Posts Tagged ‘Feminism’

Pat Mills and Anti-Racism and Anti-Nazism in British and American Comics

September 22, 2017

This week I’ve put up a number of articles about a couple of interviews I’ve found on YouTube with the long-time British comics creator, Pat Mills. Mills was one of the recidivist offenders, who revitalized a moribund British comics industry in the 1970s with a succession of groundbreaking new magazines the war comic, Battle, Action, and, of course, the mighty 2000AD. Mills is of Irish heritage and distinctly left-wing, so that his sympathies are always with the poor and the persecuted against the establishment, and there was more than a little element of subversion in his strips. Judge Dredd from the first was meant to be a symbol of the Fascistic elements in modern American policing, and J.D. is as much villain as he is hero. The mutant heroes of the Strontium Dog strip are second-class citizens in a future Britain which barely tolerates them. They can only live in ghettoes, and the only work they can do by law is bounty hunting. It’s an explicit comment on racism and anti-Semitism. Nemesis the Warlock was a similar attack on religious bigotry, set as it was in a devastated Earth of the far future, ruled by Tomas de Torquemada and his terminators. They were a military order of warriors, who had whipped up fear and hatred of intelligent aliens and embarked on a series of holy wars to exterminate them across the Galaxy. This was partly based on the medieval inquisition in Roman Catholic Europe, with elements of modern Fascism. For example, the robes adopted by the Terminators recalled Ku Klux Klan costumes.

Comics at the time were increasingly focused on the issue of racism and persecution, particularly in the case of Marvel Comic’s X-Men. The mutants in this strip, like those of Johnny Alpha’s nuclear-scarred Britain, were also persecuted. One of the recurring villains in the strip were the Sentinels, a race of giant robots created to hunt down and kill robots by the stock mad scientist in the belief that this would preserve humanity from the threat to their survival the super-powered mutants – Homo Superior – represented. Another of Mighty Marvel’s villains was the Hate Monger, dedicated to whipping up bigotry and strife. This character also wore a costume based on the Klan, and was revealed as Hitler, or a clone of him.

The American comics industry was founded by German Jews, who brought with them their former homeland’s tradition of telling a story through a series of pictures derived from Wilhelm Busch. I think many of them had also seen combat fighting against Nazism in the army during the War. It’s therefore not hard to see in strips such as the X-Men a metaphorical treatment of the persecution of the Jewish people, as well as other outsider groups. As well as being a metaphor for racism, the X-Men also had an large following of gay young people, possibly because the social hostility shown in the strips towards its mutant heroes mirrored their own experiences as marginalized outsiders.

And concerns over the threat of Fascism were also seen in other British comics. The British version of the Captain Britain strip, written by Dave Thorpe and then Alan Moore, was set in an alternative Britain in which a deranged, mutant aristocrat, Mad Jim Jaspers, had created a biomechanical creature to hunt down and exterminate all mutants. At the same time, he had encouraged a Fascist dictatorship to seize power, which then began the process of persecuting and exterminating mutants.

This was succeeded by Moore’s V for Vendetta in the adult comic, Warrior, which featured an anonymous guerilla, V, fighting a personal war against the Fascist authorities of a near-future Britain. It was filmed with Hugo Weaving as ‘V’, Natalie Portman as his companion, Evie, with Stephen Fry as a gay TV host and John Hurt as the dictator. Moore himself dislikes the movie, partly because the contract he signed with the studio meant that the character is now their property. But it is a powerful film, which accurately shows certain aspects of Nazism, such as the use of concentration camp inmates for medical experimentation.

Pat Mills also says in the interviews I posted about earlier this week that the strip Charley’s War was subversive in that it was anti-war strip in a war comic. Mills is disappointed by the way the strip wasn’t included in an exhibition on comics and subversion, and notes that in this, the centenary years of the First World War, there seems to be a deliberate policy amongst the British broadcasters of not showing anything with an anti-war content, such as Blackadder Goes Forth. Radio 4 have made shows about the great stage play and film, Oh, What a Lovely War!, but it wasn’t that long ago that Michael Gove, the Tory minister for education, opened his mouth to say that children were getting an entirely wrong view of the War based on Blackadder. Mike naturally wrote a very sharp reply to that piece of nonsense.

But there were other strips in Battle, which also rose out of the mass of the usual gung-ho stories of courageous British squaddies winning against brutal and stupid Germans, and which did shock with their realism. Darkie’s Mob, which was about a mysterious commander, who takes over a failing British unit trapped behind Japanese lines in Burma was one of these. Another I remember which particularly shocked me was a short piece in Battle, in which British soldiers are fighting their way through Germany. I think it was a stand-alone strip, rather than part of a continuing storyline. The story ended when the squaddies reach a group of emaciated figures standing behind barbed wire, the inmates of one of the death camps. This was clearly about the Holocaust, and what it was really like, rather than the usual glamorous war stories, and I remember being shocked by the starved bodies of the inmates. As I doubtless was supposed to.

Battle, Action, 2000AD and Warrior were part of a trend that had emerged in American comics in the late 1960s, when they turned from simple escapism to dealing with real issues – such as racism and feminism. British comics up to the launch of Battle and Action had tended to avoid explicit politics, and in some cases had actually been very racist. And this tradition of commenting and attacking racism and bigotry continues in American comics today, and in 2000AD, now sadly nearly all that’s remaining of the British comics industry.

These are the type of strips, which Mike and I grew up reading, along with so many others of our age group. And they reflected the very real anxieties of the time. Left-wingers were worried about the rise of Maggie Thatcher, her links to the hard right and the violence and political threat posed by the BNP/NF. In the original comic strip version of V for Vendetta, the Fascists seize power in Britain after devastating nuclear war between America and the Soviet Union over the crisis in Poland. To many of us, the threat of nuclear annihilation in Maggie’s and Reagan’s New Cold War was only too real.

In his talk to the Socialist Workers’ Party, Mills reads out a letter he received from the CEO of a school, a former punk, who states that everything he learned about Fascism, he got from Judge Dredd; everything about racism, from Strontium Dog, and everything about feminism from Halo Jones. And he now considered it the most subversive thing he could do was to help produce open-minded, critical young people. And it isn’t just racism. When Thatcher tried to criminalise positive teaching of homosexuality in school – that it is perfectly natural – the British comics industry responded with the anti-homophobia anthology AWRGH!, whose initials stood for Artists and Writers Against Rampant Government Homophobia. Comics in the 1980s and ’90s sold much more than they do now, and so they made a very large number of young people aware and alert to these issues. It partly explains why British society has broadly become more tolerant, despite continuing bigotry in some areas. Like the right-wing of the Tories and UKIP.

This is also why I found Mills’ story of how the Board of Deputies of British Jews complained about a story in Crisis utterly amazing. Crisis was another adult comic, which dealt explicitly with contemporary issues of western imperialism, the power of the multinationals and the exploitation of the Developing World. The comic had featured a story about the beating of a Palestinian protester in Gaza, based on a real event told to Mills by a Palestinian. The Board complained because the lad’s broken body, left lying in the road, looked to them a bit like a swastika. As Mills himself said, it wasn’t there because comics creators aren’t that clever. But I was left amazed at the thought that anybody could accuse anyone in mainstream British comics at the time of racism or anti-Semitism, given how radical and anti-racist so many of them were.

It’s also why the accusation by the Campaign Against Anti-Semitism earlier this year against Mike is so outrageous. I’ve blogged before in Mike’s defence pointing out that he very definitely is not racist and not anti-Semitic, having both Black and Jewish friends and participating at College in a performance commemorating the victims of the Shoah. Mike read these comics, with the anti-racist and anti-bigotry message which they strove to impart to their readers. I realize that no doubt there were many people who read them, without really taking the anti-racist, anti-bigotry subtext onboard, but even so many people in the comics milieu were and are liberal in their attitudes towards tolerance of minority and marginalized groups.

But the Campaign Against Anti-Semitism and the rest of the Zionist lobby have no qualms about smearing genuine anti-racists, and people who have written about and denounced anti-Semitism and other forms of racism and persecution, like Jackie Walker, Ken Livingstone and Tony Greenstein. And there is the real danger that by doing so, not only will they libel and smear decent people, but trivialize real anti-Semitism in doing so.

I’ve blogged earlier this evening about the fine job Richard Coughlan did in producing his videos debunking Holocaust denial. But British and American comics and their creators, like Pat Mills, Alan Moore and Stan Lee and Jack Kirby, the creators of the X-Men, and that strip’s writers and artists since, have also contributed greatly to attacking racism and bigotry in the strips they produced.

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Hope Not Hate Infiltrates the Alt Right

September 21, 2017

The anti-racist/ anti-religious extremism website and magazine, Hope Not Hate, has posted up a piece by their contributor, Patrik Hermansson, describing his year-long mission to infiltrate the Alt Right both in Britain and in America. Mr. Hermansson is a young, gay and very anti-Nazi Swede. During his year amongst the assorted Nazis and Holocaust deniers, he met and became close to the far right London Forum and its leaders, Jez Turner, Stead Steadman and Mick Brooks. He also encountered smaller, associated Nazi groups like the Extremists Club and various Nazi Odinist groups, which worship the Norse gods.

He also met the Traditional Britain Group and its founder, Gregory Lauder-Frost. This has links, as has the London Forum, with the Nazi publisher, Arktos Media, and has hosted meetings, whose speakers have included other members of the international New Right such as Alex Kurtagic and Tomislav Sunic, John Morgan, formerly of Arktos, now working for Greg Johnson’s Countercurrents, Marcus Willinger of Generation Identity, and Richard Spencer and Mark Tait of the Alt Right. The Traditional Britain Group has also had links to Breitbart. The TBG has also hosted events attended by the UKIP MEP Gerard Batten, and Conservative MP Jacob Rees-Mogg, who later apologized for attending.

