Message from We Own It about Their New Website and Campaign Against Channel 4 Privatisation

I got this email from anti-privatisation campaign group We Own It informing me about their new website and their continuing campaign against the government’s proposed sell-off of Channel 4.

‘Dear David,

What do Armando Iannucci, the Archbishop of York and Siobhán McSweeney from Derry Girls all have in common?

They’re all taking a stand against Nadine Dorries’ plan to privatise Channel 4.

They’re not the only ones. 27 independent production companies, actor Jon Pointing, comedian Jack Rooke, and the Bishops of Ripon and Leeds are taking a stand too.

They’ve come together today to send a message to the divided Conservative Party: Channel 4 ain’t broke. Don’t fix it. Conserve it.

Thanks to donations from hundreds of you, today we were able to launch an ambitious new campaign which hit the front page of the Yorkshire Post, the Evening Standard, the Independent, the National and local papers across the country.

Check out the beautiful new website and share it to spread the word! We need YOU to make this big launch even bigger! This is a campaign we can win.

Share the new campaign on Twitter

Share on Facebook

Check out the website and forward the link by email to friends and family

THANK YOU so much for showing this government where you stand.

Cat, Alice, Johnbosco, Matthew, Jack and Kate – the We Own It team

PS Thanks so much to everyone who took part in the day of action for the NHS on Saturday. You were all over the press for that campaign as well!’

I very much support this campaign, not least because Bristol is one one of the various cities in which the broadcaster is located. I’m afraid that if the government privatises the station it will have to close down its offices or studios in Bristol and the other towns, and that these local broadcasting industries will be severely damaged. A little while ago I wrote to my local Labour MP, Karin Smyth, to express my fears about the loss of local broadcasting in Bristol. She very kindly wrote back stating that she also was going to oppose Channel 4’s privatisation.

I think the channel has declined in quality since the 1980s and 1990s, but it has been a vital part of British broadcasting and cinema. There have been a stream of British films made either by, or with the participation of Channel 4 films. And when it was first launched in the 1980s, it offered a genuine alternative to mainstream broadcasting. It showed Indian films in a slot entitled ‘All India Goldies’ as well as an adaptation of the Indian national epic, the Mahabharata. It also provided excellent opera coverage, and really did much to bring it to a genuinely popular audience. It also gave Britain the wit and wisdom of the journalist and TV critic, Clive James, who had his own show on a Sunday night. James published a trio of books of his TV criticism, as well as his travel journalism and an autobiography, Unreliable Memoirs. His writing could be hysterically funny, as when he covered the extremely excitable remarks of over-the-top sports commenters. In one of his articles he described how one of the cars broke down or crashed during a race ‘and Murray Walker exploded’. At other times, when discussing the horrors of the Holocaust and the surviving Nazi and Fascist leaders like Albert Speer, Baldur von Schirach and Oswald Mosley, who turned up on British television, he was deadly serious and scathing. As he also was when writing about Stalin’s famine and purges and Mao’s China. He interviewed a number of great personalities on his show, including a very young Victoria Wood and the late, great Peter Cook. For fantasy enthusiasts, there was The Storyteller, a series of tales adapted from folk stories, narrated by John Hurt, with puppet creatures, including the Storyteller’s dog, created and operated by Jim Henson’s Creature Shop. Henson and Frank Oz were the geniuses behind the Muppets. They also made the fantasy movie The Dark Crystal, in which every character is a non-human creature. In the 1990s Henson’s Creature Shop also created the various aliens in the Australian-American SF series Farscape. I am very much afraid that if Channel 4 is privatised, then this history and pool of great broadcasting talent and skills will be permanently lost.

And it will be lost not because there’s anything wrong with Channel 4, but because the Tories’ backers, like one Rupert Murdoch, want British state broadcasting to end so their own cruddy networks can move in and take its place.

