My discipline, archaeology, has been massively going after Graham Hancock this week. Hancock’s ah, um,, ‘maverick thinker’, I suppose you’d say, who’s been presenting a series on Netflix arguing that thousands of years ago there was a highly advanced civilisation that perished in a cataclysm, but passed on its secrets to other ancient civilisations around the world. This has understandably annoyed archaeologists and a number have put up videos, some of them lengthy and quite detailed, disproving him. Hancock’s been promoting this idea for some time now. Going back two decades and more, he had a series on Channel 4 with the title ‘Water World’ or something like it, also arguing that there was a global advanced civilisation, whose monuments have been covered up by a flood, as recorded in the Bible and other ancient religions. Now I’m sure that Hancock is wrong, and the criticisms of his dodgy history and archaeology are right. But I take exception to one of the other accusations levelled at him, which is that he is racist.
This accusation is partly based on his false ascription of the achievements of indigenous cultures around the world to this putative prehistoric civilisation. It denies those people the credit for their achievements. But the accusation is also that it’s similar to the ideas of some bonkers White supremacist groups, who are using Hancock’s ideas to promote themselves. One archaeologist posted a video saying that Hancock should have disavowed the use of his ideas by these fascists. It also criticised him for being friends with Joe Rogan and Jordan Peterson. There are fair criticisms to be made of both of these men. Peterson’s an arch-conservative and anti-feminist, but hardly a Nazi. Rogan was pushing anti-vax nonsense and is an advocate for some mind-expanding drugs. A few years ago people were accusing him of being a ‘gateway to the Alt-Right’. Possibly, but he also talks to people from the left, who are otherwise denied a platform by the lamestream media. Journalists like Abbie Martin, who talked about Israeli propaganda against the Palestinians and how she found, when she visited the beleaguered Arab nation, that the reality was nothing like the picture painted by the Israeli state. He’s also talked to biologists and journalists exposing the lies of the trans ideology. This is not Alt-Right, no matter what groups like Mermaids, Stonewall, Antifa and the rest say. The people criticising the gender ideology tend to be radical feminists, many from the socialist left. Part of their opposition against it is that it reduces masculinity and femininity to traditional, stereotypical sex roles. One of the feminist vloggers interviewed one of the leading activists against the trans ideology, who was furious that people like her were being presented as right-wing. Another feminist activist criticised Matt Walsh for misrepresenting feminists as uniformly in favour of trans ideology, and then criticising them for it. Rogan gives a voice to people outside the mainstream. Sometimes it’s rubbish, and sometimes it’s immensely valuable. He has also interviewed a number of Black celebs, so again, not a Nazi.
The White supremacist ideas being referred to seem to me to be the Traditionalist ideology of Giulio Evola. Evola was an Italian Fascist and occultist, who was a major ideological influence on the scumbuckets behind the Bologna railway bombing in the 1970s. A fascist group bombed the station, killing and maiming over a hundred people. Evola believed that there was a strongly hierarchical, ‘Aryan’ civilisation in Hyperborea in the arctic, which was responsible for all the subsequent cultural achievements of the civilisations around the world. This is twaddle. But Hancock’s ideas are also similar to those of others, which don’t come from people in the fascist fringe. A couple of years ago I picked up an old book, Colony Earth, which had been published in the 1970s. This claimed that Earth may have been an extraterrestrial colony, whose advanced civilisation was destroyed in a nuclear war. The pyramids may have been fall-out shelters, as were the megalithic tumuli in Britain. It’s an interesting read, but certainly wrong. I think Charles Berlitz, who started the Bermuda Triangle myth, also believed in this, supporting it in one of his books with artefacts from Aztec tombs that look like aircraft. Berlitz is someone else, who I’m fairly certain has absolutely no connection to fascism whatsoever.
And I don’t believe Hancock is either.
When he was travelling the world on his Channel 4 series he was accompanied by his wife, who is Sri Lankan. Now, White supremacists do not, as a rule, marry dark-skinned people from outside Europe. If they do, they’re angrily denounced as ‘race traitors’. In one edition of this earlier series, Hancock reported on the mysterious ruins of ancient city found off the coast of the Bay of Bengal. He was shown talking respectfully to an Indian gent, who told him how such findings tie in with Hindu ideas of the antiquity of civilisation and ancient Indian legends of flooded cities. Again, this isn’t quite behaviour you’d expect from a genuine White supremacist. He also travelled to South and Central America, where he proposed the old theory that the Mayans, Aztecs and other ancient Amerindian civilisations must have learned how to build their pyramids from someone else. I think this was once again ancient Egypt. But who brought that knowledge to the New World? Black Africans. He pointed to an Olmec bas relief of a warrior’s head, and declared its features to be ‘proudly African’. If this is racism, then its Afrocentrism rather than White supremacy. As for the ancient race behind these monuments, Hancock doesn’t say what colour they are. In this, he breaks with some of his predecessors, who say they must have been White because the legends of numerous Amerindian peoples state that vital parts of their culture were brought to them by White gods. Hancock is therefore less racialised in what he says than his predecessors.
I disagree profoundly with Hancock’s ideas, but he has a right to say them like everyone else. And if it piques people interest in these ancient cultures so that they want to find out what they were really like, that’s all to the good. But I do think it’s profoundly wrong to accuse him of racism. That just further cheapens the word and weakens it as a weapon against the real thing.
This is a fascinating video I found on Novara Media’s channel the other day. In it, host Aaron Bastani talks to archaeologist David Wengrow about the origins of the state and the development of social inequality. Wengrow argues that the evidence from archaeology challenges assumptions that prehistoric and preliterate peoples were incapable of rationally deciding for themselves what kind of societies they wished to live in. He gives examples from prehistoric Europe and North and South America to show that ancient and indigenous peoples not only did decide on the kind of societies they wanted, but were perfectly capable of reversing trends in their societies towards authoritarianism. One of the examples of this, which I found truly jaw-dropping, was one of the city states the conquistador Hernan Cortes made alliance with against the Aztecs. Unlike the Aztec empire, that state city was a democratic republic. He also talks about the influence on Enlightenment critiques of western society of a Huron Indian chief in Canada, who was an intelligent conversationalist able to hold his own in conversations about the nature of society to such an extent that French, British and Dutch colonial authorities invited him to dinner to talk this matter over.