Johnson has also set up groups like the London Forum in New York and Seattle. Guests and speakers at these events have included the anti-Semitic editor of the Occidental Observer, Kevin MacDonald, and the British Alt Right vlogger Colin Robertson, who vlogs under the monicker ‘Millennial Woes’. In Seattle, he also met the infamous Nazi ceramicist, Charles Krafft. Amongst other things, Krafft makes teapots of Adolf Hitler, one of which is shown. The Seattle Forum is Whites only, and is attempting to purchase land on which to found an all-White colony, Cascadia. He also met Jason Reza Jorjani, the co-founder of Alt Right Corporation and editor of Arktos Media, who later resigned his position at both to concentrate on overthrowing the Islamic Republic of Iran. Jorjani’s middle and surname suggest that he’s of Iranian heritage, so it’s no surprise that he wants to destroy the Islamic Republic and create an Indo-European world order. Many of the Iranian languages, like the majority language, Farsi, are Indo-European, the same as the Indian languages derived from Sanskrit. The father of the former Shah decided on renaming his country Iran, instead of Persia, following a suggestion from the Nazi ambassador in the 1930s. ‘Iran’ is derived from ‘Aryan’.

These groups attempt to offer a complete, parallel society to that of the mainstream, so that the people within it not only attend political events with their fellow Fascists, but also socialize and go to and organize cultural events with them.

They also have links to the White House, and its current denizen, Donald Trump.

The article also includes a diagram of the various groups and organisations making up the Alt Right, and the links between them.

Hermansson also describes how he found the year within the movement emotionally numbing. These are viciously racist groups, with a violent and genocidal hatred of Jews, non-Whites, gays and feminists. They deny the Holocaust and joke about the murder of the Jews by the Nazis. They also cheered at the new of the Orlando shooting, when a sexually repressed and conflicted gay Muslim took out his anger and self-loathing by murdering people at a gay nightclub, many of whom were Latinos/Latinas. Hermansson describes how meeting and immersing himself in this milieu every day has the effect of normalizing their extreme and disgusting views. He states

I learnt a huge amount about how people and groups are connected, how the movement operates and what it was planning. I found out how the movement interacts internationally and how important the social aspect of activism is in radicalising and retaining members. These groups attempt to become all-encompassing organisations that go far beyond politics, into art, religion and social life making them incredibly difficult to leave. Tragically I’ve seen how social pressure inside these groups can make ordinary people support genocide.

The far right is often treated with complacency. Should we let them into the public debate? Their views might be different, but aren’t they just other opinions

What’s obvious after a year inside the alt-right is that we cannot become complacent. These are not just opinions. These are organisations that actively foment hate and promote violence towards large groups of people. They are dangerous and their dangerous ideology must be confronted, wherever it appears.

The article concludes with his description of the events in Charlottesville.

In addition to the diagram, there are also numerous photographs taken by the author.

https://alternativeright.hopenothate.com/my-year-inside-the-international-alt-right

Pat Mills Talks to Sasha Simic of the SWP about the Politics of 2000AD

September 15, 2017

This comes from the Socialist Workers’ Party, an organization of which I am not a member and which I don’t support. But this is another really great video, in which one of the great creators of the British comics for over forty years talks about politics, social class, the role of capitalism and women and feminism, not just in 2000AD, but also in comics and publishing generally, and the media.

Mills was speaking as part of annual four day convention the Socialist Workers hold on Marxism. Simic introduces himself as the person, who gets the annual geek slot. As well as a member of the party, he’s also a convener of USDAW. And he’s very happy in this, the centenary of the Russian Revolution, to have on Pat Mills.

Mills starts by saying that as he was growing up in the 50s and 60s, he read the same books everyone else did – John Buchan, Ian Fleming, Dennis Wheatley, Sherlock Holmes and the Scarlet Pimpernel. But there was something about it that made him angry, and it was only looking back on it that he came to realise that what infuriated him was the fact that these were all authors from the upper and middle classes, who created heroes from those class backgrounds. He makes the point that these were good writers, but that some of their work was very sinister the more you go into it. Like John Buchan. Buchan was the major propagandist of the First World War. Mills says that Alistair Campbell, Tony Blair’s infamous spin doctor, had nothing on him. He promoted the First world War, for which he was rewarded with the governorship of Canada.
He states that he doesn’t want to go too far into it as he’ll start ranting. Nevertheless, he’s glad to be able to talk to the people at the SWP’s convention, as it means they have a similar opinion to him, and he doesn’t have to censor himself.

He makes the point that there are very, very few working class heroes, and believes this is quite deliberate. It’s to deprive working people of a strong role. When the working people do appear, it’s as loyal batmen, or sidekicks, and there is an element of parody there. And it’s not just in comics and literature. In the 1980s he was contacted by the producers of Dr. Who to do a story. He wanted to have a working class spaceship captain. He was told by the script editor that they couldn’t. They also didn’t like his idea to have a working class family. It was only by looking back on where this hatred of the heroes of traditional literature came from, that he came to realise that it wasn’t just that he didn’t want to have any generals in his work.

He also talks about how it’s easier to get away with subversion in comics, as comics are treated as a trivial form of literature, which nobody really cares about. The profit motive also helps. So long as it’s making money, comics companies don’t care what’s going on. And this explains how he was able to get away with some of the things he did in Battle. He states that the way he works is by pretending to write something mainstream and inoffensive, and then subvert it from within. An example of that is Charley’s War in Battle. This looks like an ordinary war strip, but in fact was very anti-war. Even so, there were times when he had to be careful and know when to give up. One of these was about a story he wanted to run about the entry of the Americans into the War. In this story, a group of White American squaddies are members of the Klan, and try to lynch a Black soldier. Charley wades in to help the Black guy. The management rejected the story on the grounds that they didn’t want anything too controversial. Mills decided to draw in his horns and bite his tongue at that point, because he had a bigger story lined up about the British invasion of Russian in 1919, when we sent in 20-30,000 men. It was, he says, our Vietnam, and has been whitewashed out of the history books.

He also makes the point that subversion was also present in the girls’ comics. Even more so, as there was a psychological angle that wasn’t present in the boys’. For example, there was one story called ‘Ella in Easy Street’, where a young girl reacts against her aspirational family. They want to get on, and so the father has two jobs, and the mother is similarly working very hard to support their aspirations. But Ella herself is unhappy, as it’s destroying what they are as a family. And so she sets out to sabotage their yuppie dream. Mills says that it’s not all one-dimensional – he looks at the situation from both sides, pro and con, but the story makes the point that there are things that are more important that materialism and social advancement, like family, comradeship. He says that such a story could not be published now. It’s rather like The Loneliness of the Long Distance Runner, where the hero, in the end, throws the race as a way of giving the system the finger.

Mills reminds his audience just how massive girls’ comics were in the ’70s. They were bigger, much bigger, than the boys’. 2000AD sold 200,000 copies a week in its prime. But Tammy, one of the girls’ comics, sold 260,000. This is really surprising, as women read much more than we men. These comics have all disappeared. This, he says, is because the boys’ took over the sandpit. He has been trying to revive them, and so a couple of stories from Misty have been republished in an album.

This gets him onto the issue of reaching the audience, who really need it. In the case of the stories from Misty, this has meant that there are two serials on sale, both of which are very good, but in a book costing £17 – odd. The only people going to read that are the mothers of the present generation of girls, perhaps. To reach the girls, it needs to be set at a lower price they can afford. This is also a problem with the political material. If you write something subversive, it will receive glowing reviews but be bought by people, who already agree with you. He wants his message to get further out, and not to become a coffee table book for north London.

He talks about the way British comics have grown up with their readership, and the advantages and disadvantages this has brought. British comics has, with the exception of 2000AD, more or less disappeared, and the readership of that comic is in its 30s and 40s. People have put this down to demographics and the rise of computer games, saying that this was inevitable. It wasn’t. It was our fault, says Mills. We fumbled it. Games workshop still have young people amongst their audience, while the French also have computer games across the Channel, but their children are reading comics.

Mills goes on to say that it’s easier writing for adults. Writing for 9 and 10 year olds is much harder, because if they don’t like a story, they’ll say. He says to his audience that they may think the same way, but they’re much too polite to say it at conventions. And they had to respond to their young readers as well, as the kids voted on it every week. They’d tell you if they thought it was a bad story, even if you thought it was the best one so far, and asked yourself what was wrong with the little sh*ts.

He also talks about how difficult it is to break into comics. He has friends, who have been trying for decades to get into 2000AD, and have been unsuccessful. His advice to people trying to do so is: don’t bother. There’s nothing wrong with you, it’s 2000AD. And this also effects text publishing. All the publishers have now been bought up, so that HarperCollins have the fingers in everything, such as Hodder and Stoughton. And their politics aren’t ours.

The way round this is to get into web publishing. Here he digresses and talks about pulp fiction, which is a close relative of comics. He was talking to a guy at a convention, who writes pulp fiction and puts it on the net. It only costs a few pence. The man writes about a zombie apocalypse, but – and this is true, as he’s seen the payment slips – he’s pulling in £3,000 a month. Mills says that this is important as well. He wants to get his material out there, but he also wants to eat. This shows you how you can make money publishing it yourself. Later on in the video, after the questions and the comments from the audience, he goes further into this. He mentions some of the web publishers, one of which is subsidiary of Amazon, which will allow people to publish their own work. He also talks about self-publishing and chapbooks. He found out about these while writing Defoe, his story about Leveller zombie killer in an alternative 17th century England. Chapbooks were so called because they were cheap books, the cheap literature of the masses. And this is what comics should go back to. He says that everyone should produce comics, in the same way that everyone can also make music by picking up an instrument and playing a few chords.

He also praises some of the other subversive literature people have self-produced. Like one piece satirizing the British army’s recruitment posters. ‘Join the army’, it says, ‘- like prison, but with more fighting’. Mills is fairly sure he knows who wrote that as well. It was another guy he met at a convention, who was probably responsible for the anti-war film on YouTube Action Man: Battlefield Casualties. He enormously admires this film, and is envious of the people, who made it.