Email Campaign by We Own It Against Channel 4 Privatisation

I got this email yesterday from anti-privatisation, pro-NHS organisation We Own It about the government’s latest sell-off. They’re planning to privatise Channel 4. Their email explains that this is disastrous because Channel 4 are one of the few media outlets holding them to account. At the same time they have been instrumental in producing quality television, which is funded through the channel’s advertising revenue. The government’s proposed privatisation is such a terrible idea that even many Tories are protesting against it. To counter it, the organisation is asking people to write to their MPs using a form letter they have devised. Here’s the email:

“Dear David,

There is absolutely no reason to privatise Channel 4, but the government is planning to do it anyway.

You can take a quick, easy action today to stop them in their tracks.

Take action now

Why is this so important?

Channel 4 News is one of the few news programmes that really holds this government to account, on issues from the NHS to the climate crisis. In fact, that’s probably a big part of why the government wants to privatise it. 

(Remember when Boris Johnson failed to attend the Channel 4 leaders’ debate on the climate crisis, and they replaced him with a melting ice sculpture?)

If you want decent news coverage at the next general election, please take 2 minutes to email your MP, ESPECIALLY if they’re a Conservative.

Email your MP now

Privatising Channel 4 would be an incredibly destructive act that would damage the UK film and TV industry. The creation of Channel 4 is the reason why the independent sector in film and TV exists today.

This matters 

• For the quality of programmes and films that get produced
• For young people trying to enter the creative industry
• For the UK’s reputation in the world

There is no problem that privatising Channel 4 is the solution for.

Channel 4 has a unique business model, making a profit from advertising that it reinvests in good programming and nurturing talent. Channel 4 now has offices in Leeds, Manchester, Glasgow and Bristol, so it helps with the ‘levelling up’ agenda, boosting investment and jobs all around the country. They also support local production companies and outreach programmes in Cardiff, Belfast, Bournemouth, Norwich, Wolverhampton, Preston, Doncaster, Corby and Leicester.

That’s why wherever you are in the UK, Channel 4 is a good thing for your area.

Take 2 minutes to take action now

Lots of Conservatives have come out against the proposed sale of Channel 4. Many celebrities, including very right wing ones, have too. This means we have a chance of persuading the government that privatisation is a bad idea.

As Kirstie Allsopp has said, the plan to privatise Channel 4 is incredibly destructive. “I am a fiscal conservative and I’m naturally conservative-leaning and I find [the sale of C4] to be a betrayal of conservatism. It’s bonkers…I stood outside St Pauls when Margaret Thatcher’s coffin went by, and she would be spinning in her grave if she knew what this government was intending to do. Because C4 produces money, it produces jobs, it fosters talent, it brings out the best in people, and it’s very British.”

If you have a Conservative MP, it’s so important that you take this action! Your MP is EXACTLY who we need to shift. You will see that the template email is aimed at appealing to MPs like yours. Please send the text as it is, to maximise the chances of doing that! Thank you.

If you don’t have a Conservative MP, your MP can still really help to raise this issue up the agenda.

I want to stop the Channel 4 sell off

Last time the government tried to privatise Channel 4 they failed – partly because of the campaign we were part of to stop them. 

Let’s win again this time around and protect this much loved, publicly owned asset.

Thank you so much.

Cat, Alice, Johnbosco, Matthew, Zana and Anna – the We Own It team

PS Thank you so much for the incredible response to our Halloween action to protect our NHS from the Health and Care Bill! If you’ve let us know that you’d like to take action locally, we’re getting your action packs ready at the moment and we’ll be in contact with you via email. Get in touch if you want to get involved – there’s still time!”

I’ve supported their campaign, and duly sent a message to my MP because of the reasons they’ve laid out in their email. It’s not just the government that Channel 4’s held to account. They also gave Mark Regev a hard time when during the bombardment of Gaza. Regev tried to tell the British public that if they sent aid to Gaza through Israel, it would still get there. John Snow knew he was lying and told him he was. Which shows that Channel 4 has more backbone when it comes to tackling Israeli lies and atrocities than the rest of our craven media, or at least, they did then.

