Posts Tagged ‘Boy George’

Producer of Radio 4’s ‘Today’ Programme Promises Guest Editor Will Be AI

September 30, 2017

Sarah Sands, the new producer of Radio 4’s Today current affairs programme got into the news this week because of the controversy over her intention to expand the range of topics the programme covers. Sands has plenty of experience in the arts, but little as a political journalist. She’s already expanded the programme so that its coverage includes the arts, science, culture and fashion. The programme’s got 7 million listeners, and there are fears that she’s dumbing the show down. The I quoted John Humphries as complaining that she was filling it with ‘girls’ stuff’, as well as a fashion designer or journalist, who described how, when he interviewed her, it was clear he had no understanding or interest in the subject.

Sands has also said that she intends to line up a series of guest editors for the show, one of which will be an A.I. This was followed by a quote from her where she said that it was certain that Artificial Intelligence would outstrip human intelligence as sure as night follows day, but should humans bow to the superhumans?

Despite repeated assertions by computer scientists that next year, or perhaps the year after, no, wait, by the mid 2020s, or sometime soon at any rate, computers will be more intelligent than humans, I remain unconvinced. They’ve been saying that ever since I was at school in the 1970s and 80s. And even before then. The philosopher Hubert L. Dreyfus wrote a book, What Computers Still Can’t Do: A Critique of Artificial Intelligence, detailing the repeated failures of the attempt to recreate human-level intelligence in machines. One edition of his book was published 20 years ago in the 1990s, but I’ve still got no doubt that nothing much has changed in the intervening years. And looking round Waterstone’s a little while ago I saw a similar book on the shelves, with the title Humans Are Seriously Underrated.

So I really don’t see computers overtaking human journalists any time soon.

And then there’s the question of who this automated editor will be. Somehow I don’t it will be the great, computer-generated vid jockey, who appeared on Channel 4 in the 1980s: M-M-M-Max … Headroom!

Yes, the AI presenter with the big hair, big suits with massive shoulderpads, and an ego to go with it, as well as a fixation with golf and S-S-Severiano Ball-ll-ll-osteros. And also a massive electronic stutter.

Max was one of the biggest things on TV at one point, talking to Terry Wogan, David Letterman, and had his own chat show, whose guests included Boy George and Rutger Hauer.

Here’s a reminder from YouTube what the big guy was like.

This should be the only AI to guest edit, and front, the Today programme.

And yes, I realise it was actually Matt Frewer in rubber mask, suit, and wig, and the only thing that was really computer generated were the patterns behind him. But even so, he had style. And if you can bring back Elvis by hologram, you should be able to do the job for real and generate Max properly on computer this time.

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Radical 80s Anti-War Pop: Frankie Goes to Hollywood – Two Tribes

August 6, 2016

A week or so ago I put I blogged about Sting’s great anti-war song, Russians. Based on a tune by Prokofiev, and with the haunting refrain, ‘Do the Russians love their children too?’, this was Sting’s protest against the new Cold War between America and Russia in which both sides were condemned for their militarism. The video I used here was of a performance the great songster made a few years ago on Russian TV, which shows how far the world has come since I was a schoolboy in the 1980s. Then, Russia and the rest of the former eastern bloc were very much closed off to the West, although as the political climate thawed, the BBC did launch a fascinating series of films on the Soviet Union. This included an edition of antenna on Soviet TV. I was moved to put up the video as a reminder of great pop challenging the horrific spectre of nuclear war by the arms build up in the West and increasing tension between NATO and Russia. There’s been a series of manoeuvres in Estonia, Poland, Romania and the other Baltic states against the possibility of a Russian invasion, despite the fact that the Russians have said that they have no intention of doing any such thing. This follows a book by a NATO general predicting that by May next year, Russia will have invaded Latvia, and our nations will be at war. This should terrify everyone, who grew up in the 1980s and remembers the real threat of nuclear Armageddon then, along with the horrific spoutings of some generals about fighting a ‘limited nuclear war’ in Europe.

