Posts Tagged ‘Fantasy’

The Painter of Cyberspace: The Art of Jurgen Ziewe

January 20, 2018

Earlier this week there was a piece in the press announcing that the Turner Prize Committee had decided to go public early about which artworks and artist they were considering. I have strong feeling, like many people, about the Turner Prize. Many of the works seem simply designed to shock, with nothing more substantial underneath. Those that aren’t, are simply banal. It’s highbrow kitsch, which says nothing while claiming that it actually does. And I think modern fine art has reached a dead end. it’s anti-art, which constantly raves about Duchamps’ urinal nailed to a piece of canvas. Duchamps did it to make the point that whatever the artist claimed to be art, was art. It’s over a century old, and the joke’s well past it’s sell-by date. It was always an adolescent, childish prank anyway. To some of these art experts, it’s a hallowed artistic statement that must not be blasphemed in any way. You remember those Chinese guys, who were arrested when they jumped up and down on Tracey Emin’s ‘My Bed’? The same two were planning to urinate in Duchamps’ urinal. Which I feel is in keeping with the piece itself, but the mere thought horrified the keepers of official art.

The real artistic boundaries are being pushed, in my opinion, not by the fine artists, or at least, not by those fine artists currently pushed by the very small clique that defines what ‘official’ art is, like Nicholas Serota. Rather, they’re being pushed by commercial artists and film makers, often inspired by the worlds of Fantasy and SF, using computer graphics. One of the foremost of these, in my opinion, is the German artist Jurgen Ziewe. Ziewe lives over here, and has an English wife. And we are fortunate to have such a talented artist. I do wonder what will happen to other talented EU migrants like him after Brexit, who can’t stay in this country because they aren’t married. We’re going to lose a lot of very talented people.

Ziewe uses computer graphics, including Virtual models of humans and objects, and fractals, to create prismatic, Virtual, interior worlds full of robots, strange creatures, synthetic humans, fairies, wizards, witches, priestesses and temples. He started out making cards showing dolphins under cosmic skies. He’s a very spiritual guy, in a New Age-y sense, and his work is inspired by concepts from Theosophy and C.G. Jung. Here’s some of the picture from Nigel Suckling’s book about his art, New Territories: The Computer Visions of Jurgen Ziewe (Paper Tiger, 1997).

The Fairy Queen

Picnic In Cyberspace

Journey of a Virtual Traveller

Apart from Ziewe, other artists working in film and television have also been using the concepts of computer graphics. One of the features of the BBC TV version of the Hitch-Hiker’s Guide to the Galaxy that most impressed me in the late ’70s or early 1980s were the, ahem, computer graphics for the pieces of information provided by the Book. In fact, they were hand drawn, because the computers at the time simply weren’t up to the task of creating pictures that detailed. But the art produced as ‘computer graphics’, was superb, and those, who watched the show were deeply impressed. As an example, here’s a piece from YouTube of the Book describing Vogon poetry.

Further examples can be seen in pop videos. Like this one from the American electro-pop band, Information Society, which uses scrolling alphanumerics to suggest passage through cyberspace in a computer game, made for their track, ‘The Prize’.

Other artistic explorations of medically or cybernetically enhanced vision can be seen in the films Pitch Black and The Chronicles of Riddick and the last of trilogy, entitled simply Riddick. Richard Riddick, the anti-hero in these movies, is a violent criminal, a murderer, who somehow ends up doing the right thing. While in slam for his crimes, he paid the prison doctor 20 menthol cigarettes to have his eyes surgically altered, ‘polished’, so that he could see in the dark. In these flicks, we so bits of the action through his eyes. The scene in Pitch Black, where he sees the predatory aliens pouring out of their underground lairs after the marooned crew of a crashed colony spacecraft, is awesomely beautiful. This is the trailer for the movie.

And this is the trailer for The Chronicles of Riddick.

In this movie, the Necromongers use visioners, cybernetically adapted humans, to seek and visually examine areas that are difficult or impossible for normal human eyes to see clearly. And the brief scenes, in which the audience is shown what they see, are also stunning.

But this is low, commercial art, and so unlikely to find any praise by the High Art people, no matter how popular it is, or how technically sophisticated and visually inspired. The best comment on this kind of artistic snobbery comes from the American SF/Fantasy artist and book illustrator, Bob Eggleton.

Being a commercial artist is itself a kind of pigeonhole in the art world, but it is not a label that troubles him. ‘Commercialism for the sake of commercialism is not a sin. What I hate is commercialism packaged as fine art. That’s what Abstract Expressionism about, you’re buying into a trend much of the time. There’s nothing wrong with any kind of art, provided the artist believes in what they’re doing.’

From Nigel Suckling, with introduction by Gregory Benford, Alien Horizons: The Fantastic Art of Bob Eggleton (Paper Tiger, 1995) page 83.

And the YBAs, such as Damian Hirst, Tracey Emin and Chris Offili, were very commercial, as was Salvador Dali long before them. This was pointed out on a programme on the great surrealist on Radio 4 several years ago by Malcolm MacLaren, the genius – well, he obviously thought he was – behind the Sex Pistols.