Wengrow starts off by stating that modern political theory about the origins of society, as taught in politics courses, is completely divorced from archaeological accounts. The theory is based on the speculations of foundational Enlightenment thinkers like Hobbes and Rousseau, who admitted that they were speculating. But these accounts are now taught as fact. Archaeological research, however, is overturning previous ideas about the origins of urban society. For example, it was believed that agriculture and urbanisation were linked and appeared together as part of the Neolithic Revolution. But this is not the case. Excavations of the ancient city of Catalhuyuk in Turkey show that while it was an urban centre, although Wengrow hesitates to call it a city, show that its people were still hunter-gatherers, living by foraging rather than agriculture. And the same is true of the settlement at Amesbury at the time Stonehenge was being built. The people then had given up agriculture, although they retained animal husbandry. It appears they had tried growing crops and then rejected it in favour of foraging.
He then goes on to talk about the Huron Amerindian chief. He inspired a colonist from New France, who had been expelled from the colony, to write a book based on the chief and his dinner conversation when the colonist was penniless in Amsterdam. This became a massive Enlightenment bestseller, and inspired other books by Voltaire and others in which Chinese, Tahitians and other outsiders criticise European society. Wengrow states that the Indian societies surprise western Europeans because they were much less hierarchical than they were, and contact with these societies and the indigenous critics of western civilisation did influence European political philosophy. We easily accept that Europe took over many material products from these nations, but are much less ready to accept the idea that they influenced our ideas, even though the Enlightenment philosophers said that they had.
He also talks about Cahokia, a great pyramid and city state in the Mississippi valley in America. This appears to be another example of a society, in which people rebelled or simply walked away from authority and hierarchy. It was also another indigenous monument that was ascribed to everyone else but the native peoples when it was first discovered, and is now disrespected by having a road driven through it. When it was constructed, the local society seems to have been hierarchical. At the top of the mound is a structure from which all of the city could be viewed. But sometime after its heyday it was abandoned. The traditional reasons are that the climate changed, but Wengrow finds that unconvincing. What seems to have happened instead is that people simply got tired of living in such a society and walked away.
Tenochtitlan, one of the great cities in ancient Mexico, is another example of a strongly hierarchical society that underwent profound social change and became more democratic. Wengrow states that it’s a massive state, and they owe a debt to the French scholar who produced detailed maps of it. When it first emerged, it was hierarchical but then the nature of society changed. People started living in high-quality, single-floor homes. These were so good they were originally thought to be palaces, but now it appears they were villas occupied by ordinary citizens. At some point, the people of Tenochtitlan decided that they wanted a more equal society, to the extent that some scholars believe that there was a revolution.
Then there is the case of the democratic city state Cortes encountered. This really was democratic, as there are accounts of the debates in its assembly. This astonished the conquistadors, as there was very little like it in Europe at the time, except some of the Florentine republics. This all challenges the notion that once society develops to a certain extent and becomes complex, inequality also emerges and is very difficult to challenge or remove. These cases show that indigenous peoples could and did. He also argues that the same may have been true of slavery. The only successful slave revolt that we know of is Toussant L’Ouverture in Haiti. But Wengrow suggests there could have been thousands of other successful slave revolts in prehistory of which we are unaware. Slavery came about, he argues, from the expense of laying out offerings for the dead. In order to leave food and drink for the dead, the bereaved had to have access to the foods themselves and so they became indebted and dependent on the people who owned those resources.
He also talks about the problems in describing some of these urban centres as cities. There are huge sites in the Ukraine, but archaeologists are hesitant about calling them cities with some preferring other terms such as ‘mega-sites’ because they aren’t centralised.
Bastani asks him at one point about the problem of pseudo-archaeology. I think this came up because Graham Hancock is currently fronting a series on Netflix claiming that way back in prehistory there was an advanced society, but that it was destroyed in a global cataclysm. Wengrow states that quite often pseudo-archaeology is based on old and discarded idea, such as Atlantis. The people involved tend not to be anyone who’s ever been on an archaeological dig, and view archaeologists as spending their lives trying to hide some momentous secret from everyone. But it can act as an entry for some people to archaeology, and he doesn’t really like the sneering attitude of some archaeologists towards it.
Wengrow himself is an interesting character. He didn’t want to be an archaeologist originally, but came to it from acting. He also worked in the BBC Arabic service. He decided at one point he wanted to get a degree, applied to the best university he could, Oxford, and sent reams of applications to its various colleges. They turned him down. Then he was told that he should apply for a place on a course that was just being set up. One of the colleges was just setting up an archaeology course, so he did. When it came to the interview, he told the interviewer that he had always wanted to be an archaeologist. At which point she held up all the previous letters he’d written. But they admitted him, and he has now had a career teaching and excavating in places like Egypt.
He states that sometimes the pseudoarchaeology about a period or culture misses the point about what’s really interesting about it. He talks about the idea that the Sphinx was constructed before the pyramids, and admits that it’s actually a reasonable question. But if you go back to the predynastic period a thousand years before the pyramids were built, you come to the burial sites of one of Egypt’s first kings. This is fascinating, although you wouldn’t know it from the dry way it has been discussed in conferences and museums like the Petrie Museum. Excellent though these are, they talk about highly specialised subjects like pot typography which is excruciatingly dull if you want to know the wider picture. The early king’s tomb is composed of room after room of the bodies of the people and occasionally the animals that were slaughtered to accompany the king into the afterlife.
