Posts Tagged ‘‘Charlie’s War’’

Dimbleby Resigns as BBC Propagandist on Question Time

June 18, 2018

Yesterday, Mike put up a piece commenting on the resignation of former Bullingdon boy David Dimbleby as the host of Question Time. The man Private Eye dubbed ‘Dimblebore’ has been presenting the show for 25 years, and now considers it the right moment to leave. Dimbleby is another BBC presenter, who is very biased towards the Conservatives. Mike’s photograph of him accompanying his piece shows him raising two fingers, with the comment that it’s probably to a Socialist. Mike also cautions against feeling too good about Dimblebore’s resignation, as we don’t know what monster’s going to replace. He wonders whether the secret of human cloning has been found, and whether the next biased presenter of the programme will be Josef Goebbels.

https://voxpoliticalonline.com/2018/06/17/if-david-dimbleby-is-leaving-the-bbcs-question-time-what-horror-will-replace-him/

Last week Dimblebore was off in Russia, presenting a documentary about the country under Putin ahead of the footie there. He wasn’t the only, or even the first person to go. The comedian Frankie Boyle got there over a week earlier, presenting a two-part show about the country, it’s people and football on Sunday evening. Dimblebore was rather more serious in tone, presenting Russia as a country in the grip of a repressive autocrat, and mired in corruption which was strangling the economy.

Dimbleby first explained that Putin was most popular with young people, the generation that everywhere else is rebelling against autocrats, dictators and tyrants. He puts this down to Russians’ experience of economic collapse under Yeltsin. Yeltsin ended communism and dismembered the economy of the Soviet Union, privatising whatever he could. The result was chaos, and massive employment. At one point it got so bad that some factories were paying their workers in the goods they produced. Putin has restored order and economic stability to the country, and so has the support of the younger generation.

He spoke to a great of young professionals, an advertising branding team who were supporters of Putin, working to promote him through images and slogans. He stated that most of the media was controlled by the Russian president, with a few exceptions. He then went to speak to someone from RT’s Moscow branch. Dimbleby explained that some of the staff were British, and asked one of the Brits there whether he was presenting propaganda. The man denied it, said that there was no one watching over him, telling him what to do, and that his conscience was clear. Dimblebore then gave a knowing smirk into the camera.

He then talked to a female presenter on one of the few dissident broadcasters Putin had allowed to remain open. She said that she had not received any threats, but she knew that she could be killed for what she did. But she was still determined to carry on.

He then talked about how those, who criticised the government were arrested and jailed, interviewing a human rights lawyer, who defended them. When asked what people could be arrested and jailed for, the lawyer explained that it could be criticism of the government, or a non-traditional understanding of the Second World War. The other year Putin passed a law criminalising the view that Stalin was partly responsible for the Nazi invasion of eastern Europe and Russia through the Nazi-Soviet pact. From what I remember, I think you can also be arrested for promoting gay rights.

He then spoke to a woman, who was protesting her treatment by the state. She had already been jailed for criticising Putin, but was determined to do so again. She had not been able to get a permit to organise a protest, and so held her own, one-woman demonstration outside the court. This is permitted under Russian law. If you can’t get a permit for a demonstration, you can still protest, so long as there is only one person involved. As she stood with her placard, she was joined by an increasing number of counter-protesters determined to disrupt her protest, and possibly send her to jail. They moved closer to her, and she moved away, telling them to keep their distance. They kept coming, and their numbers kept increasing. Then the cops turned up, and started filming things as they’d been told foreigners were involved. And someone else from one of the TV companies materialised to film the protest as well. Eventually it all ended, and the police and counter-protesters disappeared.

Dimbleby then did a piece about the police’s brutal suppression of dissent, complete with footage of the cops beating what looked like a feminist protester from Pussy Riot.

He also touched on gender roles. He talked to a hairdresser, while having his haircut, who told him that Russia still had very traditional gender roles, in which women wanted a strong man to provide for them.

Putin has also succeeded in reversing the declining Russian birthrate. Instead of falling, it is now rising, with medals and benefits given to couples who have large families. He showed one woman and her husband, who were being presented a medal by Putin for having ten children.

He also went off to talk to a youth organisation, that was set up to get children, including boys of junior school age, interested in the army. The group’s name translates as ‘Net’, and is run by army officers. The children there wear combat uniforms and learn to shoot using air rifles, which they are also taught how to strip down. They were shown blazing away at targets, and competing with each other over who could reassemble a gun while blindfolded the quickest, with Dimblebore cheering the winner. And it wasn’t all boys. One of the youngster there looked like a girl. Dimblebore asked them if they wanted to join the army, to which they gave a very enthusiastic ‘Yes’.

