Posts Tagged ‘Crimean War’

Black British Politico John Archer’s Address to African Progress Union

May 31, 2019

I think for most of us outside the Black anti-racist movements, this country’s Black history and its tradition of Black activism against racism, imperialism and exploitation is largely unknown. It’s overshadowed to a large extent by the inspirational American civil rights movements of the 1960s, and its heroes and heroines. Towering figures like Martin Luther King, Malcolm X and Rosa Parks. A few Black British anti-slavery activists from the 18th and 19th century, like Olaudah Equiano and Mary Prince, are known to a certain extent, as well as the Crimean War nurse and heroine Mary Seacole. But that’s it. And I think for most mainstream Brits, Blacks and other non-Whites only entered politics and got elected to public office in the 1980s with Diane Abbott, Bernie Grant, Paul Boateng and others.

But Black and Asian activism goes right back to the 19th century, and Britain has had elected BAME politicians since the early 20th century. The BBC 2 series, Victorian Sensations, mentioned two in the second episode of the series broadcast Wednesday night, 29th May 2019. Victorian Sensations is about the massive scientific, social and political changes that shook Victorian society in the 1890s. Last week’s was on scientific advances in electricity and Roentgen’s discovery of X-rays, which revolutionised medicine. The pioneers of X-ray examination, however, paid a terrible price for their research in skin cancer caused by their machines. One British pioneer ended up losing the fingers on one hand, and another arm was amputated completely.

This week’s edition was on ‘Degeneration’, and the late Victorians’ fears of racial, social and imperial decline. This covered the ideas of racial decline in H.G. Wells’ The Time Machine, Francis Galton and the birth of the eugenics movement, aimed at preserving and improving British biological stock; the controversy over the New Woman, liberated Victorian ladies, who dared to move out of the traditional female domestic role and pursue masculine hobbies like cycling; Hans Nordau’s book, Degeneration, Lombroso’s Criminal Man, and the fears about mental illness, which resulted in entirely blameless people banged up in lunatic asylums for the most trivial reasons, like a pathetic young man, who was incarcerated for masturbation. It also covered Oscar Wilde, the Aesthetic Movement and the Decadents, including Arthur Symonds, Havelock Ellis and the first sympathetic scientific research in homosexuality. But one of the most interesting pieces in the programme was right at the end, when presenter Paul McGann spoke to a modern Black activists about two Black British activists, who came to Britain from the West Indies, and founded pioneering Black anti-racist movements. One of them was Celeste Matthews, who became a Methodist minister, and founded a Black rights magazine attacking imperialism, Lux.

Another pioneering Black rights activist, who gained public office later in the second decade of 20th century was John Archer. He was elected Mayor of Battersea in 1913, becoming the first person of African descent to hold public office in London. In 1918 he became the first president of the African Progress Union, a post he would hold for three years. This was formed to promote ‘the general welfare of Africans and Afro peoples’ and spread knowledge of Black history. There’s an extract from the speech he gave at the Union’s first meeting in Colin Firth’s and Anthony Arnove’s great anthology of British radical writing and activism throughout history, The People Speak: Democracy Is Not A Spectator Sport (Edinburgh: Canongate 2013). This runs

The people in this country are sadly ignorant with reference to the darker races, and our object is to show to them that we have given up the idea of becoming hewers of wood and drawers of water, that we claim our rightful place within this Empire … That if we are good enough to be brought to fight the wars of the country we are good enough receive the benefits of the country … One of the objects of this association is to demand – not ask, demand; it will be ‘demand’ all the time that I am your president. I am not asking for anything, I am demanding. (p. 189).

Unfortunately we really don’t know about the great history of Black activism in this country. Victorian Sensations gave a small glimpse of this on Wednesday, and I’d like to know more. Not only is this worthwhile in itself, as a piece of British history that’s been unfairly neglected, but we also need it to combat that growing racism that’s spreading across Europe and which has resulted in Farage’s Brexit party getting 36.7 per cent of the vote in the Euro elections last week.

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‘In the Shadow of Mary Seacole’: Review

October 20, 2016

Tuesday evening, at 10.40 ITV broadcast a documentary, ‘In the Shadow of Mary Seacole’, in which the actor David Harewood went on a journey from Britain to Jamaica and the Crimea tracing the life of Mary Seacole. Seacole was one of the Victorian heroines that have been forgotten with the march of time. In her forties, she went to Crimea to open a hotel to serve the troops, as well as going on to the battlefield to try to heal them with traditional Jamaican herbal remedies. She was at one time as popular as Florence Nightingale, and her memory has been preserved by Black historians and activists. Amongst those Harewood spoke to about her, were a group of mainly Black, but with one or two White ladies, who had formed a society to commemorate her. These ladies had succeeded in their campaign for a monument to be erected to her. As Harewood traced Seacole’s physical journey around the globe, so he also followed the story of the her statue from the initial design as a maquette, or scale model, to the completion of the final, 3 metre tall statue and its installation outside one of London’s hospitals.

Apart from Harewood himself and the ladies of his commemoration society, the other speakers in the programme included Diane Abbott, the Shadow Foreign Secretary, the comedian Jo Brand, a Black actress, a White woman, who had written a biography of Seacole, and a biographer of Florence Nightingale. The latter was very critical of Mary Seacole. He felt that, in contrast to Nightingale, Seacole’s achievements in nursing had been blown out of proportion. He declared that there was no evidence she had saved thousands of lives. He felt she was only being commemorated due to ‘political correctness’ – the need to find a Black counterpart to Nightingale. He stated he had no objection to a statue being put up to her, but did object to where it was to be sited: outside the very hospital associated with Nightingale. Harewood correctly commented that she continued to divide opinions today.

He began the programme at the side of the lakes in Birmingham, where he and his brother used to play as children. He said that at the time he was growing up in the 70s, there were no major figures of his skin colour, and no women. Mary Seacole had been a particular heroine of his. Seacole had been born in Jamaica in 1805, the illegitimate daughter of a free Black woman and a Scots soldier. Her mother ran a boarding house, and it was from her mother that she also learnt her knowledge of Jamaican herbal medicine. She later on married a White Englishman, Horatio Hamilton, who claimed to be the illegitimate son of Horatio Nelson and Lady Hamilton. The marriage unfortunately only lasted nine years. Hamilton was sickly, and Seacole nursed him through his final years before his death. With the outbreak of the Crimean War, Seacole used her own money to journey to Crimea to construct a hotel. There she was known for serving good food, as well as dispensing ‘liquors’ to the troops. Her hotel was particularly patronised by the officer class.