He also talks about some of the fan letters he’s had. One was from the CEO of a school, he talks about the way reading 2000AD opened up his mind and changed his moral compass. The man says that everything he learned about Fascism, he learned from Judge Dredd, everything about racism from Strontium Dog, and feminism from Halo Jones. He and his headmaster, whom he names, were both punks and he’s now opened a school in Doncaster. The most subversive thing you can do now is to try to create an open-minded and questioning generation of young people. The letter is signed, yours, from a company director, but not an evil one, and then the gentleman’s name.

He concludes this part of the talk by describing the career of James Clarke, a member of the Socialist Labour Party, the Communist Party, a lion tamer and conscientious objector. During the War he ran escape lines for British squaddies in France. And people say that pacifists are cowards, Mills jokes. How much braver can you be than sticking your head in a lion’s mouth. He wrote a pamphlet defending a group of comrades, who tried to start the revolution by following the example of the Irish Nationalists and blow things up with a bomb. The pamphlet argued that this was wrong, and that if the working class wanted to gain power, they should concentrate on confronting capitalism through direct action. He also wrote poetry. Mills describes Clark as being a kind of Scots Tom Baker. One of these is a biting satire of Kipling’s If. The poem begins by asking if the reader can wake up every morning at 5 O’clock, or 4.30, and then labour at their machines, and see their wives and children suffer deprivation while those, who haven’t earned it take it all the profits, and describes the backbreaking grind of hard working life for the capitalist class in several stanzas. It ends with the statement that if you can do all that, and still be complacent, then go out, buy a gun and blow your brains out.

Clearly, I don’t recommend any actually do this, but it is a witty and funny response to Kipling’s poem. I found it hugely funny, and I do think it’s a great response to what was voted Britain’s favourite poem by the Beeb’s viewers and readers a few years ago. Can you imagine the sheer Tory rage that would erupt if someone dared to recite it on television!

Many of the comments are from people thanking Mills for opening their eyes and for writing such great stories. They include a man, who describes how Mills’ works are on his shelf next to his copy of Das Kapital. Another man describes how he used to buy 2000AD just after going to church on Sunday. So after listening to some very boring sermons, he came back from Baptist chapel to read all this subversion. One young woman says that the zines – the small press magazines, that appeared in the 1990s – seem to be still around, as she has seen them at punk concerts. Another young woman says that although comics are seen as a boys’ thing, when she goes into Forbidden Planet near her, there are always three girls in there and two boys. She also talks about how many young women read Japanese manga. Mills states in reply that manga stories generally are light and frothy, and so not the kind of stories he wants to write. But as for women in comics, he says that he spoken several times to students on graphic novel courses, and each time about 75 per cent of them have been women, which is good.

He also talks about Crisis and Action. The Third World War strip in Crisis was about the politics of food, and was set in a world where food production was dominated by a vast multinational formed by the merger of two of today’s megacorporations. Mills states that when the strip covered what was going on in South America, that was acceptable. However, at one point he moved the story to Brixton, finding a Black co-writer to help with the story. At that point, the White Guardian-reading liberals started to be uncomfortable with it. There was also a story in which Britain leaves the EU. This results in the rise of a Fascist dictatorship, and the EU responds by invading Britain. Mills says that he’s been trying to get Crisis relaunched, but the company are stringing him along with excuses, probably because it’s easier than arguing with him.

Mills obviously did the right thing by finding a Black co-writer. Marvel suffered a barrage of criticism with some of their attempts to launch a series of Black superheroes, like the Black Panther as part of the Blaxploitation wave of the 1970s. The Black Panther was particularly criticized. The creators were old, White dudes, who didn’t understand urban Black culture, even if the comics themselves were sincere in presenting a sympathetic view of Black Americans and combating racism.

He also talks briefly about Action, and the controversy that caused. What really upset Mary Whitehouse and the rest was ‘Kid’s Rule UK’, a strip in which a disease killed everyone over 16, and Britain was inhabited solely by warring street gangs. Mills used to take the same train from where he was living at the time with Mary Whitehouse. He said he was editing a Hookjaw script at the time, and notice Whitehouse over the other side of the carriage looking daggers at him. So he put in more carnage and more arms and legs being bitten off.

One of the most interesting questions is about the politics and morality of Judge Dredd. Dredd is a fascist, and in one of the strips it seemed to take the side of authority over subversion with no irony. This was in a story about the punks taking over Megacity 1. At the end of the strip, Dredd gets hold of the leader, and makes him say, ‘I’m a dirty punk.’ Mills actually agrees with the speaker, and says that there are people, who take Dredd as a role-model. He’s had letters from them, which he doesn’t like. He doesn’t know what these people do. Perhaps they have their own chapterhouse somewhere. He went cold inside when he heard about the story. It wasn’t one of his. It was by John Wagner, who isn’t at all political, but is very cynical, so this has some of the same effects of politics. But 75 per cent of Dredd comes from Mills. Mills states that it’s a flawed character, and that can be seen in why the two Dredd films never did well at the box office. Dredd was based on a particular teacher at his old school, as was Torquemada, the Grand Master of Termight, a genocidally racist Fascist military feudal order ruling Earth thousands of years in the future. They were both two sides of the same coin. That was why he enjoyed humiliating Torquemada. But it isn’t done with Dredd. Yet it could have been different, and there could be instances where people have their revenge on Dredd without losing the power of the character. He states that it was because Chopper did this in the story ‘Unamerican Graffiti’, that this became the favourite Dredd story of all time.

It’s a fascinating insight into the politics of the comics industry. The zines and other self-published small magazines he describes were a product of the Punk scene, where people did start putting together their own fanzines in their bedrooms. It was part of the mass creativity that punk at its height unleashed. As for the web comics, he talks about a couple that he finds particularly impressive, including those by the author of the dystopian science fiction story Y – the Last Man, set in a future in which all the men in the world have been killed by another disease. A number of my friends used to publish their own small press magazines in the 1990s, as did Mike. Mike started his own, small press comic, Violent, as an homage to Action when it was that comics anniversary. Mike was helped by some of the artists and writers from 2000AD, and so some of the tales are very professional. But probably not for delicate, gentle souls.

Amongst SF fandom, chapbooks are small books which another publishes himself. And they have been the route some professionally published authors have taken into print. Stephen Baxter is one of them. I think his Xelee stories first appeared in a chapbook he sold at one of the SF conventions.

Looking back at Kids Rule UK, this was my least favourite strip in Action. I was bullied at school, and so the idea of a Britain, where everything had broken down and there was nothing but bullying and juvenile violence really scared me. Action took many of its strips from the popular culture of the time. Hookjaw was basically Jaws. One-Eyed Jack seemed based very much on the type of hard-boiled American cop shows, if not actually Dirty Harry. One of the SF movies of the late sixties was about an America in which teenagers had seized power, and put all the adults in concentration camps were they were force-fed LSD. One of the four Star Trek stories that were banned on British television until the 1980s was ‘Miri’. In this tale, Kirk, Spock and the others beam down to a planet occupied entirely by children, as all the ‘grups’ – the adults – have been killed by disease. Kids Rule UK seems very much in the same vein as these stories.

Mills’ story about Dr. Who not wanting to show a working class family, let alone a spaceship captain, shows how far the series has come when it was relaunched by Russell T. Davis. Christopher Eccleston basically played the Doctor as northern and working class, wile Rose Tyler’s family and friends were ordinary people in a London tower block. As for not wanting to show a working class spaceship captain, that probably comes from very ingrained class attitudes in the aviation industry. A friend of mine trained as a pilot. When he was studying, their tutor told the class that the British exam included a question no other country in the world required, and which was particularly difficult. He stated that it was put there to weed out people from working or lower middle class backgrounds, as they would fail and not be able to retake the exam, as their competitors from the upper classes could.

It’s great to hear Mills encourage people try to produce their own work, and not be disheartened if they are rejected by mainstream publishers. I’m also saddened by the absence of any comics for children. They offered me when I was a lad an escape into a whole world of fun and imagination. And at their best, they do encourage children to take an interest in real issues like racism, sexism, bigotry and exploitation. I hope some way can be found to reverse their disappearance.

Credo! Pat Mills on 40 Years of Thrillpower!

September 14, 2017

Pat Mills is one of the great creators of the British comics industry. In this video from 2000 AD on YouTube, he talks to host Tony Esmond about his career in the comics industry, politics and his determination to give readers working class heroes. The interview was at the 40 Years of Thrillpower convention earlier this year (2017).

Mills is best known as one of the creative forces who seriously upset the establishment with Action before going on to reoffend with 2000AD. Before then he started off writing for the 1970s children’s comics, like Corr! The experience of writing for them was not happy for him. He states that the people behind them had no particular interest in them and very much had a production-line mentality to their creation. He describes how one writer once asked him how many stories he could write in a day. When he said about one every two or three days, the other writer boasted that he wrote three in a day. And then went on to say, probably quite truthfully, that he was making more money than the prime minister. Mills states that the writers at IPC were able to do this because they wrote very much to a formula. He preferred the stories their competitors at DC Thompson produced. Although their comics were also stuck in the past, the stories were better crafted. He describes one strip about a man going around the country having adventures with a horse. As a concept, he says it wasn’t even at the level of afternoon television. But it was well done. The IPC comics, on the other hand, were soulless. It depressed him so much, that, when he and John Wagner, who also later went on to become one of the founders of 2000AD, were writing in a garden shed, he wrote all his scripts on a roll of wallpaper so they formed a continuous strip and he wouldn’t have to go back and read them all again.

British comics in this period were very much stuck in the past, even as British society changed. This was a time when the German experience of the war was appearing in the books of Sven Hassel, reflected in Action’s strip, Hellmann of Hammer Force. But yet Mills found it impossible to launch a strip whose hero was Black. This was to be a strip about a Black boxer. He was told that it wouldn’t work. People would not accept a Black hero. They’d accept a Black supporting character or friend. But as the central character, never. He also thought of introducing one about a Black football player, and that would have been even more controversial. There was a Black football player in one of the London clubs at the time, and he had been treated with racist abuse from the balconies.