And here’s Eggleton’s picture of Great Cthulhu, painted for Weird Tales magazine, for all the Lovecraft fans out there.

I realised I’ve digressed a little way from the central topic of this post, the fantastic computer art of Jurgen Ziewe. But these are related issues, showing the way computers, robots, space and high technology – the stuff of Science Fiction – is pushing artistic boundaries in ways that the official fine art of Conceptualism really isn’t doing. I’m also exploring a few ideas here for a much longer article, or series of articles, I intend to do on this sometime.

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SF Art: Planet of the Knob Heads

January 15, 2018

There are some stories whose titles alone bring joy and pleasure. One of these is the Jack Vance fantasy novel, Servants of the Wankh, which for some strange reason had another title when it was published over here in Blighty. Another is ‘Planet of the Knob Heads’, which a friend told me about years ago as an example of a story with an unintentionally hilarious title. I found it a little while ago in one of the pulp magazines in the SF section of one of the secondhand bookshops in Cheltenham. Unfortunately, when I came back to look for it later, that section had moved around and the stock had grown, so I’d lost it. But it’s there somewhere, so who knows, I might be able to find it again sometime in the future.

This is the art for it, which I found at the Sciencefictiongallery site over on Tumblr.

A Self-Portrait of Greg Hildebrandt

December 24, 2017

This is another great piccie I found over at the 70sscifiart site on Tumblr. It’s a self-portait of Greg Hildebrandt, one half of the great SF/Fantasy artists the Brothers Hildebrandt. They’re probably best known for their Fantasy paintings of goblins, dwarves, giants and other creatures direct from works like The Lord of the Rings. Though this picture’s title, A Very, Very Close Encounter, suggests a more extraterrestrial source of inspiration.

70sscifiart is at http://70sscifiart.tumblr.com/. It’s worth taking a look for anyone interested in great, vintage SF art.

Kevin Logan’s Critique of Vox Day and His Summary of Alt Right Principles

October 3, 2017

Kevin Logan is a British male feminist, whose Descent of the Manosphere vlog critically discusses various members of the men’s movement and other parts of the American and British far right, and exposes them for the utterly reprehensible human beings they really are.

In this video, he attacks and criticizes the American alt-right blogger and vlogger, Vox Day. Vox Day is a former newspaper columnist, an SF/Fantasy writer, and the author of a statement of the fundamental principles of the Alt Right. The Alt-Right is a diverse and often contradictory movement, and so there’s considerable disagreement amongst its members on what it actually stands. But Day’s summary of its principles have received the approval of its leading members, including Richard Spencer.

In the video Logan takes the viewer through Day’s ideas and bizarre personality, pointing out his intellectual vanity – he keeps harping on about how high an IQ he has, and how he used to be a nationally syndicated columnist for the tech pages of a paper in Minnesota. He’s also a massive fan of Donald Trump, whom he lauds, without irony, as ‘the God Emperor’, presumably like Leto Atreides, the half-sandworm ruler of the universe in the Dune sequel, God Emperor of Dune. So enamoured is he of Trump, that he also tries to excuse Trump’s comment about sexually assaulting women, trying to tell everyone that it’s ‘alpha (male) talk’, when it isn’t. It’s simply sexual assault.

He then critiques his statement of the principles of the Alt Right. These are basically that it’s a right-wing movement, which is not traditionally Conservative, Libertarian or Neo-Con, which promotes western civilization as derived from Christianity, the European nations and the Graeco-Roman heritage. It states that every nation has the right to their own homeland, free of domination by other groups and that no race is superior to another. But he also strongly rejects free trade, because that also brings with it immigration and diversity. He quotes approvingly the ’14 Words’ – ‘We must secure the existence of the White race and a future for White children’ of the Nazi, David Lane, and is also massively anti-Semitic. He states very clearly that Jews are not members of the American people, and are working against their interests. Day states he is in favour of peaceful repatriation, but shows how peaceful he really is by talking about gunning down immigrant boats and praising the Norwegian mass murderer, Anders Breivik, whom he calls a saint. He tries to defend the Alt-Right as in favour and based on science, but notes that this accompanied by a caveat – except where its conclusion have been altered by democracy – which therefore allows him and his Nazi friends to dismiss global warming and claim that Whites are intellectually superior to Blacks. The Alt-Right also claims to be ‘anti-equalitarian’, which it dismisses as being ‘unicorns and leprechauns’, and also claims to be based on history. States have to be ethnically uniform, as proximity + diversity = war. Although it also claims to be in favour of peace between nations.

Logan shows how the liberal parts of Alt Right ideology are either unviable or contradictory – for example, the statement that each nation has a right to its own homeland doesn’t account for instances where two ethnic groups also claim the same territory, like Zionist Jews and Palestinians. He also states that there are other examples. Indeed, he could have mentioned the Hungarians and Romanians, who both claim Transylvania as the historic cradles of their peoples. He also makes the point that if the Alt Right took seriously their point about each nation having the exclusive right to their own historic homelands, then this would mean that White Americans should return to Europe, as the country they’re currently inhabiting is that of the Amerindians. As would all the European colonists throughout the former British Empire, in Canada, Australia, New Zealand etc. The statement that no race is superior to another is a sop to the Alt Right’s battered egos to get them over the fact that so many sports are dominated by Blacks and other non-Whites. In short, the liberal aspects of Alt-Right ideology mask the real White supremacy and Nazism underneath.