Channel 4 was set up in the 1980s to be an alternative to BBC 2. News was to be a particularly important part of its programming, and this has been consistently extremely good, even to Tories like former Mail columnist, now scribbling for the Times, Quentin Letts. The broadcaster was also going to offer programmes to minorities and groups not served by mainstream broadcasters. Hence when it started off it broadcast an adaptation of the Indian national epic, the Mahabharata, and a season of Indian films, All India Goldies. I also remember it having a news series of reports from Africa, fronted by Black reporters. It also helped launch a new generation of Black comedians with the series Desmond’s. And then there was the awesome Max Headroom. Unfortunately, the quality did decline in the 1990s as the programme chiefs made it more mainstream, though even then it did broadcast quality material like the American import, Fraser. And it does support the British film industry, or what remains of it. If you’ve seen a British film, or a British/Irish co-production in the past few years, chances are that it’s also been co-produced by Channel 4 films. Kirstie Allsopp is wrong about Margaret Thatcher not wanting it privatised. There were several times when the Conservative government tried to sell it off, or sold shares in it but it hasn’t been totally privatised.

Now it seems it will be. For the same reasons the government is trying to privatise the Beeb. Because both are obstacles to private TV stations that don’t have a public service commitment, and particularly because they’re obstacles to the grasping power of Rupert Murdoch.

I’ve supported this campaign and emailed my MP as requested because I don’t want the channel privatised. If you feel the same, please do so.

‘The Dig’: New Netflix Movie about the Discovery of the Sutton Hoo Anglo-Saxon Burial

I found this trailer on YouTube for a forthcoming movie from Netflix, The Dig. Starring Carey Mulligan and Ralph Fiennes, this about the excavation of the Sutton Hoo ship burial in 1939. The film’s description on the YouTube page runs

As WWII looms, a wealthy widow (Carey Mulligan) hires an amateur archaeologist (Ralph Fiennes) to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain’s past resonate in the face of its uncertain future‎. THE DIG stars Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn, Ben Chaplin, and Ken Scott. In Select Theaters January 15 and on Netflix January 29.

THE DIG starring Carey Mulligan and Ralph Fiennes | Official Trailer | Netflix – YouTube

The Sutton Hoo ship burial is one of the most iconic archaeological remains of Anglo-Saxon England. One of the objects found in the grave is the richly decorated helmet, which is now one of the most famous of the objects and monuments left from that period of British history, and which has been reproduced on the covers of countless books, magazine and newspaper articles about the Anglo-Saxons.

One of the books about the dig and its magnificent finds is Angela Care Evans’ The Sutton Hoo Ship Burial (London: British Museum Publications 1986).

The blurb for this runs:

The summer of 1939 saw one of the most exciting archaeological finds ever dug from British soil, an undisturbed Anglo-Saxon ship burial at Sutton Hoo, near Woodbridge in Suffolk. The ship, nearly 30m long, had been dragged uphill from the estuary of the river Deben to a royal gravefield and buried beneath a large circular mound. Amidships in a textile-hung chamber a sumptuous burial was laid out, unique in its glittering wealth of jewellery and unrivalled in the variety of objects that had been selected to represent every facet of the dead man’s life. Gold and garnet jewellery, silver from the Eastern Mediterranean, drinking vessels with silver gilt fittings, a magnificent helmet and parade shield, a lyre and a sceptre were amongst the spectacular finds excavated in two hectic weeks just before the outbreak of the Second World War.

Although no remains of a body survived and no personal possessions were found, the gold and garnet regalia alone implied that the burial was that of a kind. But his identity remained elusive until modern research resulted in a date of 625/30 for the latest of a collection of small gold coins found n the ship, suggesting that it may have been the grave of Raedwald, king of East Anglia, who died in 624/5.