He then went off to speak to a prelate from the Russian Orthodox Church about its support for Putin, where he described Putin as an autocrat attacking human rights and threatening peace in Europe. The prelate responded by saying that there were those, who did not agree with his view. And that was that.

He then went off to discuss the massive corruption in Russia, and how this was undermining the economy as more and more investors and companies left the country because of it. Russia has 144 million people, but it’s economy is 2/3s that of Britain, or about the size of Italy’s, and is declining.

Now all of this is factually true. John Kampfner, in his book Freedom For Sale discusses Russia as another state, where the population has made a deal with its leader. They have absolute power, in return for which they give their people prosperity. Except that, according to Dimbleby, living standards and wages are declining. Putin has passed laws against the promotion of homosexuality, there are massive human rights violations, including the jailing of the type of people, who would have been called dissidents under Communism. Journalists, who haven’t toed the Archiplut’s line have been beaten and killed.

Other aspects of the Russian state, as revealed by this programme, would have been immediately recognisable to the generation raised by Communism. Like the corruption. It was rife under Communism. The Bulgarian journalist, Arkady Vaksberg, wrote a book about it, The Soviet Mafia. And Gogol took a shot at official corruption under the Tsars back in the 19th century in his play, The Government Inspector. So no change there.

As for the Russian Orthodox Church supporting Putin, it was always the state church under the tsars, to which it gave absolute support. The watchword of the tsarist regime was ‘Autocracy, Orthodoxy and the People’. And its support of autocratic leadership didn’t begin under Putin. After the restrictions on religion were lifted in the 1990s, the BBC journalists interviewed some of its clergy on their shows. And the clergy had the same preference for absolute state power and total obedience from the people. Putin made the relationship between the Church and his government closer by granting them a sizable share of Russia’s oil.

The youth groups designed to get children interested in joining the army are also little different from what already went on under the Soviet system. Secondary schoolchildren did ‘military-patriotic training’ to prepare them for national service as part of the school curriculum. It was led by retired army officers, who were often the butt of schoolboy jokes. They were taught to handle weapons, complete with competitions for throwing grenades the furthest.

And let’s face it, it also isn’t much different from what used to go on over here. I’ve known young people, who were in the army and naval cadets. And the public schools used to have the CCF – the Combined Cadet Force – which the Tories would dearly love to bring back. And boys, and some girls, do like playing at ‘War’, so I’ve no doubt that if something like the Russian group was set up in this country, there would be many lads and girls wanting to join it.

Russia has also too been a very masculine society with very traditional ideas about gender and masculinity, despite the fact that most engineers were women, who also worked as construction workers and many other, traditionally masculine areas. One of the complaints of Russian women was that the men didn’t do their fair share of standing in queues waiting to get whatever groceries were in store.

And the medals and rewards to the women, who gave birth to the largest number of children is just another form of the Heroic Mother Awards under the Soviet Union. Putin’s Russia continues many of the same aspects of the country’s society from the age of the tsars and Communism, although Dimblebore said the country was going backward.

I’ve no doubt it is, but the programme annoyed me.

What irritated me was Dimblebore’s knowing smirk to camera when the guy from RT denied that he broadcast propaganda. Now I’m sure that RT does. There’s videos I’ve seen on YouTube from RTUK, which could fairly be described as pro-Russian propaganda.

But what annoyed me was Dimblebore’s hypocrisy about it.

The Beeb and Dimbleby himself has also broadcast it share of propaganda supporting western foreign policy interests, including imperialism. Newsnight has finally got round, after several years, to covering the Fascists running around the Ukraine under the present government. But the Beeb has emphatically not informed the British public how the pro-western regime which was put in power with the Orange Revolution, was created by the US State Department under Obama, and run by Hillary Clinton and Victoria Nuland. Far from being a grassroots movement, the revolution was orchestrated by the National Endowment for Democracy, which has been handling the US state’s foreign coups since they were taken away from the CIA, and one of George Soros’ pro-democracy outfits.

Putin is also presented as the villainous aggressor in the current war in the Ukraine, and some have compared his annexation of Crimea and invasion of eastern Ukraine to the Nazi annexation of the Sudetenland. But Crimea had been a part of Russia before 1951, when Khrushchev, a Ukrainian, gave it to that state. And Putin is not looking to take over the country either. The population of Russia is 144 million. Ukraine’s is a little over a third of that, at 52 million. If Putin really had wanted to annex it, he would have done so by now. And under international law, as I understand it, nations are allowed to intervene in foreign countries militarily to defend members of their ethnic group that are being persecuted. That was the pretext for the Nazi annexation of the Sudetenland, and it’s also the reason why Putin’s invaded eastern Ukraine. But it’s legal under international law. And I don’t doubt for a single minute that Russians, and Russian-speaking Ukrainians, were being persecuted by the new, pro-Western government.