Politics and satire have always been an important element of Mills’ work. He says that at one point he became dissatisfied writing for 2000AD, as the management were trying to shift the comic away from its traditional satirical stance, and this very much went against Mills’ own nature. He and Esmond discuss at one point Mills’ memory that, when they launched 2000AD, the management told him that they should imagine a future that they would actually live in. And now, he states, they’re living in it with Donald Trump’s presidency of the US, which Mills compares to the infamous Judge Cal. Cal was the mad Chief Judge in Judge Dredd, modelled on Caligula, who appointed his pet fish as a judge, called in the alien Kleggs to suppress any opposition in Mega City 1, and had another judge pickled. Perhaps we need to be very glad that NASA hasn’t made contact with intelligent aliens yet.

Mills remarks on how very many of the heroes of British literature, from Sherlock Holmes to John Buchan’s Hannay, have been members of the upper and upper middle classes. There are too many of them, and too few working class heroes. He’s been actively trying to redress this imbalance in his strips. It’s why Marshal Law, in his alter ego, used to be unemployed, but is now a hospital orderly. He’s not even a nurse.

He states that as he grew up in the ’50s and ’60s, he read many the authors that were around then, like Dennis Wheatley and John Buchan, all of whom were members of the upper classes. And with some of them, it was actually quite sinister. Buchan was a major propagandist for the First World War, in return for which he was rewarded with the governorship of Canada. And he did it very well. Later on in the video, in response to a question from the audience he remarks on how there is a very definite campaign in this country to suppress anything with an anti-war message. He was asked what the research was for his story in Charley’s War about the British invasion of Russia in 1918-19. He states that there were only two books he was able to get hold of at the time, but since then he got hold of a very good book, which is a much fuller description. This describes how the British officers sent in to overturn the Russian Revolution behaved like absolute animals. This episode has largely been airbrushed from British history. He contrasts with the British media’s refusal to publicise anti-war stories with that of our cousins across le manche. Attitudes there are much different, and Charley’s War, which ran in Battle and was about the experiences of a working-class Tommy in the First World War, is more popular in France even than Britain. This bias against anti-war stories is why you didn’t see Blackadder Goes Forth repeated in the centenary year of the War’s outbreak.

Mills is also critical of the way the indigenous mythology and legend of the British Isles has been suppressed in favour of myths from further south – Greece and Rome, and ancient Egypt. Mills’ background, like Kevin O’Neill, was Irish, and his family were very patriotic. He grew up knowing all about Michael Collins, and his middle name is Eamon after the first president of Eire, Eamon de Valera. Yet it wasn’t until he started researching the Irish, as well as the Scots and Welsh legends, that he learned about any of those stories, and was shocked. Why didn’t he know about the warpspasm – the ultra-berserker rage that transforms the Celtic hero Slaine as he goes into battle? He also talks about how, in legend, London was founded by the Trojans as New Troy, and briefly mentions his treatment of this in the story he is or was currently writing for the Slaine strip. He states he wanted to produce a barbarian strip that was set in this country, complete with its grey skies and rain.

Mills has a deep admiration for these Celtic legends, but remarks on how they differ considerably from the other mythological tales. They don’t share their structure. If you read the Norse tales or Beowulf, there’s a structure there. But the Irish – which he uses to include also the Scots and Welsh stories – read like they’re on acid. He’s particularly impressed with the Tain, otherwise known as the Tain Bo Cualnge, or in English, The Cattle Raid of Cooley, and recommends the translation by Kinsella. He’s also particularly interested in finding the bits that were suppressed by the Christian clergy who wrote them down in the Middle Ages. He gleefully quotes one clerical writer, who says that the stories contain much that is true, much that is false, some lies, and some devilish invention, and some which is only fit to be read by idiots. Yeah! he shouts, that’s me!

He has the same mischievous joy when telling how he came to be persuaded to write the Invasion strip, in which Britain was invaded by a thinly disguised Soviet Russia. The management asked him if he wanted to write it. He said he couldn’t get up much enthusiasm. They urged him to read Alexander Solzhenitsyn’s The Gulag Archipelago. So he worked his way as best he could through that. He still wasn’t enthusiastic. Then they asked him if he’d like to write a scene with Maggie Thatcher being shot by the Russians on the steps of St. Paul’s. His response: Yeahhh!

He also talks about how the brutal education he received at a school run by the De Lazare order inspired him to write the Nemesis the Warlock strip. The Terminators, and to a lesser extent Judge Dredd, were modelled on them. They were fanatical, and were quite sinister. He remarks that if you go on the internet you can find all sorts of tales about them.

He also talks about an abortive crossover story planned for Marshal Law and Batman. Marshal Law was a bitterly satirical, extremely violent and very funny strip published in the 1990s about a superhero in the devastated San Francisco of the early 21st century, who hates other superheroes. The superheroes in the strip were created for a Vietnam-like war in South America, and have come back disillusioned and traumatized by the conflict. As a result, they form violent street gangs, and Marshal Law is recruited by the police to clean them up. It was a very dark comic that relentlessly parodied superhero comics from a left-wing, feminist perspective. When DC announced they wanted to make the crossover, Mills thought that they weren’t really serious. But they were. So he and O’Neill decided that for the cover, they’d have the Marshal standing on a pile of bodies of the different versions of Batman from all across the alternative Earths of the Multiverse. Then DC’s management changed, and their story policy did too, and the idea was dropped.

Mills also discusses the various ways comics have been launched, only to be merged with other comics. With 2000AD the comic was merged with Tornado and then Starlord. It was a very cynical policy, as from the first these comics were intended to fail, but by merging them with 2000AD and other comics, the management presented it as giving their readers something new, even though it wasn’t, and they felt it was an intrusion. He also responds to another question about which comic he felt folded before its time. The obvious answer to this was Action, which upset the establishment so much that it was banned, before being sanitized and relaunched. Mills said that they knew the comic was doomed. The new editor, who was given control of it had previously edited – and this is almost unbelievable – Bobo the Rabbit – and so didn’t know what he was doing. Mills said that before then they had skated over what was just about unacceptable and knew just how far you could go. Because this new editor hadn’t had that experience, he didn’t, and the comic folded.

The comic that he really feels shouldn’t have folded, and could still have carried on today, was Battle. As for which comic he’d now be working on instead of 2000AD, if it had proved more successful, these were the girls’ comics, like Misty. They vastly outsold the boys’ comics, but ultimately folded because ‘the boys took over the sandbox’. The video ends with his answer to the question, ‘What is his favourite strip, that he wrote for?’ He thinks for a moment, before replying Nemesis the Warlock to massive cheering.

It’s a very interesting perspective on the British comics industry by one of its masters. Regarding Slaine, Mills has said before in his introduction to the Titan book, Slaine the King: Special Edition, that the achievements of our ancestors, the Celtic peoples, has been rubbed out of history in favour of the ‘stern but fair proto-Thatcherite Romans, who built the roads and made the chariots run on time’. I think part of the problem is that the legends Mills draws on – that of Gaelic Ireland and Scotland, and Brythonic Wales – are those of the Celtic peoples, who were defeated by the expanding Anglo-Normans, who made a concerted attempt to suppress their culture. As for the very frank admiration for the Romans, that partly comes from the classics-based education offered by the British public schools.

As for the very staid attitude of British comics in the 1970s, this was a problem. It was actually a period of crisis, when many of the comics were folding because they hadn’t moved with the times. Mills’ idea for a strip about a Black boxer is clearly modelled on Mohammed Ali, the great African-American athlete of the ring. Everyone knew Ali, and he was universally admired, even by kids like me, who didn’t understand or know much about the racial politics behind Ali’s superstardom. Ali said that he wanted to give his people a hero.

Even so, the idea of having a sympathetic Black supporting character was an improvement. Roger Sabin, in his book Comics, Comix and Graphic Novels: A History of Comic Art, published by Phaidon, notes just how racist British comics were in the 1960s. This was very controversial, as Black people naturally objected. Sabin cites one strip, in which the White hero uses two racial slurs for Blacks, and another abusive term for Gypsies. And showing the type of strips that appeared in the 1920s, there’s an illustration which shows the Black characters from a strip in one of D.C. Thompson’s comics, either the Dandy or Beano at the time. This was The Colony N*gs. Only they don’t use an asterisk to try to disguise the term.

As for his experiences with the monks running his school, unfortunately he’s not the only one, who suffered in this way. I’ve met a number of former Roman Catholics, who were turned off religion, and in some cases became bitterly against it, because of their experience being taught by monks and nuns. Several of Britain’s most beloved broadcasters from the Emerald Isle were also turned off religion because of this. Dave Allen, who regularly poked fun at religion, and particularly the Roman Catholic church, said that he became an atheist because of the cruelty and the way the priests tried to scare their young charges at his old school. And that mainstay of British radio, Terry Wogan, in a series he presented about Ireland and his life there, said exactly the same about the effect the hard attitude of the teachers at his old Roman Catholic school had on him.

The Roman Catholic church does not have the monopoly on the abuse of children, and I’ve heard some horrifying tales of the brutal behavior of some of the teaching staff – and prefects – in some of the British grammar schools. Dad has told me about the very harsh regime of some of the teachers at his old school – not Roman Catholic – in Somerset. He describes the teachers as sadists, and has a story about how one of the teachers, when one of the boys couldn’t answer a question, threw the lad out of window. Brutality seems to have been built into the British educational system, leaving mental scars and bitter memories.

I’ve very mixed feelings about the British force sent against revolutionary Russia. Perhaps if we’d succeeded, the forty million Soviet citizens butchered by Stalin would have been able to live out their lives, and the peoples of the Russian Federation free of the shadow of the KGB and gulags.