The interview is based on a book Wengrow wrote with a colleague, The Dawn of Everything. Sadly, after spending a decade writing it, the co-author died just a few weeks after its completion. The book has been widely praised, and has even inspired artistic pieces. He talks about a French woman, who composed a piece of music based on it. He regrets he was unable to attend its performance thanks to jet lag coming back from somewhere, but later met the lady when she came to Britain.
I know a little about some of what he’s talking about to have no doubt that he’s absolutely right. One of the seminars in the archaeology department at Bristol, which I attended, was about how cities like Catalhuyuk were established before the appearance of agriculture. One of the huge Neolithic sites in the Ukraine is discussed in the La Rousse Encyclopedia of Archaeology. The great mound of Cahokia is also discussed in a book I bought years ago on North American Indian archaeology. I wasn’t aware that the people of Stonehenge had given up growing crops, nor of the democratic city states in South America and Mexico. This is fascinating stuff.
He’s right about archaeology contradicting the ideas of Enlightenment philosophers about the origins of society, though I’m not sure how much of a problem this is. The philosophers he discusses – Hobbes and Rousseau – were Social Contract theorists. Social Contract theory is the idea that the state and society were set up when men came together to select an authority under whom they would live, so that their lives and property would be protected. Thus the first kings. These princes are the representatives of the people, and so from the 17th century onwards the idea developed that sovereignty lay with the people, who could revoke the power they had delegated to the prince. This was the view of John Locke. However, subsequent philosophers showed that this was just conjecture, and that it could have happened like that as the people at the time were using concepts that only subsequently developed after the foundation of states and kingdoms. I thought Social Contract theory was dead, and he closest it had to a modern advocate was John Rawls in his Theory of Justice. Rawls argued that if people were just disembodied entities wishing to chose the kind of society in which they would care to live, they would choose one that had the maximum freedom and justice for everyone, as that would also include them. Away from centrist politics, the anarchists have been keenly interested in anthropology and those indigenous societies where there is no central authority.
I’m not sure how well some of this would go down with Sargon of Akkad and the Lotus Eaters. They’ve developed an interest in archaeology, recently posting a video discussing Homo Erectus, along with the Norman Conquest and ancient Rome. But Sargon is a huge fan of John Locke and describes himself as a classical liberal. I don’t know whether archaeology’s findings about the origin of early states would contradict his ideas or not.
This is hilarious, and nothing to do with politics. I gather that Uri Geller has raised his head again, threatening to use his psychic powers against Vladimir Putin. Or at least his spoons. I found this video from 2012 on YouTube in which the great psychic loses his temper during an interview with a man from the Spoon Council. Geller wants to talk about his great achievements, while his interviewer keeps reminding him that he became successful in Britain through appearing on TV and bending people’s spoons. Geller gets very irate at this, and throws him out, threatening to call his lawyer. But there’s a shot of his car outside, decorated with bent spoons.
Geller’s amusing, but I seriously doubt that he has any genuine psychic powers. The spoon bending trick, for example, goes back to the 18th century where it can be found in the book Rational Recreations. Which sounds like the kind of book Mr Spock would read for fun. And back in the ’70s, an Israeli judge found against him in a court case brought by a dissatisfied customer at one of his cabaret performances. Geller was at the time Israel’s foremost nightclub stage magician. He advertised his performances as showing undeniable proof of the existence of psychic powers. But an engineering student who went to one said that all he saw was stage magic, and sued. I think it was under the Israeli version of the trades descriptions act. The beak was not impressed with Geller either, and found in the student’s favour.
At his height in the ’70s Geller was working with scientific psychic researchers like Andrija Puharich. He once claimed to have teleported from Israel to the US, although someone punctured this by producing his airplane ticket. He appeared on one American TV show with one of the American astronauts, who had played golf on the Moon. Geller produced the golf ball he claimed the astronaut had hit and lost up there. And back in the ’90s the Mexican government paid him to use his psychic powers to find lost Aztec gold. He looked for it by flying about over the land of the ancient Mexica in a helicopter waving his hand out the window in the hope of getting the vibrations or whatever. Nice work if you can get it!
Back to the spoons, one of Private Eye’s spoof columns for a long time was ‘Me and My Spoon’, in which the magazine spoofed interviews with celebs and politicians with fictional interviews asking them what their opinions on spoons were. These satirical pieces usually ended with the celeb throwing a strop. Geller’s interview here seems straight out of it.
This is another provocative video from History Debunked’s Simon Webb. In it he describes how the modern European trade in African slaves began in 1442 with the Portuguese explorer, Antao Goncalves and a Black slave, Adahu. Goncalves, whom Webb calls Anton, had been commissioned by the Portuguese king, Prince Henry ‘the Navigator’ to acquire seal skins and oil. Eager to ingratiate himself with his royal master, Goncalves raided west Africa for slaves. One of those captured was Adahu, who spoke Arabic. Adahu explained that he was a chief and if he was set free, he would help the Portuguese acquire as many slaves as they wanted as he knew the local slave markets. Goncalves took him back to Portugal, where he impressed the king, and he and Goncalves went into partnership slaving. Although the Portuguese had acquired slaves through seizing foreign vessels before, and the Arabs had imported Black slaves into the Iberian peninsula for centuries before the beginning of the European trade in Black slaves, this marked the beginning of the modern slave trade.
Webb also points out that both Europeans and Africans attempted to cheat each other. Europeans attempted to pass off broken or substandard goods, like broken muskets to their African partners, while Africans adulterated the gold they used to purchase goods from the Europeans. Webb points out that this isn’t a popular view now, as it conflicts with the image of Africans as helpless victims. But he argues that the simple logistics of operating a mass slave trade means that Europeans had to have African assistance. They simply couldn’t have enslaved and carried off the large numbers they did if they had carried on capturing them directly, as they earlier had done. He also states that it is similarly mistaken that it was Europeans who brought slavery to America. Both the Aztecs and Maya enslaved their enemies, while in modern Alaska the Haida and Tlingit did the same so that about a quarter of the indigenous population may have been slaves.