In his documentary, Dimbleby met a very angry, patriotic Russian, who told him that the British had tried to invade Russia three times in the past three centuries. Once in the 19th century during the Crimean War; then in 1922 during the Russian Civil War. And now we were preparing to do the same. He angrily told us to ‘get out!’. Dimbleby looked shocked, and said to him that he couldn’t really believe we were ready to invade.

This was another continuation of the Soviet paranoia and hostility towards the West dating from the Communist period and before. Russia has always felt itself encircled by its enemies since the tsars. But the man has a point. We did invade Russia in 1922 in an effort to overthrow the Communist regime. Pat Mills has talked about this in his presentation on comics he gave to the SWP a few years ago. He tried to get a story about it in Charlie’s War, the anti-war strip he wrote for Battle. This is another piece of history that we aren’t told about.

And when Gorbachev made the treaty with Clinton pledging the withdrawal of Soviet troops from eastern Europe after the collapse of Communism, Clinton in turn agreed that these state would not become members of NATO. He broke his promise. They now all are, and NATO’s borders now extend to Russia. At the same time, western generals and NATO leaders have been predicting a war between Russia and NATO. One even wrote a book about it, 2017: War with Russia. Thankfully, 2017 has been and gone and there has, so far, been no war. But with this in view, I can’t say I blame any Russian, who is afraid that the West might invade at any moment, because it does look to me like a possibility.

And there are other matters that the Beeb and the rest of the lamestream news aren’t telling us about. They’re still repeating the lie that the invasion of Iraq was done for humanitarian reasons, whereas the reality was that western corporations and the neocons wanted to get their hands on Iraqi state industries and privatise the economy. And the American and Saudi oil industry wanted to get their mitts on the country’s oil reserves.

The civil war in Syria is also presented in simplistic terms: Assad as evil tyrant, who must be overthrown, and Putin as his bloodthirsty foreign ally. Assad is a tyrant, and one of the causes of the civil war was his oppression of the Sunni majority. But we are constantly being told that the rebels are ‘moderates’, while the fact is that they still have links to Islamists like the al-Nusra Front, the former Syrian branch of al-Qaeda, and ISIS. Nor have I seen the Beeb tell anyone how the Syrian rebels have also staged false flag chemical weapons attacks against civilians in order to draw the west into the war.

And objective reporting on Israel is hindered by the pro-Israel lobby. Any news item or documentary, which shows Israel’s horrific crimes against Palestinian civilians is immediately greeted with accusations of anti-Semitism from the Israeli state and the Board of Deputies of British Jews. I’ll be fair to the Beeb. Some of their presenters have tried to give an objective reporting of events, like Jeremy Bowen and Orla Guerin. But they’ve been accused of anti-Semitism, as was Dimblebore himself when he tried to defend them. In this instance, the bias isn’t just the fault of the Beeb. But it is there, and newsroom staff have said that they were under pressure from senior management to present a pro-Israel slant.

Domestically, the Beeb is very biased. I’ve discussed before how Nick Robinson in his report on a speech by Alex Salmond about Scots devolution carefully edited the SNP’s answer, so it falsely appeared that he had been evasive. In fact, Salmond had given a full, straight answer. Salmond’s reply was whittled down further as the day went on, until finally Robinson claimed on the evening news that he hadn’t answered the question.

And numerous left-wing bloggers and commenters, including myself, have complained about the horrendous bias against the Labour Party and Jeremy Corbyn in the Beeb’s reporting. Dimblebore himself has shown he has a very right-wing bias on Question Time, allowing right-wing guests and audience members to speak, while silencing those on the left. Not that he’s alone here. Andrew Marr has done exactly the same on his programme on Sundays.

Dimblebore is, quite simply, another right-wing propagandist, with the Beeb backing current western imperialism. His smirk at the RT journalist’s denials of doing the same is just gross hypocrisy.

