Cameron Brings Back Ancient Greek Metic System for Migrant Workers

I caught on the news this morning that Cameron has just announced legislation limiting the length of time foreign citizens can stay in the UK to six years. Except, of course, for those earning over £35,000, who aren’t bound by such restrictions. Once again, it shows their xenophobia and their hatred of the poor. The rich can stay for as long as they like, never mind the social cleansing they bring with them as working class districts are gentrified and their original occupants pushed out, both traditional British and those of more settled migrant communities.

Worse, the legislation has been backdated to 2011, which means that hardworking migrants, who’ve been over here for four or five years already, are suddenly faced with the problem of having to prepare to leave the UK. This is even when many of them may have already effectively settled down, got married, had children and put money down for property here.

A friend of mine told me how one of his relatives organised protests against similar legislation when it was brought in under John Major. The government then wanted to do exactly what Cameron and co are trying to do now, and the effects on the NHS were exactly as feared by some of the spokespeople for the nurses now. Various representatives for the nurses were shown on the news, voicing their fears that this would devastate the number of nurses actually working in the Health Service. This is precisely what threatened to happen way back in the 1990s. A number of the nurses at the hospital, where my friend’s relative worked, were foreign nationals. These women and men had worked hard, and put down roots in the UK through marriage and purchasing their own homes. They were then faced with being forcibly uprooted from their jobs, families and homes. And so his relative took part in organising a series of protests on their behalf.

Cameron’s new regulations limiting the amount of time poor migrant workers can spend in the UK is basically just a revival of the metic system from ancient Greece. The metics were foreign citizens resident in the ancient Greek city states, usually merchants and traders. They were allowed to remain in the cities for six years. On the seventh year, they had to return to their countries of origin. And so with the modern metics Cameron has effectively created with this legislation. And as with most of the Tories’ policies, it’s very likely a product of their public school education. The education of the aristocracy has always been based solidly on the Classics, to the point where there was a joke about it in the satirical BBC comedies, Yes, Minister, and Yes, Prime Minister. At one point the new prime minister, Jim Hacker, formerly the Minister for Administrative Affairs, is faced with a severe financial crisis. Looking around to find anyone in the government or upper levels of the Civil Service, who might have the necessary expertise to solve the crisis, Hacker is aghast to find that none of them are economists. In exasperation he asks Sir Humphrey if, surely, the head of the Treasury studied economics at Uni. Certainly not, replies Sir Humphrey indignantly, he studied Classics. Cameron, Osborne and the rest of the Toffs now running the country into the ground may have studied more relevant subjects at Uni, but behind this there is the shadow of the British public school education system and its emphasis on the Classics.

Its also pretty much of a piece with the other bits of legislation Cameron and his cronies have introduced. They’ve effectively reintroduced the debt slavery that Solon attempted to legislate against, and with the massive expansion of workfare are effectively reducing the poor and the young to Helots. These were state slaves at the very bottom of Spartan society. And on one day each year, it was legal for the Spartan elite to rob, beat and kill them if they so wished, just to teach them their place. It hasn’t got that bad yet, but you have to wonder if it will, given Cameron and co’s membership of the Bullingdon Club, who I think got their kicks smashing up bars.

Of course, Cameron and his cronies admire ancient Greece as the source of western culture, and the inventors of democracy. But the democracy the ancient Greeks pioneered was very limited. Only citizens, which meant property owners, who did not have to work or run businesses, but lived off their rents, had the vote. This is the concept of democracy that Aristotle celebrates and promotes in his Politics, where he recommends that such citizens have their own, separate forum to that of the rest of the populace, so they don’t have to mix with slaves, artisans, traders and similar riff-raff. And as Cameron has followed the Americans in trying to restrict the franchise to rich property-owners under the guise of rooting out electoral fraud, we can probably look forward to that coming back as well.

Warwick Davis’ Big Little Theatre Company

Warwick Davis and Wife, Sam.

Thursday night the Beeb screened one of the few programmes that show the Corporation can still make documentaries worth showing. Modern Times followed Warwick Davis as he attempted to set up his Reduced Height Theatre Company. Davis and his wife, Sam, and their children are afflicted with dwarfism. Davis himself has had a long career in film and television, playing the mythological type of dwarf, and other creatures of legend, fantasy and Science Fiction. He’s appeared in the fantasy film, Willow, the Leprechaun series of horror flicks and, of course, Harry Potter. Star Wars aficionados will also remember him as the Ewok, Widget, who joins Luke, Han, Leia, Chewbacca and Lando to overthrow the Empire in Return of the Jedi.

Davis in his best-known role.

More recently he has appeared on TV with Ricky Gervaise, as a telekinetic dwarf in Psychoville, and as the Emperor of the Galaxy helping Matt Smith’s Doctor battle the Cybermen.

Davis isn’t content merely to continue playing in this restricted repertoire. He pointed out that many small people like him actually want to play the same roles played by people of normal height. And so he set up the Reduced Height Theatre Company to allow them to do just that. The intention was for the small actors to perform on a set that was scaled for people of their stature. This would create the illusion for the audience that they were actually watching normal-sized actors, so that within five minutes they would have forgotten they were watching dwarves.