I’ve said before that Webb is a man of the right, and that some of his facts may need to be checked. But as far as I can tell, he is correct. Hugh Thomas describes how Goncalves captured Adahu in his The Slave Trade, who says on page 55:
“These new captives included a local chief, Adahu, who spoke Arabic. He negotiated his own release, and that of a boy from his own family, on the understanding that if he were taken back to where he had been found he would deliver some black slaves in exchange.”
Black African involvement in the transatlantic slave trade has been mentioned in museums and documentaries. The exhibition on the city’s involvement in the slave trade at Bristol’s city museum in the 1990s, entitled ‘A Respectable Trade’, included it, and there was a documentary about it in the same decade on Channel 4. More recently a programme on the history of that part of Canada and America also discussed slaving by the Tlingit and gave the same proportion of the enslaved indigenous population in that part of north America at the time.
However, I do think there is a very strong drive to place the blame for slavery solely on White Europeans. I don’t think many Black Brits are now aware how their ancestors were enslaved by other Africans and there does seem to be a reluctance to state just how massively some African princes did profit from the trade.
This might interest those of my readers, who are into UFOs and the theories about ancient astronauts. Cartoonist Kayfabe is a channel on YouTube hosted by two independent comics creators, Ed Piskor and Jim Rugg, which reviews and talks about comics. In the video below, which they put up yesterday, the pair review the first issue of comics legend Jack Kirby’s book, The Eternals.
Published in the 1970s, this was based on the theories of Erich von Daniken, that humanity had been visited in antiquity by aliens, who had been worshipped as gods. In Kirby’s strip, the aliens were the Celestials or Space Gods, immense giant humanoids wearing weird armour or spacesuits, rather like the world-devouring Galactus of Marvel’s Fantastic Four comic. In the strip the Space Gods had come to Earth in the distant past, genetically engineering humanity’s pre-human ape ancestors. The result was three species of humanoids, the Eternals, humanity and the Deviants. The Eternals possessed immortality and superpowers, and were taken by humans as gods. One of the Eternals is called Ikaris, which is clearly a version of Icarus, the character from Greek myth. While the Eternals were generally benign and largely aloof from human affairs, the Deviants were actively hostile. Their genome was unstable, with a result that they were monstrous in form and envied and hated Eternals and humans for possessing a stable body plan and good looks. One of the Deviant characters was a man, who looked human, and so was hated by the rest of the Deviants and forced to compete in lethal gladiatorial contests for their amusement.
I first came across the Eternals as a back-up strip in the British version of Marvel’s Star Wars comic. From what I remember, the first tale had Ikaris, in disguise as Ike Harris, leading a party of human explorers into an ancient South American temple. The temple is, in reality, a monument to the Space Gods, who then return to Earth. The temple becomes their landing site, with one Space God standing sentinel over it. This then becomes a forbidden zone to the three other species. The Celestials have come to judge their experiments, taking fifty years to make their observations and gather information. If humanity or the other races fail the test, the Space Gods will exterminate them.
Kirby was a master of cosmic art, and this strip shows how skilled he was at drawing beings from outer space of immense power. The various ancient astronauts depicted in the temple’s carvings and statuary are clearly influenced by the art of the ancient South American Indian civilisations such as the Aztecs and Maya. This very much follows the views of von Daniken and similar authors, who interpreted a carving of an ancient Mayan king from the temple of Palenque as portraying an ancient astronaut piloting a space capsule.
There have been a multitude of comics about flying saucers since Kenneth Arnold made his sighting of a group of mysterious objects over the Rockies in 1947, which launched the modern UFO phenomenon. The Eternals is an example of how a similar, related theory – ancient astronauts – also entered popular culture in comic form. I don’t think the strip actually lasted very long. Either I stopped reading it, or the strip disappeared from Star Wars comic after a few issues. Despite this, the characters have remained part of the MCU and a film based on the strip, which I’ve blogged about previously, is currently being filmed, trailers for which have been released. Kirby’s art is awesome, and the strip marked Jolly Jack’s return to Marvel after a period with DC. I think Kirby had left because of his dispute with Marvel and Stan Lee over who had created many of the most iconic Marvel characters. Although he had returned, there still seems to have been considerable resentment against Kirby at Marvel. Piskor and Rugg comment on the overwhelmingly hostile tone of the letters Kirby’s editors at Marvel chose to publish in the comic.
I really enjoyed the first Eternals story and its premise, though I think I got bored with it as the tale went on. I shall be very interested indeed when the film finally comes out, as I’m currently in two minds whether I want to see it. It could be very good, and it’ll be great to see Kirby’s designs for the Space Gods appear on the silver screen. It’ll also be interesting to see what effect, if any, it has on the paranormal milieu. Will it lead to a revival of von Daniken and the ancient astronaut theory?
Marvel have released the teaser trailer for the movie of their comic, The Eternals. This shows a race of highly advanced, superpowered people landing on prehistoric Earth to teach early humanity. The voiceover announces that they’ve watched us create some splendid achievements, but have never interfered. Until now. There’s then scenes of them making their presence known, and family gathering in which a juvenile member talks about leading the Avengers and them all joking about it. The movie debuts in November.
After watching this, I’m in two minds about going to see it. I’m not really into superhero movies. Don’t get me wrong, I don’t hate them. It’s just that I’ve no interest in most of them. I loved the original Superman flicks when they came out in the ’70s -80s with Christopher Reeve as the Man of Steele. I like the first Guardians of the Galaxy movie, and I actually think the Ang Lee Hulk movie is seriously underappreciated.