As for Day’s attitude to women, he fears and hates educated women to the extent that he defended the Islamist assassin, who shot Malala Yousafzai in the head simply because she was a girl, who wanted to go to school as boys did.

To be fair, Day on his blog describes himself as a ‘cruelty artist’, and I think like Milo Yiannopolis, he’s also a troll who delights in saying the inflammatory and unspeakable simply because he enjoys shocking liberals and leftists. Or simply the majority of decent human beings. But the misogyny is still very real.

The only thing I disagree with here is Logan’s opinion that Christianity isn’t fundamental to western civilization. Logan states that it isn’t, because western civilization pre-dates Christianity, going back to Greece and Rome, and America is a secular country, while in recent centuries western Europe has also moved significantly away from Christianity. This is true. But historically Christianity has formed one of the major influences on European culture. It was through Christian writers and intellectuals that the ancient legacy of classical Greece and Rome was passed on and expanded, and which also mediated influences from other civilisations such as Islam, India and China. American secularism also has its origin in the demands made for religious toleration first articulated during the British Civil War by the Nonconformist sects. Again, there are other influences. Some of the atheist commenters on this blog have pointed to recent works arguing that the first radical democrats in Europe were influenced by Baruch Spinoza. It’s probably true, but that doesn’t mean there also wasn’t an influence from radical Christianity. See the collection of writings from the British civil war published by Penguin Classics as Divine Right and Democracy.

Website for Late SF Artist Peter Elson

September 13, 2017

Going through the Net the other day, I found a website dedicated to the work of the late SF artist and illustrator, Peter Elson. Steve Holland in his Sci-Fi Art: A Graphic History (New York: HarperCollins 2009) notes that Elson was one of the school of artists that was influenced by Chris Foss’ work in the 1970s. Elson was apparently unable to adapt after that style of SF illustration fell out of favour, and spent the last years of his life working on theatre illustration.

An example of Elson’s work, from Holland’s Sci-Fi Art: A Graphic History.

He’s still one of my favourite SF artists.

The site’s Peter Elson Science Fiction Illustrator, and it’s at
http://www.peterelson.co.uk/index.php

The brief biography notes that he was a fan of the original Eagle comic, and has a suitable tribute by his friend, Carol Butfoy, who met him at Ealing School of Art, and formed a management agency with him, partly to handle his work. She concludes

The kind of cover art that Peter and many of his contemporaries produced will probably not be seen again. It was a golden age of SF and Fantasy illustration. You can still find the covers, sometimes in reprints, mostly as second hand copies at boot sales. They shine out for their magical ability to take you into a world you can scarcely imagine. It’s what great art always used to do, and Peter was a great artist.

If you want to see more of his work, including landscapes, vehicles and illustrations for Dr. Who, then go to the above site.

The Grim Implications for Britain of Chelsea Clinton and her Book on Global Health

February 27, 2017

In this short video from The Jimmy Dore Show, the American comedian and his co-hosts, Stef Zamora and Rob Placone, rip into the New York Times for publishing a bit of non-news from Chelsea Clinton. She’s the daughter of Hillary and Bill Clinton, and the NYT saw fit to publish on its pages a tweet from her, saying that the she read Fahrenheit 451 in 7th grade, and it still makes her feel uncomfortable. It’s widely considered that Chelsea Clinton is being groomed to follow her parents into politics. That’s the message that Dore, Placone and Zamora got from this tweet. They feel it’s a puff piece for her. And so did several of the NY Times’ readers. One Mr Flugennock tweeted back that the newspaper should come off it, as ‘we aren’t going to vote for her’. Accompanying this was a photo of Clinton junior with the caption, ‘Mommy, your clothes fit me now.’

Indeed they do. Both Chelsea and her vile parents seem to be highly critical of state medicine. During her election campaign last year, Killary declared that single-payer healthcare was ‘utopian’. As Dore and the other left-wing American newscaster repeatedly pointed out, it’s a utopian institution that every other country in the developed world has, except America. And Chelsea seems to think the same thing. I distinctly remember her saying something sneering and dismissive about socialised medicine or single-payer health care a few years ago.

Dore, Placone and Zamora joke about the essentially vapid content of the tweet. Zamora commented that she also read Green Eggs and Ham by Dr Zeuss in the 1st Grade, and it still makes her feel uncomfortable about green eggs. Rather more seriously, Dore remarks on her comments seem to suggest that she expected to feel more comfortable with age about the book’s dark subject matter. Fahrenheit 451 is one of SF and Fantasy author Ray Bradbury’s classic novels, alongside The Martian Chronicles and The Illustrated Man. The book takes its name from the temperature at which paper burns. It’s a dystopian book, set in a future where a despotic government has banned literature and reading. In this world, firemen are people, who start firesm not put them out, consigning books and learning to the flames. Of course it’s a disturbing book. It follows the real life burning of subversive literature by oppressive regimes and movements, like Nazi Germany. It’s why Dore also makes a heavily ironic joke about not getting used to the Holocaust either.