But that’s with hindsight. That’s not why British troops were sent in. The Bolsheviks were anti-democratic and determined to suppress all other parties and factions except their own, even when these were Socialist or anarchist, like the Mensheviks, the Trudoviks, the Socialist Revolutionaries the Left Communists, Anarcho-Communists and syndicalists. But we sent in troops because Britain and the rest of the capitalist world felt threatened by the emergence of a working class, aggressively socialist state. Britain had many commercial contacts with pre-Revolutionary Russia, and Lenin had argued in his pamphlet Imperialism: The Highest Stage of Capitalism that global capitalism depended on European imperial expansion. These nations enslaved and exploited developing nations like Russia. A socialist revolution in these countries threatened international capitalism, as it was here that the capitalist system was weakest. Hence the Bolshevik slogan, ‘Smash capitalism at its weakest link!’

Ordinary Russians, let alone the conquered nations of the Russian Empire, were oppressed and exploited. If you want an idea how much, and what ordinary Russians endured and struggled to overthrow, read Lionel Kochan’s book, The Russian Revolution, published by Paladin. This was the grotty system British troops were sent in to restore.

On a more positive note, one member of the audience in the video thanks Mills for encouraging him to read. The man says he was dyslexic, but it was the comics he consumed as a child that got him reading. He is now a teacher, who specializes in helping children with reading difficulties, and uses comics in his teaching.

This is really inspiring. Martin Barks in Comics, Ideology and Power, discusses how comics have always been regarded with suspicion and contempt by the establishment. They were regarded as rubbish, at best. At worst they were seen as positively subversive. I can remember how one of the text books we used in English at school included a piece of journalism roundly condemning comics as rubbish literature with bad artwork. And this was reprinted in the 1980s! My mother, on the other hand, was in favour of comics because they did get children reading, and used to encourage the parents of the children she taught to buy them when they asked her advice on how they could get their children to read if they wouldn’t read books. This shows how far comics have come, so that they are now respectable and admired.

Media Lies Exposed Again: Most Misogynist Abuse Comes from the Tories

September 6, 2017

Mike today put up a piece blowing away another lie that the Tories and their servants in the media have hawking: that the Left is full of misogynists, who harass and abuse women MPs. In fact Amnesty International have published a report showing that the opposite is true: most abuse comes from the right. And the female politico, who most often suffers it is Diane Abbott.

Who in the Left is honestly surprised by this? There are Conservative varieties of feminism, as you’d expect, but feminism, or women’s lib as it was known in the 1970s, is most often associated with the Left. And as the Austrian democratic socialist Marxist, Karl Kautsky argued, socialism is all about equality. This is why they champion the working class, and why left-wing governments, particularly Communist, have encouraged women to enter politics and the workplace, even if their countries’ traditional culture is very sexist, as it is in Russia and some of the countries of the former eastern bloc.

Conservatives, on the other hand, stress the importance of tradition, and despite having given Britain two female prime ministers, Maggie Thatcher and now Theresa May, this usually also means stressing and promoting traditional gender roles. Thus, while the right-wing broadsheets may earnestly discuss the issue of getting more women into the boardroom, and equal pay, the Daily Heil has been telling its female readers that stable families, and indeed western civilization as a whole, needs women to concentrate on staying at home to raise children, rather than both pursuing independent careers. The image the right projects of feminism is of angry misandrists, which has been a factor in why so many young women a few years ago rejected the term ‘feminism’, even when they had strong feelings about winning equality and rejecting sexism.

There’s also more than a little racism on the Tories’ side as well. The Tory right has always had links to Fascist right, including inviting members of central American death squads over to their annual dinners. A few days ago I put up a piece about Owen Jones’ video on YouTube, in which he commented on an odious conversation by the Tory youth movement, Activate, about gassing chavs and shooting peasants. This wasn’t the first time they had made Nazi comments and bullied the poor and underprivileged by a very long chalk. Jones discussed some prize examples of their foul behavior. This included the members of Oxford University Conservative society goose-stepping around like the real Nazis, singing songs about ‘Dashing through the Reich … killing lots of ****’, the last a very unpleasant terms for Jews. Their comrades north of the border ain’t no better either. This crew thought it would be jolly fun for one of them to dress up as a slave master, while another cringed before him as a slave. It wasn’t that long ago that the Tories in Scotland were known as the Unionist party, and their antics and Thatcher’s complete dismissal of the country was a large factor in the decision of so many Scots to vote for the SNP.

As for the Tory press, they’ve been consistently against coloured immigration since Windrush. And long before then, in the late 19th and early 20th centuries they were busy campaigning against allowing ‘aliens’ – that is, eastern European Jews, to enter this country as asylum seekers fleeing the pogroms in eastern Europe. This anti-immigration stance has frequently been blatantly racist. Private Eye, when covering the prosecution of the Scum yet again for racism by the Press Complaints Commission, as it then was, noted that the wretched paper had had 19 judgements against it previously for its racist content. I can remember how the Torygraph, Mail and Express back in the 1980s railed against ‘unassimilable’ immigrants and the way they were forming little ghettoes.

Racism became a major issue in that decade following the 1981/2 riots, and the publication of government reports that revealed a massive culture of institutional racism and Black deprivation in Britain. To the Tory press, however, the riots were all the fault of racist Blacks. While there have been Black and Asian politicians before, Diane Abbott was one of the group of very visible Black politicians and activists to achieve public office during the decade, along with Paul Boateng and Bernie Grant, the leader of Brent Council. They were all very vocal in their opposition to racism. Grant died the other year, and I think Boateng more or less vanished into the depths of Whitehall. There are a number of other Black politicos, like David Lammy, Chuka Umunna and Oona King, but Abbott is one of the longest-serving and most reviled. The Scum tried running a Communism scare against the Labour party in the 1987 election, by putting up a two-page spread with the photographs of Labour MPs and candidates, below which was a few brief quotes or comments showing how they were a threat to British society. Red Ken is supposed to have said that he wasn’t in favour of the British army, but wanted the workers to be armed so they could guard the factories. Under Abbott’s was a quote, ‘All Whites are racist.’

That was very much the image she had at the time. She’s supposed to be very keen on tackling racism, because she felt that her mother’s career was blocked because of her colour. This is actually quite likely. But it’s highly questionable that she’s anti-White. Many of the stories the press published about the supposed hard-left extremists in the Labour party at the time were either exaggerations or completely made up. Ken Livingstone, whom the Eye has frequently mocked under the nickname, Ken Leninspart, really did believe in worker’s control. But he was never a Marxist, and in fact worker’s control used to form only a small part of the subjects he discussed with the, um, ‘gentlemen’ of the press. Most of the time it was rather more mundane. But they played up the worker’s control, and attacked it, because it frightened their proprietors and editors, quite apart from the rest of the middle class. The veteran gay rights activist, Peter Tatchell, who was also beginning his career as a Labour politico, was another who was made to appear much more extreme than he was. At one point the papers published a story about him going on holiday to one of the great gay centres on the American west coast. Except that he hadn’t, and didn’t even know the place existed. They also did the same thing to Marc Almond. In his case, they didn’t think he looked sufficiently effeminate, and so retouched his photograph.

Given this long record of telling porky pies about radical politicians, you can’t be sure that Abbot made the above comment, or that it represents her views now. But as Sid James remarked to Tony Hancock in ‘The Scandal Magazine’, mud always sticks, boy. They’ve carried on portraying her as a threat to White history and culture. A few years ago, the Daily Mail ran a story about how the London borough she represents in parliament decided to replace the paintings in their civic offices. Down came the traditional portraits of the White guys, who had previously served on the council, and up came paintings of Black children.

The story was part of a larger article about her, and didn’t offer any details about this, nor the reasons for the decision. Without putting it in so many words, it was presented merely as Abbott’s coterie of angry Blacks removing Whites from the history of the borough. How this supposed racist anger compares with her appearing regularly alongside Michael Portillo on Andrew Neil’s The Daily Politics, where she appears perfectly calm and genial with her White presenters, as befits a grande dame of British politics, I really don’t know.

Nevertheless, she remains a Tory bete noir, and given the fact that there have always been members of the party, who can’t understand why a Black person could ever object to golliwogs, the Black and White Minstrels or why you can make derogatory comments about Black people’s supposed character defects as a race, or use the unpleasant terms previous generations used to insult them, and it becomes quite easy to see why she should be the target for so much abuse.

As for the supposed sexism in the Labour ranks, there was never much substance to that anyway. It was never more than an attempt by wealthy, entitled right-wing Labour female politicians to smear their male rivals. These women had nothing to offer ordinary working Brits, including women. While ordinary women are finding it difficult to pay the bills and feed their families, thanks to the ravages of neoliberalism, these female politicians simply offered more of the same. More cuts, more privatization, more precarity. But like Hillary Clinton, from whom they got the tactic, they wanted to present themselves as representing women in general, even if in fact they only represented rich, entitled women like themselves. And so just Clinton was outraged by the popularity of Bernie Sanders, these women were infuriated by Jeremy Corbyn. Clinton claimed that she had been vilified by the ‘Bernie Bros’, who didn’t actually exist. And so her counterparts in the Labour party over here decided to follow her, and lie about how they were the victims of savage misogyny from Corbyn and the Old Left.

The reality is the opposite. I don’t doubt that there is racism and sexism on the Left. But there’s far less of it than on the right. But the press are still liars for claiming otherwise.

Jimmy Dore: Obama Voted against UN Resolution Condemning Nazism

August 26, 2017

This is very interesting. In this clip, the left-wing American comedian and his co-hosts discuss Barak Obama’s voted against a UN resolution last year condemning Nazism. The resolution was for ‘combating glorification of Nazism, Neo-Nazism, and other practices contributing to fuelling contemporary forms of racism, racial discrimination, xenophobia and related intolerance’. America was one of only three countries which voted against it. One of the others was Palau Palau, which I think is a Polynesian island nation.

The reason Obama gave for voting against it was that while his administration condemned all forms of racism and ethnic and religious hatred, they objected to it because it contravened free speech. As Dore points out, the right to free speech does not cover crimes such as libel and incitement to criminal activity. And these crimes surely cover being a Nazi, who wishes to exterminate others simply because of their race.

