The Tories Are the Implacable Enemies of Free Speech

Since 75 members of Extinction Rebellion decided to do what so many people have wanted to and blockade Murdoch print works in England and Scotland, Boris Johnson and his rabble have been pontificating about democracy and the need to protect a free press. This is all crass, hypocritical rubbish, and the truth, as with so much of Tory policy, is the exact opposite. In all too many instances, the Tories are the inveterate enemies of free speech and press freedom.

Mike and Vox Political have both shown this in their articles reporting that the Council of Europe has issued a level 2 media alert warning about Johnson’s government. This was because MoD press officers refused to deal with Declassified UK, a website focusing on foreign and defence stories. This was because Declassified’s journos had been critical of the government’s use of our armed forces. The Council issued a statement that they did so because the act would have a chilling effect on media freedom, undermine press freedom and set a worrying precedent for other journalists reporting in the public interest on the British military. They said that tough journalism like Declassified’s, uncomfortable though it was for those in power, was crucial for a transparent and functioning democracy. This puts Boris Johnson’s government with Putin’s Russia and Turkey, who also have a complete disregard for journalistic freedom.

See: https://voxpoliticalonline.com/2020/09/06/heres-the-shocking-reason-your-tory-government-is-more-guilty-of-attacking-press-freedom-than-extinction-rebellion/

https://zelo-street.blogspot.com/2020/09/free-speech-tories-speak-with-forked.html

We’ve been this way before, and it’s grim. Way back in the 1980s, Maggie Thatcher withdrew LWT’s broadcasting license over a similar piece of journalism that severely criticised the military. This was the documentary Death on the Rock, about the SAS’ shooting of a squad of IRA terrorists in Gibraltar. The documentary presented clear evidence that the squad had been under surveillance all their way down through Spain, and that the army could have arrested them at any point without bloodshed. This means that the SAS’s shooting of them was effectively an extra-judicial execution. They acted as a death squad.

This wouldn’t have been the first or only instance of such tactics by the British state in Northern Ireland. Lobster has published a number of articles arguing that special SAS units were active under cover in the province with the deliberate task of assassinating IRA terrorists, and that the security forces colluded secretly with Loyalist paramilitaries to do the same.

I heartily condemn terrorism and the murder of innocents regardless of who does it. But if ‘Death on the Rock’ was correct, then the British state acted illegally. The use of the armed forces as death squads clearly sets a dangerous precedent and is a violation of the rule of law. Most Brits probably agreed with Thatcher that the IRA terrorists got what was coming to them, and so would probably have objected to the documentary’s slant. But as the Tories over here and Republicans in the US have argued again and again about freedom of speech, it’s the freedom to offend that needs to be protected. Allowing only speech that is inoffensive or to which you agree is no freedom at all. Thatcher was furious, LWT lost their broadcasting license, which was given to a new broadcaster, Carlton. No doubt named after the notorious Tory club.

Then there was Thatcher’s interference in the transmission of another documentary, this time by the BBC. This was an edition of Panorama, ‘Thatcher’s Militant Tendency’. This argued that, just as Kinnock’s Labour party had been infiltrated by the hard left Militant Tendency, so Fascists from the National Front, BNP and others had burrowed into the Tories. In fact there’s always been concern about the overlap in membership between the Tories and the far right. In the 1970s there was so much concern that the Monday Club, formerly part of the Tory party until David Cameron severed links with it, opened its membership books to the Board of Deputies of British Jews. The Panorama programme was also too much for Thatcher, who had it spiked.

