Here’s another question about writers inventing or predicting later scientific concepts. In my last such post, I wondered whether Poul Anderson had predicted James Lovelock’s Gaia Hypothesis back in 1952 in a story about alien plants growing on an asteroid, which had become symbiotically linked so they acted as a superorganism. This time the writer. who predicted later SF trends, is J.D. Bernal, a scientist from Ireland, who was also a Communist. In the 1930s Bernal wrote a pamphlet, The World, The Flesh and The Devil, discussing future trends in technology, the colonisation of space and human evolution. Although it’s something like 90 years, it’s still immensely influential and many of its predictions are scientifically plausible. It’s one of only two scientific works included in Mike Ashley history of British SF in 100 stories. This notes that, among other inventions, it suggested that people would live on the inside of spherical space colonies containing up to 10,000 people. These have been named Bernal spheres after Bernal. He also proposed space elevators carrying spacecraft to orbit, which have since become associated with Arthur C. Clarke through his book The Fountains of Paradise. Clarke said on reading Bernal’s book that he was amazed how many of the ideas he thought were his were actually Bernal’s, though the idea of space elevators was actually first invented by a Russian.
Bernal also suggested that humanity would merge with machines, and so predicted cyborgs, although he doesn’t use that term for them. This was invented by NASA scientists in the ’60s. He also suggests that robots could be networked together and linked to a human operator to form a kind of hive mind, although he doesn’t call it that either. Hm. Cyborgs linked together so that they form a collective intelligence? That sounds very much like the Borg, one of the villains from Star Trek. These are a race of cyborgs, who have done exactly that, crushing all individuality in the process. They consider themselves superior to all other races, whom they forcibly assimilate, uttering the chilling words: ‘We are Borg. Resistance is futile. Your biological and technological distinctiveness is at end. You will service us.’ It struck me that the Borg is partly a metaphor for Communism, its extreme levelling and the reduction of the individual under its mass society to drones, apart from the more obvious fear of an alien threat coming to destroy and enslave us. I don’t know whether the writers of Star Trek ever read Bernal’s book. I doubt it, and it seems to me that they created them independently. But Bernal does seem to have got there first with the concept of a group of robots or cyborgs with a single, collective mind.
The Borg, Star Trek’s cyborg villains. From Michael Westmore and Joe Nazzaro, Starlog Presents The Official Magazine Star Trek The Next Generation Makeup FX Journal (New York: Starlog 1992).
This is really chilling. Interesting Engineering, a YouTube channel devoted to news about cutting edge science and technology, put up a piece today about a company, EctoLife, launching the concept of a mass artificial womb facility, that could produce 30,000 births a year. The channel said that the use of the term ‘produce’ was deliberate, as the company also intends to have tools that would allow parents to customise their children.
This is really chilling, as it seems some moron has read Aldous Huxley’s Brave New World and thought it was a good idea. Huxley’s SF classic is set in a community 200 years after the Fordist Revolution. The family has been abolished and children are born from hatcheries, genetically manipulated and conditioned for their predetermined roles in society. Sex is purely recreational, and parental terms like ‘mother’ and ‘father’ are considered obscenities and unspeakable insults if directed at people. Drugs are used recreationally, and it’s a hedonistic culture directed towards pleasure in which genuine cultural progress has ceased, and art, literature and so on aren’t valued. I think it’s been filmed at least twice. There was a miniseries in the 1980s/90s, if I remember correctly, and another TV version at the beginning of this century.
People have been predicting the development of artificial wombs for a long time. Way back around 1984/5 the Observer ran a piece about them and what they would mean for the people born from them. They were also included in one of the articles speculating about future scientific discoveries and how they would impact humans in a 1990s issue of Scientific American. This included a photo of goat embryos being grown in a lab.
