Sketches of Some of My Favourite Comedians and Comic Actors

Here’s something a bit lighter. I spent part of last week sketching some of my favourite comedy stars. You can probably tell from them that I’m of a certain age, as most of them come from ’70s. ’80s and ’90s. They are of Les Dawson, Victoria Wood, Joyce Grenfell, Dave Allen, Peter Cook, Derek Griffiths and Molly Sugden in war paint as the redoubtable Mrs Slocombe. I’ve drawn Dawson twice, once as himself and then in drag with Roy Barraclough as the two ladies who were a staple of his programme in the 1980s. I know many women find drag offensive, but they were well-constructed characters, and the humour wasn’t malicious. I chose Derek Griffiths as he was on a lot of children’s programmes when I was small, from Play School to Film Fun. This was a history of the Warner Brothers cartoons, set in a cinema with Griffiths playing all the characters, from the cinema manager, the commissionaire, and Doreen the Usherette. He was also in more adult programmes like Terry and June. For all the clowning, he comes across as a very versatile performer. On one programme on the history of children’s TV, he described how he created the theme for Bod on the flute. He’s also done theatre for the deaf, which uses sign language. Joyce Grenfell is in there because I find her dialogues hilarious, especially where she plays a harassed junior schoolteacher telling some little boy called George not to do that. What ‘that’ is, is perhaps wisely never revealed. And I don’t think any list of British comedians could ever be complete without Victoria Wood. As for Molly Sugden, she’s best remembered for Mrs Slocombe, another brilliant British sitcom character. Dave Allen will always be remembered for his wry, and very witty observations on the lunacy of everyday life. But sometimes the real gems are in the sketches. I often wish he were still around to comment on the madness of today’s life. Ditto with the awesome Peter Cook. I’ve tried to draw them as I think they should be remembered – happy, smiling and doing something characteristically funny. But some many of the images I used as source material showed them as solemn and grave, as in this drawing of Peter Cook. And yet he’s probably best remembered looking coolly at an interviewer over a cigarette with the same glint in his eye he had when making Dudley Moore laugh on Not Only But Also. Grenfell, Wood, Dawson, Allen and Cook are no longer with us, but their comedy lives on in DVD. And on the web, where you can particularly enjoy Cook talking to the late, also missed Clive James while a young Victoria Wood looks on completely bemused.

No, It Is Not Anti-Semitic To Question Whether Jews Are An Ethnic Minority

Ever keen to bash the Beep, the Torygraph printed another story yesterday accusing the Corporation of anti-Semitism. Benjamin Cohen, the CEO of Pink News, had been invited on to Politics Live to debate whether Jews should be included as an ethnic minority in the national census. Coming out of the show, Cohen tweeted how offended he was by the question, and that he was the only Jewish person facing a panel of four gentiles. He was absolutely sure that Jews should be treated as an ethnic minority, and asked rhetorically if the Beeb would have asked that question of a Black or Asian guests.

Actually, it’s a very good question whether Jews are an ethnic minority, and colour is a part of the issue. Before the rise of biological racism, Jews were largely persecuted in Christian Europe because of their religion. The persecution generally ceased if they converted. Before the outbreak of Nazism and the horrors of the Third Reich, the majority of Jews in Europe did not wish to be seen as a separate people from those the countries in which they lived. The British Jewish establishment opposed the Balfour Declaration because they believed that Jews were ‘Englishmen of the Jewish religion’. The British government’s support for a Jewish homeland in Palestine, they feared, would lead to Jews being viewed as foreigners, whose ultimately loyalty was to the new state, rather than loyal British citizens.

Even now there is a healthy debate within Judaism about whether it is a ethnic group, a religion or a descent group. Not all Jews are happy with being considered an ethnic minority. The comedian, opera director and broadcaster, Dr Jonathan Miller, is one of them. One of the team of satirists in Beyond the Fringe, along with Peter Cook, Dudley Moore and Alan Bennett, Miller was once introduced as a Jew on a programme covering the jolly funsters. Miller responded by stating that he was a ‘Jewish’. He had not interest in being an ethnic minority.

