TYT’s Francis Maxwell Tears Into Charlottesville Nazis in Less Than Five Minutes

In this short clip, The Young Turks’ Francis Maxwell uses his dulcet Scots tones to rip into the Nazis who goose-stepped into Charlottesville last week with stinging ridicule. Maxwell states that he’s mocking fun of them because they do not deserve to be taken seriously or to be given the dignity of anything but mockery and ridicule. And he also lays into those from the Right, from Donald Trump and Laura Southern on down, who condemn both sides. Because this equates anti-Nazis with Nazis, those who protest against racist violence and discrimination, with those who would perpetrate.

Amongst the Nazis and White Supremacists he attacks is the young man, who claims he wasn’t really a racist. He points out that if he seriously means that, then he should have take a trip to Las Vegas instead of joining a Nazi rally. He then posts up multiple pictures of the guy, with a paedophile moustache added so that he resembles his hero, Adolf Hitler.

He also tears bloody chunks off an older man, in T-shirt with long, greying hair, whom he calls ‘Gandalf’. This man spent years planning armed attacks against Black and Jewish businesses. He’s a career criminal, who, if they were serious about their march being all about heritage and not a campaign for racist violence, shouldn’t have been allowed in the local demonstration.

He also launches another attack on a yet another moustachio’d man, who cried that he’d better be kept a hundred feet away from a school.

He also mocks them for their lack of personal hygiene, their terrible fashion sense – deriding them as ‘neckbeards’ who have stolen their father’s khaki chinos, and their entire lack of attractiveness to women. He calls them ‘basement dwellers’, who have never ‘touched a breast’, and says that ‘Gandalf’ should have taken his crew to a brothel instead of the march, as there they would have had a 20 per cent chance of actually talking to a woman. Although this was still high estimate of their chances of success. He also accused the lad wearing the neckbeard of having grown it to hide how many times women had swiped left on him when they’d seen him on mobile phones.

The Young Turks in their blurb for the video state that this is how you rip into them, and they’ve got a very fair point. As for the Nazis’ sex appeal, or lack of it, The Young Turks have also made a video revealing that the young men, who joined their march were encouraged by the organisers, who told them that this would make them attractive to women and would get them girlfriends. Some hope of that! As the Turks themselves also pointed out, this was the same recruiting tactic ISIS uses: that if young guys join them, they’ll be inundated with jihadi brides all wanting their bodies and their children.

Counterpart also published a piece commenting on the Nazis’ sexuality as well by a female sex therapist, who has contributed a number of articles to their site. She also observed their massive lack of appeal to women, and stated that rather than confronting the fact, they simply retreated into massive misogyny and hatred towards women in order to try and explain it to themselves. She also declared that many of them were repressed gays trying to suppress their fantasies about their fellow stormtroopers, and tormented by fantasies of well-endowed Black men satisfying their wives or girlfriends.

As a general observation on the weird sexuality of Fascist groups, this is very accurate. Ludwig Theweileit, a German historian, wrote an entire book, Male Fantasies, arguing that an important psychological component in Nazism was homosexuality. 75 per cent of the SA, the paramilitary wing of the Nazi party, who were wiped out by the SS on Hitler’s orders during the Night of the Long Knives, were gay.

This doesn’t mean that the Nazis were at all tolerant of gays, as claimed by some supporters of the Republican party. They weren’t. Homosexuality amongst Jews was promoted before the Holocaust as a method of stopping the Jewish people from reproducing. Aryan gays were persecuted as well as the other racial, religious and political groups banned by the Nazis, and were interned in the concentration camps. If I remember correctly, there was even a play about the Nazi persecution of gays, Bent, staged in the 1980s.

And lurid fantasies and fears about the racial other preying on Aryan women is also a standard part of White racist/ Nazi psychology. Hitler had a recurring nightmare of a chained, blonde woman terrorized by a Jewish butcher. One of the anti-Semitic myths promoted by late 19th century racist ideologues is that Jews are more highly sexed than gentiles. And Blacks have also suffered from a similar racist myth – that they are more sexually motivated than Whites, and have larger genitals.

As for their lack of success with women, this reminds me of an article about a Far Right musician, who was part of the Nazi Black Metal/ Industrial scene in America in Adam Parfrey’s collection of articles on apocalyptic America, Cult Rapture. The article was entitled, ‘Where Can I Find a Girlfriend for this Nice, Young, Nazi Psycho-killer’ or something similar. This particular specimen of walking race hate had produced a book or pamphlet arguing that, rather than being prudes and puritans, the Third Reich was a sexual wonderland. The author himself was also spectacularly unsuccessful in attracting the attentions of the opposite gender. He did manage to get himself a date once with a female White supremacist, but he was too much even for her. She escaped from him by claiming out the windows of the ladies’ toilets after telling him that she needed to powder her nose.