There are any number of ethical issues about this. The most immediate is the divorce of human reproduction from biology. I can see how the development of such techniques could help those women, who want children but are physically unable to carry a child. But this also raises the spectre of the mass industrial production of humans, the withering away or abolition of the traditional family and its replacement by the company or the state, as well as the genetic engineering of humans to suit the wishes of the parents. This is really dark, dystopian stuff, and recalls some of the fears that were discussed with the development of test-tube children back in the 1970s.
On the other hand, I do wonder if this is actually a serious proposition. A number of companies have announced very ambitious scientific schemes in the past. Back in the 90s once again, one American company declared it was seriously interested in developing a space elevator. That’s a giant lift that would take capsules up into space so they could be launched using far less energy than on Earth. That’s an idea made famous by Arthur C. Clarke in his book The Fountains of Paradise. It also needs far tougher materials than are available at present. In order to withstand the immense weight and stresses, the elevator would need to be made of a material 80 times stronger than steel. There have been interesting developments in the creation of tough carbon fibres, but at the present level of technology the construction of such an edifice is impossible. There was a piece in one of the popular science mags, I think it may have been New Scientist, in which the author predicted that we’d see space elevators in perhaps two or three decades’ time, given recent progress. Well, perhaps. But I’m still sceptical, just as I’m sceptical about this ever becoming a reality. Note that they’re talking about ‘concept’ rather than reality. That says to me that this may well be just hype, and they’re actually a long way away from creating it.
The online encyclopedia states that she was encouraged in her career after writing a letter to Patrick Moore about it when she was 16. He replied, ‘Being a girl is no problem’. She studied astronomy and physics at Leicester University in 1973, where she met her long-term collaborator, fellow astronomy student Nigel Henbest. The two formed a working partnership, Hencoup enterprises, devoted to popularising astronomy. She then carried out postgraduate research as a student of Linacre College, Oxford, in the university’s Astrophysics department. She became the senior lecturer at the Caird Planetarium at Greenwich. In 1984 she was elected president of the British Astronomical Association. She was the first female president and second youngest. I can remember her appearing on Wogan and playing down the fact that she was the first woman to become president, far preferring to be noted as the youngest. She also served as the President of the Junior Astronomical Society, now the Society for Popular Astronomy. In 1988 the London Planetarium invited her to write and present its major new show, Starburst. In 1993 she was appointed professor of astronomy at Gresham college. She was the first woman to hold the position in 400 years and remained professor until her death.
She wrote and co-wrote with Henbest over 40 books, as well as writing articles for a range of magazines such as BBC Sky at Night, BBC Focus and Astronomy. She also presented a lecture on the solar eclipse in Guernsey in 1999, and led expedition to view other eclipses in Sumatra, Hawaii, Aruba, Egypt, China and Tahiti. She also made numerous public appearances and talks about the cruise liners Arcadia, Queen Mary 2, and Queen Victoria. She was aboard Concorde when it made its first flight from London to Auckland. She also appeared and spoke at various science festivals, including Brighton, Cheltenham, and Oxford. She also spoke at corporate events for British Gas, Axa Sun Life and IBM.
She also presented a number of programmes and series on astronomy on the radio. These included Starwatch and The Modern Magi on Radio 4. She also presented an Archive Hour programme on the same channel on Britain’s Space Race, for which she received an Arthur C. Clarke award. She also appeared on Radio 2, and Radio 5Live, as well as making other appearances on Radio 4. She also presented a series of thirty 15-minute episodes on the history of astronomy. Her shows for the BBC World Service included A Brief History of Infinity, The Essential Guide to the 21st Century, and Seeing Stars, which was co-hosted by Henbest.
She made frequent appearances as the guest expert on various TV programmes, mostly on Channel 4. She made her first TV appearance on The Sky at Night, In 1981 she presented the children’s TV programme, Heaven’s Above, on ITV with Terence Murtagh. I think I remember watching this when I was about 14 or so. She then presented the series The Planets for Channel 4, which was followed by The Stars. She also presented the ITV show Neptune Encounter, the Horizon episode ‘A Close Encounter of the Second Kind’, and Stephen Hawking: A Profile on BBC 4.