Jews also differ from the other groups regarded as ethnic minorities in terms of race, and socio-economic status. Traditional, indigenous European Jews are White, as the founder of modern scientific racial classification, Ludwig Blumenbach, maintained. Some of them, like Tracy-Anne Oberman, are more ‘Aryan’ in appearance than the Nazi scumbags, who abuse them. Which shows how wrong scientifically Nazism is, as well as evil. Where there has been anti-Semitic abuse and violence, it has been generally directed against Orthodox Jews, no doubt because of their characteristic dress and appearance.

The British Jewish community is also largely more prosperous than other ethnic groups. The mighty Tony Greenstein has cited sociological studies that have shown that 60 per cent of British Jews are upper middle class. Furthermore, while there is still anti-Semitic persecution and hostility, Jews don’t suffer from the same level of prejudice as Blacks and Asians. Tony again has quoted statistics showing that 77 per cent of Brits have positive views of Jews. Those that don’t generally regard them as no better or worse than anyone else. The number of people with negative views of Jews has risen from 5 to 7 per cent, but they’re far outweighed by the mass of the Brits who don’t share their opinions. This is no doubt one of the reasons the NF decided to stop goose stepping about in Nazi uniforms in the 1970s. When National Action turned up in Liverpool a couple of years ago screaming their hatred, the good peeps of that fair city, including socialists and trade unionists, chased them out of town. Literally. They had to retreat to the train station to await the next train out of there.

While the persecution of the Jews has been particularly vicious, it’s reasonable to compare it to the persecution of dissident Christian groups in Europe. Such as the Manichaean heretics in the Middle Ages, and Protestants in Roman Catholic countries. In Britain before Roman Catholic emancipation and the repeal of the Test and Corporation Acts, Catholicism was banned. It had to go underground in Ireland, and worship was carried out at secret locations in the countryside. British Protestant nonconformists, such as Quakers, Baptists and Methodists, were barred from serving on juries or in local and national government. By law their chapels had to be built five miles away from towns. You can also compare the British Jewish community’s current prosperity with the Quakers. The actual membership of the Society of Friends was small, but they became influential and prosperous businessmen because of their exacting standards of commercial conduct. You could trust them. A book I read a few years ago on the history of the Jewish people, written by an Anglican clergyman, made the same claim about them. The Jewish laws governing food purity meant that, if you bought a wheaten loaf from a Jew, that’s exactly what you got. Instead of being full of cheats determined to defraud gentiles, Jewish businessmen could be trusted. As for the traditional Jewish prohibition against marrying outside the religion, there are also Christian sects, such as the Exclusive Brethren and Particular Baptists, who also reject marriage with those outside the sect.

In short, Jews are integrated and accepted into British society to a far greater extent than Blacks and Asians, who are obviously different because of their colouring, dress and religion. Muslims are particularly subject to suspicion and abuse following 9/11, and are, with Blacks, generally poorer and more marginalised than the rest of British society.

I suspect the issue here isn’t so much about the question of whether Jews constitute an ethnic group in themselves, but over the benefits membership of an ethnic minority confers. Ethnic minorities are specifically protected by law against persecution, and in the case of Blacks and Asians may be assisted by affirmative action programmes. Even though Jews don’t suffer the level of violence and prejudice that Blacks and Asians do, they are still regarded as particularly vulnerable. As a result, they enjoy a degree of protection far greater than other ethnic minorities. For example, there’s the Community Security Trust, a paramilitary vigilante set up to protect Jews, synagogues, Jewish cemeteries and other Jewish sites and monuments from attack. The group is supposedly trained in self-defence by members of the Israeli security services. This is, as far as I know, unique. I am not aware of any other ethnic group or religion being permitted their own private police force. Far from it. When the Islamofascists in London launched their Muslim Patrols harassing non-Muslims outside their mosques, they were rightly pounced upon by the authorities and arrested. But the CST is allowed to continue, stewarding Zionist and pro-Israel rallies despite reacting violently to counterdemonstrators. At several of these rallies, Muslim and Jews marching together in protest against Israel were forcibly separated and beaten. The victims included elderly Jewish women and rabbis.