At the moment, the Tories are running a campaign to defund and privatise the Beeb under the specious claims that it’s biased against them. They were moaning about bias back in the ’90s under John Major and then Tony Blair, because Jeremy Paxman, among the Beeb’s other journos, insisted on asking tough questions. This resulted in Michael Heseltine walking off Newsnight, tossing his mane, as Ian Hislop described it on Have I Got News For You. Right-wing internet radio hack Alex Belfield has been ranting about how the BBC is full of Guardian-reading lefties in the same way Jeremy Clarkson used to about ‘yogurt-knitters’, who also read the same paper. Guido Fawke’s former teaboy, Darren Grimes, has also been leading a campaign to defund the Beeb. He should know about dictatorships and a free press. His former master, Paul Staines, was a member of the Freedom Association when that body supported the Fascist dictatorship in El Salvador. They invited to their annual dinner as guest of honour one year the leader of one of its death squads.

Belfield and the rest of the right-wing media have been loudly applauding the announcement that the new Director-General will cancel left-wing comedy programmes like Have I Got News For You and Mock The Week. Because they’re biased against the Tories. Er, no. Have I Got News For You was as enthusiastically anti-Jeremy Corbyn and the Labour Party as the rest of the media establishment, to the point where I got heartily sick and tired of watching it. And I haven’t watched Mock the Week for years. I don’t even know if it’s still on. Both the programmes are satirical. They mock the government as well as the rest of the parties. And the dominant, governing party over the past few decades has been the Tories, with the exception of New Labour from 1997-2010 or so. Which means that when they’ve been attacking the Tories, it’s because the Tories have been in power. A friend of mine told me that Ian Hislop, one of the regular contests on HIGNFY and the editor of Private Eye, was once asked which party he was against. He replied ‘Whoever’s in power’. It wouldn’t surprise me at all if he was a Conservative, but that is, ostensibly, the stance of his magazine. The Tories have been expelling much hot air about how a free press holds governments to account. But in the case of the BBC, this is exactly why they despise it.

The Tories hate the BBC because it’s the state broadcaster, and so is an obstacle to the expansion of Rupert Murdoch’s squalid empire of filth and lies. They’d like it defunded and privatised so that Murdoch, or someone like him, can move in. Not least because Murdoch has and is giving considerable support to the Tories. And in return, the Tories and then New Labour gave Murdoch what he wanted, and he was allowed to pursue his aim of owning a sizable chunk of the British press and independent broadcasting with Sky. This has alarmed those concerned about the threat posed by such media monopolies. It’s why Extinction Rebellion were right to blockade Murdoch’s papers, as both Mike and Zelo Street have pointed out. We don’t have a free press. We have a captive press controlled by a handful of powerful media magnates, who determine what gets reported. John Major in his last years in office realised the political threat Murdoch posed, but by this time it was too late. The Tories had allowed Murdoch to get his grubby mitts on as much of the British media as he could, and he had abandoned the Tories for Blair. Who was all too ready to do the same and accede to his demands in return for Murdoch’s media support. Just as Keir Starmer is desperate to do the same.

Murdoch’s acquisition of British papers, like the Times, should have been blocked by the Monopolies and Mergers’ Commission long ago. There were moves to, but Thatcher allowed Murdoch to go ahead. And Tony Benn was right: no-one should own more than one paper. If the Beeb is privatised, it will mean yet more of the British media is owned by one of press and broadcasting oligarchy. And that is a threat to democracy and press freedom.

The Tories are defending the freedom of the press and broadcasting. They’re attacking it.

Back to Censorship with the Tories

One of the reforms now being mooted by the Tories is the introduction of legislation to allow the Broadcasting Standards Authority to intervene in a possibly controversial or offensive programme before broadcast. This is, of course, censorship, and the Tories are well aware of what a hot potato this issue is. Mike’s already reported on his blog over at Vox Political the reaction of Sajid Javid, who has apparently raised some objections to it. It’s ‘apparent’, as Mike considers that Javid’s objections are merely cosmetic formalities. The decision has already been made, but the Tories are presenting a façade of objections in order to stave off criticism that they are all in favour of it.