Couper, Henbest and the director of her series, The Stars, founded a production company, Pioneer Productions. The Neptune Encounter, which covered Voyager 2’s flyby of the planet, was its first programme. She was also the producer for the Channel 4 shows Black Holes, Electric Skies and Beyond the Millennium. She later left the company to concentrate on more general radio and TV appearances.
In 1993 she was appointed a member of the Millennium Commission. Of the nine commissioners appointed, only she and Michael Heseltine continued until it was wound up.
Outside her work on astronomy, she was also a guest presenter on Woman’s Hour, as well as the John Dunn programme and Start the Week on the radio. She was also interested in local history and literature, and so appeared on Radio 4’s With Great Pleasure and Down Your Way. She also appeared on Radio 3’s In Tune selecting her ‘pick of the proms.’ She was also the narrator on a number of other factual programmes, including Channel 4’s Ekranoplan: The Caspian Sea Monster, and Raging Planet on the Discovery Channel.
So, a huge science populariser, but probably one whose achievements are obscured by other, more prominent, celebrities.
As well as the children’s astronomy programme, I also once saw her speaking on about Mars and the question of life on the Red Planet at the Cheltenham Festival of Science. She had a rather mischievous sense of humour. There’s a real possibility that life in some form has existed on Mars and may exist now, but if it does, it’s almost certainly at the level of microbes. At the time, however, various individuals who had spent too long looking at photos of the planet claimed to have seen much larger lifeforms on the planet. There was a programme on Channel 4 in which a Hungarian astronomer appeared to describe how he believed there were massive mushrooms growing there. People also thought the saw giant ‘sand whales’ crawling about its surface, like the sandworms in Dune. These were, in fact, geological features left by some of the dune’s slumping, which created a trail that looked like the segmented body of a worm. One of the peeps taken in by this was the late Arthur C. Clarke. Clarke rang her up from Sri Lanka, asking her if she’d seen them and telling her that he really didn’t know what to make of it. She commented that for a moment she thought he’d gone mad, then covered her mouth like a naughty child caught saying something she shouldn’t.
For all that she played down her importance as a female pioneer in astronomy, I think she did prepare the say for more women to enter it and become television presenters. There’s now a drive for more women in the hard sciences, and we’ve science had a Black woman presenter, Aderin-Pocock, on the Sky At Night, and female astrophysicists and mathematicians appearing on the radio and TV.
More space art for anyone who’s interested. This is a fascinating look at the great art in the 1971 book, Frontiers of Space by Philip Bono and Kenneth Gatland, taken from Sci-Fi Art’s channel on YouTube. Gatland was, I think, one of the leading members of the British Interplanetary Society, set up in the late 1930s to promote spaceflight and whose alumni includes Arthur C. Clarke and David A. Hardy. They’re still going, and I was a member for a few years. They have two magazines – a newsstand magazine, Spaceflight, and a technical Journal, which is far more academic. Looking through the art, I recognise some of the concepts. Several of the pictures show what looks like three space shuttles fixed together before flying off separately into space. That was the British Project MUSTARD concept for a spaceplane. If built, it would undoubtedly have made us a leading space power. But I think it was too advanced and too expensive, and so went the way of a number of similar British ideas. Earlier in the book there’s a German design for a spaceplane, in which the orbital spacecraft rides piggy-back on an air-breathing plane. It’s similar to the Sanger spaceplane concept which the Germans also developed in the 90s.
But aside from the interest in looking at visions of a spacefaring tomorrow that never happened, the artwork is brilliant.