The Zionist Jewish establishment were also able to exploit the general high regard and acceptance of Jews in British society by mobilising it to smear Jeremy Corbyn and his followers as anti-Semites. This is part of the general ultra-Zionist campaign to suppress criticism of Israel and its monstrous persecution of the Palestinians. Mass rallies and protests were arranged, and the lies and mendacious denunciations repeated in the national news and press.

Other ethnic groups have not nearly received such sympathy and support. For example, while the Labour party actively complied in the witch-hunt against suspected anti-Semites in the party, it has been extremely reluctant to investigate and punish those responsible for the racist bullying of Black and Asian MPs and activists. Probably because the racist bullies were the Blairite plotters and saboteurs, who collaborated with the anti-Semitism smear campaign as part of their own attempts to oust Corbyn. The affirmative action programme designed to assist Blacks and Asians achieve the same level of prosperity and acceptance as Whites are still extremely controversial. And rather than support allegations of racism by members of those ethnic groups, the reaction of the right-wing press has largely been to denounce them.

It therefore seems to me to be a good question whether Jews should be treated as an ethnic group, rather than simply a religion practised or not by some Brits, not so very different from various traditional Christian sects, which were also persecuted by which are now accepted as integral parts of British culture. I think that the determination by Jews like Cohen to retain their demarcation as an ethnic minority is doubtless partly motivated by a quite understandable fear of the return of the biological racism which led to the monstrous horrors of the Holocaust.

But I also wonder how much also comes from Zionist ideology. The IHRA definition of Zionism claims that it is anti-Semitic to deny Jews their national aspirations. Jews are a nation, and so it is supposedly anti-Semitic to deny them the right to their own state, Israel. But these national aspirations become highly questionable if Jews are not seen as a nation or ethnic group, but as a religion. Zionism becomes spiritual, not political. Jerusalem and Israel become the spiritual centres of the Jewish faith, just as Christians regard them as the spiritual centres of their religion. But this does not necessarily translate to a desire to return to the Promised Land. Some Jewish denominations removed the traditional Passover toast, ‘Next year in Jerusalem’. Many other Jews simply repeated it as part of the revered ritual celebrating their deliverance from Pharaoh’s persecution in Egypt without actually meaning it.

All this makes me wonder whether the Torygraph’s article isn’t really about whether British Jews really constitute a separate ethnic group or not, but whether it’s was just a way of exploiting the anti-Semitism witch hunt to attack the Beeb, a favourite Tory target, on the one hand, while subtly trying to reinforce support for Israel on the other.

Grove, Blackadder and Comedy and Satire in the Great War

The idea that we were brought up on, that Europe is the home of civilization in general – nonsense! It’s a periodical slaughter-pen, with all the vices this implies. I’d as lief live in the Chicago stockyards.

Walter Hines Page, American Ambassador to Great Britain, quoted in Peter Vansittart, Voices: 1870-1914 (New York: Franklin Watts 1985) 258.

The Knee

A knee is roaming, through the world,
No more; it’s just a knee.
It’s not a tent; it’s not a tree;
It is a knee; no more.

There was a man once in a war
Got killed and killed and killed.
Alone, unhurt, remained the knee
Like a saint’s relics, pure.

Since then, it roams the whole world, lonely;
It is a knee, now, only;
It’s not a tent; it’s not a tree;
Only a knee, no more.

Christian Morgenstern, op. cit, 218.

Last week I posted a piece on the article on Mike’s site, Vox Political, reporting that Ben Elton was writing a satire based on Michael Gove’s denunciation of the last series of Blackadder. Way back at the beginning of this year, Gove had attacked Blackadder Goes Forth for what he considered to be its unpatriotic portrayal of the soldiers, who fought in World War 1. He criticised the series’ left-wing bias, and declared that it insulted the memory of those who fought and died in the mud and horror of Flanders by portraying them as cowards. To support his view, he then cited a number of history books presenting the alternative view of the War, which had his approval. Gove’s opinions aren’t simply those of a Tory politician, impatient and intolerant with any view that dares to contradict their own. His views were also based on by a number of historical studies of the Great War, that have attempted to overturn the traditional view that it was a bloody, brutal debacle, in which millions of men were sent to their deaths by out-of-touch and incompetent generals. These historians have argued instead that officers and the men, who served under them, got on well and that accounts of the class friction between them have been exaggerated. They concede that there were severe mistakes made during the first part of the War, but that the conduct of the War improved greatly from 1917 onwards, so that phase of the War was actually well fought with a high standard of leadership. A friend of mine a few years ago attended a military history symposium to mark the War. One of the speakers there presented a paper arguing that General Haig was actually a good general, or at least, not as incompetent as previously believed. My friend remained unconvinced.

