price march in London. Society generally has accepted premarital sex and the depiction of nudity and some sexual activity on TV – as long as it’s broadcast after the watershed, that it’s hard to see how an outright ban on this could ever be possible or be seen as anything other than ridiculous. Quite apart from the fact that viewers are able to see sexually explicit and violent movies on DVD or the internet in their own homes, and in films at the cinema.

This doesn’t mean that there shouldn’t be some standards, especially when dealing with sex and extremely controversial topics like race. It does mean that the standards have moved so far since the days of censorship that its return would be difficult, unpopular and probably so riddled with complications, contradictions and exceptions as to be unworkable. One example of the latter was the prohibition of the Thatcher government against directly broadcasting statements by terrorists in their own voices. It was introduced to prevent organisations like paramilitaries in Northern Ireland and their associated political parties, like Sinn Fein, from gaining ‘the oxygen of publicity.’ So the TV companies simply resorted to voice actors imitating their voices while quoting their statements. The policy then had to be abandoned, because some of the impressions of the terrorists and their politicians, like Gerry Adams, were so good that they were actually indistinguishable from the people themselves.

And even before the policy was finally abandoned, it was spoofed and something of a laughing stock. The Day Today, the BBC spoof news show, which was the precursor to Chris Morris’ classic and highly controversial comedy, Brass Eye, sent up the restrictions in one edition. This featured an interviewed with a supposed Irish Republican politician, who, ‘in accordance with government broadcasting requirements’, was required to breath helium to make him sound as ridiculous as possible when giving his statement to journalists.

Moreover, any mention of censorship by that very term is extremely controversial. Way back in the 1980s or ’90s the British Board of Film Censors decided to change its name to the British Board of Film Classification as something that sounded much better and far less authoritarian. It’s interesting that the new legislation to allow the Broadcasting Standards Authority to intervene before broadcast has not been described as such. Nevertheless, censorship is what it is.

There is, of course, a much more sinister aspect to the Tories’ planned reintroduction of censorship. They’d like to have complete control over the news before its broadcast, to manipulate its content and control public attitudes. News analysts and media watchers have already noted that the BBC in its reportage is biased towards the Tories, but this isn’t enough for them. Any criticism, not matter how mild, is always denounced as evidence of the Beeb’s liberal bias. This is particularly self-serving when one considers how many of those making the denunciations have connections to Murdoch, who would dearly love the BBC to be reduced, privatised or completely abolished so he could grab some of its broadcasting action.

Private Eye have also published pieces pointing out just how many journalists from the Right-wing press, and associated in particular with Cameron, have gone off to work for the Beeb, contradicting the claims of the Telegraph and Times that there is a revolving door between the Beeb and the Labour party. This is, apparently, shown by the appointment of Andrew Marr as one of the Corporation’s leading political journalists. He is a member of the ‘left-wing’ establishment, as he was editor of the Independent, before taking up his position at the Beeb way back in the 1980s.

Thatcher’s government in particular acted at least twice to try and prevent the broadcast of critical programmes, or destroy the broadcasting companies that did. These were the programmes, ‘Maggie’s Militant Tendency’, an edition of the Beeb’s documentary and current affairs series, Panorama, and the ITV programme, Death on the Rock. ‘Maggie’s Militant Tendency’ annoyed the Tories because of its claim that they had been infiltrated by members of the extreme Right, such as the National Front, in order to radicalise it further, similar to the way the Labour Party had been infiltrated by the Marxist Militant Tendency. They therefore tried all they could to stop it being shown. Death on the Rock was about the shooting of a squad of IRA terrorists in Gibraltar as they were preparing to attack a British army base. The programme alarmed and angered Maggie as it showed that there was no need for the shooting of the terrorists. They had been under observation at almost every point in their journey to the Rock, and could have been picked up and arrested safely, with the minimum of violence, at a number of times before their final battle with the British army. This wasn’t a defensive battle, but a staged execution of the terror squad, intended to punish the IRA and send a clear message that future attempts at terrorism would be dealt with the same way. It also seems to support the allegation of Colin Wallace and others, published by Lobster, that special SAS squads had been embedded in the British army in Northern Ireland in order to carry out similar executions of Nationalists.

Thatcher, however, denied that the shooting of the IRA terrorists in Gibraltar was anything of the sort. She and her cabinet were so annoyed at the programme that the ITV broadcaster lost its licence, and was replaced instead by Carlton. The very name of that company recalls the Tories’ Carlton Club in London, and suggested their political allegiance, or at least compliance, with Maggie’s demands. Despite Maggie’s denials, Lady Olga Maitland later gave the game away in her biography of the Iron Lady published later, where she said that the terrorists were shot as a punishment, rather than killed from self-defence.

And if the Tories were upset and tried to ban hostile programmes, they also harbour long grudges about programmes supporting them which the Beeb didn’t broadcast. Every so often you can read one of the Tory journos griping in the Daily Heil or one of the other rags about the Beeb’s bias in not broadcasting a play about Maggie and the Falklands War. This had a pro-Thatcher perspective, and included a scene showing her crying about the squaddies, who had been killed by the Argentinians in the conflict. I find it hard to believe that Maggie shed any tears for anyone, except herself and her immediate family, but this might be right. Either way, it was not broadcast, and the Tories have bitterly resented this and used it regularly as a cudgel to beat the BBC for its supposed left-wing bias ever since.

If the Tories manage to get their way with the new broadcasting bill and its provisions, you can expect their control of the media to be more or less absolute. Mike and many of the other left-wing bloggers have pointed out how protests are not reported by the BBC, or given minimal, grudging coverage. This included a massive demonstration of tens, if not hundreds of thousands, outside the Beeb’s own doorstep. This will only get worse with the Tories’ plans for the Broadcasting Standards Authority to act before broadcast. There will be even less hostile or oppositional coverage of the Tories and their policies, and instead much more programming supporting them. Of course, this could ultimately damage the established broadcast media, as more people would turn to the internet, and foreign news channels to get an idea of what was going on here. It’s happened already, in that Russia Today and the Iranian Press TV have already given extensive coverage to protests and demonstrations against the Coalition and their cuts, which the Beeb and British broadcasters have done their best to ignore as far as possible.

The political dimensions to this new censorship won’t be introduced explicitly. Instead, it’ll be like Cameron’s proposed legislation trying to censor the internet. It’ll be promoted and set up under the pretext of protecting impressionable Brits from porn and other objectionable material. The Daily Mail will no doubt celebrate it as the return of proper protection for the vulnerable children watching TV. Nevertheless, it will come in. The Tories will do what they normally do, and lie and deny that it is censorship, but this will be exactly what it is. And another British freedom will have been destroyed to make the world safe and profitable for them and their corporate backers.