Harewood explained that the purpose of the War had been to quell fears that the Russians were going to expand southward. The Crimea, then as now, was home to the Russian fleet. And so the British invaded and besieged the town of Sebastopol. After several years of fighting, the British managed to break the Russians, who retreated, sinking their own ships as they did so. The sequences showing the Crimean War were illustrated by clips from a Russian movie made in 1912.

Mary’s fortunes were not so successful, however. She came back to Britain in debt. A banquet was held in her honour, in order to raise money for her, supported by several of the soldiers. Although the banquet was a success, it did not raise any money for her, and she died penniless, eventually to be all but forgotten. She had, however, left an autobiography, a modern edition of which Harewood was shown reading.

The sculptor showed Harewood the model he had made. This would show Seacole as the strong, purposeful woman she was, striding forward with her clothes swirling around her. Behind would be a metal disc, which would bear the imprint of the ground from Crimea. It was designed to be lit up from below at night. To illustrate this, the sculptor showed Harewood the intended effect using the light from his mobile phone. His intention was not only to show Seacole herself, but that the shadows of the people admiring the statue would also be cast onto the disc behind her, so that for a brief moment they too would share her space.

The sculptor stated that there were a lot of photographs showing Seacole’s face from the front, but he wanted to know what she looked like from all sides. Thus he asked Harewood to go to the archives in Jamaica to see what material they had on her. The British archivist there produced a bust of the heroine, in reddish-brown clay, that was made by one of the army surgeons. It was, he said, one of the rarest of its type in the archives and easily the most valuable. Harewood duly photographed the bust from all angles.

Also in Jamaica, Harewood spoke to a former pharmacist, a doctor, who had given up her career in orthodox medicine for one in complementary healing. She explained that Seacole didn’t have any formal medical training, but would have been a ‘doctress’. This meant that she had a knowledge of herbal lore, which she used to treat and heal. It was this knowledge that she used to treat the wounded squaddies on the frozen battlefields of the Crimea.

This led to Harewood and the sculptor, back home in England, discussing Seacole’s features. There’s a debate and a little controversy over how ‘Black’ Seacole was. She was clearly a woman of African heritage, but the sculptor also felt that there would have been some elements in her appearance from her White heritage. Her features, he believed, would have been a little narrower from other Black Jamaicans as a result. He then sent Harewood on to the next stage of his journey of discovery, to the Crimea to find suitable ground from which to take the impressions for the statue’s metal disc.

At the Crimea, he met a local historian, a mature lady, who guided him to some of the battle sites. He looked over the ‘Valley of Death’ through which the Light Brigade charged to spike the Russian guns, celebrated in Tennyson’s poem, and illustrated in a painting from the period. Poring over maps, he traced the site of Seacole’s hotel, and was delighted to discover that there were still relics of her stay littering the ground. These included some of the wine and alcohol bottles she had stocked. Looking at the shards of glass, Harewood and the historian discussed how the British used to shoot the tops off the bottles. Harewood was accompanied on his journey by the technician, who was going to take the impression of the ground. While Harewood and the historian discussed Seacole’s hotel and its remains, he went off to find a suitable rock formation. This was scanned using a laser, which the technician held up to shoot its rays at the rock face, slowly building up a three dimensional computer model of its surface.

The Black actress commented on what a strong, modern woman Seacole would have been. She had travelled on her own across the world without a husband, something which was extremely rare at the time, and which few women did today.

Back in England, Harewood returned to see the immense metal armature the sculptor had constructed, which would serve as the three-dimensional framework for the clay from which the statue would be made. The sculptor trowelled a few pieces of clay into place before inviting Harewood to join in. Harewood did so, but not unsurprisingly found stirring and getting the great gobs of clay from the bucket onto his trowel, and then on to the frame hard work. It struck me that this part of the statue’s construction was not so much like the image of sculpture everyone has, with delicate fingers moulding pliant clay, so much as like a navvy laying down mortar on a brick wall.

Harewood then said that there were a few more things that needed to be done to the statue, with footage of it being covered with various other substances, one of which looked like rubber, before it was due to be taken to be cast into bronze. The programme showed the statue being driven to the foundry on the back of an open truck, securely fastened with tarpaulin and ropes. Once there, the programme showed the molten bronze being poured from a crucible into the mould formed from the clay statue. This was the moment of truth, and the sculptor described it as a form of alchemy.

The statue was being cast in pieces, and the sculptor took Harewood to see some of the pieces that had already been cast, which included her head. At this stage of the process, the bronze was a bright, coppery colour. The pieces would be assembled and welded together. The welding marks would then be removed, before the statue was finally put in place. There was a little footage of this being done. When completed, the statue was a much darker colour.

The programme showed the ceremony for the statue’s installation. Amongst those speaking were Diane Abbott, and the sculptor himself. He said in his speech that there were plenty of statues of White men, mostly monarchs and generals, but only 15 per cent of the statues in Britain were of women, and very few Black people. It had therefore been his privilege to try to redress this. Back in the studio, Jo Brand paid tribute to Seacole, saying that she was a woman of immense compassion. Her biographer answered the criticisms of Nightingale’s biographer by saying that the comments about her going to run a hotel there were meant to disparage her accomplishment by pointing out that there was also a commercial motive. But this did not detract from her achievements. She also answered the criticism that Seacole didn’t have formal medical training by pointing out that nursing as a distinct, respected profession didn’t exist at the time, and was only created by Nightingale after the War. Harewood himself also commented, stating that there were few, if any, statues of people of his colour. But it was important to have them, to show that people of colour had been a part of this country’s history for a very long time.

It was an interesting glimpse into the life of a determined woman, who was rightly celebrated in her day. I don’t think you could quite make her Nightingale’s equal – Nightingale herself was an expert mathematician, who added much to statistics, and whose achievements included the invention of the pie chart. And Nightingale is the genius behind the creation of modern nursing. Nevertheless, she played her bit providing comfort to the wounded in during the horrors of the Crimean War. Brand at one point said she must have been an immense comfort to some poor, teenage soldier dying far away from his mother. And the troops also doubtless appreciated the alcohol she brought on to the battlefield. So, while may be not as great a figure as Nightingale, she certainly deserved her statue.

