Happy Yule! Horrific Christmas Art from 2000 AD’s Kevin O’Neill

Happy Boxing Day everyone! I hope you all had a great Christmas Day yesterday, and are enjoying the seasonal holidays. Or at least, as close as anyone comes to enjoying anything in this Tory-inflicted Winter of Discontent. I’m a big fan of the comics artist Kevin O’Neill, who sadly passed away earlier this year. O’Neill drew a number of favourite strips, including ‘Robusters’ and ‘Nemesis the Warlock’ for 2000 AD, and the League of Extraordinary Gentlemen for DC. His speciality was robots and aliens, and he was able to draw the most amazing, grotesque and horrific creatures. This was particularly shown in his art for Nemesis the Warlock, which was set in a far-future dark age where Earth was ruled by the Terminators, a religious order which regarded aliens as demons and was intent on their extermination. But it was also shown in many of his other strips, such as the edition of DC’s Green Lantern Corps which the Comics Code refused to pass. The Comics Code were the industry’s censors, set up in the 1950s to reassure American parents that the comics they approved were good, wholesome fare for American youth. The Code refused to pass that issue of the Corps not for any particular reason of the script, but because O’Neill’s artwork was ‘completely unsuitable for children.’ O’Neill had been cheerily turning out such art for British kids in 2000 AD for years by then with no apparent complaint. Well, there was the lad who supposedly told Dave Gibbons, another giant of British comics, that O’Neill’s art gave him nightmares which he could only dispel by looking at his. I think O’Neill consider his rejection by the censors something of an accolade. It’s certainly presented as such in his conversation with Tharg in a celebratory strip 2000 AD ran for Prog 500.

O’Neill also drew the front and back covers for one of 2000 AD’s Christmas issues. This portrayed Santa Claus and the other Christmas features as horrific, including the Christmas turkey and fireplace hung with stockings as rampaging grotesque monsters. It sort of followed in a long tradition of such comic art. One of the children’s humour comics did a feature on the seven ghostly wonders of Britain, in which famous British landmarks became spooky monsters. One of these was ‘Cheddar George’, in which the Somerset cave system became a twisted face with open, ravenous maw.

So, here for your enjoyment, this festive season are the covers drawn by O’Neill. RIP, big man – may your art continue to fascinate, amuse and inspire kids for generations to come. And to everyone else, please – don’t have nightmares.

And here’s the piece from Prog 500 in which Tharg and O’Neill discuss O’Neill’s moment of glory from the Comics Code.

Video of the V-9: the German Missile Against America

Hi peeps! I hope you had a great Christmas Day, and are enjoying Boxing Day.  Here’s another piece about German World War 2 aerospace technology. It’s a video from Mark Felton’s channel on YouTube about the America Rocket. Felton posts vlogs about World War II fighting machines, and in this video he describes how the rocket was designed by Werner von Braun to hit New York. It was a two-stage version of the V-2. Unlike its predecessor, however, it was to be piloted. The German guidance system couldn’t work over such a long range without beacons. The German navy tried placing these in Greenland and other places on the other side of the Atlantic, but they were quickly found and destroyed by the Allies. This left them with creating a piloted version of the missile their only option. It was not, however, a suicide weapon like the Japanese kamikaze. Just before or during its final dive, the pilot was expected to bail out and parachute to safety. Lack of funding and the turn of the War against the Nazis meant that this was fortunately never built. If it had been, not only would the Nazis have built the world’s first ICBM, but they would have been the first nation to put a man in space.

Again, I should say that while I’m impressed with the scientific and engineering expertise in the development of the V-2 and this missile, I despise its purpose. The V-2 was responsible for thousands of deaths in London, and the prospect of a missile that could hit New York is terrifying. Particularly if the Nazis had succeeded in developing nuclear weapons. And the Third Reich was, of course, a brutal dictatorship dedicated to the enslavement and extermination of millions.

After the War there was a plan by the British Interplanetary Society to adapt a captured V-2 so that it could carry a man into space. Nothing came of it, however, as when the plan was finalised the Ministry of Supply weren’t interested and the missiles and their parts were no longer available.