Exciting film news for fans of Arthur C. Clarke. Denis Villeneuve, the director of the latest Dune movie, as well as the flicks Arrival and Blade Runner 2049, is apparently set to film a version of Arthur C. Clarke’s Rendezvous with Rama. This is about a group of astronauts exploring a mysterious alien space habitat that has entered the solar system. Morgan Freeman is set to produce it along with Robert Johnson and Ender Kossoff. Villeneuve is filming it for Alcon Entertainment, the company he worked with on his films The Prisoner and the Blade Runner sequel. In addition to this project, Villeneuve is also set to direct the second part of his Dune movie, as well as episodes of a TV series about the Bene Gesserit sisterhood, which he is also set to produce. Johnson and Kossoff said that Rendezvous with Rama was a very intelligent work, which raises many questions and is perfect for our time and was fitted to Villeneuve’s sensibilities and his passion for science fiction. There have been off and on plans to film Rama since Freeman acquired the rights in the early 2000s, and at one time David Fincher was set to direct before he moved on to other projects. Despite the pandemic, Dune is doing very well globally and is approaching taking $400 million around the world. And this week, Villeneuve himself won three awards, including Best Film Drama and Best Director.
Here’s the report from Savage Entertainment.
There are a number of short films of Rendezvous with Rama on YouTube, which give a taste of what the book and the space artefact it describes are like. Here’s one from the Vancouver Film School.
It’ll be interesting to see how Hollywood handles Rendezvous with Rama, as it is very much a movie of exploration rather than action or combat. The human explorers don’t meet the aliens who built the habitat, although they do encounter the robots and other machines left behind to maintain it. The book’s a favourite among Arthur C. Clarke fans, and I think it’s because of the detailed, scientifically credible description of what such an alien space habitat would be like.
This short video comes from the TedEd channel on YouTube, presumably connected to the TED talks in which leading intellectuals and academics explain their ideas. In this case, its about space elevators. These are long cables that would carry materials and passengers up to Earth orbit. The idea was first proposed by Russian space pioneer, Konstantin Tsiolkovsky, in 1895, after the deaf school teacher saw the tallest building in the world at the time. If one could be built, it would massively reduce the costs of transporting people and material to orbit. These would be taken aloft in special capsules called ‘Climbers’, which would have to be shielded against radiation to protect human passengers. At the moment, it costs SpaceX $7,600 per kilo. It’s estimated that space elevators, their immense power needs supplied either by solar energy or nuclear power, could reduce this by 95 per cent. The problem is that that at the moment there is no material strong enough to support such a building. It has been suggested that carbon monofilaments and nanotubes could provide the solution, but only tiny amounts of these have been manufactured at the moment. There is also the problem that the gravitational stresses and hence the thickness of the cable would vary with height. One solution to this problem would be to extend the cable to counterweight, either a satellite or captured asteroid in geostationary orbit 36,000 km above the Earth. The problem of keeping the tether rigid would be solved by using centrifugal force from the Earth’s spin. The station back on Terra would be best situated at the equator, and possibly a ship at sea. This would allow it mobility to avoid storms and terrible weather. It is immensely difficult to build such an elevator on Earth, but they could be built on the Moon and Mars using current technology and materials. But they’d be far more of an advantage built here on Earth. Another problem is that if the cable was cut, the effects as it fell to Earth would be catastrophic. Despite the difficulties of construction, there are companies in China and Japan planning to build them by 2050.
The idea of the space elevator has been around for some time. Arthur C. Clarke thought for a while that he had invented the idea in his book about the building of such a tower in his adopted home of Sri Lanka in his 1970s novel, The Fountains of Paradise. This lasted until he looked the idea up in the scientific literature, and found it went all the back to the Russians. It would truly be a giant leap in space exploitation and colonisation if we could build a space elevator, but I think building one by 2050 is extremely optimistic. Way back in the 1990s or the early part of this century I remember an American firm announcing they were going to develop the idea. Unfortunately one of the problems at the time is that, according to the techniques being proposed, the station back on Earth would have to be anchored by an entire mountain range. So, not really possible and that was the end anyone heard of the idea.
It’s great that research into space elevators is continuing, but I think it will be a long time before they become reality, whether built by Americans, Chinese, Japanese or whoever.