The NY Time’s also mentions that Chelsea Clinton has also co-authored a book herself. This is Governing Global Health, an ‘unbiased’ book, which examines public-private healthcare partnerships around the world, and looks forward to them becoming increasingly important in tackling world health. Dore, Zamora and Placone miss the serious undertones for this, joking instead about its supposed connection to Clinton’s comments about Bradbury’s masterpiece. This is supposed to have disturbed her so much, she wrote a book of her own.

But Clinton fille’s authorship of this tome has serious and very ominous overtones for state healthcare elsewhere in the world, and most immediately in Britain. Public-Private Partnerships are basically the Blairite ‘Third Way’, which they in turn inherited from the Tories’ foul Peter Lilley. This capering bigot was upset that private enterprise was locked out of the NHS, and so created the Private Finance Initiative. This is where the state bales out and subsidies private firms for building and managing NHS hospitals. It’s more expensive, and so the hospitals built under it are fewer and smaller. Even worse, perfectly efficient and excellent state hospitals have had to be closed, so that Blair and the Tories could provide more lucrative work for their friends in private healthcare.

Blair took over the Clinton’s electoral strategy and their corporatist, anti-working class ideology and injected it into the Labour party. Bill Clinton’s campaign was based on rejecting the Democrats traditional base in the working class, and abandoning what little welfare provision there was, in order to win votes from Reaganite Republicans. And the policy’s continued under Obama and Shrillary. Chuck Schumer, the leader of the Democrats, famously stated last year that he wasn’t concerned if they lost blue collar voters, as for every one they lost, they’d pick up two or three suburban Republicans. This is the same attitude that infects Blairite Labour. Blair, Mandelson, Broon and Campbell targeted affluent swing voters in marginal constituencies, sacrificing the interests of the working class in order to appeal to middle class Thatcherites. The policy didn’t work, and is creating massive poverty. But the corporatist elite love it, and so the Clintonites in America and Blairites over here are still pushing it.

And just as Blair took over the Clintonite free market ideology, the same corporate interests that infest American politics also came over her to win contracts in healthcare, the prison system and other parts of the state infrastructure. Companies like the notorious health insurance fraudster, Unum. The American private healthcare companies realised that the market in America was in serious trouble, due to rising costs. There was an excellent article in Counterpunch a month or so ago, which reported that in some areas it almost broke down before being rescued by Obama’s affordable care act. With the market in America glutted and sinking, they’ve come over here to win contracts from our NHS. And our politicos have been stupid and malignant enough to give them to them.

I think Dore and co. are right. Chelsea Clinton is being groomed to succeed her parents. And as a believer in private healthcare, she does want to push the privatisation of our NHS for the profit of her country’s private healthcare firms. She has to be stopped. If she enters politics to push her vile agenda, it’ll be bad for America and terrible for Britain and our NHS. Keep her – and them – out of politics and out of Britain.

A Fitting SF Book For Trump’s Attitude to Mexicans?

January 22, 2017

fritz-leiber-pic

Fritz Leiber

Looking around one of the charity bookshops in Cheltenham on Friday, I picked up a copy of the novel A Spectre Is Haunting Texas (London: Granada 1971) by the great Science Fiction, Fantasy and Horror novelist, Fritz Leiber. Leiber’s probably best known for his series of Fantasy novels featuring Fafhrd and the Grey Mouser. David Pringle, the former editor of the British SF/Fantasy magazine, Interzone, named Leiber’s You’re All Alone as one of the 100 greatest fantasy novels in his book of the same title way back in the 1990s. That novel is about a man, who gets caught up in parallel society of people, who live outside ordinary humans’ perceptions, very much like the denizens of London Below in Neil Gaiman’s fantasy novel and TV series, Neverwhere.

spectre-texas-cover

I’ve wanted to get hold of a copy for some time, ever since the Scottish space scientist and science writer, Duncan Lunan, briefly mentioned it in his book on the colonisation of the Solar System, Man and the Planets. It was that night, after I’d gone to bed, that I realised how weirdly fitting the book is now that Donald Trump is president of the USA. Here’s the blurb:

El Esqueleto!

Christopher Corckett la Cruz (or ‘Scully’) is an actor, an extrovert and a ladies’ man. To most of the inhabitants of post-World War III he looks outlandish, even sinister. To their women he looks very comely. Earth looks equally odd to Scully. Hormone treatment has turned Texans into giants and their Mex slaves into unhappy dwarfs.

To the Mexes, Scully is a Sign, a Talisman, a Leader. To Scully the Mexes are a Cause. The time is ripe for revolution…

It wouldn’t surprise me if some Hispanic Americans didn’t find the book’s politics offensive or condescending. In fairness, the book was published in 1969, when attitudes to race were extremely different, and its heart is in the right place.