Gove Missing Point of Blackadder Comedy

Along with Mike and many other bloggers, I also put up a few pieces on this blog arguing that Gove was wrong. At one level, Gove simply missed the point. Blackadder Goes Forth was a comedy, not a work of serious drama or historical investigation. Comedies entertain by poking fun. Their subjects and targets are the vain, the stupid, the pompous, the greedy, and the inept. The character of Blackadder throughout his four series and incarnations is that of a picaresque anti-hero. He is cynical, devious, and callous and manipulative towards his friends, particularly Baldric, but saved because of his cynical comments on the folly, greed or savagery of his social superiors. The audience likes him, without actually approving of his corruption and lack of morals.

And whatever the reality of the War, it left many across Europe feeling betrayed by a political and economic system that given rise to such colossal, horrific carnage. This bitterness and horror was portrayed in verse by poets like Siegfried Sassoon and Wilfred Owen. It also inspired satirists and comic writers and artists across Europe to add their comments to the horror and absurdity of the situation.

Grimmelshausen’s Comedies of 17th Century German War

Writers have written comedies and comic novels about wars and their combatants since Hans Jakob Christoph von Grimmelshausen wrote his Simplicissimus Deutsch in the 17th century. This narrated the strange adventures of a group of naïve innocents, who managed somehow to blunder their way through the Thirty Years’ War. This was the continent-wide war between Roman Catholics and Protestants during which a fifth of the population of the German Empire died from starvation. Apart from being a classic in its own right, Grimmelshausen’s work has also been important in 20th century literature. It was on Grimmelshausen’s Description of the Life of the Archdeceiver and Vagrant Courasche that Bertolt Brecht based his play, Mother Courage. The cartoons and satires on the War could range from the gentle and mild, to the bitter and savage. Captain Bruce Bairnsfather (1888-1959) cartoon ‘It’s the Little Things that Worry’, with its caption from the Rime of the Ancient Mariner “It is an ancient campaigner and he stoppeth one of three’, below, shows a serviceman, ‘Old Bill’, trying to hunt down the fleas that pester them in the dugouts.

Black Comedy of Christian Morgenstern

Others were far more vicious. The German poet, Christian Morgenstern, was also inspired to write poetry by his experiences in the First World War. His poems are black comedies, which express his sense of how absurdly humorous the killing and death around him was. Morgenstern himself described how he and a friend were on patrol through no-man’s land when a shell exploded nearby. His friend was killed instantly, literally torn apart from the blast, and his head and entrails thrown into a nearby tree. Morgenstern said that far from being terrified, or repulsed by the grotesque sight, he actually found it funny. This is truly black humour, far darker than anything Elton showed in Blackadder.

The Wipers Times

Although Blackadder Goes Forth was fiction, written nearly seven decades after the events it describes, it does accurately reflect the type of humour and the views of the servicemen themselves, who did fight in the War. A few years ago Private Eye’s Ian Hislop presented a programme, with an accompanying book, on the Wipers Times. This was a newspaper written by and for the troops. Hislop commented on how savagely funny and dark the Times’s humour was, stating that it was exactly like Blackadder. I’ve got a feeling it was also viewed suspiciously by the authorities, like Ben Elton’s comic creation and his view of the War.

The Good Soldier Svejk

One of the greatest satirical works of the Great War was Jaroslav Hasek’s The Good Soldier Svejk. Hasek was a Czech, and the book satirises the absurdity and incompetence of the War and the multinational army of the Habsburg Empire, of which the Czech republic, then Bohemia, was a part. Hasek portrays the German-speaking generals in charge of the Austro-Hungarian forces as brutal and callous. Svejk’s own motives and character are also ambiguous. He’s incompetent, but staunchly loyal to the empire. It’s unclear whether Svejk is feigning stupidity in order to divert attention from his attempts to get out of the War, or whether he is actually that stupid. The Good Soldier Svejk has become a classic of Czech literature, and been translated into a number of languages, including English. It has been filmed several times, including in German, and a few decades ago Radio 4 broadcast a play based on the book.