Arthur C. Clarke was nicknamed ‘the space prophet’ because in the late 1940s he wrote an article for a radio magazine predicting communications satellites. He also wrote another later piece, with the title ‘How I Lost a $Billion in My Spare Time’ or something like that lamenting the fact that he lost millions by not copyrighting the idea. I had a similar experience last night when I saw on the news a piece about the Russians shooting a film aboard the International Space Station. Starring Yulia Persilda and directed by Klim Shlipenko, the film is about a doctor, who travels to the ISS in order to save one of the astronauts.
Years ago I presented a paper at a symposium of the British Interplanetary Society on the popular commercialisation of space. I suggested that one way to stimulate further interest in space exploration and development was to shoot a movie up there. The amount paid to some of Hollywood’s most popular actors, like Arnold Schwarzenegger, is almost that to cover the costs of launching a person into space. Arnie was paid $7 million for one of his movies, and it cost one of the first commercial space tourists, someone like Dennis Tito, $16 million to go into space aboard the Russian proton rockets. It therefore seemed to me to be entirely economical to send a film crew to the station, provided that only a limited number went. Say the star and a director/cameraman. I gather that Shlipenko’s crew numbers seven, which is larger than I had in mind, but still far from a cast of thousands.
My idea was printed in the BIS’ Journal, and I’ll try and dig that out at some point to show that I’m not spinning a yarn. And in the meantime, if any space company wants to take me on as a consultant or some other job, you can contact me here.
And best wishes to William Shatner, who today also ventures into the final frontier.
Shatner, as any fule kno, played Captain James T. Kirk in the original Star Trek series. ITV news reported yesterday that he too was heading into space aboard a rocket at the grand age of 90. I haven’t watched the recent iterations of Star Trek since Deep Space 9 ended, but the original series was definitely one of my fave programmes when I was a kid. It helped stimulate my interest in space and astronomy, as it did many thousands of others. And Star Trek’s portrayal of a world without racism, where women enjoy equality and poverty, starvation, crime and unemployment are things of the past is still inspiring. So I salute him as he makes his personal voyage into the Black.
And here’s the intro to the original series that started it all off in the early ’60s, which I found on dinadangdong’s channel on YouTube.
One of my friends gave me a copy of A.M. Gittlitz’s I Want to Believe: Posadism, UFOs and Apocalypse Communism, for which I’m really grateful. It’s fascinating! Posadism is a weird Trotskyite sect, founded by Posadas, the nom-de-guerre of Homero Cristalli, an Argentinian Marxist. They were hardline Marxists, joining other Communist and Trotskyite guerrillas fighting a war against capitalism and Fascist oppression across Latin America and Cuba. From what I remember from an article about them in the Fortean Times, they also looked forward to an apocalyptic nuclear war that would destroy the capitalist nations and allow the workers of the world to seize power. This is frightening, as any such war would have destroyed the planet or at least killed countless billions and sent the survivors hurtling back into the Stone Age. Unfortunately, it was also shared by Chairman Mao, who really couldn’t believe why Khrushchev hadn’t launched a nuclear attack on America during the Cuban missile crisis. Khrushchev was certainly no angel. During Stalin’s reign he was responsible for organising purges of dissidents in Ukraine and when in power led a brutal crackdown on religion that sent thousands of people of faith, Christians, Jews, Buddhists, Muslims, shamanists to the gulags. He was also responsible for creating the system of curtained shops which served only members of the Communist party. But in refusing to start a nuclear war, Khrushchev helped save the world and showed himself a far better man than Mao.
But Posadas also had some other, rather more eccentric views. He believed in establishing contact with intelligent aliens and also believed dolphins were another intelligent species with whom we should establish real, meaningful contact and understanding. A college friend of mine told me that they wanted to make contact with aliens because of their belief in the inevitable victory of Marxism. If there were alien civilisations, they reasoned, they would have achieved true, Marxist socialism and could therefore help us do the same. It sound completely bonkers, but they took their views on dolphin intelligence from the scientist and psychologist John Lilley. Many others shared their views. I have a feeling that dolphins feature in several of Larry Niven’s novels as intelligent creatures with whom humans have a relationship as equal species. To help them interact with us, they have been given artificial arms and mobile pods containing the water they need to support them.