And the future the book describes could, terrifyingly, become all too real. The Washington military and intelligence establishment seems all too keen to start some kind of altercation with Russia, egged on by the Democrats, desperate to deflect attention away from the sleazy contents of the material published by WikiLeaks on the shady business dealings and corporate funding of their leaders. Trump wants to end immigration from Mexico by building the wall. He also wants to repatriate 11 million undocumented immigrants. But he’s not the most extreme of the Repugs. One of the most bizarre and reactionary suggestions for stopping immigration from Latin America I’ve come across from the party of Ronald Reagan and George ‘Dubya’ Bush was that illegal immigrants from Mexico should be forced into state servitude for a period of seven years. You know, like slavery.

There’s a nasty movement amongst the Republican extreme right, led by the Von Mises Institute and other corporate think tanks, to try to rewrite the American Civil War. Apparently, the issue wasn’t about slavery. It was about tariff reform. I’m not an expert on American history, but I very much doubt it. And so, I think, would just about every respectable history of the War between the States. Lincoln only reluctantly freed the slaves. There’s a quote from him, in which he said that if he could maintain the unity of the US by keeping slavery, he would. I think by that he meant that if keeping slavery would prevent the break up of the US, then he’d make that decision. And when you consider the horrific carnage that the war brought about, you can easily understand why. Nevertheless, he couldn’t avoid civil war, and freed America’s enslaved. And thus he rightly became one of America’s greatest politicians.

Now right-wing extremists in the Republicans are trying to reverse Lincoln’s achievements, and obscure the causes of the Civil War in an attempt to make a suitably inspiring, sanitised history for those raised on Reagan, von Hayek, and the Fascist enablers of the Chicago school, like Milton Friedman.

Leiber’s title seems to me to be taken from the Communist Manifesto. This opens with the line ‘A spectre is haunting Europe’, before going to claim that it’s the spectre of revolution or Communism. It was rushed out in 1848, the year of revolutions, when all over Europe working people and occupied nations rose up against their class and imperial overlords.

We don’t need violent revolution, and the horror and mass death that comes with it. But we do need strong, left-wing movements to defend and protect ordinary people from increasingly predatory and exploitative political and industrial elites.

And perhaps the whole world now need an El Esqueleto to protect them from Trump.

The Bad Man Blog: Q & A with Comics Legend Pat Mills

October 3, 2016

Borag Thungg again, Earthlets! Pat Mills, one of the Britain’s leading comics creators, and the script robot behind the Nemesis the Warlock, ABC Warriors, DeFoe, and Slaine strips in 2000 AD, and the classic Charley’s War in Battle, as well as Marshal Law, is featured in The Bad Man Blog in an entry for the 5th April this year, in which he answers 10 questions. The Bad Man introduces him with the words

If you want to know where the edge in modern comic books comes from, whether that be the inception of DC’s 80’s Vertigo line, the Image creator evolution of the 90’s, right on up to the Indie Artist ripe market-place, vying for a spot amongst the giants in modernity, then perhaps turn your head back to the late 70’s and the birth of 2000AD.

2000 AD Creator Pat Mills wanted to write working class comic books that shook the establishment and reached out to an angry youth with a subversive message that spoke to them through sci-fantasy. He succeeded with a revolution in British comic book storytelling that’s been oft imitated but never replicated.

Mills talks about the difficulty of writing for a disenfranchised generation, both then and now, without sounding too preachy or ‘David Icke’, and his regret that he couldn’t hit the establishment harder. He talks about how his opposition to the establishment was a product of his upbringing, and particularly his experience with the Roman Catholic Church and the Masons. He gives advice to budding comic creators, and lists the writers, who have been the biggest influence on his writing. Among literary giants like Wilkie Collins, Graham Greene, Dennis Wheatley and Rider Haggard, and modern crusading journalists and polemicists like John Pilger, he also includes Geoffrey Willans and Ronald Searle for the Molesworth Books, and for Searle’s St. Trinian’s cartoons. In answer to the question of what motivates him to write, he states that it’s a kind of catharsis and a way through strips like Slaine to explore his own psychology. And he also states that its a way of paying tribute to his heroes, like the Levellers. He continues

Defoe is a Leveller – they were great men who schools deliberately do not teach kids about because they stood for freedom. If the Levellers had won it wouldn’t be Charles 1 alone on the scaffold. They’d have got rid of all privilege. And there’d be no Charles 111. How our country allows an idiot with a disturbing, troubled and suspicious private life to take the throne of Britain is beyond me.

He also urges aspiring comics artists and writers to take up social activism and issues in their work, saying

Challenge society, change society, widen perspectives outside the mental straitjacket the media would put us in. E.G. By acknowledging Britain was probably one of the most evil Empires the world has ever known (and it’s still pretty dirty when you look at Iraq and Syria,) it sets us free. It’s not self-flagellation, it’s actually taking pride in the true Britain of characters like Defoe and the Levellers, soldiers like Charley in Charley’s War, wild Celts like Slaine and so on.