A Seasonal Musical Attack on the Tories: the Universal Credit Songbook

Yesterday, Christmas Day, Mike also put up another piece of musical satire and anti-Tory criticism. This was the Universal Credit Songbook, where some clever clogs has taken the tunes of traditional Christmas carols, and given them fresh words attacking the Tories’ murderous policies, and particularly Universal Credit.

Mike posted an example, tweeted by Imajsaclaimant, which runs

Away in a bedsit,
No crib for a bed
My mother is silent,
When will we be fed?
…
My mother is crying,
But I’m wide awake
No money for presents,
Five more weeks to wait

This seems to have inspired Michael Fulcher, who posted another piece to the same tune commemorating the death of Gyula Remes, the Hungarian man, who died outside parliament.

See Mike’s article https://voxpoliticalonline.com/2018/12/25/its-the-season-for-christmas-carols-how-about-a-couple-from-the-universal-credit-songbook/

Socialism and working class protest, has a rich musical heritage, and this, and other recent anti-Tory songs are part of this. Songs like Cabinet of Millionaires’ ‘Theresa May’, as well as past favourites like ‘Liar, Liar’, also about May and her inability to tell the truth, and ‘Nicky Morgan’s Eyes’, about her former education secretary and her attack on state schooling.

The Wobblies’ Songbook

The Chartists in the 19th century also composed songs expressing their demand for the vote for all adult men. There are also many folk songs from the 19th century celebrating strikes and attacking poverty and exploitation.
The Labour party, at least in Bristol, had a choir back in the middle of the last century or so.

The radical American syndicalist trade union, the International Workers of the World, or the ‘Wobblies’ of the early twentieth century, were particularly known for their songs. Their songbook can also be found on the web at http://www.musicanet.org/robokopp/iww.html

Many of the songs celebrate and promote the union, the power of working people and specific, heroic individuals, while others bitterly attack the owners and managers. One such is ‘The Parasites’ by John E. Nordquist. This runs

Parasites in this fair country,
Lice from honest labor’s sweat;
There are some who never labor,
Yet labor’s product get;
They never starve or freeze,
Nor face the wintry breeze;
They are well fed, clothed and sheltered,
And they do whate’er they please.

2. These parasites are living,
In luxury and state;
While millions starve and shiver,
And moan their wretched fate;
They know not why they die,
Nor do they ever try
Their lot in life to better;
They only mourn and sigh.

3. These parasites would vanish
And leave this grand old world,
If the workers fought together,
And the scarlet flag unfurled;
When in One Union grand,
The working class shall stand,
The parasites will vanish.
And the workers rule the land.

See: http://www.musicanet.org/robokopp/usa/parasite.htm

Clearly, you don’t have to be a radical syndicalist wanting to see the working class utterly replace capitalism and its owners and managers to see that the poverty it describes is coming back, and that workers do need to stand together to demand real change under some form of socialism, like the reformism of the Labour party under Jeremy Corbyn here, and the radical left of the Democrats with Bernie Sanders in the US.

Mike hopes that Cabinet of Millionaires’ ‘Theresa May’ will be the new No.1 this Christmas. It won’t be, but it should, if only to see the BBC go spare and try to avoid having to play such an explicitly left-wing song. I hope it, the UC Songbook and the other ditties attacking May and the rest of the Tories and their corrupt backers also get very many views and downloads, and inspired more people to sing, strum and drum against them.

They must never silence us!

Vox Political: Public Sides with Archbishop of Canterbury against Scrooge Farage

This story adds one piece more to the pile of evidence screaming out how thoroughly, grottily mean-spirited Nigel Farage is. On Christmas Day, Rev. Justin Welby, the current archbishop of Canterbury, tweeted the following message:

“Jesus came to us homeless and in a manger. This Christmas, please pray with me for the poor, hungry and homeless, here and abroad.”

This was too much for Farage, who tweeted back

“Merry Christmas! Ignore all negative messages from the Archbishop of Canterbury and have a great day!”

As a result, a social media campaign has been launched, where users of the site have been posting messages supporting the Archbishop under the hashtag #ImWithJustinWelby”.