One other thing also struck me about Seacole and her unofficial status as ‘doctress’. While this may strike people today, used to modern, professional scientific medicine, as something close to magic, it would have been immediately familiar to the ordinary troopers from working class or rural poor backgrounds. Before it was applied to African spiritual healers and practitioners, the term ‘witchdoctor’ originally meant the white witches and wizards of rural Britain, to whom the poor turned to heal their illnesses. Professional doctors before the establishment of the NHS and the welfare state were rare in rural areas, and expensive. Unofficial healers with a knowledge of herbalism were therefore the only people available to the poor, whether they were White British or Black Jamaicans. Professional doctors also had a reputation as rapacious quacks, whose treatments were more likely to kill you as cure you. The rank and file squaddies in the British army were thus probably more prepared to trust her as the type of healer they had grown up with at home, than the properly trained medical men. And clearly, the army surgeon, who had sculpted the bust respected her courage and professionalism, otherwise he would not have tried to preserve her image in clay.

And Harewood is right: Black people have been in Britain since the Romans. It is thus only right that Seacole should have a statue in her honour.

ITV Programme on Black Victorian Heroine Mary Seacole

October 18, 2016

mary-seacole-pic

ITV tonight are broadcasting a documentary about Mary Seacole, one of the Victorian heroines you don’t hear about. The blurb in the Radio Times for the documentary runs

In the Shadow of Mary Seacole

The contribution of Mary Seacole, a Jamaican nurse of Scottish and African descent, to caring for wounded British soldiers during the Crimean War has been increasingly acknowledged over recent years. Actor David Harewood embarks on a highly personal journey of discovery as he follows the creation of a statue of the woman who has always been a heroine to him.

The programme’s on at 10.40 today, 18th October 2016.

Seacole was as big a heroine in her time as the nurse everyone’s heard of, Florence Nightingale. There were mass petitions and crowds gathered to see her honoured, and it’s a very sore point with many Black activists that she has been so comprehensively forgotten. They see it as being due to racism, while I think that part of it may also be due to Nightingale having been the better self-publicist.

Regardless of this issue, she is one of Black Britain’s greatest heroines, and indeed one of this country’s greatest irrespective of colour, and it’s only right that her story should also be brought back to public memory and respect.

Iain Duncan Smith – Gentleman Ranker?

May 16, 2015

I think I may have discovered a phrase, which neatly sums up IDS’ career in the forces.

Looking through Partridge’s Dictionary of Historical Slang last night, I found the phrase ‘Gentleman Ranker’. This meant ‘A broken gentleman serving in the ranks’.

Until quite late in the 19th century, officers bought their commissions. This policy was abandoned after the mass incompetence of the British officers during the Crimean War, and competitive exams were brought in, so that aptitude, rather than just material wealth, gained you promotion and a position of leadership in the British army. This was duly sent up by Gilbert and Sullivan in their song, ‘I am the Model of a Modern Major General’.

It also seems to describe the military career of the current mass-murderer now head of the DWP, Iain Duncan Smith. Despite his claims to have been an officer in the British army, there are rumours that he never passed as the course, and was instead Returned To Unit, hence his nickname on this and other blogs as ‘RTU’.

Smith clearly fancies himself as an aristocratic gentleman, complete with a farm in Scotland. Unfortunately, he hasn’t lost all his money, and so had to face poverty and actually having to go out and work for his living like the rest of us. But if he was Returned To Unit, to serve as a soldier in the ranks, then clearly he was a ‘gentleman ranker’.

It more or less accurately describes him. Plus there are the overtones of the Cockney rhyming slang term, ‘J. Arthur Rank’, which also fit him and his squalid personality and policies.

Radical Voices from History to Today

December 18, 2013

People Speak

The People Speak: Democracy Is Not A Spectator Sport (Colin Firth and Anthony Arnove with David Horspool (Edinburgh: Canongate 2012) is a collection of radical and anti-authoritarian texts from British history from 1066 to the present, collected and edited by the actor, Colin Firth, and Anthony Arnove. It was partly inspired by Howard Zinn’s A People’s History of the United States. Arnove had worked with Zinn translating the book into a series of stage readings of American radical and democratic texts, which toured the US. Realising that Firth was one of the book’s fans, Arnove approached him to do a British version. Firth, Arnove, and a number of their friends and other performers they admired did indeed stage a reading of some of the texts collected in The People Speak in 2010. This was filmed and broadcast by the History Channel. The two authors state that they hope a DVD of this reading will eventually be released to accompany the film of the same name made the year previously (2010) by Zinn and Arnove, with Matt Damon, Josh Brolin, and Chris Moore. Firth and Arnove rejected any claim that this was the ‘actorly activism’ attacked by critics such as Marina Hyde. Rather, they were simply doing what actors are paid to do – to act, and interpret other’s voices.

Firth states that the book is not an attack on history teachers or the history curriculum, noting that his own father is a history teacher. It comes from his feeling, dating from when he was studying history at school, that the kind of history we are taught is incomplete. It concentrates on kings and queens and politicians to the exclusion of everyone else, who are presented as a faceless, homogenous mass. This is his and Arnove’s attempt to put back into history the voice of the excluded, the Socialists, Anarchists, agitators, Chartists, suffragists, Lollards, Levellers, in short, the trouble-makers, like Zinn himself. Firth makes the point that democracy works from the bottom up, and that it’s protagonists are real trouble-makers. He also makes the point that the rights we now take for granted and accept as civilised and decent were at one point considered treason. The people, who fought for and won them were those without political power, and were hanged, transported, tortured and imprisoned, until their ideas were eventually adopted and adapted. Their continued existence is, however, precarious, and we need to defend them. ‘These freedoms are now in our care. And unless we act on them and continue to fight for them, they will be lost more easily that they were won.’

Firth and Arnove freely acknowledge that in covering two millennia, they have let much important material out. They hope, however, that their readers will feel rightly indignant about that, and be compelled to point it out, or, even better, write another the book, which will be the first of many. Firth hopes most of all it will inspire their readers to speak out, and make their voice heard on the issues they feel is important, ‘As Howard reminds us, democracy is not a spectator sport, and history is not something on a library shelf, but something in which each of us has a potentially critical role’.