I actually got choked up a bit when I saw it at our local cinema. Yeah, it took liberties with the Hulk’s origin, but it actually got the tone of the book right. The Hulk was always a profoundly countercultural figure. Banner was a former nuclear scientist conducting bomb tests for the military. His girlfriend was the daughter of the senior officer in charge of the project. He was exposed to the gamma radiation that turned him into a ‘raging behemoth’, in Smilin Stan’s somewhat overheated prose, by rescuing a disaffected teenager, Rick, who had driven into the testing range playing his harmonica. I think the model for the character was probably James Dean in Rebel Without A Cause and similar teen anti-heroes. Banner threw him into the protective trench just in time to save him from the blast, but was himself caught in release of deadly radiation as the bomb detonated. And the army Banner served hated his alter ego. The army was determined to hunt him down, and so the Jolly Green Giant was constantly fighting running battles with the American military. And with the revelations of atrocities by American forces during the Vietnam War and the Watergate scandal, in some of the strips Banner was critical of the military and the dehumanisation of ordinary soldiers who participated in covert military experimentation. I am not surprised it flopped when it pitched its hero against the American army at a time when the American, British and European public were all being urged to support our troops during the War on Terror.
But I got choked up on the flick because it was faithful to that aspect of the strip. And in the scenes when the Hulk faces down and fights his father, who has also used the gamma ray process to become the supervillain, the Absorbing Man, they were shot almost exactly like the comic’s depiction of the Hulk’s battles with superpowered enemies. At least as they were drawn by mighty Bill Mantlo.
And then there was the nod right at the end to the Hulk TV series starring Bill Bixby and Lou Ferrigno. This is the scene where a group of paramilitaries walk into a camp where Banner is giving medical care to the local Latin American peasants. They declare they’re seizing his drugs and supplies. Banner naturally objects with the classic line ‘Don’t make me angry. You wouldn’t like me when I’m angry’. All the while the camera is pulling upward until all you see is the tops of the trees. And then it ends with the Hulk’s roar.
Blow what the critics think, I thought it was awesome!
But back to the Eternals. They were drawn by Jack Kirby, and first appeared over this side of the Pond in Star Wars Weekly, if I remember correctly. The strip was based on the theories of Erich von Daniken. He’s the Swiss hotelier and the author of Chariot of the Gods and its various sequels, which claimed that humanity had been visited by spacefaring aliens in antiquity, who’d been worshipped as gods. Alien expertise were behind the construction of various monuments, like the pyramids, the Easter Island heads. The mysterious Nazca lines out in the Chilean desert weren’t made by the genius of the pre-Columbian Indian peoples. No! They were landing strips for the aliens’ spaceships. His ideas have been extensively debunked, most notably in Crash Go The Chariots. But they still exert a certain influence on the ancient astronaut crowd, along with the bonkers theories of Zechariah Sitchin and his wretched Nephilim.
In the strip, the Eternals were a sister race to humanity. Both peoples were the results of experimentation on ancient pre-human apes by the Celestials. These were fifty foot tall ‘space gods’, encased entirely in space armour and possessed of immense powers. The Eternals were blessed with immortality, highly advanced technology, and superpowers. Their names recalled those of the Graeco-Roman divinities. One of the leaders of the Eternals in their dealing with humanity was Ikaris, whose name is obviously a form of Icarus, the son of the inventor Daedalus, who died because he flew too close to the sun. Alongside the benign Eternals were a malign third race, the Deviants. Make up your own jokes here. I wonder if they’re going to be in the film, and if they are, whether they’ll give them a different monicker because of its sexual connotations. While the genomes of humans and Eternals were genetically stable, that of the Deviants very definitely wasn’t. They were thus monstrous in appearance, and were bitterly jealous of the handsome appearance of their cousins. Human-looking Deviants were hated and persecuted, forced to fight against each other in gladiatorial combat and the Deviants were constantly seeking ways to destroy humanity.
Meanwhile, the Space Gods themselves had returned to Earth to judge the results of their experiments. They would take fifty years doing so, during which time they remained immobile and hidden at the sites of their ancient landings and cults. If humanity was judged a failure, the Celestials would destroy us.
I liked it because at the time I was really into the possibility of ancient astronauts, and Kirby’s art was magnificent. He’d taken pains to educate himself about science and cosmology, and nobody drew ‘cosmic’ like Jolly Jack. Even now I’d say that he’s peerless in his depiction of alien gods and godlike beings like the Celestials and Galactus. In the 1970s he was approached to provide the concept art for a film of Roger Zelazny’s novel, Lord of Light. This fell through, but the idea and his art was later used by the CIA as a cover for rescuing American hostages in Iran. If you see some of it, you’ll see just how impressive Kirby was.
Kirby’s Art for the abortive film, Lord of Light, from Desirina Boskovich, Lost Transmissions – The Secret History of Science Fiction, Film and Fantasy (New York: Abrams Image 2019) 234.
But I’m in two minds about this movie.
I was fascinated by the Celestials themselves. They were huge, ridiculously powerful, and totally alien. They were roughly humanoid, with the same number of arms and legs, but encased in armoured suits that suggested more the gods of the ancient, primal societies of some Amerindian peoples and ancient Japan. They also had no interest in communicating with us whatsoever. When they returned, their emissary just took up his position in an ancient Mayan/ Aztec temple and then stood stock still. This was how he’d remain for the next fifty years. And the Celestials made it very clear that they wanted to be left alone. When a villainous scientist ignores the urgings of the Eternal Ikaris, in human disguise as Ike Harris, to leave, the Celestial uses his advanced technological powers to transform him into a cube of inert matter. The scientist will remain in this state for the next fifty years, when he will be restored when the Space Gods pronounce their final judgement on humanity.
They were like true aliens in that they were incomprehensible. And genuinely awesome in their immense power. You couldn’t challenge them, you couldn’t negotiate with them or even talk to them. You could only stay out of their way.
But the trailer doesn’t show them. The Guardians of the Galaxy showed glimpses of them, which is one of the reasons I like them. Apart from the fact that they also had Steve Gerber’s avian hero from a parallel dimension, Howard the Duck. I’d like them to be in the flick, and that they are as powerful and awesome as they were in the original comics and in their very brief appearances in the two Guardians movies.