Reporting the vote, the newspaper USA News stated it was because America was afraid Russia would use the resolution to launch attacks on its neighbours. Dore states he doesn’t know how that would work, but suspects it has something to do with the Nazis in the Ukraine. He also concludes the piece stating that this is an issue to watch, as there is something else going on there behind the scenes.

He also makes the point right at the beginning of the clip that this incident is very interesting, considering that everyone is now criticizing Donald ‘Donnie Tiny Hands’ Trump for his highly equivocal comments about the White supremacists, racists and Nazis in Charlottesville. Trump says that there are ‘fine people on both sides’. There obviously aren’t, as being a hate-twisted Nazi clearly definitely makes you not a ‘fine person’.

Dore has already made the point many times in his videos that for all his fine talk about egalitarianism, racial and religious tolerance, fairness and so on, Obama was as ruthlessly corporatist as his predecessors, giving generous handouts to the banks and other corporations, and privatizing vital public services like America’s school system. This was often against the wishes of parents, the local community, the teaching staff and local clergy. Afro-Americans were particularly concerned about the changes and the damage this would do to their children’s education.

Dore has also made the point that Obama took the two wars Bush had started, and expanded them into seven.

One reason Obama got away with this was probably because of his colour. The election of an Afro-American to the White House was hailed as showing that racism was dead in America, and that the country was now ‘post-racial’. The Nobel Committee awarded him the Peace Prize even before he had actually done anything.

And yet under Obama, America became even more bitterly racist, and racially divided. Some of this was due to an extreme right-wing reaction, which saw Republicans and talk radio hosts claiming that the new president was filled with a burning hatred for Whites, and was a crypto-Communist-Nazi-Maoist-Muslim infiltrator, who was going to outlaw guns, put everyone in concentration camps, and kill more people than Mao or Stalin.

It’s possible that one reason why Obama did not vote for the UN’s condemnation of Nazism and its glorification is because Nazis and White supremacists in America have used the Second Amendment guaranteeing free speech to avoid prosecution for their own vile sputterings. Dore and The Young Turks have made the point that Obama delayed giving any money to the anti-racist, anti-Nazi group, Life After Hate, until the very end of his presidency because he was afraid of Rush Limbaugh. Limbaugh’s a long-time feature of America Conservative radio, who’s been fouling the airwaves with his vitriolic hatred of the organized working class, Socialism, ethnic minorities, feminism, climate change and liberals since the days of Ronald Reagan. It’s possible that Obama was afraid of him and those like him on this issue too. Some members of the Right, which automatically hate and despise the UN as anti-American anyway, would automatically seize on any support Obama gave to the resolution as showing his determination to exterminate the White race. Even though Israel, which America wholeheartedly supports, had also voted for it.

But the real reason is undoubtedly what USA News said it was: the Americans were afraid Russia would use the resolution to launch attacks on its neighbours. Which also include Ukraine. The Maidan Revolution, which overthrew the previous, pro-Russian Ukrainian president and installed the present nationalist, pro-Western regime, was a carefully staged coup, partly orchestrated by Victoria Nuland, the American ambassador, and the American embassy, as well as pro-democracy organisations like those of George Soros and the National Endowment for Democracy. The NED is a quasi-governmental organization, which William Blum has shown in his books has taken over the CIA’s role of overthrowing awkward foreign government the Americans don’t like.

And the coalition now governing Ukraine includes real, unreconstructed Nazis, who are every bit as violent and vicious as those in the West. They proudly wear the uniforms of the auxiliary SS regiments in which many Ukrainian nationalists served during the Second World War. And the beat and persecute trade unionists, ethnic Russians and Russian-speaking Ukrainians, and real democrats.

Russian forces are in the Ukraine, but they are there very much to protect ethnic Russians from attack and persecution from the Ukrainian nationalists. It’s why they’ve stayed in the east of the country. If Putin was really set on reconquering Ukraine for a new, Soviet empire, he’d be in Kiev by now, rather than the Donbass.

I’m therefore very sure that this resolution was voted down by Obama, because of the threat it posed to American attempts to interfere with Ukraine, and contain or break Russia as a geopolitical power. And in so doing, Obama also gave a little more help to the Fascists that ran amok in Charlottesville the Friday before last.

The Young Turks on the Republicans’ Hatred of College Education

August 20, 2017

‘Do I detect an air of anti-intellectualism in this country? Came in about four years ago.’

-Bill Hicks, American comic, speaking four years after the election of Ronald Reagan.

Earlier today I posted a piece commenting on clip from Sam Seder’s Majority Report, about Rush Limbaugh’s mindlessly stupid ridiculing of NASA’s announcement that they may have discovered flowing water on Mars. Limbaugh’s a right-wing radio host, who’s been fouling the airwaves with his views about liberals, socialists, communists, gays, feminists, anti-racism activists and so on since the 1980s. He sneered at NASA’s announcement because – wait for it – the agency was part of a ‘leftist’ plot to promote global warming!

Not only does he not understand the science, nor the reality of global warming, I don’t think he knows anything about NASA. I know quite a few people, who are fans of space exploration and research from across the political spectrum, including Conservatives. None of them have ever considered that the space agency was ‘left-wing’, although some of its leading scientists and advocates, like Carl Sagan, were. And the accusation that the agency’s data on global warming is faked for political purposes is risible.

But this shows the contempt Limbaugh has for science, and for education generally.

Florence, one of the many great commenters on this blog, has a background in microbiology and has been very interested in the question of life in space. She has posted a long comment to my piece. I recommend that you read all of it. But the end is particularly important, as she wonders how we got to this point where science is so despised.

And of course, back to NASA. I was fairly sure the alt-idiocy had already “proven” it was part of the deep state and the heart of black ops and skunk works and a branch of the CIA. These latest revelations only serve, as you say, to illustrate the total lack of education to an acceptable level in this day and age, more worryingly the lack of scientists in government in the USA and across the world. The charge against the scientific community lead by Trump and his “business men” ilk, with the violent and thuggish self styled fascist enforcers and militias coming out the woodwork in the last year, make the premise of the Handmaids Tale seem worryingly prophetic. How did this happen?

I think it’s part of a general distrust of intellectuals in American culture, which has increased massively amongst Republicans in recent years. In the piece below, The Young Turks discuss the finding that a majority of Republicans and Republican-leaning people distrust college education. They also note that they don’t just look down on higher education. They also hate and distrust the media and science. 58 per cent of Republicans and Republican supporters state that colleges and universities have a negative effect on the country, compared to 45 per cent a year ago, in 2016.

Cenk Uygur suggests that part of this is the use of propaganda by the party’s leaders. Part of the problem is that Conservatives tend to be more authoritarian than left-wingers. Thus, they’re more likely to follow the opinions of their leaders, and in the case of the Republican party, these leaders despise higher education.

Ana Kasparian, his co-host, who I believe teaches political science herself, argues that it’s because the Republicans want to keep you stupid. They’re trying to privatize education, and get children instead to attend private schools through voucher schemes, where the normal educational standards do not apply. There’s more than an element of hypocrisy in this. Those public figures trying to destroy the American educational system and minimize the benefits of higher education are themselves highly educated. Many of them have gone to Ivy League universities. Anne Coulter is one example. In her book, which Kasparian laments she has had to read, ’cause she’s got to debate her, Coulter states that the only purpose of college education is to produce ‘social justice warriors’. Yet this woman went to Cornel. Yet education is one of the great indicators of how well an individual will do in the future. And as she points out, it also protects you from scams.

Yet the Republicans themselves are also slightly divided on the issue of the benefits of higher education. 46 per cent of Republicans earning less than $30,000 a year say that college has a beneficial effect on how well you do. This declines for those earning over $30,000 all the way down to 32 per cent.

Uygur and Kasparian admit that there are caveats and qualifications to this issue. Higher education has a down side, in that students are saddled with an immense amount of debt. This needs to be reformed. But Republicans don’t see college as a negative because they feel sorry for the students burdened with this debt. No, they want to keep people stupid and misinformed, so they don’t climb the economic ladder and they can’t fill them with some of the nonsense they believe.

Uygur concludes ‘So don’t go to university, because if you go to a real university, you might not go to a Trump university, and that would be bad for Trump.’

Once again, this is an American issue that applies almost in toto to Britain. Continental visitors and emigrants to Britain have commented on how anti-intellectual British society is. And this anti-intellectualism is again part of British Conservatism as well. Way back in the 1980s Private Eye reviewed a book on Conservative by the right-wing British philosopher, Roger Scruton. Scruton declared that Conservativism wasn’t an intellectual force, but was largely unspoken, and based on the power of tradition. For which the reviewer thanked Scruton for being honest about how anti-intellectual it was. Intellectuals and science are distrusted, because many of their findings contradict or cast doubt on traditional attitudes. For example, feminism attacks traditional notions of gender roles. Black and Asian intellectuals and activist have also undermined commonly held racial assumptions about White superiority and the subordinate role of their ethnic groups. Left-wing historians and political scientists have also challenged the class basis of western, including American and British society, as well as the supposed beneficial nature of western imperialism.

Some of the Republican distrust of science comes from Biblical literalism. The findings of geology and cosmology contradict a literal reading of the creation of the world in Genesis. That said, one study found that the people, who had the greatest faith in science were actually Creationists.

The Republicans and some of their British counterparts, like Nigel Lawson, also deny the reality of global warming. Hence Trump’s decision to close down that part of the federal government that researches and publishes studies of climate change and the pollution and decline of America’s epic natural beauty. It’s why Theresa May and Dave Cameron get annoyed whenever anyone shows how terrible fracking is for local people and the environment.