He discusses more history you don’t and won’t read about in answer to the Bad Man’s question of what he would do if he could go back in time. Mills’ answer is straightforward: Shoot Lord Milner. He explains that Milner was part of a conspiracy that started the First World War. He states that Belgium was in a secret alliance with Britain and France at the time, and it’s only in Britain that we’ve been taught otherwise. Mills goes on to explain that E. Morel, who exposed the Congo atrocities, also revealed Milner’s role in igniting the War, but his work is simply dismissed as ‘wrong’ by historians today. He recommends that for further information people should read McGregor’s Hidden History, which is available online, Milner’s Second War, and E. Morel’s pamphlets. He explains

If Milner had been assassinated, in 1912, it could have just stopped Armageddon and opportunist characters like Churchill and Lloyd George might never have come to power with the terrible consequences for the people of 1914 – 1918 and beyond. With some areas of history, I’m still a student, but I’ve been studying WW1 since I was a kid and there is no doubt Britain was responsible.

Not something you’re likely to read about in school books or the mainstream media where Max Hastings and Paxman reign supreme, alas. As you can see, I feel strongly about this because we owe it to our ancestors that the truth gets out there. Not the ‘noble sacrifice’ bullshit of Cameron and co. The WW1 generation of young soldiers were murdered by the British establishment in conjunction with other forces, notably the bankers and merchants of death.

He ends the session by talking about the strips he’s working on at the moment.

See: https://therealbadman.wordpress.com/tag/nemesis-the-warlock/

Mills clearly has some very controversial opinions, especially about the Roman Catholic church, and that Britain is occupying Northern Ireland. That clearly isn’t the way the Loyalist community see it. Nevertheless, regardless of his views on the legitimacy of British rule in Northern Ireland, he is absolutely right about there having been a ‘dirty war’ there. Lobster has published a series of articles discussing the collaboration of the British state with loyalist paramilitaries in containing the IRA, and how secret SAS units were embedded in regular army units to assassinate leading Nationalists.

As for the Roman Catholic church, unfortunately he is right in that there is a problem with corruption in Vatican and the Church hierarchy, and this has left many Roman Catholics feeling betrayed. The many scandals around the world about child abuse by priests and clergy has led to many believers leaving the Church, particularly in Ireland and in Germany. Many German Roman Catholics left because of the last pope’s perceived reluctance or inability to tackle the issue and make proper reparations.

Mills also makes a very good statement about the misuse of power in local communities, when he says that in the small town where he grew up, everyone in power knew everyone else, and used their power in very negative ways. Dad and others had the same experience of the power of the local business community in Taunton, and the same abuse of social and economic position and authority still continues in Britain today.

It would be very interesting indeed to read and hear more about Britain’s responsibility for causing the First World War. This is not a view I’ve ever heard before. Quite the opposite. Just about all the historians I’ve ever read have blamed the Germans and Austrians. German historians argue in contrast that the War broke out almost as an inevitable accident, brought about through the web of alliances and the extremely volatile nature of the Balkans. Together, these caused the nations of Europe to ‘drift to war’. The German view, from what I’ve read, is not only rejected by British historians, but seen as something peculiar to Germany. It seems to me that it’s implied in British historians’ criticism of the German view of the origins of the War that the Germans are somehow trying to exculpate themselves from their responsibility for starting it. After reading Mills’ brief statements about the issue, the conventional historical view of German culpability no longer seems at all certain.

His is an extreme view, but that doesn’t mean he’s wrong. And he’s right about contemporary historiography of the war, at least at the popular level, being dominated by establishment figures like Max Hastings, the former editor of the Telegraph, and Jeremy Paxman. I like Paxo, and think he did a good job when he was on Newsnight, at least of irritating the Tories. But that doesn’t mean he’s telling the truth as an historian. Indeed, Private Eye a few weeks ago pointed out the many mistakes he was making in his latest excursion into literary history. He was trying to argue that a number of literary genres were in fact the creation of British writers in the 19th century. One of these was detective fiction. In fact, the first detective novel is usually considered to be Edgar Allan Poe’s The Mysteries of the Rue Morgue. Mind you, as with so many things, it can also be argued that the Chinese got there first. The Chinese also independently developed the novel, including tales of detection featuring Judge Dee. A number of these were translated by Van Lustgarten, who also wrote a story of his own using the character. So perhaps Paxo probably isn’t the most reliable guide either to literary history, or that of the Great War.

And as extreme as his view is, I don’t think it should be immediately dismissed because of the care Mills took in researching his stories. Charley’s War is a classic because it movingly portrays the reality of the War for the ordinary Tommy, and I’ve no doubt Mills did considerable research when writing the strip and subsequently after. He has said in another interview, a few years ago, how he broke with the traditional, very low view of comic writing when he started on 2000 AD. It was an SF comic, so he bought four books on science to research the subject, and invoiced IPC for expenses. Which left them shocked with the idea that anyone should do something as basic as that. Clearly, 2000 AD and its characters are Science Fiction and Fantasy, not fact, and in many cases very obviously are far from conventional scientific or historical fact. But the fact that Mills is prepared to research carefully the background of the strips he writes does make me wonder whether he’s right about this issue as well. But go and read what he says for yourselves, and make your own minds up.