Pat Mills – Be Pure! Be Vigilant! Behave! 2000AD and Judge Dredd: The Secret History: Part Three

March 30, 2018

Although the comic has been revived and managed very successfully by Rebellion and its new editor for the past 15 or so years, some of the joy has gone. The close collaboration between writers and artists has disappeared, and the editor himself avoids close contact with the other creators. This is partly because of budget and time constraints. The attitude throughout the industry now seems to be one of diligent, quiet efficiency, rather than some of the fun-filled, boisterous meetings Mills and the others had, acting out what they wanted the characters to do in an atmosphere of playful fun. Not that it was always the case. Mills also worked hard, and as an editor he was often called up to deal with artists experiencing some form of crisis, including trying to stop one fellow from committing suicide. But the underlying cause of the decline in British comics remains unaddressed. This is the lack of ownership by the creators for their work. He states that this is the real reasons comics are declining, not computer games. They have those in France, but kids are still reading comics. He also talks about the immense fun he had over there with his Requiem: Vamnpire Knight strip, also available in English translation on the Net.

Mills also talks about some of the other strips he has worked on, which have influenced 2000AD, such as Battle, the notorious Action, Crisis and Toxic. Battle was a war comic, which Mills subverted with Charlie’s War, a First World War strip which had an anti-war message. Mills has come across a number of men, who joined the army through reading such comics. He’s very proud that Charlie’s War had the opposite effect, and after reading it one young lad decided he really didn’t want to after all. Mills is very political, and criticises British literature for its lack of working class heroes. He sees this as partly deliberate, as so many of the great adventure writers were connected to the Intelligence Services and the secret state. Names like John Buchan, Dennis Wheatly – who would have been gauleiter of London, had Hitler conquered Britain – and Ian Fleming. He describes how the script editor of Dr. who in the ’80s turned down a story he’d written, as it included a spaceship captain who was working class. The story has since been made into a CD adventure by Big Finish, and there have been absolutely no complaints.

Action was initially suspended, and then banned outright for its violence. It was also controversial as the first strip to feature a sympathetic, non-Nazi German hero in Hellman of Hammer Force. The comic was so hated by respectable society, that one of the presenters of Nationwide, a 70s current affairs magazine show pretty much like today’s One Show, tore a copy up on camera in front of one of the writers. After it returned, the violence because even more over the top to the point where it shocked Mills, leading to its eventual ban.

Mills is unhappy with SF as a vehicle for social comment, as he feels it is ducking the issue. And so he created Crisis and its Third World War strip, which was all about the exploitation of the Developing World and the politics of food. He’s particularly proud of one story about the scandal of Nestle’s baby milk. But this was completely beyond management’s ability to understand why he included this issue in a boy’s comic.

And Mills and his co-creators were also accused of anti-Semitism by the Board of Deputies of British Jews. They did a story about Palestinian, in which a militarised cop, or a member of the IDF, beats a protester so badly, that they break all his limbs, and he falls to the ground. The Board complained that the man’s broken body resembled a swastika, which shows they were reading things into it which weren’t there. The three other creators of the story were Jews, and Mills thought that the Board couldn’t accuse them all of being self-hating. The strip was published by Robert Maxwell, who told them where they could stuff their idea. He was a crook, who robbed the Mirror’s pension fund, but here he did the right thing. You can beat the Israel lobby if you stand up to them.

Mills is clearly a hard-working, passionate enthusiast for comics, and a determined supporter of his fellow writers and artist. He wishes the industry to go back and try to appeal again to young children, although he makes the point they’re ruder than the adult fans, with whom you can have interesting conversations at conventions. He admits that its much harder now to get published in 2000AD, but not impossible, and gives valuable, careful advice to aspiring writers and artists.

As well as a fascinating account of the rise and career of 2000AD, it was for me also quite a nostalgic read. I remember some of the strips Mills wrote for and created, including the comics Whizzer and Chips, Battle and Action. I have mixed feelings about Action. I enjoyed strips like One-Eyed Jack and Death Game 1999, based on the film Rollerball. I wasn’t so keen on Dredger, which did have some horrifying stories. One of these was a Russian dissident punished by having his brain gradually removed by surgery until he was vegetable, and another tale in which a foreign politician is murdered. Sulphuric acid is poured into his shower so that he literally goes down the drain. But the strip I really didn’t like was ‘Kids Rule UK’, set in a future where all adults had died, and Britain was run by violent kid’s gangs. I was bullied at school, and this was for me an all-too frightening concept. I also stopped reading 2000AD for a time, because the stories there were a bit too sadistic. Which was a pity, as I later found out, because I missed some great strips.

2000AD will celebrate its fiftieth anniversary in a decade’s time, thanks to the inspiration of Pat Mills and his fellow creators. And I hope that afterwards the comic will go on to enjoy another fifty years under new, equally enthusiastic, committed and inspiring creators.

Splundig vur Thrigg, as the Mighty Tharg used to say.