There was a brief resurgence of Posadism on the Net in 2016, and the book contains amongst its illustrations a number of memes posted by them. One contrasts the despair and defeatism of capitalism and the mainstream socialist parties with Posadism. It features a grey alien looking on accompanied with slogans like ‘Solidarity with the space comrades’ – not ‘space brothers’, note, like the old-fashioned UFO contactees talked about, but Marxist aliens determined to overthrow capitalism. Other slogans included ‘It’s Communism, Jim, but not a we know it’, clearly a parody of the famous line from Star Trek, ‘It’s life, Jim, but not as we know it’. And there’s also a parody of one of the famous sayings of the Space Prophet himself, Arthur C. Clarke. Clarke said that any sufficiently advanced technology is indistinguishable from magic. The Posadist meme reworked this as ‘Dialectical Materialism so advanced as to be indistinguishable from magic.’ They are also in favour of fully automated luxury communism. This is the doctrine, embraced by Yannis Varoufakis amongst others, that mechanisation will make most workers redundant. To prevent the immense harm this will do, the only choice will be for the state to take over industry and run it so that everyone has free access to goods and services. This got reworked in one of the Posadist memes as ‘Fully automated luxury gay communism.’ I have to say this sounds distinctly unappealing. Not because I’m opposed to gay rights, but because it sounds like only gays will be allowed into the new utopia. I hope if it comes, it will benefit everyone, whatever their sexuality.
In fact the idea of fully automated luxury communism and alien contact goes back a long way in Marxist history. Alexander Bogdanov, an early rival to Marx, wrote an SF novel, Red Star. Inspired by Tsiolkovsky, the Russian rocket pioneer, and H.G. Wells’ The War of the Worlds, this was about a revolutionary from the 1905 anti-Tsarist uprising, who is abducted to Mars. Martian society is advanced both technologically and socially. All the factories are automated, so that goods are plentiful and money is obsolete, as everyone has access to all the goods and services they need or want. As a result, Martians share their possessions. What work remains is entirely voluntary, but done idealistically for the good of society. This includes young Martians donating blood to increase the lives of the elderly. (see page 5 of the above book).
As the Bard says in The Tempest ‘Oh brave new world that hath such people in it!’
Posadas was an eccentric with some extremely dangerous views, but some of his ideas aren’t so daft. If mechanisation proceeds, then I feel that fully automated luxury communism, or something very like it, will have to come into existence. It’s the only humane alternative to the grind mass poverty and despair depicted in dystopian SF stories like 2000 AD’s ‘Judge Dredd’, where 95 per cent of the population of Megacity 1 is unemployed and films like Elysium, where the world’s masses live in shanty towns, workers are exploited and disposable, and the rich live in luxury orbital colonies.
And serious scientists are still looking for signs of extraterrestrial intelligence, following American astronomer Frank Drake and scientist and broadcaster Carl Sagan. Interestingly, the book states that Sagan, a Humanist and left-wing activist, denied being a Marxist. But he and his wife Anne Druyan smuggled copies of Trotsky’s History of the Russian Revolution, so that Soviet citizens could read its real, suppressed history. I think most SETI scientists believe that real aliens would probably be so different from us that their political and institutions may well be inapplicable to us. Nevertheless advocates of SETI believe that aliens may nevertheless be able to give us vital scientific information, including the cure of disease and how to extend our lifespan. It probably won’t be Marxism, but if the aliens do have something like it or Fascism, then these ideologies will become popular on Earth after contact.
Communist aliens sounds like a ridiculous idea, but until we make contact, we won’t know if there are or aren’t any.
