Riley Claims Rowling Abused for Opposition to Anti-Semitism, Not Trans

I really do wonder what goes on in the mind of Countdown numbers person Rachel Riley. Yes, she’s another fanatical supporter of Israel who can’t tell the difference between anti-Zionism – which is opposition to an ideology – and anti-Semitism, which is simply racial hatred of Jews. But her hatred of anti-Zionists, or indeed, of any critic of Israel’s barbarous treatment of the Palestinians, has now grown so fervent that sometimes she speaks utter nonsense. As when she accused the Durham Miner’s band of being some kind of SS Nazi organisation because they played Hava Nagila at the close of the miners’ gala, just as they did every year. Even a brief knowledge of real Fascism and Nazism is enough to dispel that. One of the first things Hitler did was smash the trade unions, replacing them with a much weaker, pro-management substitute, the Deutsche Arbeitsfront. Mussolini tried to win over the established socialist trade unions after banning the socialist parties. When he couldn’t, he banned them and made it compulsory for Italian workers to join the Fascist trade unions. The black trade unions which formed part of the MSI, the Italian neo-Fascist party after the war, were anti-socialist and supplied blackleg labour during strikes. In Britain, the opposition to Oswald Mosley and the BUF included the Communists and trade unions, as well, of course, of self-respecting Jews and Irish. And Ken Livingstone, in his 1987 Livingstone’s Labour, describes how bog-standard, ordinary mineworkers and the unions objected to the employment of former Nazis by the Coal Board after they offered their services to British intelligence.

Examining some of her statements, I find myself using the same advice Private Eye gave its readers when reviewing the books written by Jacob Rees-Mogg’s esteemed pater. You read it very carefully, and then turned it round 180^o, and bingo! You’d reached the right conclusion.

Last week Riley raised her head to claim that J.K. Rowling had suffered horrendous abuse and vilification, not because she didn’t believe that transwomen were women, but because she was opposed to ‘Corbyn and anti-Semitism’. Well, it’s true that she did issue various statements over the net attacking Corbyn as an anti-Semite. She also accused Mike of being an anti-Semite and a Holocaust denier. All this told me is that, whatever her strengths as a novelist, she was credulous in this regard and believed everything she read in the papers.

Rowling has come under fire for many of her views. The anti-immigration Alex Belfield types attacked her for defending asylum-seekers and the channel migrants. They demanded that if she was that in favour of them, she should put a few up in her multi-million pound mansion. They can’t make the same accusation of Benedict Cumberbatch, of course, because he has indeed taken one of them in.

But most of the abuse Rowling’s suffered came from a tweet she made a few years ago, in which she told her trans readers that they should dress how they want, sleep with whoever would have them, live their best lives, but that transwomen weren’t women. Not a hateful statement at all, as far as I can see. But because of this she was immediately accused of hating transpeople and wanting to kill them. Since then there were moves to exclude her from the documentary marking 20 years since the Harry Potter movies, and trans activists telling the world to read her books but ignore the fact that she wrote them. In all of this, I haven’t seen any evidence of anti-Semitism from her trans critics and opponents. In fact, I don’t recall seeing any evidence of anti-Semitism from trans rights activists at all. Rather the opposite. Maria MacLachlan, who posts her gender critical videos on the Peak Trans channel on YouTube, has one in which she refutes the accusation that ‘TERFs’ – Trans Exclusionary Radical Feminists – are right-wing. Among the tweets she shows which make this accusation is one that says that ‘Terfs are Nazis, literal Nazis’. Which is utter nonsense. Many, if not most, gender critical feminists come from the radical left and are utterly opposed to racism, which includes anti-Semitism and Jew hatred. As for the trans rights activists, in all of their abuse I don’t think I’ve seen one that mentions Jews, let alone expresses anti-Semitism views. As far as I can make out, Rowling’s trans opponents are simply opposed to her refusal to accept their dogma that transwomen are women. And I have to say that her criticisms of Corbyn and the Labour were so long ago that I’d forgotten them until Riley reminded me of them.

Riley’s talking nonsense. I don’t know if she made this ridiculous accusation because her hatred of Corbyn has now become so intense and obsessive that he’s living rent-free in her head, or whether Starmer’s position as head of the Labour party is now so shaky that she’s somehow afraid Corbyn will come back. But she’s talking arrant bilge regardless, bilge which deserves to be refuted along with her other prejudiced statements about the Labour left.

Vox Political on John Whittingdale’s Attack on the Beeb’s Independence

John Whittingdale, the Tory perv and walking security risk currently in charge of spearheading the government’s campaign to privatise the Beeb, has finally released his White Paper on the subject. Among his proposals are recommendations that the BBC Trust should be dissolved and replace with a unitary board. This would have members directly appointed by the government, though he tries to reassure critics that most of the board would still be appointed by the Beeb itself. He also wants a new mission statement to be launched by the Corporation, expressing its goals “to act in the public interest, serving all audiences with impartial, high-quality, and distinctive media content and services that inform, educate and entertain.” He also wants it to be “required to give greater focus to under-served audiences, in particular those from black, Asian and ethnic minority backgrounds, and those in the nations and regions”.

Mike here points out what a mass of contradictions the Paper is, as well as its highly patronising tone to the great British public. Mike says

John Whittingdale must think we’re all too stupid to see the contradiction in terms he has written into his White Paper on the BBC.

He reckons the BBC needs a new mission statement: “”To act in the public interest, serving all audiences with impartial, high-quality, and distinctive media content and services that inform, educate and entertain.”