In this new survey, the excavation of the ship and its contents are described and illustrated and the results of many years’ research at the British Museum are summarised. Angela Care Evans also brings the story right up to date, outlining current work at Sutton Hoo and the prospects for future discoveries.

The book has the following chapters, beginning with an introduction:

1. The Early Excavations, divided into the following sections

1. The Sutton Hoo gravefield.
2. The first three mounds, 1938.
3. The great discovery, 1939
4. The ship.

2. The Ship Burial and its Treasures.

5. The burial chamber

6. Warrior king.

7. Mediterranean silver.

8. Feasting in the great hall.

9. Symbols of power.

3. Modern Times

10. Treasure Trove?

11. Restoration work.

12. Excavations 1965-70

13. The kingdom of East Anglia

14 Dating the ship burial

15. Sutton Hoo: poetry and style

16. Sutton Hoo today.

This is followed by a diagram of the East Anglian kings and their relationship to each other, a bibliography and an index.

The film looks really good, a factual depiction of a real archaeological excavation, rather than Fantasy or Horror. It’s very much the kind of period drama that Channel 4 Films used to make at one point. However, I don’t think very many people will get the chance to see it. Its cinema release is confined to a few, selected theatres and there is the continuing problem of the restrictions imposed by the new Covid wave. And then it’s on Netflix, which means that only those with that streaming service will get to see it. Which means that it’s probably only going to be seen by a very few people. But perhaps we can look forward to it appearing later on one of the terrestrial or larger cable channels, like Channel 4, Yesterday or History.

Vox Political on the Part-Privatisation of Channel 4

Mike over at Vox Political has also put up a piece today about the government’s proposed partial privatisation of Channel 4 under John Whittingdale. The Torygraph has reported that the government has climbed down from privatising it fully, and instead are just looking for a ‘strategic partner’, like BT. They would also like the network to sell its offices in Westminster and move to somewhere like Birmingham. Its account should also be checked by the NAO, responsible for examining government expenditure, and they would like to change its non-profit status and see it pay a dividend to the Treasury. Mike points out that the network chiefs have taken this as stepping stone towards Channel 4’s full privatisation, and are deciding to reject it. Meanwhile, the Tories don’t want to privatise it fully, because they’ll get the same backlash from their proposals to sell off the Beeb. See Mike’s article at: http://voxpoliticalonline.com/2016/05/10/only-part-privatisation-for-channel-4-as-tories-fear-another-bbc-style-backlash/

This is another barbarous government attack on public broadcasting in the UK. Channel 4 was set up in the 1980s to be a kind of alternative to the alternative BBC 2, and to cater for tastes and audiences that weren’t being met by the established channels. According to Quentin Letts in one of his books, Denis Thatcher thought this mean putting yachting on the sports’ coverage instead of footie, which shows the limited idea of ‘alternative’ held by Thatcher and her consort. Jeremy Isaacs, its controller, was proud of his outsider status as a Jew in the network, a status he shared with Melvin Bragg, a Northerner. He said that he wanted to put on the new, fledgling channel programmes on miner’s oral history, and performances of the great classics of Britain’s minority cultures, like the Hindu epic, the Mahabharata. He also believed that people had ‘latent needs’ – there were things they wanted to see, which they didn’t yet know they did. He was widely ridiculed for his views. Private Eye gave a sneering review of the book, in which he laid out his plans and opinions, stating that all this guff about people’s ‘latent needs’ showed that he thought he knew more than they did about what people actually wanted. As for being an outsider, the Eye observed rather tartly that they were all outsiders like that now in broadcasting, swimming around endlessly repeating the same views to each other.

In fact, Isaacs was largely right. Quite often people discover that they actually enjoy different subjects and pursuits that they’re not used to, simply because they’ve never encountered them. The Daily Heil columnist, Quentin Letts, comments about the way the network has been dumbed down in one of his books, pointing out how good the networks cultural broadcasting was when it was first set up. The network was particularly good at covering the opera. I can remember they broadcast one such classical music event, which was broadcast throughout Europe, rather like the Eurovision song contest but with dinner suits, ball gowns, lutes and violins rather than pop spangle, Gothic chic, drums and electric guitars. The audiences for its opera broadcasts were below a million, but actually very good, and compared well with the other broadcasters.