As for the Martian society of Red Star, the absence of a money economy, the abolition of scarcity and work as a purely voluntary activity sound very much like the Federation in Star Trek. Thanks to contact with the Vulcans and other aliens, humans had overcome racism, poverty and starvation. People didn’t need to work, but they did so in order to better themselves. It should be said, though, that the series never openly advocated socialism. It simply said that ‘the economics of the future are different’ and implied that both capitalism and socialism had been transcended. Nevertheless, the parallels are so close that the far right, like Sargon of Gasbag and his fellow Lotus Eaters, have been moaning that Star Trek’s communist. I doubt it, not least because the actress who plays Seven Of Nine is married to a Republican politico. I think Star Trek is broadly liberal and presents an inspiring utopian society. One of the complaints about Star Trek: Picard is that it has now abandoned this utopian optimism in favour of portraying the Federation as a standard SF dystopia and that it’s liberal slant has become too shrill and intolerant at the expense of good stories, plots and characterisation. Utopias are unattainable, but we need them to inspire us, to show us that ‘another world is possible’ and that, in the words of The Style Council, ‘you don’t have to take this crap/ You don’t have to sit back and relax’. Or work yourselves to death to increase the profits of already bloated big business elites.
Apart from this, the book is also a fascinating look at the history of Marxism in Argentina and Latin America, and I intend to review on this blog when I finish it.
As for aliens, well, I’d rather we made contact with benign Space Comrades than the little Grey buggers that haunt our nightmares of UFOs, abductions and malign conspiracies at the moment.
And yes, the title very definitely is taken from the poster of a UFO hanging in Fox Mulder’s office in the X-Files.
This is another fascinating little video from the military historian Mark Felton. I’ve put up a couple of his videos demolishing the stories about Nazi UFOs and space/time travel. But some real aerospace and military technology comes very close to Science Fiction. In this video, he talks about the Almaz armed spy stations launched by the Soviet Union in the 1970s. They were manned spacecraft, designed to photograph NATO military targets during the tense days of the Cold War. They were launched under the cover of a civilian space programme, Salyut. And to protect them from western attack, each station was armed with a rapid fire aircraft gun. It’s an idea close to the Bond film, Moonraker, in which Bond tackles Hugo Drax and his minions aboard their own space station.
The Almaz, ‘Diamond’, stations consisted of three sections. There was the main, piloted station module, a cargo section for resupply, and a launch and return craft. The stations were launched using a Proton rocket, and carried a two-three man crew, in space for 20 to 30 days before returning to Earth and being replaced by the next crew. They were armed with 25 mm Rikhtor guns, a modified version of the tail canon used on the Tupolev Tu-22 Blinder Russian bomber. The Russians were afraid that vibrations from the canon might damage the spacecraft, and so arranged a test firing. Salyut 3 (Almaz 2) was due to come to the end of its life in July 1974, and so was selected as a suitable test vehicle. After the last crew left on the 19th of that month, the station was remotely operated so that it targeted and shot down a defunct Soviet satellite. The Almaz station, the satellite, and the spent rounds were all burned up when they re-entered the Earth’s atmosphere afterwards. To date, Russia is the only country that has fired a weapon in space, but this may change.
I remember the Salyut space programme. It was always presented as just civilian research into living in space, and people were impressed by the lengths of time the Russians were able successfully to keep crews in orbit. However, these achievements were never as spectacular or interesting as the Moon landings. Now it’s been revealed that they were military spy missions, a fact that has almost certainly been revealed as a consequence of the Fall of Communism and the end of the Cold War.