Chronologically, the book has divided into five chapters, ‘1066-1450: Commoners and Kings’, ‘1642-1789: Representing the People’, ‘1790-1860: One Man, One Vote’, 1890-1945: Equal Rights’, and ‘1945-2012: Battling the State’ collecting some of the radical texts from these periods. Between these are other chapters covering particular political, constitutional, religious, national and economic issues and struggles. These include:

‘Disunited Kingdoms: ‘Our English Enemies’,
‘Freedom of Worship: ‘Touching our Faith’,
‘Land and Liberty: ‘The Earth is a Common Treasury’,
‘Empire and Race: All Slaves Want to Be Free’,,
‘Money and Class: ‘The Rank is But the Guinea’s Stamp’,
‘Workers United: Labour’s “No” into Action’,
‘War and Peace: ‘What People Have Your Battles Slain?’,
‘Gender and Sexual Equality: ‘A Human Being, Regardless of the Distinction of Sex’.

The chapter on the 400 or so years from 1066 to 1450 contains the following texts:

Ordericus Vitalis on the Norman Conquest of 1066,
The Liber Eliensis on Hereward the Wake,
Extracts from the Magna Carta,
Extracts from the Song of Lewes; written by a Franciscan monk in 1264, this sets out some early examples of the doctrine of resistance and popular rights.
It also contains a section devoted to the voice of the Peasant’s Revolt, including
Wat Tyler’s address to Richard II,
John Ball, ‘Until Everything Shall Be in Common’ (1381),
and William Grindcobbe, ‘I shall die in the Cause of Gaining our Liberty’.

The chapter on ‘Disunited Kingdoms – Our English Enemies’, includes the following pieces:
The declaration of Scottish independence at Arbroath, 6th April 1320,
Owain Glyn Dwr’s letter to another Welsh noble, Henry Don,
The Complaynt of Scotland of 1549,
Jonathan Swift’s bitterly satirical ‘A Modest Proposal’ of 1729,
The Speech from the Dock of the Irish Nationalist leader, Theobald Wolfe Tone,
The Speech from the Dock of Tone’s successor in the United Irishmen, Robert Emmet,
Rev. John Blackwell’s Eisteddfod Address in Beaumaris in 1832, stressing the importance of literature in Welsh,
Letters from the Rebecca Riots’,
The Letter from Nicholas M. Cummins to the Times attacking the English for refusing to supply the Irish with food during the Potato Famine,
The Speech from the Dock of the Irish American Fenian Leader, Captain John McClure, of 1867,
Padraig Pearse’s Eulogy for the Fenian Leader Jeremiah O’Donovan Rossa of 1915,
An extract from the Scots writer Lewis Grassic Gibbon’s Sunset Song of 1932,
Bernadette Devlin’s Speech in Draperstown when she stood as the candidate for the Nationalist Independent Unity Party in Northern Ireland,
Silvester Gordon Boswell’s Address to Travellers on Appleby Hill of 1967, and Boswell’s The Book of Boswell: Autobiography of a Gypsy of 1970,
The Dubliners’ Luke Kelly’s lyric, ‘For What died the Sons of Roisin?’ of 1970,
Pauline M.’s description of the events of Bloody Sunday,
An editorial on the Tax-Dodgers on the Isle of Man by the Manx Marxist group, Fo Halloo,
Bobby Sands’ prison diary for 1-2 March 1981,
and an extract from Gwyn Alf Williams’ history of the Welsh, ‘The Dragon Has Two Tongues’ from 1985.

The section on Freedom of Worship, begins with a section on the Pilgrimage of Grace, which includes
The examination of Nicholas Leche of 1536,
The Pontefract Articles of 2-4 December 1536,
The Examination of Robert Aske, 1537,
John Foxe, ‘The Mart6yrdom and Suffering of Cicelie Ormes, Burnt at Norwich the Testimonie and Witnes of Christes Gospell’ of 1557,
Matthew Hamont’s Trial for Heresy,
John Mush, the Life of Margaret Clitherow, 1586,
Daniel Defoe’s satirical ‘The Shortest Way with Dissenters:, Or, Proposals for the Establishment of the Church of 1702,
Ignatius Samcho’s Letter on the Gordon Riots of 1780,
William Blake’s ‘America’ of 1793, his Preface to Milton of (1804) and Preface to Book Two of ‘Jerusalem’ of the same year.
Grace Aguilar’s History of the Jews in England of 1847,
George Jacob Holyoake, Exchange with his Caplain on Atheism (1850),
An anonymous account of the Basingstoke Riots against the Salvation Army of 1881,
and Victoria Brittain’s ‘The Meaning of Waiting’, using the words of eight Muslim women married to prisoners in Guantanamo Bay.

The section on the period 1642-1749 contains
Elizabeth Lilburne’s Appeal against the arrest of her husband, the leveller leader John Lilburne,
Richard Overton’s An Arrow Against All Tyrants of 1646,
The Putney Debates of 1647,
John Lilburne’s Appeal to Cromwellian Soldiers of 1649,
The last speech of Richard Rumbold at the Market Cross in Edinburgh,
Reports of torture in prison from 1721,
The frontispiece to the anonymous pamphlet ‘Idol Worship, Or, the Way to Preferment, showing that the way to political power to was kiss your superiors’ rear ends,
Thomas Paine’s Common Sense, 1776,
The American Declaration of Independence,
Paine’s Rights of Man, 1791,
Samuel Taylor Coleridge’s ‘Destruction of the Bastille’,
An Advertisement for Commemoration of the French Revolution by Dissenters in Birmingham in 1791,
and An Anonymous Birmingham handbill to Commemorate the French Revolution, 1791.

The section ‘Land and Liberty’ contains
Robert Kett, ‘Kett’s Demands Being in Rebellion’, 1549, against the Enclosures in Kent,
Gerard Winstanley, ‘A Declaration from the Poor Oppressed People of England’, 1649,
The 1650 Declaration of the Wellingborough Diggers,
The ballad ‘Bonny Portmore’ of 1690, lamenting the destruction of the forest around Lough Beg,
Thomas Spence’s ‘Spence’s Plan for Parochial Partnerships in the Land of 1816), an early Utopian Socialist precursor,
John Clare, ‘The mores’, c. 1821-4,
W.G. Ward’s ‘The Battle, the Struggle and the Victory’ of 1873, on a battle between the National Agricultural Labourers’ Union and the employers and landowners, who refused to employ their members,
Richard Barlow-Kennett’s ‘Address to the Working Classes’ on Vivisection of 1883,
Henry S. Salts’ Animal Rights Considered in Relation to Social Progress (1892),
Ernest a Baker, The Forbidden Land of 1924 on the landowners’ denial of the right of access to land around the Peak District and the Yorkshire moors due to grouse shooting,
Benny Rothman on the Kinder Trespass in 1932 by ramblers,
and Voices from the Kingsnorth 6 Greenpeace protesters of 2007.