As for its programmes aimed at the different ethnic minorities, I knew White lads, who used to watch the films on ‘All-India Goldies’ and the above TV adaptation of the Mahabharata. This last was also given approval by Clive James, one of the great TV critics. James noted it was slow-moving, but still considered it quality television.

The network has, like much of the rest of British broadcasting, been dumbed-down considerably since then. American imports have increased, and much of the content now looks very similar to what’s on the other terrestrial channels. The networks’ ratings have risen, but at the expense of its distinctive character and the obligation to broadcast material of cultural value, which may not be popular. Like opera, foreign language films and epics, art cinema and theatre.

Even with these changes, there’s still very much good television being produced by the network. From the beginning, Channel 4 aimed to have very good news coverage, and this has largely been fulfilled. There have been a number of times when I’ve felt that it’s actually been better than the Beeb’s. In the 1990s the Channel was the first, I believe, to screen a gay soap, Queer as Folk, created by Russell T. Davis, who went on to revive Dr Who. This has carried on with the series Banana, Cucumber, and Tofu. It also helped to bring archaeology to something like a mass audience with Time Team, now defunct. And if you look at what remains of the British film industry, you’ll find that quite often what little of it there is, is the product of either the Beeb or Channel 4 films.

And from the beginning the Right hated it with a passion. Well, it was bound to, if Denis Thatcher’s idea of alternative TV was golf and yachting, and Thatcher really wouldn’t have wanted to watch anything that validated the miners. And it was notorious for putting on explicitly sexual material late at night, as well as shows for sexual minorities, such as discussing lesbianism, when these weren’t anywhere near as acceptable as they are today. As a result, the Heil regularly used to fulminate against all this filth, and branded its controller, Michael Grade, Britain’s ‘pornographer in chief’.

And over the years, the various governments have been trying to privatise it. I think Maggie first tried it sometime in the 1980s. Then they did it again, a few years later, possibly under John Major. This surprised me, as after they privatised it the first time, I thought that was the end of it. Channel 4 had been sold off completely. It seems I was wrong. It seems these were just part privatisations. Now they want to do it again.

It struck me with the second privatisation of Channel 4 that this was an election tactic by the Tory party. Maggie had tried to create a popular, share-owning, capitalist democracy through encouraging the working class to buy shares in the privatised utilities. And for all her faults and the immense hatred she rightly engendered, Maggie was popular with certain sections of the working class. By the time the Tories wanted to privatise the Channel the second time, it struck me that they were floundering around, trying to find a popular policy. The magic had worn of the Thatcherite Revolution, Major was in trouble, and so they were trying to bring back some of the old triumphs of Thatcher’s reign, as they saw it. They needed something big and glamorous they could sell back to the voters. And so they decided to privatise Channel 4. Again.

They want to do the same now. But the fact that they’re looking for ‘a strategic partner’ tells you a lot about how things have changed in the intervening years. This is most definitely not about popular capitalism. Most of the shares held by working people were bought up long ago by the fat cats. In this area, the Thatcherite Revolution has failed, utterly, just as it has in so many others. This is all about selling more of Britain’s broadcasting industry to the Tory’s corporate backers. Much of ITV is owned by the Americans, if not all of it, and Channel 5 certainly is. What’s the odds that Channel 4 will stay British, if it too is privatised?

And so we can look forward to a further decline in public broadcasting in this country, as it more of it is bought by private, and probably foreign, media giants. Quality broadcasting, and the duty of public broadcasters to try and expand their audiences’ horizons by producing the new, the ground-breaking, alternative and unpopular, will suffer. All for the profit of the Tory party and their big business paymasters.