It’s not just with the Bond film Moonraker that the Almaz stations have a similarity. In Kubrick’s and Clarke’s classic SF film, 2001, the world is on the brink of a nuclear war. After the first section, which shows a group of primitive hominids being led to intelligence by the black monolith on the prehistoric Earth, the film cuts to space, showing various satellites gliding in orbit while the Orion space shuttle makes it complex maneuvres to dock with the wheel-like space station. Although their purpose isn’t obvious, as Kubrick didn’t want people to think his film was repeating the themes of his Cold War nuclear satire, Dr Strangelove, these satellites are actually orbiting nuclear weapons platforms. Real killer satellites like them, but using ‘pop-up’ lasers to destroy nuclear missiles, were designed as part of Ronald Reagan’s Strategic Defence Initiative, or ‘Star Wars’ programme. There have been a number of books written about possible future wars in space, such as The Shape of Wars to Come, and a year or so ago former president Donald Trump called for the creation of an American space force. Which I think has provided the subject matter for a comedy on Netflix or one of the other streaming channels.
The arming of the Almaz stations shows how terrifyingly close the threat of war in space is to reality. I hope that for the sake of the world we manage to halt the militarisation of space and keep space exploration and, hopefully, colonisation, peaceful. Although this may be difficult given rising tensions between the West, Russia and China.
I hope everyone’s having a great Christmas, despite the outbreak of an even more virulent strain of the Coronavirus, the consequent lockdown and Boris’ farcical deal with the EU. I haven’t posted anything over the past few days partly because I wanted to enjoy Christmas, and didn’t feel like dealing with all the misery Johnson’s coterie of thugs and entitled bandits and looters, and partly because I simply don’t find much of the news that’s surfaced over the past few days at all inspiring. I was intending only to publish odd, cheerful or uplifting stuff over the holiday period for a change, more in keeping with Christmas as the season of peace and goodwill. Well, that’s gone out the window, as I do intend to blog about serious issues. But for now here’s something far less grim than the faces and policies of BoJob, Gove, Priti Patel, Starmer and Rayner.
Among the serious news there have been reports over the last few weeks of a mysterious silver monolith appearing around the world. It first appeared in America, then disappeared, only to re-emerge in Britain, on the Isle of Wight or somewhere. It disappeared again and then moved to somewhere else in the globe. It’s a pity that some of the urban folklore magazines of the 1990s aren’t still around, as this is the kind of event they loved. Small press magazines like Dear Mr Thoms/ Letter to Ambrose Merton, Folklore Frontiers and the academic Contemporary Legend used to follow similar stories. Like the stolen garden gnomes that went around the world, sending their former owners postcards from whichever new location they turned up in. This is somewhat like that. But it most closely resembles a British UFO hoax from the early 1980s which was covered, I believed, by that venerable journal of the weird, the Fortean Times. I’ve forgotten quite when it all happened, but sometime in the early 1980s or perhaps the late ’70s, a number of silver spheres appeared around Britain making beeping noises. They were designed to appear like alien objects from a UFO. The silver monolith also looks to me like it’s intended to resemble the alien monoliths from Kubrick and Clarke’s classic SF film, 2001, but with the difference that theirs was pitch black. As far as I know, no-one has claimed responsibility for the supposedly alien spheres, although I think it was suggested they were the work of students. I think it’s highly unlikely that either spheres or the recent monolith are the work of aliens. However, latter did appear at the same time as an unexplained signal was received from Proxima Centauri. This is the nearest star to ours, at about four light years away. Scientists were excited about it because Proxima Centauri is believed to have two planets. One is a Jupiter-sized gas giant, but the other is a rocky planet like Earth. So there have been videos on YouTube asking whether what was picked up was another ‘WOW signal’, like the burst of radio noise from Eta Carinae in the 1970s that astonished radio astronomers. It was so close to what they expected a signal from an alien civilisation to be like, that someone wrote ‘Wow’ next to the printout of it. It’s been a matter of debate since whether it really did come from aliens or was natural. The signal was never repeated, like the recent signal from Proxima Centauri, so I think most scientists believe it’s almost certainly natural. I think the Proxima signal will probably prove natural too. But you never know, and we live in hope.
As for hoaxes and stunts like the silver monolith and beeping spheres, while they aren’t remotely the real UFO landing people hope for, they do no harm and keep people amused. And in these grim times, we definitely need everything we can get to keep our spirits up.
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