The section on Empire and Race has the above extracts,
William Cecil’s Speech in Parliament of 1588, against a bill against Strangers and Aliens Selling Wares by Retail, 1588,
William Shakespeare’s Sir Thomas More, Act II, Scene 4, c. 1593,
Anna Barbauld, Sins of Government, Sins of of the Nation; Or, A Discourse for the Fast, of 1793, against imperialism and war with revolutionary France,
Robert Wedderbu5rn’s The Axe Laid to the Root or A Fatal Blow to Oppressors, Being an Address to the Planters and Negroes of the Island of Jamaica, 1817,
Mary Prince, The History of Mary Prince, A West Indian Slave, 1831,
Louis Asa-Asa, ‘How Cruelly We Are Used’, 1831,
Joseph Sturge, Speech at the Baptist Missionary Society of Birmingham, 1836,
An Anonymous Member of the Walthamstow Free Produce or Anti-Slavery Association, Conscience Versus Cotton: Or, the Preference of Free Labour Produce, 1851,
Ernest Jones’, ‘The Indian Struggle’, 1857, supporting Indian independence during the Mutiny,
Richard Cobden’s Letter to John Bright on Indian independence, 1857,
Celestine Edwards, a Black Methodist preacher from Dominica, The British Empire, attacking imperialism,
‘A Voice from the Aliens about the Anti-Alien Resolution of the Cardiff Trades Union Congress of 1893, by Jewish worker protesting at a motion by William Inskip and Charles Freak to ban immigrant workers from joining trades unions,
Henry Woodd Nevinson, ‘The Slave Trade of Today’, 1906, against the cultivation of cocoa by Angolan slaves,
The Indian nationalist Ghadar Movement’s ‘An Open letter to the People of India’, 1913,
The satirical, ‘In Praise of the Empire’ by the Irish nationalist and founder of the Independent Labour Party of Ireland, James Connolly,
B.R. Ambedkar’s ‘India on the Eve of the Crown Government’, 1915,
John Archer’s Presidential Address to the Inaugural Meeting of the African Progress Union, 1918,
Manifesto of Bhagwati Charan Vohra, a Punjabi revolutionary Indian nationalist, 1928,
Gandhi’s Quit India Speech of 1942,
C.L.R. James’ Beyond a Boundary, on cricket and his experiences growing up in Trinidad, 1963,
Peter Hain, Defence in Trial from Picketing Apartheid South African Cricket and Rugby, 1972,
Linton Kwesi Johnson, ‘Inglan Is a Bitch’, 1980,
Sinead O’Connor, ‘Black Boys on Mopeds’, 1990,
The account of his own incarceration by an anonymous Tanzanian Asylum Seeker, 2000,
Benjuamin Zephaniah, ‘What Stephen Lawrence has Taught Us’, 2001,
Roger Huddle and Lee Billingham’s Reflections on Rock against Racism and Love Music Hate Racism, 2004,
The People’s Navy Protest on the eviction of the indigenous islanders from the islands, 2008,
and Mark Steel’s ‘The Poles Might be Leaving but the Prejudice Remains’, 2009.

The section on the period 1790-1860 has the following extracts and pieces
An Account of the Seizure of Citizen Thomas Hardy, Secretary to the London Corresponding Society, 1794,
‘Rules and Resolutions of the Political Protestants’, 1818. Political Protestants was the name adopted by a number of northern working class radical organisations demanding universal suffrage.
There is a subsection devoted to the Peterloo Massacre of 1819, in which the local militia and then a detachment of Hussars attacked and broke up a peaceful meeting in Manchester of protesters campaigning for an extension of the franchise. This section has
The Letter from Mr W.R. Hay to Lord Sidmouth regarding Peterloo, 1819,
extracts from Shelley’s The Masque of Anarchy
and William Hone’s The Political House that Jack Built.

The chapter also has following pieces
William Davidson, Speech to the Court in the Cato Street Conspiracy Trial, 1820,
and Mr Crawshay Recounts the Merthyr Uprising, 1831.
This is followed by a section on Chartism, including
Henry Vincent, Chartists in Wales, 1839,
Edward Hamer, ‘The Chartist Outbreak in Llanidloes, 1839,
and Chartist Protests in Newcastle, 1839.
Charles Dickens,’The Fine Old English Gentleman: New Version’, 1841, bitterly attack Tory feudalism and massacres of radicals,
and the Bilston, South Staffordshire Chartist Rally.

The section on money and class has a piece on the rebellion of William Fitz-Osbert against the way the Anglo-Normans barons shifted their tax burden onto the poor,
George Manley’s speech from the gallows at Wicklow, where he was hanged for murder, against the murder and plunder of the rich and general such as Marlborough,
Thomas Gray’s Elegy Written in Country Churchyard,
Robert Burns’ A Man’s A Man for A’ That,
and John Grimswaw’s ‘The Handloom Weaver’s Lament’.
This is followed by a section on Luddism, which contains
John Sykes’ account of machine-breaking at Linthwaite, Yorkshire, 1812,
An Anonymous ‘Address to Cotton Weavers and Others’, 1812,
The poem ‘Hunting a Loaf’,
The poet Byron’s speech on the Frame-Work Bill in the House of Lords, and his ‘Ode to the Framers of the Frame Bill’,
The ballad, ‘The Tradesman’s Complaint’,
An extract from Carlisle’s Past and Present in which he questioned the benefits of unrestrained economic growth,
Frederick Engels, The Condition of the Working Class in England,
An extract from Marx and Engels’ The Communist Manifesto,
Henry Mayhew’s ‘Labour and the Poor’,
‘The Last Sark’ by the radical working class poet, Ellen Johnston,
Thomas Hardy’s ‘To An Unborn Pauper Child’,
The Invasion of the Ritz Hotel in 1938, by Jack Dash, a Member of the National Unemployed Workers’ Union,
George Orwell’s ‘England, Your England’,
John Lennon’s ‘Working Class Hero’,
Jimmy Reid’s Inaugural Speech as Rector of Glasgow University in 1972,
and Dick Gaughan’s ‘Call It Freedom’.