Of course, they’re a very serious threat under all this. But the Nazis are such a bunch of twisted individuals that they deserve all the ridicule they get.

Miley Cyrus Puts a Wrecking Ball into Trump

Mike over at Vox Political has put up a piece reporting that pop chanteuse Miley Cyrus has given her succinct opinion of the New York Nazi, Donald Trump. And it wasn’t approving. She described him as ‘a –ing nightmare’, and in the colourful demotic of contemporary rap, expressed her physical disgust and wish to leave the country.

Quite.

I realise that Cyrus isn’t exactly everyone’s musical cup of tea. She was Hannah Montana, but after growing up she decided to make her act much more raunchy, to the angry dismay of moralists, and the delight of Daily Mail journalists as they rushed to their keyboards to knock off stories about what an evil menace to western civilisation she is, and how twerking should be banned, with full pics so you can share the outrage too. But she’s done something cool here. And she’s right: Donald Trump is indeed a nightmare.

His racial attitudes are horrendous. His bigoted attitude towards Mexicans and Muslims is well known, as is his support for torture, even when it doesn’t work, and the targeting of civilians in the War on Terror, or whatever name they’re giving to the bloodbath in the Middle East. All of this is genuinely frightening enough. His alliance with the far right- he’s actually given press passes to a White supremacist radio show, The National Cesspool – could even pose a threat to pop culture.

Modern pop music, by and large, is pretty liberal. Part of the mainstream American right hates it because of its very frank embrace of sexuality, including homosexuality. The Moral Majority were most definitely not fans of David Bowie, because of the sexual ambivalence of his ‘Ziggy Stardust’ persona. Some of us can remember the 1980s when the Organisation of Senators’ Wives went chasing around demanding that the recording companies put stickers on the records stating that it had offensive lyrics. Just to protect good old American values, you know. The Reagan administration also inaugurate a series of congressional hearing in which various rockers and pop stars were hauled up before the nation’s elected representatives and interrogated about this new moral threat to America’s impressionable children.

They came a cropper when they got to Dee Snyder, the main man from Twisted Sister. They asked him about how he felt about exposing children to inappropriate material. Shouldn’t he be more careful about his band’s music? They actually didn’t know that Snyder was a responsible father himself, and said he was very careful indeed with what his children listened to. I’ve got the impression many rock stars are the same. Behind all the stage makeup and the bizarre performances, many of them in their private lives have exactly the same concerns about raising their children properly as the rest of society. Not all, by any means, but enough to take the wind out of some of those determined that rock is a genuine threat to western society’s moral fabric.

The Far Right also has ambivalent attitude to pop music. Of course, there is a Fascist music culture with the Nazi skinheads and the Eastern European Black Metal bands. On the other hand, there are also parts of the neo-Nazi milieu that bitterly hate pop and rock music because of its roots in Black culture. Modern rock ‘n’ roll started off as a mixture of White country music and Black barrel house jazz. Along the way it also drew on Blues music – it was due to the Chicago Blues style of Howlin’ Wolf that the guitar is the instrument of choice in contemporary pop music. Before then much Jazz was piano-based. Think Thelonious Monk tinkling the ivories, as well as, if I’m right about this, Professor Longhair. Gospel music has its origin in Black churches, while Punk after the initial fury passed was also influenced by Reggae. Let alone the influence of Ska, R’N’B, and so on.

Some of the White bands, who’ve been accused since of stealing the Blues, were originally real supporters and advocates of Black music. When they started out, the Rolling Stones covered songs by various Black American artists. The Stoned didn’t hide their musical debts – they told their audiences who the piece was really by, and the record label that had recorded it so they could hear it for themselves.

And some of the great Black performers were very proud of the fact that their music brought Black and White together. A little while ago Little Richard gave an interview into which he recalled the segregated nature of the dance halls in America. The Blacks tended to dance, while the Whites stood around the hall and watched. Richard, however, said that when he and his band came on, ‘the White spectators’ around the walls stopped spectating, and came and joined the Black folks on the dance floor. ‘And so’, he said, ‘Before Dr Luther King, we had integration’.

The racist right bitterly hates that interracial legacy and the tolerance that has been partly built up by Blacks, Whites and other ethnic groups, like Latinos creating a common musical culture. You can read rants by some of the American Nazi groups denouncing pop as ‘N*gger music’, and sneering at the people who like it, ‘dance like n*ggers’. It’s disgusting stuff, and it goes back a long way. The Nazis also objected to Jazz as ‘Negro’ music. By allying himself with White supremacists, Trump’s also given his support to people, who despise everything mainstream pop music stands for. Hence Miley Cyrus’ condemnation.