In fact, sections of the Tory party have for some time now bitterly objected to what they see as appallingly lax, permissive standards on television and the theatre. A few years ago, one of the High Tories with either the Daily Mail, the Spectator or possibly the Telegraph, wrote a piece declaring that British society had been wrecked by the evil Roy Jenkins. Why Roy Jenkins, of all people? After all, Woy was hardly some Marxist or other radical Left firebrand, determined to destroy capitalism. He was one of the founders of the SDP. Some idea of his character can be seen in Gerald Scarfe’s description of him as having ‘a good claret face’.

Nevertheless, the Tory right despises him as the personification of the very worst aspects of the Sixties. It was Woy Jenkins as home secretary in the 1960s, who ended censorship in the theatre, legalised homosexuality and removed the property qualification for jury service. This meant that all kinds of ‘orrible filth was allowed on stage, to the consternation of Mary Whitehouse and the other members of her Viewers’ and Listeners’ Association. The judiciary became soft of crime, because the great unwashed now allowed to judge whether defendants were guilty in the courtroom were not respectable householders, and so had no interest in defending property rights. And most heinous of all, gays were allowed the freedom to indulge their sexuality in the privacy of their own homes, instead of being arrested and properly punished for the threat they posed to society.

Looking back, the restrictions on what was considered suitable for performance, either broadcast, or on stage, was quite severe. Michael Bentin, one of the Goons, said in his one man show, From the Sublime to the Paranormal, way back in the 1990s that the Beeb’s regulations forbade them from making jokes about the following:

The monarchy

Disability

The colour question

‘Effeminacy’ in men

and they couldn’t blaspheme.

They remembered all this through the mnemonic ‘My God, said the Queen, I do believe that one-eyed N*gger’s a poof’. According to the regulations, this would be the single most unbroadcastable sentence possible.

Of course, this censorship became increasingly untenable as popular attitudes changed and traditional authority came under increasing questioning, not least during the satire boom. Ways could be found for entrepreneurs to get round the statutory requirement for theatres to submit their scripts to the Lord Chamberlain for approval before they were staged. And the restriction’s became increasingly anachronistic and absurd. Peter Cook in an interview with Clive James back in the 1990s gave an example of just how absurd and unworkable they were. One of the plays he staged at his club, The Establishment, began with the line ‘Enter three terrible old queens’. Obviously, this violated the prohibition against the portrayal of homosexuals. The script came back covered in blue pencil. They then changed the line to ‘Enter three aesthetic young men’. This, however, was deemed completely accepted and duly passed.

The lifting of those restrictions thus prepared the way for the portrayal of racism and discussions of racial issues in Til Death Us To Part, with Alf Garnett on TV and the extremely camp characters, Julian and Sandy, on the radio comedy series, Round the Horne. Their sexuality was never clearly stated in English, but they spoke in Parlary, the language of actors and the gay underground. And if you understood that, then it was. There were numerous lines about men being ‘omee palones’. ‘Omee’ is the Parlary word for man. ‘Palone’ meant woman, and ‘Omee palone’ was the term used to mean a gay. So, provided you knew the lingo, it was pretty much in front of you all the time, even if the BBC never dared to say it quite outright.

As for the increasingly questioning attitude towards authority, this appalled members of the older generation to the extent that twenty years after it was broadcast, the BBC’s foremost political journalist and broadcaster, Robin Day, still declared That Was The Week That Was ‘deplorable’ in his autobiography, Grand Inquisitor, when it was published in the 1980s. The Tories would dearly love to drag the country back to situation before 1968/9, when there was due to deference to the monarchy and established authority, and the airwaves were full of clean, wholesome family entertainment without the sex and violence that they feel is destroying the British family and sending crime figures shooting up.