The section ‘Workers United’ contains the following

An Address to the Inhabitants of Great Britain and Ireland by the Glasgow Weavers, 1820,
Richard Oastler’s Letter to the Leeds Mercury on Slavery, denouncing the harsh conditions endured by children working in the factories and mines,
George Loveless, the Tolpuddle Martyr,
Patience Kerr’s Testimony before the Children’s Employment Commission, 1842,
Thomas Kerr’s ‘Aw’s Glad the Strike’s Duin’, 1880,
William Morris’ The Depression of Trade and Socialism: Ends and Means, 1886,
Annie Besant on White Slavery in London,
Samuel Webber’s Memories of the Matchgirl’s Strike,
Ben Tillett on the Dock Strike, 1911,
The Speech, ‘I am here as the Accuser’ by John Maclean, a Revolutionary Glaswegian Socialist tried for sedition for trying to dissuade soldiers from fighting in the First World War,
An account of the General Strike of 1926 by an Ashton Sheet Metal Worker,
Hamish Henderson’s ‘The John Maclean March’,
Frank Higgins’ ‘The Testimony of Patience Kershaw’,
An account of the Miners’ Strike by Bobby Girvan and Christine Mahoney,
And Mark Serwotka’s ‘Imagine Not Only Marching Together, but Striking Together’, of 2011 against the Coalition.

The section on Equal Rights has an extract from Oscar Wilde’s The Soul of Man under Socialism,
Emmeline Pankhursts’ Kill Me or Give Me My Freedom,
George Orwell’s ‘A Hanging’,
and a section for the voices of those involved in the Battle of Cable Street against Mosely’s Blackshirts.
This section includes the testimony of William J. Fishman, a Stepney Labour activist, the then secretary of the Communist Party, Phil Piratin, Joe Jacobs, another member of the Communist Party, also from Stepney, Julie Gershon, a Stepney resident, Mr Ginsburg, from Cable Street, and Mrs Beresford, of Lascombe’s fish and chip shop.
These are followed by an extract from Aneurin Bevan’s ‘In Place of Fear’.

The section and war and piece begins with Thomas Hoccleve’s An Appeal for Peace with France of 1412,
a Handbill from the Weavers of Royton, 1808,
John Bright’s Speech against the Crimean War,
Bertrand Russell’s Letter to the Nation, 1914,
Siegfried Sassoon’s Declaration against War, 1917,
Wilfred Owen’s ‘Disabled’,
The section answering the question, ‘How Should War be Prevented?’ from Virginia Woolf’s Three Guineas,
James Maxton’s Speech Against War,
Charlie Chaplin’s Final Speech from The Great Dictator,
Phil Piratin on the Invasion of the Savoy Hotel, 1940,
Denis Knight, The Aldermaston Anti-Nuclear March, 1958,
Hamish Henderson’s ‘Freedom Come-All-Ye’, dedicated to Scots anti-Nuclear marchers,
and Adrian Mitchell’s ‘To Whom It May Concern (Tell Me Lies about Vietnam)’, 1964.

There is also a section of voices from the women involved in the Greenham Common Peace Protest, containing testimony and memories from Kim Besly, Sarah Hipperson,Ann Pettitt, and Thalia Campbell.
This is followed by Mary Compton’s speech at the Stop the War Coalition, and Robin Cook’s resignation speech to parliament against the invasion of Iraq.

The section and gender and sexual equality begins with an anonymous sixteenth century Song on the Labour of Women,
The Petition of Divers Well-Affected Women, 1649, against the imprisonment of four of the Levellers,
An anonymous article from the Saint James Chronicle from 1790, recording the ‘Extraordinary Female Affection’ between the ‘Ladies of Llangollen, Lady Eleanor Butler and Sarah Ponsonby,
Mary Wollstonecraft’s A Vindication of the Rights of Woman, 1792,
Anna Wheeler and William Thompson’s ‘Address to Women’, an extract from their pamphlet, Appeal of One Half of the Human Race, Women, against the Pretensions of the Other Half, Men, to Retain them in Political, and thence in Civil and Domestic Slavery, 1825,
A letter by an anonymous prostitute from the Times, 1858,
Josephine Butler’s An Appeal to the People of England, on the Recognition and Superintendence of Prostitution by Governments,
Edmund Kell, ‘Effects of the Acts Upon the ‘Subjected’ Women, against the humiliation endured by women through the examinations under the Contagious Diseases Act,
Oscar Wilde’s Second Trial for ‘Gross Indecency’,
Helen Gordon Liddle’s The Prisoner, an account of the force-feeding of the Suffragettes under the ‘Cat and Mouse’ Act,
Two passages from Virginia Woolf’s A Room of One’s Own,
Against the Law, by Peter Wildeblood, a journalist and TV producer arrested for conspiracy to incite acts of gross indecency,
The memories of Vicky and Janice of Lesbian Life in Brighton in the 1950s and ’60s,
Selma James and the Women’s Liberation Workshop, ‘Women against the Industrial Relations Act’, 1971,
Tom Robinson’s ‘Glad to be Gay’,
Quentin Crisp’s How to Become a Virgin,
and Ian McKellen’s Keynote Speech at the 2008 Stonewall Equality Dinner.

The section, ‘Battling the State’, has pieces and extracts from
Tariq Ali’s ‘The Street is Our Medium’, from Black Dwarf, the newspaper of the Vietnam Solidarity Campaign, with a copy of Mick Jagger’s handwritten lyrics to Street Fighting Man.
Paul Foot’s Speech on the Murder of Blair Peach, 1979,
The Clash, ‘Know Your Rights’, 1982,
Elvis Costello, ‘Shipbuilding’, against the Falkland’s War,
Pensioner Nellie discussing the Poll Tax revolt,
Jeremy Hardy, ‘How to Be Truly Free’, 1993,
‘Catching Buses’ by the Bristolian disabled rights activist, Liz Crow,
Harold Pinter’s ‘Art, Truth and Politics’, 2005,
Mark Thomas’ ‘Put People First G20 Protest of 2009,
Euan Booth’s ‘Subversively Move Tony Blair’s Memoirs to the Crime Section in Bookshops’,
The Speech on Student Protests by the fifteen-year old schoolboy, Barnaby Raine, to the Coalition of Resistance Conference.
The book ends with Zadie Smith’s piece attacking library closures in 2011.