But I’m afraid they won’t, or they will be underused, and that the film will be simply another superhero movie, as enjoyable as they are for Marvel aficionados. At the moment I’m cautiously optimistic, as Cosmic Book News and other SF/Fantasy/comics websites have covered photos released way back in 2019 showing the Space Gods tombs. These were originally passed off as sets for the latest Star Wars movie, but later revealed to be for The Eternals film. And they do show the influence of Jolly Jack.
Yesterday’s I for the 14th December 2020 also carried the news that archaeologists had discovered even more skulls, which formed part of a tower built with the remains of the heads of victims sacrificed to the Aztec god Huitzilopochtli. The article on page 33, titled ‘Tower of skulls found at Aztec dig’, runs
Dozen more skulls have been found by archaeologists digging at an Aztec temple beneath the centre of Mexico City.
The 119 skulls made up part of a tower of heads of sacrificed humans kept as a trophy by the pre-Columbian civilisation. A five-year dig beneath old buildings near the city’s Templo Mayor ruins has so far revealed 603 skulls.
The latest are thought to be part of a skull rack from a temple dedicated to teh Aztec god of the sun, war and human sacrifice. Known as the Huey Tzompantli, it stood on the corner of the chapel of Huitzilophchtli, the patron of the Aztec capital, Tenochtitlan. The Aztecs dominated large parts of central Mexico from the 14th to the 16th centuries.
Their empire was overthrown by invaders led by the Spanish conquistador, Hernan Cortes, who captured Tenochtitlan in 1521.
The piece included this photo showing the skulls encased in the tower’s walls.
The Aztecs were one of the world’s great civilisations, no question, and its destruction by the Conquistadors and the decimation of the Amerindian peoples by slavery and disease is one of the great crimes of western imperialism. But they were aggressive, warlike and cruel. They believed that the sun god, Tezcatlipochtl, depended on a constant supply of human blood to sustain him. Hence, while other peoples made treaties with their neighbours trying to make peace, the Aztecs did the opposite. They made a treaty with two of their neighbouring civilisations for perpetual war in order to supply the sacrificial victims their religion required. Their architecture reflected the bloodthirstiness of their religion. Some of their great buildings have carvings of the flayed skins of their enemies, which were hung on poles and worn by the priests. So horrific are some of their monuments, that when the British Museum held a special exhibition on them, ‘Empire of Blood’ a few years ago, the Independent’s arts journo, Philip Hensher, compared them to Auschwitz and said he wanted nothing to do with it. It sounds like an overreaction, but as I’ve hard it said that about 30,000 people a year were sacrificed in their temples, and that these deaths were celebrated in their architecture and sculpture, which Hensher also found unattractive, describing it as ‘blocky’, you can see his point. Some western archaeologists have also said that the destruction of their religion was no loss to humanity. I was reading a book on the archaeology of death around the world, and the author described the horrors of the Aztec sacrificial cult. He said very clearly that no matter how bad Christianity was, it was far better than the religion it replaced.
It isn’t just in Bristol that people are pulling down the statues of those, who were racist, imperialist or connected to slavery. In America protesters have pulled down more statues of Confederate generals. According to the Beeb, they also pulled down a statue of Christopher Columbus. Back across the Pond in Belgium, a statue of King Leopold II was also attacked.
Columbus and the Genocide of the Amerindians
Many people are no doubt surprised and shocked that Columbus should be the centre of such controversy and anger. Again, this is because most people largely don’t know much about him. All most people are taught are that he discovered America, as in the rhyme ‘In 1492 Columbus sailed the ocean blue’. He was an Italian in the service of the king of Spain. Many may also believe the myth begun by Washington Irving, that until Columbus found the New World, everyone believed that the Earth was flat and you’d fall off the edge if you sailed far enough. In fact people at the time had know perfectly well that the world was round, and had done since at least late antiquity and the early Middle Ages. Columbus himself was seeking a new route to the wealth, and particularly spices, of India and China. The overland trade routes had been blocked by the Turkish conquests, so Columbus was seeking a new route to these countries by sailing around the world. In doing so, he failed to realise that the world was actually larger than he believed. When he landed in the Caribbean, he thought he had landed in Asia. It was only towards the end of his career that he began to suspect that he hadn’t, and had discovered an entirely different, new continent instead.
Although it opened up a whole new world for Europeans, and especially the Spanish, it was a catastrophe for the indigenous peoples. Columbus described the Caribbean peoples he met as ‘gentle and mild’, and they welcomed their strange, new visitor. After Columbus returned to Spain, the situation changed with the Spanish conquest. The indigenous peoples – the Taino, Arawak and Caribs were enslaved and worked to death mining the gold that the Spanish and Europeans craved. If they failed to produce enough gold for their European masters, they were killed and mutilated. One of the contemporary sources for the conquest of the New World states that one of the punishments was to amputate their hands, and then hang them around the victim’s neck. Indigenous women were raped and sexually exploited. Indigenous populations were also devastated by the diseases Europeans brought with them, such as smallpox. The population of the Americas had reached several million before Columbus’ arrival. I forget the estimated number – it might be something like 8 million. That number had dropped considerably after the European conquests. The Spanish pushed further, overthrowing the Aztec and Inca empires and conquering the Mayan city states. And across the continent the indigenous peoples were devastated by disease and war, and enslaved on the vast estates carved out by the conquistadors. Other Europeans followed them, who were equally brutal – Portuguese, French, Dutch and ourselves.
The carnage of the European conquests means that Columbus is very definitely not a hero to the New World’s indigenous peoples, nor to the Black populations who succeeded them. Transatlantic slavery emerged because Europeans replaced the Indian workers they’d exterminated with African slaves. Nearly thirty years ago, in 1992 there were demonstrations and denunciations by indigenous Americans and Blacks at the celebration of the 500th anniversary of Columbus’ discovery of America. For the Amerindian peoples, the festivities were a celebration of their genocide and enslavement. Black Americans also condemned them as a celebration of slavery, an accusation that was repeated by Black Britons three years later when this country celebrated John Cabot’s discovery of Newfoundland.