It’s highly debatable how far the reactionary Right can turn the clock back to the 1950s. Homosexuality is still bitterly opposed and hated in some sections of British society, but it’s been so widely accepted elsewhere since the 1980s that the Tories have been forced to support gay marriage. Weirdly, even UKIP, which has viciously attacked gay rights, has now gone so far as to want to take part in a gay price march in London. Society generally has accepted premarital sex and the depiction of nudity and some sexual activity on TV – as long as it’s broadcast after the watershed, that it’s hard to see how an outright ban on this could ever be possible or be seen as anything other than ridiculous. Quite apart from the fact that viewers are able to see sexually explicit and violent movies on DVD or the internet in their own homes, and in films at the cinema.

This doesn’t mean that there shouldn’t be some standards, especially when dealing with sex and extremely controversial topics like race. It does mean that the standards have moved so far since the days of censorship that its return would be difficult, unpopular and probably so riddled with complications, contradictions and exceptions as to be unworkable. One example of the latter was the prohibition of the Thatcher government against directly broadcasting statements by terrorists in their own voices. It was introduced to prevent organisations like paramilitaries in Northern Ireland and their associated political parties, like Sinn Fein, from gaining ‘the oxygen of publicity.’ So the TV companies simply resorted to voice actors imitating their voices while quoting their statements. The policy then had to be abandoned, because some of the impressions of the terrorists and their politicians, like Gerry Adams, were so good that they were actually indistinguishable from the people themselves.

And even before the policy was finally abandoned, it was spoofed and something of a laughing stock. The Day Today, the BBC spoof news show, which was the precursor to Chris Morris’ classic and highly controversial comedy, Brass Eye, sent up the restrictions in one edition. This featured an interviewed with a supposed Irish Republican politician, who, ‘in accordance with government broadcasting requirements’, was required to breath helium to make him sound as ridiculous as possible when giving his statement to journalists.

Moreover, any mention of censorship by that very term is extremely controversial. Way back in the 1980s or ’90s the British Board of Film Censors decided to change its name to the British Board of Film Classification as something that sounded much better and far less authoritarian. It’s interesting that the new legislation to allow the Broadcasting Standards Authority to intervene before broadcast has not been described as such. Nevertheless, censorship is what it is.

There is, of course, a much more sinister aspect to the Tories’ planned reintroduction of censorship. They’d like to have complete control over the news before its broadcast, to manipulate its content and control public attitudes. News analysts and media watchers have already noted that the BBC in its reportage is biased towards the Tories, but this isn’t enough for them. Any criticism, not matter how mild, is always denounced as evidence of the Beeb’s liberal bias. This is particularly self-serving when one considers how many of those making the denunciations have connections to Murdoch, who would dearly love the BBC to be reduced, privatised or completely abolished so he could grab some of its broadcasting action.

Private Eye have also published pieces pointing out just how many journalists from the Right-wing press, and associated in particular with Cameron, have gone off to work for the Beeb, contradicting the claims of the Telegraph and Times that there is a revolving door between the Beeb and the Labour party. This is, apparently, shown by the appointment of Andrew Marr as one of the Corporation’s leading political journalists. He is a member of the ‘left-wing’ establishment, as he was editor of the Independent, before taking up his position at the Beeb way back in the 1980s.

Thatcher’s government in particular acted at least twice to try and prevent the broadcast of critical programmes, or destroy the broadcasting companies that did. These were the programmes, ‘Maggie’s Militant Tendency’, an edition of the Beeb’s documentary and current affairs series, Panorama, and the ITV programme, Death on the Rock. ‘Maggie’s Militant Tendency’ annoyed the Tories because of its claim that they had been infiltrated by members of the extreme Right, such as the National Front, in order to radicalise it further, similar to the way the Labour Party had been infiltrated by the Marxist Militant Tendency. They therefore tried all they could to stop it being shown. Death on the Rock was about the shooting of a squad of IRA terrorists in Gibraltar as they were preparing to attack a British army base. The programme alarmed and angered Maggie as it showed that there was no need for the shooting of the terrorists. They had been under observation at almost every point in their journey to the Rock, and could have been picked up and arrested safely, with the minimum of violence, at a number of times before their final battle with the British army. This wasn’t a defensive battle, but a staged execution of the terror squad, intended to punish the IRA and send a clear message that future attempts at terrorism would be dealt with the same way. It also seems to support the allegation of Colin Wallace and others, published by Lobster, that special SAS squads had been embedded in the British army in Northern Ireland in order to carry out similar executions of Nationalists.