As well as notes and a normal index, the book also has a chronological index, placing the pieces in order according to the dates they were written.

The book is indeed encyclopaedic and comprehensive in the range of its selected texts through two millennia of history. Firth is quite right when he says that much has been necessarily left out. Whole can and have been written about some of the subjects he has touched on, such as popular protest in history, the Enclosures, Chartism, the development of British Socialism, Irish, Scots and Welsh history and nationalism, Socialism in Britain, opposition to the workhouse, to name but a few. There are a number of works on gay, gender and women’s history. E.P. Thompson himself wrote a history of the English working class, which remains one of the standard texts on the subject. Labour history-writing goes further back than Thompson, however. The Fabians, Sidney and Beatrice Webb wrote two books on the country and town labourers respectively. A number of the first Labour MPs to be voted into parliament have also left their autobiographies, describing their rise from manual labourer to Member of Parliament.

The book does an important service by showing just how old some of the issues and techniques raised and used by today’s protesters actually are. Hoccleve’s appeal for peace with France shows that peace protests go right back to the Middle Ages. Indeed, in the Tenth Century the Church led a peace movement to establish God’s Truce. This was the ban on fighting by the knights and the aristocracy on certain days of the week, so that the peasants, their crops and livestock were harmed as little as possible. And some of the 19th century popular protests are surprisingly modern in flavour. I was struck in the 1980s by how similar Cobden and Bright’s peace meetings demanding an end to the Crimean War were to contemporary anti-Nuclear peace marches and protests. An earlier generation would doubtless be struck by the similarity to the anti-Vietnam protests. The various articles, pamphlets, books and letters written attacking British imperialism are a reminder that, even during the intensely patriotic Victorian age imperialism and colonial expansion were the subjects of criticism. One of Gladstone’s ministers was privately strongly anti-imperial, and wrote articles for the Liberal press denouncing imperialism. ‘A love of empire’, he wrote, ‘is the love of war’. It’s as true now as it was then.

The Anti-Saccherist League is another example of a startlingly modern Victorian protest. It was an early example of ethical consumption. It aimed to attack slavery by destroying the profits from sugar produced by slaves. Instead of buying sugar from the Caribbean, it instead promoted Indian sugar, which it believed was produced by free people. The book doesn’t mention it, but there were also feminist campaigns to end slavery. One of the petitions against slavery compiled by anti-Slavery activists, was by women, attacking the brutality experienced by enslaved women, and addressed to the Queen herself, Victoria. It was felt that she, as a woman, would have more sympathy to the sufferings of the other members of her gender in slavery than men. Mary Wollstonecraft’s Vindication of the Rights of Woman is justly famous, and has been published in Penguin Classics. It, and the 19th century pamphlet similarly protesting women’s subordination and exploitation are a reminder that feminism did not begin with the suffragettes or was a product of ’60s radicalism.

Some of the older, more ancient texts from the book could easily be reprinted today as an indictment of modern conditions and attitudes under the Coalition. The descriptions of the government and employers’ opposition to the dock and matchgirls’ strikes sound very modern indeed, and Annie Besant’s denunciation of white slavery in London – the gruelling work performed in factories by poorly paid and exploited workers, sounds exactly like the world Cameron, Clegg and the rest of the whole foul crew would like to drag us back to.

I do, however, have problems with some of the material included in the book. It’s true that the United Kingdom was largely created through military expansion and conquest, as the Anglo-Norman barons first took Wales, and then established the English pale and suzerainty over the Gaelic clans in Ireland. They tried to conquer Scotland, but England and Scotland were only politically united after the failure of the Darien colony in the early 18th century. The history of the British control of Ireland is one of repeated misgovernment and oppression, as well as missed opportunities for reform and improvement. If some of George III’s ministers had succeeded in enfranchising Roman Catholics, so that they had at least some of the same rights as Protestants, or Gladstone, himself very much a member of the Anglican Church, had succeeded in granting ‘Home Rule all round’ to the ‘Celtic Fringe’, then some of the sectarian and political violence could possibly have been avoided. Discrimination against Roman Catholics was widespread and resulted in the Civil Rights demonstrations by Ulster Catholics in the 1960s. It also produced the Nationalist terrorist groups, who, like the Loyalist terrorists, which opposed them, have been responsible for some truly horrific atrocities, including the mass murder of civilians. I do have strong reservations of parts of the Irish folk scene, because of the way folk songs describing and denouncing historic atrocities by the British, were used by Nationalist paramilitaries to drum up hatred and support for their murderous campaigns. I am certainly not accusing any of the modern folk groups included in the book, whose lyrics denounce what they see as the continuing oppression of the Irish people, of supporting terrorism. Firth and Arnove appear to have deliberately avoided choosing the contemporary folk songs that do glamorise terrorism. Nevertheless, there is a problem in that some of the Irish folk songs about the suffering of their country and its people can be so abused. I am also definitely not impressed with Protestant, Loyalist sectarianism and its vilification of and celebration of violence against Roman Catholics.

It’s also the case that historically at least, many Protestants did support the aspirations of their Roman Catholic fellow-countrymen for freedom and emancipation. A few years ago Mapping the Town, BBC Radio 4’s urban history programme, broadcast an edition from Belfast. This noted that one of the first Roman Catholic churches built in the town in the late 18th or early 19th century was half funded by the town’s Protestants. Although there denominations were recognised and permitted by the Anglican establishment, unlike Roman Catholicism, which was rigorously prohibited, they also suffered serious legal disabilities and were prevented from holding political office. They shared the resentment their Roman Catholic friends and fellow Irishmen felt, and so sometimes, as here, made common cause with them. The book does include some of the speeches from Wolfe Tone’s United Irishmen, the 18th century militant Nationalist organisation that included both Roman Catholics and Protestants. This makes the point that the struggle for an independent Ireland has historically included Protestants as well as Roman Catholics. Nevertheless, possibly some further Irish Protestant texts supporting independence or Roman Catholic emancipation would have been useful, to show such issues can and did transcend the religious divide.