See How They Run

The show followed Davis as he and his normal-sized director and producers auditioned the aspiring actors, and supervised the construction of the set. The play they chose to perform was the farce, See How They Run, written in 1942, whose cast includes seven vicars and an escaped German POW. It’s a classic British farce, of the type viewers used to be informed was playing at a theatre somewhere at the end of TV programmes in the 1970s. As the credits rolled, a voice would announce that the actors in the programme were now appearing in show X at the Odeon, Bognor, or somewhere. The cast Davis settled on were extremely talented, and from what was shown it was astonishing that they had never performed professionally before. A few, including one young lady, were drama or performing arts students. The girl was shown in her class performing the type of dance routine that way back in the 1970s was hailed as ‘movement’.

Health Problems

The show also interviewed the cast members themselves. One of the girls, and a bald guy of somewhat hippy-ish attire, spoke of their pain at being dwarves, how they hated being their height, until they finally came to terms with it, and realised those were the bodies they had. The bald bloke was a swimmer, and made the point that in the pool he was as good as anybody. Which I think was proved most definitely by the speed at which some of the disabled swimmers, including Britain’s female dwarf athlete, moved through the pool during the Paralympics.

Along with the lack of height, the disorder can bring other, far more serious problems. The condition may include problems with the spine, the hips and the legs. One of the girls recalled being told that she would eventually end up in a wheelchair by a certain age. This made her determined to live her life as she had it now. The bald fellow also described his problems with the condition.

These problems had, sadly, struck at Davis’ wife, Sam. She had suffered period where she lost sensation in her legs. The bones in her spine had fused to press on her spinal cord. If this was left untreated, she would eventually lose the use of her legs. The problem had become increasingly acute, until she needed to be taken into hospital for an operation, which would correct this and give her back some kind of normal function. If it failed, she would be confined to a wheelchair.

Panto and Financing

Davis had put his own money into setting the project up, and stated that if it failed, his house was on the line. There was added pressure from his having to perform in Panto at the same time as his wife was to have the operation. And in amongst all this, he was also unhappy with the set. The director had purchased a normal-sized set, which was nevertheless sufficiently small for it to be suitable for people of the performers’ size. Nonetheless, it was still too large, and Davis reluctantly decided on taking it to a set construction company. After examining it, they decided that it would have to be rebuilt smaller.

Success

Despite all these problems, the show was a success. Davis took it to 90 different theatres up and down Britain, including Plymouth. The theatre there had a particularly large stage, and it was feared that if they scaled down the set it would leave plenty of unused space on the stage, which would destroy the illusion of normality. The actors were shown laughing at their lines and performances as they rehearsed, with the director pushing them to get the best performance from them in the few weeks before they trod the boards for real. Sam’s operation, although it did not result in her being able to get on her feet as quickly as expected, nevertheless appeared to be a success. Her surgeon assured her that it sounded like she was well on the way to recovery.

I think the Reduced Height Theatre Company is a splendid idea. There have been other, similar specialist theatre companies for others with different types of disability. Nabil Shaban, who played the villainous Sil in the Colin Baker Dr Who stories ‘Vengeance on Varos’ and ‘Mindwarp’, suffered from brittle bone syndrome. He was a member of a disabled theatre troupe, which staged Ben Jonson’s Volpone. One of the greatest dwarf actors was David Rappoport, who starred as the leader of the time travelling dwarf gang in Terry Gilliam’s 1980s fantasy, Time Bandits. Rappoport went on to do other film and TV work. He appeared as an uptight British businessman, who gradually began to unwind through discovering rock ‘n’ roll in America in a TV series on Channel 4 in the 1990s. He brought style and swagger to his roles, but sadly committed suicide just before he was due to appear as the villain in the Star Trek TNG episode ‘The Most Toys’. Watching this, I was left wondering whether he’d still be with us, if something like the Reduced Height Theatre company had existed when he was performing.

In all of this, it inevitably raises the issue of ‘separatism’ versus ‘integration’, and it could be said that the Company acts as a kind of ghetto for people with dwarfism. They may perform the same roles as people of normal height, but they are still separate. I think it’s still great that the theatre is providing people with their disability to perform normal roles, roles which they would otherwise not get. My guess is that it will in time challenge stereotypes, and show producers that actors of this height can be realistically cast in roles other than ‘stage dwarf’.

Support Your Local Disabled Talent, Support the NHS

As so many of the actors with this condition have related health problems, the NHS also has a role in supporting this talent. At one point Davis said that he was amazed when people ask him what it’s like to be in hospital, as they’ve never been. He and his family were in there three times a week. The Tories and UKIP would love to privatise the NHS and replace it with an insurance-based service. One fifth – 20 per cent – of Americans can no longer afford medical care, and Republicans like the Koch brothers would like to end medicare/ Medicaid, the state safety net for those unable to pay. The Tories over here despise the disabled anyway, as do the Kippers. If they get in, the support currently given, if meagrely and extremely grudgingly, to the poor, sick and disabled will vanish. And that will inevitably damage Britain’s ability to nurture talented disabled artists and performers.

If we want Britain to continue produce world class performers, and initiatives that challenge and stretch audiences’ limits and expectations, this cannot go unchallenged. The artists, actors and athletes of the future deserve the support of the welfare state and NHS, along with us normal types.

As for the Reduced Theatre Company, I wish them every success and look forward to their future performances. I hope this time they come somewhere near me, and perform in Bristol or Cheltenham.