Leopold of Belgium and the Congo Atrocity
Centuries later, at the end of the 19th century, Leopold was also responsible for genocide on a scale comparable to the Nazis in Zaire, the former Belgian Congo. He’d acquired the area as his own personal property, and decided to exploit his new territory through rubber production. He set up his own, private police force, the Force Publique, and forced the indigenous peoples to cultivate and produce it. The indigenous Congolese were given quotas, and if they failed to produce the set amount of rubber, they were beaten, mutilated and killed by the thugs of his private police. Tony Greenstein in an article he has published on his blog a few days ago estimates the number of killed at 10 million. I don’t know if that’s the generally accepted number, as it seems he prefers the upper end of the estimates of European genocide. But it wouldn’t have been far off. There’s a very good popular book on slavery produced by Buffalo Books. I think it’s called just Slavery, and covers all of its forms, including the infamous Coolie Trade in Indian indentured migrants and the enslavement of Pacific Islanders to serve on the plantations of Fiji and Queensland. This also covers the Congo atrocity. It’s profusely illustrated with contemporary pictures, cartoons and photographs. I came across the book when a copy was given to the Empire and Commonwealth Museum, where I was doing voluntary work cataloguing the Museum’s holdings on slavery. One of the photographs was of a Congolese man forlornly looking at his severed feet. Slavery is an horrific subject, and there were a number of very graphic illustrations. But that was one that definitely made me feel ill.
The horror stopped because of the public outcry created by its exposure by several brilliant, crusading European and American journos. The Belgian government took it out of Leopold’s hands and turned it into a state colony. For many years the whole subject was something most Belgians wished to forget. However, in the late 1990s or early part of this century, Belgium began reexamining its relationship with its colonial past. There was an exhibition at the country’s national museum around the exhibits from the Congo. This included new works from contemporary artists and performers about the exhibits and the issues they raised.
Conclusion
For most ordinary people, at least in Britain, the attacks on these statues are astonishing. They’re yet another example of the violent iconoclasm and assault on history and White identity of the BLM movement. I doubt many people in Britain know enough about Leopold and his personal crimes against humanity to care what happens to his statue. But there are good reasons why Blacks, the American First Nations and their sympathisers should hate these statues and want their removal. Columbus and Leopold were monsters, and like Colston brought suffering to unimaginable millions. The attacks are shocking because we aren’t taught about the consequences of the European conquests in school history, although it is certainly not hidden or covered up. You can read about the Spanish conquests and the genocide of the Amerindians in books on South American history, as well as the classic treatment of the dispossession and genocide of the North American peoples, Bury My Heart at Wounded Knee.
It’s why the BLM and Black and Asian activists are justified in calls for the dark side of British and European imperialism to be taught in history.
In this evening’s edition of Dr. Who, ‘Rosa’ The Timelady and her friends travel back to 1950’s America and meet Rosa Parks. Parks was the woman of colour, whose refusal to move from her seat for a White person on America’s segregated buses started the famous bus boycott and mobilized Black America. It was the spark that launched the mass Civil Rights movement.
The blurb for it in the Radio Times reads
The Doctor and her friends travel to Montgomery, Alabama, in 1955. There they meet someone trying to rewrite the history of the black civil rights movements. (p. 64).
There’s another piece about it on page 62, which adds some more details about the episode.
The Doctor and her friends land in Montgomery, Alabama, in 1955 hours before seamstress Rosa Parks lights a fire under the civil rights movement by refusing to give up her seat on a bus for a white person.
It is, of course, one of the great turning points in history, where the actions of just one person triggered a convulsive change for good. But someone wants to stop it, someone wants to alter time to keep things, bad things, just as they are. So the gang must paly their part to ensure events remain exactly as they should be to allow Rosa (Vinette Robinson) her defining moment.
It’s an odd episode, co-written by Majorie Blackman and Chris Chibnall, that’s preachy and teachy, giving itself the had task of explaining segregation, racism and the Montgomery bus boycott to a young audience. So it loses its way as a bit of teatime fun and becomes more of a lecture.
The reactionary Right has been out in force and in full cry against this series of Dr. Who from before it was even aired. The decision to have the Doctor regenerate as a woman resulted in Rebel Media, a far-right Canadian broadcaster, posting a video on the internight declaring that ‘Feminism Has Ruined Dr. Who’. This was by Jack Buckby, a self-declared activist for traditional British values, who used to be a member of the BNP. Hope Not Hate, the anti-racist, anti-religious extremism organization have published articles about him, including a pic of Buckby grinning with his Fuehrer, Nick Griffin. There’s absolutely no reason for any decent person to take anything he says remotely seriously.
Despite the denunciations of the racists, there isn’t anything particularly radical going on here. Star Trek explicitly tackled racism from the very beginning. The kiss between Kirk and Uhura in the episode ‘Plato’s Stephchildren’, was the first interracial smooch on American TV. It was so radical, that I think that part of the episode may even have been removed when it was broadcast in the Deep South in case it caused a massive outrage. In one episode of Deep Space Nine in the 1990s, Sisko and his family found themselves in a holographic recreation of Las Vegas. This caused him problems with his conscience, as in the period recreated – the 1960s – Blacks weren’t allowed in the casinos except as entertainers. The conflict is resolved by his wife pointing out to him that this isn’t really Vegas, but Vegas as it should have been. Back to the Classic series, there was also an episode where the crew of the Enterprise discovered a planet, where a rogue federation anthropologist had remodeled its culture on Nazi Germany. The planet was a fully-fledged Nazi dictatorship, with a bitter, racial hatred of a neighbouring world and its people. Kirk, Spock and the others then try to defeat the planet and its leader before they launch a devastating missile at the peaceful, unaggressive other world. The episode was an explicitly anti-Nazi statement, but naturally some viewers were still shocked by Kirk donning Nazi uniform as he disguises himself as one of them in his efforts to bring it down.