Thatcher, however, denied that the shooting of the IRA terrorists in Gibraltar was anything of the sort. She and her cabinet were so annoyed at the programme that the ITV broadcaster lost its licence, and was replaced instead by Carlton. The very name of that company recalls the Tories’ Carlton Club in London, and suggested their political allegiance, or at least compliance, with Maggie’s demands. Despite Maggie’s denials, Lady Olga Maitland later gave the game away in her biography of the Iron Lady published later, where she said that the terrorists were shot as a punishment, rather than killed from self-defence.

And if the Tories were upset and tried to ban hostile programmes, they also harbour long grudges about programmes supporting them which the Beeb didn’t broadcast. Every so often you can read one of the Tory journos griping in the Daily Heil or one of the other rags about the Beeb’s bias in not broadcasting a play about Maggie and the Falklands War. This had a pro-Thatcher perspective, and included a scene showing her crying about the squaddies, who had been killed by the Argentinians in the conflict. I find it hard to believe that Maggie shed any tears for anyone, except herself and her immediate family, but this might be right. Either way, it was not broadcast, and the Tories have bitterly resented this and used it regularly as a cudgel to beat the BBC for its supposed left-wing bias ever since.

If the Tories manage to get their way with the new broadcasting bill and its provisions, you can expect their control of the media to be more or less absolute. Mike and many of the other left-wing bloggers have pointed out how protests are not reported by the BBC, or given minimal, grudging coverage. This included a massive demonstration of tens, if not hundreds of thousands, outside the Beeb’s own doorstep. This will only get worse with the Tories’ plans for the Broadcasting Standards Authority to act before broadcast. There will be even less hostile or oppositional coverage of the Tories and their policies, and instead much more programming supporting them. Of course, this could ultimately damage the established broadcast media, as more people would turn to the internet, and foreign news channels to get an idea of what was going on here. It’s happened already, in that Russia Today and the Iranian Press TV have already given extensive coverage to protests and demonstrations against the Coalition and their cuts, which the Beeb and British broadcasters have done their best to ignore as far as possible.

The political dimensions to this new censorship won’t be introduced explicitly. Instead, it’ll be like Cameron’s proposed legislation trying to censor the internet. It’ll be promoted and set up under the pretext of protecting impressionable Brits from porn and other objectionable material. The Daily Mail will no doubt celebrate it as the return of proper protection for the vulnerable children watching TV. Nevertheless, it will come in. The Tories will do what they normally do, and lie and deny that it is censorship, but this will be exactly what it is. And another British freedom will have been destroyed to make the world safe and profitable for them and their corporate backers.

Union Action for the Unemployed: The Invasion of the Ritz and in the 1980s

One of the pieces contained in Colin Firth and Anthony Arnove’s selection of radical and democratic texts from British history, The People Speak: Democracy Is Not A Spectator Sport, is Jack Dash’s account of the invasion of the Ritz Hotel in 1938 by himself and other members of the National Unemployed Workers Movement. Dash (1907-89) later became a docker and trade union leader. He said at one point that his epitaph should be ‘Here lies Jack Dash/ All he wanted was/ To separate them from their cash. His account runs as follows:

We decided to invade the Ritz Hotel in Piccadilly. Everything was well planned. The press – that is, the London and national newspapers (and in those days before the swallowing up of the little fish by the big ‘uns under free enterprise there was quite a number of them) were all informed in advance. At the appointed time about 150 of our unemployed members, all dressed up in such remnants of our best suits as had escaped the pawnbroker, walked quietly into the Grill and sat down. This did not have the quite hoped-for effect, for due to a mistake – the only organizational mistake I can remember on the part of the campaign committee – we had overlooked the fact that the Grill was never open in the afternoons, only in the evenings. However, we continued as planned, took our places at the tables which were being set by waiters in readiness for the evening, and then pulled our posters from beneath our coats, with slogans calling for an end to the Means Test and more winter relief for the aged pensioners.