Splundig Vur Thrigg!, as Old Green Bonce would say.

SF Author Bob Shaw and Comics Artist Bryan Talbot on Granada TV 1981

May 11, 2015

I found these two videos featuring the great Science Fiction author Bob Shaw and the comics artist and creator, Bryan Talbot. They’re actually two halves of Granada’s literature programme, Celebrations, broadcast in 1981. The show consists of interviews with Shaw and Talbot discussing their career and work, and then a very short play specially written for the programme By Shaw, and illustrated by Talbot. In between sequences of the play, the actors discuss it and the issues it raises.

The producers clearly didn’t have any money for any special effects whatsoever, only for the costumes and period props used by the actors. Hence the illustrations by Talbot, which stand in for live action effects sequences.

Shaw was an Ulsterman with a background in aeronautical engineering. He describes how his studying at school to go to university was ruined by his discovery of Science Fiction in the form of the American pulp magazines. He states it was as mind-blowing as an LSD trip, with the exception that LSD wears off. And so instead of studying properly at school and paying attention, he was at the back of the class writing his own SF fanzine on carbon paper.

For those too young to know what that is, it’s the mucky stuff we had to use before the invention of computer printers and widespread access to photocopiers. It’s a form of the process you can make transfers and copies by rubbing a pencil over one side of a sheet of paper, pressing it down on another and then drawing on the other side of the first sheet so that the design comes out on the second. It was messy, and if you didn’t watch out, your hands, clothes and anything else in contact with the stuff was left black.

Shaw states that Science Fiction is only the genre that still isn’t accepted as proper literature. It’s sneered at, and when literary writers use it, somehow their work isn’t Science Fiction, but ‘literature’. He gives Orwell’s 1984 as an example. It’s clearly Science Fiction, but not considered as such because of its status as a work of proper literature.

This dates the programme, as the attitude has changed somewhat. The SF author Simon D. Ings had his own column in New Scientist back in the 1990s. I read one of the latest books by M. John Harrison, the author of the Viriconium novels, now regarded as SF/ Fantasy classics, after it was given a good review in the I. Nevertheless, Shaw’s comments on the low status of Science Fiction as literature do retain some truth. Again, back in the 1990s I remember when the literary novel, GUT Symmetries, came out to high literary acclaim. It took its name from the Grand Unified Theory physicists and cosmologists like Stephen Hawking are seeking, which will unify Quantum physics with the normal, relativistic physics of the ‘macro’ world. The plot involved parallel universes. Looking at the brief descriptions in the literary columns, I was struck by how much it resembled other works of genre Science Fiction, particularly that of Lisa Tuttle. Yet Tuttle and the other SF authors exploring similar themes weren’t mentioned.

There was much discussion in the SF fanzines at the time about the way non-genre, respectable literary authors were appropriating themes from Science Fiction. They were applauded by the literary crowd for their ground-breaking new work, while SF was still despised and confined in a kind of literary ghetto. The late Terry Pratchett, speaking one year at the Cheltenham Literary Festival, described how the organisers of the Festival looked at him as if we he was going to give a lecture about mending motorcycles. Despite the eminence, popularity and literary skill shown by Pratchett, he and the genre he wrote in still weren’t quite acceptable in respectable literary company. As well as a very funny writer, Pratchett was a funny and witty speaker, and the fans crowding the room loved it.

Shaw also speaks about how he attempts to ground his SF in scientific reality, but states that nothing dates faster than today’s science. The example he gives is of an episode of the old Flash Gordon film serial, then being shown on British TV. There’s one episode where Flash and Dale Arden have to abandon a stricken spaceship falling out of the sky. As they are about to bail out, Flash shouts out that they must check that they’ve got their anti-gravity belts and ray guns. They do so, and these look suitably futuristic. Then Dale remembers that they’ve forgotten the portable radio. Radios at the time were things the size of small tables, and so when she returns, she’s got something of that size strapped to her back. The writer knew what size portable radios were, but couldn’t imagine them being any smaller. And so his failure of the imagination, his inability to see that one day radios would shrink to a more manageable size, dates the whole show.

As for Bryan Talbot, the show mentions that he began his career as a comics illustrator in the underground commix of the drug counterculture. It shows some of the work he did for the Luther Arkwright comics series. This was set in a multiverse of parallel worlds, and was strongly influenced by the novels of Michael Moorcock.

The play itself, ‘Encounter with a Madman’, is about a time traveller from a sterile and dying Britain, poisoned by chemical and nuclear waste, travelling back to the early 19th century to meet Dalton, the discoverer of the atom. She explains to Dalton that, through his discovery, he will ultimately be responsible for the ‘ecodeath’ that has destroyed Britain and is slowly leading its last survivors to extinction. Dalton himself is torn, unable to decide whether the visitor is a madman, uttering blasphemous nonsense, or just might be telling the truth, no matter how bizarre that is. The gamekeeper, however, shoots her in the belief that she’s a French spy. She arrives back in the poisoned wasteland of nearly two centuries into the future, and dies, clutching a single flower.