Science can be particularly difficult for the layperson to understand. It can involve very careful statistical analysis of complex data. And some of the raw phenomena are extremely weird. Quantum physics is a case in point. The world of subatomic particles is contradictory and very different from the macroscopic, everyday world. Subatomic particles dart into and out of existence in the quantum foam at the very lowest layer of matter. Light can be simultaneously a wave and a particle. Particles may be in two places at once, under their position is recorded by an observer. They can also move between one place in the atom to another without physically crossing the space in between. And two entangled atoms can behave as one, even though they may be separated by light years. It’s so bizarre that the scientists studying it have said that ‘you don’t understand it. You just get used to it.’

Also, some of the pronouncements made by intellectuals themselves have given critics ample ammunition. Like the statement by one professor a few years ago that snowmen were racist and sexist. Or the £20,000 in grant one scientist received for researching the terribly important issue of why cornflakes get soggy when you pour milk on them.

There’s also the problem that scientific opinion also keeps changing on medical matters. Every so often researchers discover that certain foods are harmful for you. On the other hand, certain others are beneficial. Only for these opinions to be revised a few years later.

But the nature of science is that it is a process, not a set body of knowledge, and that it’s conclusions and statements may be revised as and when later discoveries are made. It’s why no-one now believes that an immaterial fluid – the ether – permeates the universe, with atoms only whirlpools in it, as they did over a century or so ago.

And so the right-wing press, like the Scum all the way up to the Torygraph, and particularly the Daily Heil, will publish endless numbers of articles attacking ‘left-wing’ intellectuals. Paul Johnson, the Conservative pundit, who used to write for the Daily Mail and Spectator, amongst other rags, wrote a book on them. Entitled Intellectuals, Johnson used it to explore what right intellectuals had to tell us what was right and how to order our lives. Private Eye also reviewed this as well. You will not be surprised to read that most of the intellectuals Johnson wrote about were left-wing, and many of them had shabby personal lives. Karl Marx is one example. Others were gay, or otherwise had colourful sexual tastes, like Kenneth Tynan, who apparently was into S&M.

But none of this actually refutes the value of their work, which has to be judged on other terms. Marx’s own bad behavior as a man doesn’t contradict his philosophical and economic theories any more than Alan Turing’s homosexuality refutes his work on mathematics and computers. But this doesn’t stop Johnson trying to tell you that their own bad behavior disqualifies intellectuals from having the right to explore how society may be improved. An attitude that, incidentally, is apparently shared by that other Johnson, Boris. This should rule Boris out as well as a serious politician, if true.

In the meantime, don’t let the Tories and Republicans run down public education. And stick up for proper intellectuals and intellectual discourse. As someone once said, ‘Eggheads of the world, unite! You have nothing to lose but your brains.’

Alex Jones: KKK Are Leftist Jewish Actors Creating Division

August 20, 2017

I blogged a few days ago about a report on one of the American left-wing internet news shows about a particularly odious comment about Charlottesville from the conspiracy theorist, Alex Jones. Alex Jones is the head of the conspiracy internet show, Infowars, and its website, Prison Planet. As I’ve discussed many times before, Jones believes – or pretends to believe – in all manner of outre conspiratorial ideas. At their heart, however, is his unwavering belief that the ‘globalists’ in charge of politics and industry are paedophile Satanists, who worship and are possessed by demons, and are intent on enslaving and destroying humanity. Their ultimate aim is to create a one-world state. Among their weapons are socialism, feminism and gay rights, which he has described as ‘a transhumanist spacecult to create a genderless human being’. Oh yes, and they’re intent on taking away good, freedom-loving Americans guns.

In this clip from Sam Seder’s Majority Report, co-host Michael Brooks plays the clip from Jones’ Infowar broadcast in which he talks about how he protested the Klan. Jones states that back then there was no Antifa protecting him. He’s clearly a bit miffed at that, though depending how far back he was protesting – Jones has been around for a long time – the organization as such may not have existed back then. Brooks wonders why Jones was protesting. Was he protesting against their racism, or because he thought they were a front group funded by George Soros?

And then Jones gets very sinister. He claims that when the hoods came off, the Klansmen were all FBI infiltrators, played by ‘leftist Jewish actors’. He then states that they were so Jewish, they looked like the cast of Seinfeld. And concludes that Leftist Jews are posing as the Klan in order to create division.

Brooks and his team joke about Jones’ statement about the supposed actors impersonating the Klan looking like the cast of Seinfeld. Brooks states that the show had the weirdest portrayal of New York. They were no Black people, but also no inbred WASP-ish types.

I’m sure I don’t need to go into how dangerous and sinister Jones’ comments are to the readers of this blog. But just to make it absolutely clear, this is verging dangerously on the stupid, genocidal conspiracy theories at the heart of Nazism. Hitler believed that ‘Marxist’ Socialism – meaning everything from the Communist party to the reformist SDP and trade unions – and capitalism were both Jewish strategies for enslaving the Aryan race. The modern variant of this is that the Jews are still intent on establishing themselves as the rulers of the world, and are attempting to destroy the White race through racial intermixing, and the promotion of homosexuality and other forms of depraved sexuality, including Rock and other Black musical genres.

Now Jones hasn’t promoted these long discredited and murderous theories yet, but by talking about ‘leftist Jewish actors’ attempting to create division, he’s not very far away.

And especially as the stupid theories of government collusion with extraterrestrials produced a further theory in the 1990s that the American and other governments were cooperating with the aliens to enslave humans. These theories, at least those promoted by the infamous Bill English in his book, Behold a Pale Horse, drew extensively on the Tsarist forgery, The Protocols of the Elders of Zion. This is the spurious document at the heart of many of these theories of Jewish world domination. It’s supposed to be the minutes of a secret meeting of Jewish leaders outlining their plan to seize global power and enslave gentiles. It has inspired Nazis and Fascists all over the world. It was even supported by the right-wing press in Britain, until some of them woke up to how fake and dangerous it was, and turned against it.

The Protocols of Zion are absolutely fake. They were put together by the Okhrana, the Tsarist secret police, in order to encourage the last tsar, Nicholas II, to persecute the Jews even more harshly. Nicholas II believed in the old blood libel, that Jews murdered Christians during Passover and used their blood in the matzoh bread eaten at this Jewish holiday. He had a young man, Beilis, repeatedly tried for this non-existent offence, to the point where even some of his most anti-Semitic advisors realized that it was discrediting his regime.

English and the other conspiracy theorists took care when citing the Protocols to try to make their ideas seem more acceptable by excising, or rather, explaining away the Protocols’ anti-Semitic content. Where the text said ‘Jews’, they claimed it really meant ‘Illuminati’, the 18th century conspiratorial group under Adam Weishaupt, which infiltrated the Freemasons. The Illuminati have been blamed as the secret actors behind the major political events of world history, such as the French Revolution, and are intent on destroying Western, Judeo-Christian culture. One of the female leaders of the British Fascist movement in the 1920s was a very strong advocate of these claims. I can’t remember if it was Nesta Webster or Rotha Orne Linton. One of the two, anyway. Whoever it was, she was an alcoholic, who had been given this privileged information by the spirit Duc de Orleans, one of the aristocrats involved in fighting the French Revolution.

I think the John Birch Society in the 1960s also claimed that the Illuminati were responsible for the decline of civilization and the rise of Communism, so that today there is a distinct subculture around the world of ultra-Conservative people, who really believe it. Many of those, who believe in the existence of the Illuminati genuinely aren’t anti-Semites, and would probably be horrified if you called them that. But by citing the Protocols in his stupid UFO conspiracy theory, English did much to rehabilitate them. One bookshop in the north of England even stocked the wretched thing because of this.

Jones calls the ‘globalists’ he thinks are, in Jon Ronson’s phrase, ‘the secret rulers of the world’ the Illuminati. I don’t think he’s anti-Semitic, but by promoting these absurd views he’s coming dangerously close to the real, anti-Semitic conspiracy theories that form their basis. The right-wing political scientist, Daniel Pipes, in his book Conspiracy Theories, discusses how these theories first blamed the Freemasons when they emerged after the French Revolution. During the 19th century the Jews were introduced into them as allies and collaborators of the Freemasons. The final revision came in the 20th century, when the Jews were blamed as the prime cause of the liberal revolutions and left-wing dissent, displacing the Freemasons.

You can see from this that it’s only a very short step from Jones’ ranting about the Illuminati, who include ‘Leftist Jews’ as just one of the groups collaborating with them, to the full bilge of The Protocols.

This isn’t just an American problem. People have access to the internet all over the world, so that I’m sure Jones has viewers in many different countries. One of his co-hosts, Paul Joseph Watson, is British, and he’s also had David Icke on his show. I’m therefore very show that he has more than a few followers in Britain. He was even interviewed over here by Andrew Neil, who was far less than impressed with his sanity when Jones started ranting about gun rights.

I don’t know how many people honestly take Jones seriously. Certainly there are any number of videos on YouTube taking the mick out of him, using carefully edited excerpts from his show. These show him ranting nonsensically, including one where he screams ‘I am a fluoride-maddened chimpanzee’.

But at this point, the laughter has to stop. It’s beyond a joke. Jones is becoming dangerous. Not to the ‘globalists’ – the real corporate heads, who run multinational industries responsible for enslaving millions in sweatshops and trashing our planet’s already fragile ecology. He already embraced one, when he had Trump himself come on his show and gave his support to the orange buffoon during his election campaign.

He’s a danger to ordinary people, and particularly the Jews. It starts with them, before going on to the other racial and political groups Nazis and Fascists hate and fear – people of colour, gypsies, socialists, communists, trade unionists, gay and transgender folk. Other religions or sects, which are deemed to be subversive and dangerous. The Nazis persecuted either the Jehovah’s Witnesses or the Seventh Day Adventists – I’ve forgotten which, because they wouldn’t accept Hitler as a secular messiah. They and Mussolini also banned the Freemasons, and Fascist Italy also carried out a campaign against the Waldensians, a Protestant sect that had its origins way back in the 12th century with the merchant, Peter Waldo. And, as disabled rights activists have rightly pointed out, the Nazis also murdered the disabled and mentally handicapped.