Can you imagine the looks on the faces of the waiters! They stood still in their tracks. Up rushed the management supervisor demanding to know what it was all about. He was politely told by our elected speaker, Wal Hannington, that we would like to be served with some tea and sandwiches because we were very tired and hungry, but he was not to be anxious and could present the bill which would be paid on the spot.

When the supervisor regained his breath he said, in a very cultured, precise Oxford-English voice: “I cannot permit you to be served. You are not our usual type of customer. You know full well that you are not accustomed to dine in an establishment of this quality. If you do not leave I shall have to send for the police.” (This had already been done.) In reply our spokesman informed him that many was the Saturday when wealthy clients of the Ritz would drive down to the East End workmen’s caffs in their Rollses and Daimlers and have a jolly hot saveloy, old Boy7, what! Slumming, they called it, and they too were in unusual attire and frequenting establishments that were not accustomed to such a clientele; nevertheless, said our spokesman, these gentlemen were treated with courtesy and civility and nobody sent for the police. The Ritz, he added, was not a private members’ club but a public restaurant ; he requested the supervisor to give orders to the staff to serve us with the refreshments we had asked for.

The appeal might just as well have ben addressed to the chandelier which hung from the ceiling. The supervisor stood there with a look of scorn, waiting for the police to come and throw us out. We refused to budge, insisting on our right as members of the general public, with legal tender in our pockets, to be served with what we had ordered. Meanwhile Wally had mounted the orchestra platform to address us; waiters and kitchen staff stood around dumbfounded at our temerity. But our speaker was incensed and in good form, and the issue of class privilege was clearly put. I noticed several of the staff members nodding their heads as the speaker touched on salient points. His speech was never finished, however, for the Grill was soon surrounded by the police. A couple of inspectors came over and consulted our organizers; we were ordered to leave, and did so in an orderly manner. As we filed out several of the waiters came up to wish us luck in our campaign, and pressed money into our hands.

‘Jack Dash, The Invasion of the Ritz Hotel (c.1938)’ in Colin Firth and Anthony Arnove, The People Speak: Democracy Is Not A Spectator Sport (Edinburgh: Canongate 2012) 296-7.

The invasion of the Ritz Hotel was also featured a little while ago in a previous episode of the One Show on BBC 1.

The authors of Socialist Enterprise: Reclaiming the Economy, Diana Gilhespy, Ken Jones, Tony Manwaring, Henry Neuburger, and Adam Sharples also note the establishment of centres for unemployed workers in Brmingham, Coventry and Sandwell, as well as the establishment of a Birmingham Trade Union Resource Centre and support given to a Workshop in Coventry to support unions campaigning against the closure of their firms. West Midlands County Council also had an Economic Development Unit had a trade union liaison officer. It also produced a ‘Jobs at Risk’ information pack for workers whose companies were either in difficulties or about to close down. (p. 59).

I’m sure there are organisations like the National Unemployed Workers Union campaigning for the unemployed. Unfortunately, the trade unions have been decimated by Thatcher and successive administrations, while local authorities have found their spending savagely attacked. No doubt part of this was to prevent Left-wing councils spreading such subversion by empowering the hoi polloi. We could, however, do with a few more very visible protests and campaigns to raise the profile of unemployment, and just how savage, degrading and inadequate current welfare provision is. Pointing out that IDS’ reforms are leading to deaths of 38,000 per year, so that no-one can claim ignorance, would also be an immense help. I do wonder if a mass march on Chipping Norton, or invasion of the Carlton Club following the example of Jack Dash and the Ritz wouldn’t do any harm, either.