Shaw and Talbot aren’t the only famous faces on the programme, as the traveller herself is played by a very young Jenny Éclair, now one of Britain’s top comediennes.

Unfortunately, as the programme was shown on ITV, the videos also contain some of the adverts. They’re mostly instantly forgettable, though they do contain one of the Cinzano Bianco adverts with Leonard Rossiter and Joan Collins. They’re now held as comedy classics in their own right. They weren’t much good as adverts, however, as everyone remembered how funny Rossiter and Collins were, and completely forgot what the product was.

Here’s part 1:

And part 2:

I’ve got an idea I read in an interview somewhere that Shaw left Northern Ireland for Britain. He said he did so because in Ireland, you got everything, including books, from the local corner shop. He was just about one of the very few readers of Science Fiction in Ireland at the time, and was sick of people looking at him and asking, ‘What are you reading that rubbish for?’ when he went to pick up the latest SF paperback or mag.

Joshua Bonehill Abuses Gay Poverty Campaigner as Kipper Troll

April 19, 2015

It seems the comedy Fuhrer is back to his old tricks again of causing trouble on the internet, while disguised as someone else. According to today’s Independent, the Avon and Somerset Police took him in for questioning for abusive tweets attacking the gay poverty campaigner, Jack Monroe. Ms Monroe had been forced off twitter due to a series of abusive tweets, including one from someone claiming to be from a UKIP member.

The tweets read

“Your sick form of Lesbianism and militant queerism is destroying this country. Get out and give us Britain back! #VoteUKIP” the mock profile tweeted at Monroe.

“@MsJackMonroe I think you’re an absolute disgrace as well, Queers should all be sterilised. #VoteUKIP2015.”

To their credit, UKIP have utterly condemned the tweets, expressed their sympathies to Monroe and Owen Jones, and deplored the fact that a member’s reputation was also tarnished because of the abuse.

According to the Indie, the true author of the tweets has now revealed himself on his own website to be Joshua Bonehill. He posted a piece about his arrest on his website, claiming it to be his fifteenth arrest for free speech. He states that he is without a computer or laptop for the time being. He wouldn’t comment on whether he was guilty or innocent, but states that he was confident the police investigation will reveal the truth. He then went on say he’d seen tweets against Monroe, and thought they were ‘comical’ and ‘commended the level of free speech used’.

Quite Mad

Bonehill is, of course, quite loopy. Despite crediting himself as the future of nationalism, his antics have done more than most to turn British Fascism into a laughing stock. This is the man, who, over his career in the Far Right, has had himself arrested for trying to defecate in the frozen food section of Tesco’s; been arrested for trying to break into a police station to steal a uniform and body armour; and tried to present himself as the White messiah promised by the ancient racist prophet, Aryanus.

He was the source of further hilarity last weekend when he launched his latest mighty Fascist party, consisting entirely of, er, himself, in a park in Yeovil. Where he was outnumbered by the police, journalists and anti-Fascist campaigners. He later tried to tell everyone on his blog that really, his new party had fifty members, who had met an hour before in secret away from prying left-wing eyes.

As for his views, they’re the usual anti-Semitic conspiracy bilge. I’ve reblogged a conversation between him and a radio host for LBC, when Bonehill phoned in on a programme discussing anal sex. Bonehill claimed that AIDS was nature’s way of wiping out homosexuals, who were unnatural. He also claimed that homosexuality was being promoted by the Jews in order to wipe out the White race. This is just a piece of projection, as the Nazis did encourage homosexuality amongst Jewish men in order to wipe out the Jews. Bonehill’s views are so bonkers that the presenter found it impossible to take him seriously. In between bouts of laughter, you can hear him wondering aloud whether Bonehill seriously believed what he said.

Yes, I’m afraid he does.

More seriously, Bonehill has a history of making false claims against others to malign them and cause them serious harm, often as other people. He was prosecuted for falsely claiming that a pub would not serve members of the British armed forces so as not to offend Muslims. He also took over other’s blogs to post pieces on them claiming that they were paedophiles, for which he has also been prosecuted.

It was Bonehill, who was behind the altered election poster purporting to be from Labour for Diane Abbott, with a false quote intending to claim that Abbott was an anti-White racist.

He also attempted to make some political capital out of the sad death of much-loved fantasy author, Terry Pratchett, by inventing a racist quote by this great man, who definitely wasn’t.

He has also been banned from entering London, after he attempted to organise an anti-Semitic march through Stamford Hill, a Jewish majority area.

I wonder how far Bonehill’s antics will continue before he either gets the message that no-one takes him seriously as Fuhrer, and he gets sick of seeing the inside of prison cells, or he does something so serious that he ends up in prison. Either that, or he manages to annoy the other few, remaining stormtroopers so much that he gets himself into some serious bovver.

Unfortunately, he hasn’t learned his lesson just yet, and will probably continue abusing and slandering innocents for a long time to come. The only consolation to come out of this, is that it is just Bonehill. He’s clearly deeply sad, and probably a little mentally ill.