Dr. Who also started out partly as a programme to teach children about history, and so the Doctor travelled back in time with his companions to particular periods to meet some of the great figures of the past, in stories like ‘The Crusades’ and ‘The Aztecs’. In the Peter Davison story in the 1980s, ‘The King’s Demons’, the Doctor and his companions travelled back to the 13th century to meet King John on the eve of Magna Carta. He finds that the Master is trying to interfere in history so that the Great Charter is never passed. He describes it as minor mischief-making by the renegade Time Lord, who is trying to destabilize the galaxy’s major civilisations.
It also reminds me somewhat of Ward Moore’s SF classic, Bring the Jubilee, in which a group of modern Confederate nationalists travel back to the 19th century to try and help the South win the American Civil War.
I think, however, this will be the first time that Dr. Who has devoted an entire episode to the issue of anti-Black racism. In some ways, this is really just the series going back to do something like ‘The King’s Demons’ and the earlier historical episodes, but this time taking an episode from Black history as a natural result of Britain’s population having become far more diverse since the early 60s when the series was launched. Majorie Blackman is Black, and a prize-winning children’s author, so I’m not surprised that she was asked to write for the series. I’ve also no doubt that this episode was created because October is Black History month.
It’ll be interesting to see how this episode turns out. It sounds terribly worthy and not as much fun as the other shows. Which was one of the points one of the right-wing detractors of the new series raised in one of his videos attacking it. He quoted Blackman herself as saying that the programme would be ‘educative’ as well as fun. My experience of some of the anti-racist children’s literature recommended for schools during the 1980s is that they were unrelievedly grim, and were also racist in their own way. They seemed to see Whites as being essentially racist, and teach that Blacks could only expect racism and maltreatment from them. I’m sure this episode of Dr. Who will be far different in that respect, as society has become more tolerant.
Welcome to another instalment in my ongoing series of cartoons attacking the Tory party and their vile attack on the poor, the sick, the unemployed and disabled in the name of corporate profit. Yesterday I put up a drawing I’d made of Evan Davies, Andrew Lansley, David Cameron, Eric Pickles and George Osborne as members of a cannibalistic pagan cult, like the Aztecs or those of ancient Mesopotamia, because of the immense death toll their policies have inflicted on the British public. As I’ve blogged before, according to Oxford University, 30,000 people were killed by austerity in 2015. Over a hundred thousand people are forced to use food banks to keep body and soul together, and 7 million people live in ‘food insecure’ household, where they don’t know if they’ll be able to afford to eat tomorrow.
This cartoon continues the pagan theme of the last one. It therefore has a picture of Baal, the ancient pagan god of the Canaanites, and other gods from what is now Iraq, with human skulls and a strange, demonic creature, part man, part serpent. The two Tories depicted are, if I remember correctly, Esther McVey and Wasserman – I’m sorry, but I’ve forgotten this Tory functionary’s first name.
McVey was the Tory minister for the disabled in Iain Duncan Smith’s wretched and murderous DWP. She used to be the MP for Merseyside or one of the other constituencies in the Liverpool area, before the good burghers of that fair city got fed up with her and threw her out at the last election. Those Liverpudlians not enamoured of her – and there were quite a few – called her the ‘Wicked Witch of the Wirral’. Unfortunately, losing an election doesn’t seem to have put a stop to her political career, and she flew off on her broomstick to take up a position with the Tories in another constituency. She was also one of the proprietors of a TV production company, which produced the ‘poverty porn’ documentaries, intended to confirm the prejudices of all good Conservative voters that those on benefit are unemployed, not because there are no jobs due to structural problems with the economy, but because they’re really lazy.
So to express the deep festering corruption in this woman’s soul – Mike and the other bloggers and disabled rights’ activists found that in one year, 13-14,000 disabled people had died after being found ‘fit for work’ by Atos – I’ve drawn one half of her face a seething mass of malignant pustules. So great was the carnage inflicted by this woman and her superiors in the department, that one wag amended her Wikipedia page so that she became ‘The minister in charge of culling the disabled’. Which is exactly how Mike and many other bloggers and commenters, like Jeffrey Davies regard her. Mike has made it very clear that this is the genocide of the disabled.
As for Wasserman, he was one of the two ministers, who prepared various documents for the privatisation of the NHS for Maggie Thatcher. She was forced to back down from this policy after there was a mass cabinet revolt, and her personal private secretary, Patrick Jenkin, told her just how bad the American system was. Nevertheless, it did not stop her from trying to get more people to get out private health insurance – she aimed at 25 per cent of the British public. And successive right-wing administrations, including Tony Blair’s New Labour, have been aiming at the privatisation of the NHS ever since, gradually selling off parts of it and passing legislation to allow private hospital management chains and healthcare companies, like Circle Health, to take over the running of doctor’s surgeries and hospitals. Wasserman later appeared in David Cameron’s cabinet, where I would guess that he was doing much the same there as he did under Thatcher.
Jeremy Corbyn has promised that he will end the fitness to work tests and the sanctions system, which have seen so many people thrown off benefits for the most trivial of reasons. He has also promised to renationalise the NHS, thus ending nearly forty years of creeping Thatcherite privatisation.
So vote for him for a fairer Britain, where everyone has access to free healthcare, and tens of thousands are not dying of starvation just so that billionaires can have their tax bill lowered, or have a supply of cheap, subsidised labour supplied to them courtesy of the workfare industry.
If you wish to see the faces and know a bit more about some of individuals, who have been killed by the Tories’ assault on the welfare state, Mike, DPAC, Johnny Void and Stilloaks have published articles on individual victims, and lists of those, who have died, complete with brief descriptions of the circumstances of their deaths. The last time I looked, it was about 500-600 plus people, but the true figure is many times higher.
To stop the carnage the Tories have inflicted and are continuing to inflict, vote Labour.
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