Mike speculates that this may be part of a sea change against the various rightwing windbags like Farage and, indeed, the entire Tory cabinet, who have been promoted by their parties far beyond their meagre abilities, and have been responsible for making 2016 the dire mess it has been.

http://voxpoliticalonline.com/2016/12/29/imwithjustinwelby-and-against-nigel-farage-who-in-their-right-mind-wouldnt-be/

You actually begin to wonder what kind of society the Tories and ultra-Tories like UKIP have created, when a politico like Farage finds the Archbishop’s message offensive or controversial. Christian religious leaders and laypeople have been exhorting their co-religionists to remember the poor at this time of year since, well, actually since Charles Dickens first invented the modern Christmas way back in the 19th century with A Christmas Carol. The story was a piece of deliberate social engineering by the great novelist. Dickens was appalled by the poverty he saw in the Britain of his time – hence the term ‘Dickensian’, because of the care he took to describe it. Dickens felt that part of the solution to this problem would be to re-awaken the Christian conscience through stressing the spirit of generous charity at this festival. It was his rebuttal to the sentiments he puts in Scrooge’s mouth, about the poor finding relief from starvation through prison or the workhouse.

But this very traditional Christmas message – which has been repeated just about every year since Dickens effectively revived and reinvented its celebration in Britain – is now seen by the Fuhrage as some kind of dangerous moralistic ploy to spoil everyone’s fun. It isn’t. It’s inclusive. It’s about sharing the fun around, to combat poverty and social alienation.

And Britain might now be a largely secular society, but many atheists and secular people would agree with central point of the Archbishop’s message: that as the nation settles down to enjoy itself, it should also remember those less fortunate than themselves.

Farage’s reaction to the Archbishop’s message also shows how used the Tories are to automatically attacking any comment about social conditions from the Church. Ever since the Anglican church issued the first of a series of reports in the 1970s condemning the Tory party for increasing poverty in Britain, the Tories have been sneering and attacking them in their turn. There’s even a wretched blog, Cranmer, which states that it has been set up to support all rightwing Christians, particularly Anglicans, now that the Anglican clergy are turning to politics. The Tories’ reaction to such comments has now become instinctive. As soon as a senior clergyman dares to point out that poverty still haunts Britain, even in such a mild, inoffensive and entirely non-controversial form as the Archbishop’s Christmas tweet, someone like Farage has to stand up and denounce it.

And so, in the spirit of selfish greed and indulgence, we have Farage demanding that everyone should ignore the poor and homeless, and concentrate on stuffing themselves.

His statement also shows up another glaring moral fault in UKIP in the party’s attitude to immigration and non-Whites. Despite what the Fuhrage has said, his party is full of racist bigots, Islamophobes and White supremacists, who see Blacks and Asians as a dangerous threat to the British way of life and morality. But over Christmas, a number of Asian take-aways and restaurants have shown far more of the Christmas spirit than Farage. Mike put up a story about a fish and chip shop in Brum, run by two Asian brothers, which was going to supply free meals to the homeless and elderly on Christmas Day. I also heard that some of the Asian restaurants were also going to do likewise in Cheltenham. This spirit wasn’t confined to the Asian community – other hostelries, like a pub in Glastonbury, were also doing the same. I’m not here claiming that Blacks or Asians are any more virtuous than Whites. But the simple fact that so many Asian restaurants were doing so amply demonstrates that the obvious isn’t automatically true either. It shows how bigoted UKIP are, and their lack of compassion for society as a whole.

A few years ago one of the TV companies ran a show which adopted an interesting take on the issue of immigration. The show worked on the principle of ‘one in, one out’. Every week, the presenters gave the case for letting a particular person into the country, and canvased their viewers on who they’d like to see deported. One of those the great British public wanted to see thrown out of the country by a very long margin, according to Private Eye, was the editor of rabidly xenophobic Daily Mail, Paul Dacre. I think we should adopt the same attitude here. The Archbishop should be fully supported, and everyone who gave their time, money or other help to the poor and homeless at Christmas needs to stay, regardless of their ethnic or religious origins. Nigel Farage, however, must go.

Farage is Scrooge. Deport him now!