For all his loud liberatarianism, Jones is coming perilously close to promoting the kind of lies that led to the death of nearly 12 million people in the Nazi death and concentration camps. These comprised 6 million Jews, and 5 1/2 million others, rounded up, persecuted and murdered because of their political or religious beliefs, or, as in the Roma, for their race. The Nazis also despised as untermenschen the Slavonic people of eastern Europe. Russian POWs were also worked to death and murdered in the camps as slave labourers.

I dare say this genuinely horrifies Jones. But as I said, he’s coming very, very close to promoting the same ideas and attitudes that created the Third Reich and its horrors.

It’s time the plug was pulled on his programme, and it was taken off the air.

Norwegian Cruise Line Cancels ‘Alt-Lite’ Far Right Cruise After Complaints from Hope Not Hate

August 17, 2017

Here’s a piece of good news. Hope Not Hate today reported that Norwegian Cruise Line were cancelling a Caribbean cruise organized by Rebel Media, which would take Far Right sympathisers and activists to Honduras, Belize and Mexico. Rebel Media’s a Canadian far right organization, founded by Ezra Levant and Brian Lilley. Among their stars is the former head of the EDL, Tommy Robinson. The headline speaker for the cruise was going to be Gavin McInnes, the founder of the ‘Western Chauvinist’ Proud Boys. Proud Boys is a White supremacist, anti-feminist group. To be initiated into its ‘fourth degree’, a member has ‘to beat the crap’ out of an Antifa. They also have a militantly violent wing, the Fraternal Order of Alt-Knights, or FOAK.

As for McInnes, he has claimed not to be racist and to want to have nothing to do with the Alt-Right. But this rings more than a bit hollow after he’s made a video entitled, 10 Things I Hate about the Jews, and written pieces about White genocide and defending ‘transphobia’.

Hope Not Hate reported that they received the following message from Norwegian Cruise Line:

“We recently became aware that one of several affinity groups that booked space on an upcoming sailing was associated with and espoused views that are inconsistent with Norwegian Cruise Line Holdings core values.

The company has therefore exercised its right to cancel this group’s reservation and provide a full refund. As a matter of policy, the company neither discusses nor discloses the identities of our individual guests or groups.”

The anti-racism, anti-religious extremism group states

Norwegian Cruise Line’s decision is most welcome and they are to be congratulated for taking this stand against racism, sexism, homophobia and hatred of all kind.

In the current climate, this is a valuable example that companies have the choice to act responsibly and to refuse to allow their platforms to be vehicles for the normalization and mainstreaming of bigotry.

HOPE not hate will continue its fight against Rebel Media and anyone who shares their politics of prejudice.

See: http://hopenothate.org.uk/2017/08/17/update-norwegian-cruise-line-cancel-rebel-cruise/

Rebel Media’s association with real, violent neo-Nazis and anti-Semites also discredits some of the claims made by its founder, Ezra Levant. As have the recent events in Charlottesville. Levant is Jewish, and one of the main figures in the ‘Counter-Jihad’ movement. He has promoted his brand of islamophobia by demanding that the public attention be moved away from White supremacist groups in Canada to Islamism, which he has argued presents a bigger threat to Jews.

In his writings and broadcasts, Levant has stated that after the War, life was good for Jews in tolerant Canada. Most severely normal Canadians weren’t anti-Semites, and the membership of the Canadian Nazi party was minute. It was about thirty people. They were led by a sad individual skulking in a basement, who used to write grandiose, violent screeds against the Jews and other races he didn’t like with the assistance of his landlord. At demonstrations, the goose-steppers were massively outnumbered by Jews, left-wing counterdemonstrators, and the police who were there to keep order.

He is, along with his fellow bigot, Kathy Shaidle, who authors the blog Five Feet of Fury, bitterly critical of the ‘official’ Jews of the mainstream Canadian Jewish organization and its leader, Bernie Farber. This is because Farber and his organization link the Jewish experience of persecution and genocide, with those of other, persecuted peoples around the world. Way back in the early part of this century, when the Janjaweed Militia were wreaking havoc in Darfur, Farber and his organization held a ‘Shabat’, or Sabbath, for the African town’s people. The ‘Shabat’ here meant a day of fasting and religious contemplation. Christian Americans have also held formal fasts against wars. In the early 19th century, when America was in yet another war with its former colonial overlord, Britain, the Christian ministers of one of the statesBill organized a fast to end this strife between themselves and their British cousins.

As for Levant’s own programmes, they are glaringly, overtly biased, even when he invites a guest on from the other side of the debate. He introduces his guest with a tirade about how they’re wrong. From the clips I’ve seen, he does seem to be personally polite, which hasn’t been the case with Bill O’Reilly, the former main anchor at Fox News, before they sacked him sexual harassment.

I’ve no doubt that the membership of the Canadian Nazi party was a low as Levant says. So is the formal membership of all the various Nazi organisations in Britain and America. Way back in the 1990s one of the contributors to Lobster estimated that the BNP’s core membership was only about 200 or so people. If you read Hope Not Hate, that membership has declined even further, and the British Fascist right is divided between a number of small grouplets, all of which hate each other as much as the hate ethnic minorities, trade unionists and ‘Reds’.

I also read a few years ago that in America, the total membership of the Klan was 100,000, split amongst 100 different groups. I don’t know about the membership of the various Militias and Nazi groups, but I would imagine that they were similarly small compared to America’s vast population.

This does not mean that these organization don’t pose a violent threat. They clearly do. In the 1960s the NF was caught organizing paramilitary training weekends, which supposedly included lessons on bomb-making. One of the pieces of evidence for this was a can of weed killer found in a shed, which had the ‘weed’ scratched out and replaced with ‘Jew’. Yup, ‘Jew-Killer’. The NF and BNP deliberately recruited violent football hooligans, who embarked on a campaign of violence. Matthew Collins, one of the founders of Hope Not Hate, has described just how violent they are in his book about his time inside them, Hate.

As for Canada, the America Nazi party weren’t the only far right party in the country. One of the parties in the western province of Vancouver was the Social Credit party, which was anti-immigration, and pro-big business.

Despite his own Jewish heritage, Levant is clearly associating himself with anti-Semites by hiring McInnes as his main speaker for the cruise. And the Nazi violence in Charlottesville, which included surrounded the local synagogue and shouting ‘Sieg Heil!’, as well as the stats from a report from the FBI and Department of Homeland Security, show only too clearly that, in stark contrast to Levant’s claims, the White racists are far more of a threat than Islamism in America, at least in America.

This isn’t to downplay the threat posed by Islamist terrorism, merely to keep it in perspective, and stop the persistent denials of Trump, Levant and their ilk that White racist terrorism either doesn’t exist, or isn’t a comparable threat.

It is. And Trump has done everything he could to aid and abet it, short of actually giving them guns and money. But organisations like Hope Not Hate, Life After Hate, Tell Mama, which encourages Muslims to come forward to report racist attacks, are doing an excellent job of combating White supremacist terrorism.

Angry Southerner Stands Up for the Real South, Condemns Racists

August 16, 2017

This is truly epic! It’s a short clip from The Young Turks about an impassioned piece on the Net by Bill Bunting, a Southern gentleman, who’s extremely angry at the Nazis and racists and the havoc they caused in Charlottesville.

He furiously denies that they represent either the South, White folks and ‘as sure as hell’ not himself. He attacks their wretched torchlit procession, and condemns ‘the Black haters’. He asks whether its bad enough that the government is killing people, the police are killing people, ‘people are ripping us off’ and America is making war on the world. He concludes by saying that someone ‘ought to go down to be the dogsh*t out of them’.

The Young Turks don’t agree with that part of his rant, but they admire his passion and the fact that he’s standing up for the South against the stereotype of bigotry and racism. Cenk Uygur says that when goes down South, Kentucky, Virginia, he loves everything about it. He states that he had a friend come to America from Turkey to study, and he loved it down there. They and he liked the same things – women, gambling and booze – so they got on fine. But this, as Uygur says, was in more innocent times. Things might be different now.

I met a pair of women from the American South a few years ago. They came for a games convention I friend of mine was running. They were from Georgia. One was Black, the other was White. They believed that the racism down there was getting worse, and hated it.

I don’t know. My guess is that the pendulum could swing back to racial tolerance and acceptance as decent people see exactly what these clowns are like, and the violence and brutality they stand for. Mike’s already put up a piece on his blog today reporting that as a result of the violence, many internet sites and servers are throwing the Nazis off their domains. The racists and Nazis at Charlottesville can’t easily claim the moral high ground and to represent the poor, innocent, silent White majority, when they openly chant Nazi slogans like ‘Blood and Soil’, ‘You shall not replace us’ and ‘Jews shall not replace us’, which comes from the old anti-Semitic conspiracy theory that the Jews are encouraging coloured immigration to destroy the White race. The stormtroopers also chanted that the ‘Jew-lovers are gassing us’, which shows their projection of their own genocidal hatred on ordinary people, who aren’t anti-Semites. And Cenk Uygur in an earlier video said that those, who still support and wish to rehabilitate the Confederacy, can’t deny that this is about racism after they’ve marched with out-and-out Nazis.

Over here in Britain the storm trooper of the NF lost a lot of support in the early ’70s when they started recruiting football hooligans and other thugs to beat up Socialists, Black, Asians, Jews and feminists on the streets. Or as their leader, John Tyndall, put it ‘defend Britain from Communism’. Communisms gone, except for a few small, isolated global pockets, whatever the bug-eyed hate-mongers of the Right say about the insidious threat of ‘cultural Marxism’, a term which they really don’t understand. It doesn’t work anymore as a bogey-man to scare people away from anti-racism, equality for women and minorities, and Socialism. The last is becoming particularly important, as people become aware how they’re being denied decent wages, welfare benefits and single-payer healthcare for the profit of a bloated corporate elite. And what many people are going to see in the violence after Charlottesville is that the far right marching down the street has nothing to do with defending proper American values, and everything to do instead with bigotry, violence and sheer, genocidal hate.