Post-WW II Satires on War

Satirical treatment of wars and their brutal, terrifying absurdity, did not stop with the First World War, of course. Joseph Heller famously based Catch-22 on the Korean War. The Second World War and its horrors were the subject of a number of satires in its turn. Jonathan Miller, Peter Cook, Dudley Moore and Alan Bennett satirised the war films of the period in their show, Beyond the Fringe, which launched their careers as satirists and performers. The War also inspired and influenced the SF writers Kurt Vonnegut and Harry Harrison. Vonnegut’s Slaughterhouse 5 was partly based on his experiences as a POW during the bombing of Dresden. Vonnegut and the other captured American soldiers with him only managed to survive the bombing as they had been imprisoned in an abattoir called Slaughterhouse 5. If nothing else, it shows that the Fates have a very dark sense of humour. Harry Harrison has also served in the Second World War. He began his career as a writer through the education courses the American army laid on in order to prepare their squaddies for civilian life. His experiences of the army and war clearly influence his book, Bill the Galactic Hero. This tells the story of a recruit to the human forces waging a galaxy-wide war against a race of alien lizards. Far from being the murderous savages of propaganda, the aliens are actually highly cultured and civilised. It is the humans, who are the aggressors. His view of the absurdity of war is shown in incidents, such as one in which Bill has an arm blown off during a space battle. He receives a replacement, which to his horror is that of his Black best friend. Furthermore, it’s another left arm, like his remaining limb, as there’s a shortage of right arms. The book also contains Harrison’s comment on the violence and belligerence in human nature. When asked by an alien opponent why humans are always fighting war, Bill replies ‘I think we just enjoy it’. Bill is also given advice on surviving as a soldier by Cain, the first murderer, here presented as the first soldier.

George Grosz

Some of the most viciously satirical cartoons depicting post-War life were those of George Grosz in Germany. Grosz had enlisted in the infantry when war broke out, but became bitterly disillusioned with the conflict and its carnage. He was hospitalised, and managed to hang on to his sanity by pouring out his rage and hatred into his drawings. He was determined to hit back at the ruling order responsible for the horror, travelling to the USSR after the War. He returned to Germany even more cynical and disgusted in 1922. His cartoons, which appeared in the brief satirical magazines, Die Pleite and Der Blutige Ernst (The Bloody Earnest) depicted a corrupt and decadent society, in which rich profiteers enjoyed vast luxury on the backs of an underclass, eking out a living in slums and flophouses. The cartoon below, ‘Des Volkes Dank ist Euch gewiss’ (The People’s Gratitude is certainly yours’ shows the rich passing a beggar and a maimed ex-serviceman, forced onto the streets.

War Comics Spoof and Maggie’s Cuts to the Armed Forces

In the cuts that followed the Falklands and Gulf Wars, thousands of soldiers were laid off. Many of these ex-servicemen, particularly those traumatised by their experiences of conflict, ended up homeless and on the streets. Spitting Image satirised this callous discarding of courageous soldiers, who had risked their lives for their country in a spoof comic strip in their send-up of Margaret Thatcher’s autobiography, Thatcha: The Real Maggie Memoirs. Drawn in the style of the British war comics of the 1970s, like Battle, the strip told the story of a British soldier coming back from the Falklands. Made redundant from the army, the former squaddie takes out his rage and frustration by gunning a crowd of innocent people waiting on a bus stop.

How Long till Scenes from Grosz in Cameron’s Britain?

The Tories have introduced a series of cuts in military expenditure, laying off thousands of professional soldiers while attempting fill the ranks with recruits from the Territorials. Despite the high profile and work of charities caring for ex-servicemen, such as Help for Heroes and the Invictus games this summer, I wonder how long it will be before we see scenes like the above drawing by Grosz in Britain, as the vicious and decadent British upper class profit from the misery and horror caused by the war in Iraq.