But he also wants to dissolve the BBC Trust, replacing it with a new unitary board including some members appointed by the government – so that’s impartiality out of the window before his new version of the Beeb even gets going.

Some might say the BBC is already biased towards the Tories – we only have to look at the protests against arch-Tory Laura Kuenssberg in her role as political editor at BBC News – but this would instill that bias at an institutional level.

Mike also points out that Whittingdale’s demands for it to give greater service to Blacks and ethnic minorities risk turning the Beeb into a service aimed primarily at catering for minority communities. In Mike’s view, this is better left to the commercial companies.

Mike’s article is at http://voxpoliticalonline.com/2016/05/12/an-impartial-bbc-not-if-tories-get-to-choose-who-runs-it/ Go and read it for more information.

Mike is absolutely right that even having some of the new unitary board appointed by the government would result in a loss of the Beeb’s independence. This has happened on the continent. Sarkozy in France used the government’s control over funding for the state broadcaster to get genuine well-respected French news anchors sacked for daring to criticise him. Berlusconi in Italy used the government’s control of the state broadcaster to pull a late night satirical programme, Rayot, from Ray, the name of the channel, off the air because it dared to spoof him. The writer, Sabina Guzzanti, who used to play Berlo himself in her sketches, later made a film about the affair, Viva Zapatero!
This takes its title from the name of the Spanish president, who ended his government’s power to appoint the head of the state broadcaster, thus making it independent of government control.

Now Whittingdale is trying to do the opposite, and thus join Sarkozy and Berlusconi in trying to make television and the media generally the mouthpiece for their official propaganda.

As for the Beeb catering more to BAME audiences, the Corporation has tried to do that through radio stations set up specifically to serve different ethnic minorities. One of these was the Asian Network, for which the Beeb has been running trailers a couple of weeks ago. I think there’s also another radio station for Blacks. I seem to recall there also being adverts for this station being run about 12 years ago. It was also specifically part of the remit of Channel 4, when that station was set up as a public service broadcaster. And Channel 4 did broadcast much material aimed at Black and Asian audiences. Apart from the Indian films on ‘All-India Goldies’, they also broadcast a history of the world, which was designed to put European history in its place as the history of just part of our planet, and give equal space to events elsewhere around the globe. There was a history of Africa, presented by Basil Davidson. Davidson’s White, but he’s an Afrocentric historian, who believes that the major cultural developments supposedly pioneered by ancient Greece and Rome were actually taken from Black African civilisations. It’s the same view as Martin Bernal in his immensely influential book, Black Athena. A couple of years later, the BBC also produced a series on African history, presented by a Black Muslim historian, Dr Ali Mazrui.

Between them the Beeb and Channel 4 have also nurtured much Black and Asian talent, like Lenny Henry, the Asian comedy show, Goodness Gracious Me, which first appeared on radio as The Secret Asians, Felix Dexter, Stephen K. Amos, who now has a weekly show about his own life growing up late night on Radio 4. Saturday tea-time on Channel 4 there was also a comedy programme set in a Black London barber shop, which was on just before the awesome Max Headroom. Many of the performers in these shows managed to make the crossover into more mainstream programming. Mira Syal has appeared in many different programmes over the years, including a soap with the Bog-Eyed Brummie Git, Jasper Carrot. Nina Wadia was in Chambers, a comedy set in a firm of lawyers, with one of the Long Johns. And Sanjeev Bhaskar has also gone to a variety of other shows, not least the Kumars at No. 42, which has spawned various versions across the world. The American version is called The Ortegas, and is about an Hispanic family. And Lenny Henry really needs no introduction.

I’m not saying the Beeb’s record in this is perfect. There is still much controversy about the lack of performers and directors from ethnic minorities in television. For example, a year or so ago a number of celebrities gave their support to a campaign for greater representation for Black and Asians on television. Those joining the campaign included Benedict Cumberbatch and Daniel Craig. I am merely trying to point out that the Beeb has made some effort in this direction.

Mike also points out that TV favourites like Strictly Come Dancing and Dr Who also have a very wide appeal, including minorities. Indeed they have. What struck me about the new Dr Who when it was revived by Russell T. Davies was the increased presence of Black and Asian characters. What made the news was Davies determination to include gay characters, like Captain Jack, but Davies was also very obviously keen to make the series more representative of British society. And so Rose Tyler’s boyfriend, Mickey, last seen fighting the Cybermen in a parallel dimension, was Black. As was another of the Doctor’s companions, a lady doctor. And the various future worlds and planets to which the Doctor has travelled have also been very multicultural. Or at least, they are if their inhabitants are humanoid. There are, for example, Black Timelords, while the besieged human mission attacked by the forces of darkness in the episodes ‘The Impossible Planet’ and ‘The Satan Pit’ included Blacks and Asians.

I got the distinct idea that it’s this type of representation – more Black and Asian faces on mainstream programmes – that anti-racist campaigners are keen to promote, rather than separate broadcasting ghettoes. A few years ago Private Eye ran a few pieces noting that the BBC Asian network was having trouble recruiting talent for precisely this reason. The aspiring British Asian stars and directors of tomorrow wanted to go into mainstream broadcasting, rather than confine themselves simply to their own communities. Of course, Whittingdale would like the Beeb to become mainly a broadcaster for minority interests, as it would leave the field free for the big corporations the Tories represent to move in on the mainstream audiences the Corporation has vacated. The Eye has also satirised that attitude in this fortnight’s addition, in which it has Murdoch’s papers whining about how the BBC is terribly unfair for producing genuinely popular programmes, and thus discriminating against all the rubbish produced by Murdoch’s and the other commercial broadcasters.