Unfortunately, that possibility has just come a step nearer after the statement on Morning Joe, an American news programme hosted by Joe Scarborough, that he had been told by a foreign policy expert that in discussing the subject with Donald Trump, the coiffured clown asked him three times why America hadn’t used nuclear weapons. As I said in my last post, this is a very good argument for keeping the pratt out of the White House, if not the society of decent humans. If you only needed one argument for not wanting to see Trump as president, regardless of the endorsement of violence, the misogyny, the racism and Islamophobia, this would be it. Trump shouldn’t be president, because he’s a threat to all life on Earth.

Sting wasn’t the only pop musician to release a piece in the 1980s against the militaristic posturing between East and West. So too did Frankie Goes to Hollywood. Frankie … were a band that managed to shock the British public with the release of their single, Relax, and the homoerotic imagery of both the song and the accompanying video. It was so shocking, that the Beeb was supposed to have banned. This, of course, had the usual effect of making it massively popular, and it shot to Number 1 in the charts. The band’s frontman, Holly Johnson was gay, as was I think, one of the other band members, but most of them were straight. Bands like Frankie…, and other gay pop stars like Marc Almond, Jimmy Summerville and Boy George helped to challenge the popular prejudice and real hatred there was for gays there still was then, over a decade after gay sex in private between consenting adults had been legalised.

Two Tribes continued their trend of edgy music by presenting the confrontation between East and West as a bare knuckle boxing match between someone, who looked very much like Ronald Reagan, and an opponent, who was clearly based on one of the Russian presidents of the time. I can’t work out quite who the Russia is based on, as he looks a bit like Brezhnev, but not quite, and I can’t remember who Andropov and Chernenko, the last two Soviet presidents before Mikhail Gorbachev, looked like. To my mind, he looks more like Boris Yeltsin, the former mayor of Moscow, who succeeded Gorby as president of Russia. Unlike Gorby, Yeltsin wasn’t a Communist, but a capitalist-in-waiting, who sold off just about everything that wasn’t nailed down. The result was that Russian economy went into meltdown, millions across the former USSR were thrown out of work without any of the welfare safety nets in place in Europe or America, while rampant inflation wiped out people’s savings. Despite his generally pro-Western, pro-capitalist stance, he could also be belligerent. Sometime in his presidency, a Norwegian sounding rocket went off course, and landed somewhere in Russia. Yeltsin appeared on TV pounding his desk and declaring that he had been quite prepared to respond with nukes, if such an event seemed to be an attack on Russia. He was also, like many of the Russia politicos, including Brezhnev, massively corrupt. A lot of the state enterprises he privatised mysteriously ended up in the hands of his cronies, and people, who were prepared to fork over a lot of roubles. He was also a figure of western media amusement, as he appeared to be permanently smashed, unlike his predecessor, who appeared far more temperate and had launched a strong anti-drink campaign. The mass privatisation of the Soviet Economy had a devastating effect on its citizens’ health, which Basu and Stuckler discuss in their book, the Body Economic, on how economic austerity harms people’s physical health. Putin, with his promise of economic stability and national pride, is very much a response to the chaos of the Yeltsin regime. I’ve got a feeling Yeltsin might be dead now, but if anyone needed a good drubbing, it was him, though by the Russian people, who had a better reason to hate him than Ronald Reagan.

Frankie’s Two Tribes shows the violence in the ring escalating, until the audience of other international dignitaries begin fighting amongst themselves, to the consternation of the ringside commentator. The video ends with the Earth itself being blown up, a graphic comment on the real danger of the conflict. The song’s title, Two Tribes, also gives a very cynical take on the conflict. This isn’t about politics, human rights or the effectiveness and justice of economic systems. This is just pure tribalism, the primitive, nationalistic aggression that has haunted humanity since the Stone Age. I can’t say I was ever a fan of Frankie Goes to Hollywood, and just about everyone I know is repulsed and disturbed by the Relax video. But Two Tribes is a classic piece of ’80s pop with a very relevant political message, and one that deserves to be given another hearing. Before Trump gets anywhere near the White house, and starts ranting and threatening like Reagan.