Another problem with the section on Ireland is that in Northern Ireland the majority of the inhabitants were Protestants, who wished to remain part of the United Kingdom. Indeed, the province was created through an uprising against the possibility that it would become part of Eire. While the oppression of Roman Catholics in Ulster is definitely undemocratic, it also has to be recognised that Ulster has remained part of the UK through the wishes of a majority of its people. This has been implemented through democratic politics, which is something that needs to be recognised. Unfortunately, the exclusive focus on Irish nationalism in the book obscures the fact that the province’s inclusion in the UK does have a popular democratic mandate.

A further issue is the exclusion of a modern, working class Ulster Protestant voice. Nearly a decade ago now the Independent reviewed a play by a working class Ulster Protestant playwright about the Troubles. The play was about a family reacting to the rioting occurring outside. I’ve unfortunately forgotten, who the playwright was. What I do remember was his comment that working class Protestants in Ulster were disenfranchised, as there were no organisations representing them. It’s a controversial claim, but there’s more than a little truth in it. Many of the working class political parties in Northern Ireland, such as the SDLP, are more or less Nationalist. The Unionist party, on the other hand, was formed from the merger of the Conservative and right-wing parts of the Liberal party. There has therefore been little in the way of working-class Protestant political parties, although some of the militant Protestant paramilitaries did adopt a radical Socialist agenda in the 1970s. Again, it would have been good to have a text or so examining this aspect of Northern Irish politics, though one which would not support the Protestant paramilitaries and their violence.

Equally problematic is the inclusion in the book of the voices of the womenfolk of the men imprisoned in Guatanamo Bay, collected by Victoria Brittain. Now Gitmo is indeed a human rights abuse. The prisoners there are held without trial or sentencing. The reasoning behind this is that, while they are guilty of terrorism offences, wartime conditions and the pressures of battle mean that it has been impossible to obtain the level of evidence required to secure a conviction under civilian law. If they were tried, they would be acquitted, and disappear to continue their terrorist campaigns against the US. Hence, for national security they must be detained outside the law. It’s a dangerous argument, as it sets up a precedent for the kind of ‘Nacht und Nebel’ disappearances and incarceration without trial of domestic opponents that was ruthlessly used by the Nazis on their political opponents in Germany.

This does not mean that the men held without trial in Gitmo are democrats. Far from it. Those that fought for the Taliban supported a vehemently anti-democratic regime. It was a violently repressive theocracy, which rejected ‘man-made law’ in favour of the Sharia. Under the Taliban, no forms of religious belief or unbelief were tolerated apart from Islam. Women were prevented from going out in public except when clad in the chador. As they were supposed to be silent and not draw attention to themselves when in public, they were beaten if they made a sound. This included the noises made by the artificial limbs of women, who had been mutilated by the mines and ordnance used in the fighting. There was also an active campaign against female education. This situation has been challenged by the presence of the Coalition forces in Afghanistan. Jeremy Hardy in the News Quiz derided this as ‘collateral feminism’. He has a point. The war was not fought to liberate or improve the conditions of Afghan women. This is very much a side effect. However, if the Western occupation of Afghanistan does raise their status and give them more freedom, then it will have done some good.

As for the occupation of Afghanistan itself, I’ve read material that has argued that the real reason the Western forces are there is to secure access to and appropriate the country’s oil pipelines. There’s possibly something in that. However, the immediate reason for the invasion was al-Qaeda’s attack on the US on 9/11. The destruction of the Twin Towers and parallel attacks on the Pentagon and the White House were acts of war. There is simply no two ways about this, and the West’s counter-attack and invasion of Afghanistan was an entirely appropriate response. It is therefore somewhat disingenuous to include the piece of on the suffering of the wives of the men imprisoned in Guantanamo Bay, when the men themselves were the militant, murderous supporters of an oppressive regime that itself had absolute contempt for democracy and Western notions of human rights.

If many of the texts in this volume seem surprisingly modern, the extracts on the Ladies of Llangollen can be somewhat misleading in that historically British society has recognised a number of intense same-sex relationships, that were not at the time regarded as homosexual, or which included a homosexual element that was nevertheless seen in context as part of a wider relationship. There has been a book published within the last year or so on the homosocial relationship between medieval knights, which examined the all-male camaraderie and loyalty between them. The chivalrous concept of campiognage, which was the extreme friendship and loyalty between two knights, could be described in homosexual terms, even when one knight was helping his comrade in arms to escape with his lady love. In the 19th century there was the ‘romantic friendship’. This was a devoted friendship between two members of the same sex. These now can strike us as definitely gay, but at the time these were not seen as being necessarily homosexual or particularly extraordinary. Cardinal Newman’s request to be buried next to another priest, with whom he shared a profound friendship, was almost certainly such a Victorian romantic friendship, rather than a straightforward gay relationship. Although the ladies of Llangollen described themselves as having eloped, they always maintained that they devoted themselves to artistic and intellectual pursuits. They were celebrated at the time for their devotion to each other, and visitors to their home included many of the 19th century’s great and good, including the Duke of Wellington. It seems to me therefore that there relationship was seen as another romantic friendship, rather than a lesbian relationship.

It is also the case that the Victorians were aware of the existence of lesbianism. The story that when they were formulating the laws against homosexuality, Queen Victoria and her ministers did not outlaw female homosexuality because they didn’t believe it existed is a myth. They knew that it did. They just didn’t see it as a particular threat. The historian Martin Pugh makes this point in his book, British Fascism between the Wars. He argues that lesbianism was only perceived as a threat to British society after the First World War, when there was a ‘crisis of masculinity’. It was widely believed that the cream of British manhood had all been carried off by the War, and that only inferior men had been left behind. This created the atmosphere of sexual panic in which arose Pemberton Billing and his notorious black book. Billing was an extreme Right-wing Tory MP, who believed that the Germans were blackmailing British homosexuals into betraying their country. He claimed to have a little book containing the names of 50,000 ‘devotees of Sodom and Lesbia’, and regularly attacked other public figures with accusations that they were gay. At least one of his victims sued for libel, but the trial was called off when Billing accused the presiding judge of being another gay, whose name was in his book. I’m no legal expert, but it has struck me that the judge would have grounds for jailing him for contempt. Moral fears and legislation against gay women arguably date from this period, rather than the Victorian age.

These reservations aside, this is a powerful, inspiring book, that should encourage and empower anyone with an interest in radical history and who is determined to defend freedom and dignity today from the increasing attacks on it by the Coalition, the most reactionary regime this country has endured since the election of Mrs Thatcher in 1979.