Posts Tagged ‘Alison Graham’

Ian Hislop Presents Beeb Programme on Fake News

October 6, 2019

According to this week’s Radio Times, Private Eye’s editor, Ian Hislop, is going to present a programme tomorrow at 9.00 pm on BBC 4 on fake news. The programme’s titled ‘Ian Hislop’s Fake News: A True Story’. The blurb for it on page 75 of the Radio Times runs

The concept of “fake news” may seem like a recent, politically motivated invention, but Ian Hislop takes a long view and finds that fake news was found to be profitable long before the uncertain times of internet trolls and echo chambers. He recounts the story¬†of the 1835 New York Sun “scoops”, which told its readers there was evidence of flying man-bats on the Moon. He also learns how fake news caused a real war between America and Spain.

An additional article about the programme, written by the Radio Times’ editor, Alison Graham, on page 73, runs

Ian Hislop looks sceptically at Christopher Blair, an unapologetic purveyor of fake news, or rather, made-up nonsense that’s simply designed,¬† claims Blair, to provoke the American alt-right into a frothing frenzy. It’s all done,m he says, in the name of satire.

Of course, Hislop knows a thing or two about satire, and he is unconvinced, worrying that sending such pap into the universe means even sensible people doubt the truth of real and actual news stories.

In a jolly, occasionally serious history of fake news, which of course didn’t begin with Donald Trump, Hislop goes back to 1835 and an American newspaper’s pile of piffle about telescopes trained on the Moon spotting herds of bison and “flying man-bats”. It was a sensation as crowds thronged the street outside the paper’s offices, demanding more. Thus an important lesson was learnt: fake news sells.

The Origin of the Press in 17th Century Wars of Religion

The 1835 Moon hoax is notorious. It was based on Britain sending a real astronomer to oversee the construction of a telescope and astronomical observations in South Africa. The editor of the New York Sun used this as the occasion to run a spectacular story about this astronomer having discovered, through his telescope, life on the Moon. But fake news also long predates that incident as well. The ultimate origin of the news media lies in the 17th century and the 30 Years’ War in Germany and British Civil War. The first newspapers were written to inform merchants around Europe about evens in Germany, during a conflict which ended with 1/5 of the population dead of starvation. During the British Civil War supporters of both sides wrote news sheets not just to inform people of events, but also as propaganda. And some of it was very definitely fake news. This was a deeply religious age, and the wars were religious conflicts between Roman Catholics and Protestants in Germany, and the monarchy and Anglican church on one side against parliament and the Puritans and other, more radical Protestant groups on the other. Visions, omens and miracles were widely publicised, as it was believed that these showed God’s anger or favour towards the different factions. And some of these look very, very much like fake news. Such as the supposed encounter by a British ship out in the English channel with a merman, bearing a scroll in his hand. This fishy fellow told the astonished sailors that he was heading up the Thames to present the scroll to Crown and parliament in order to get them to desist. Or something like it. Whatever happened, it all seems very dubious to me, and looks very much as though the story ultimately had its origins in a tavern somewhere, written by the kind of hack, who used to write for the Scum and the Sport. Back in 1983 the Scum ran a story in which a medium supposedly contacted the spirits of dead British heroes and heroines to see which politicians they backed. Boadicea, apparently, gave her support to Maggie Thatcher and the warriors of Goose Green. While the Sport told us all how a B52 bomber had supposedly been found on the Moon.

The Sport and the Weekly World News

The Sport always struck me as an attempt to imitate the American Weekly World News and other tabloid newspapers. It was the Weekly World News that gave the world very obviously fake stories about aliens giving their vote to Bill Clinton and interviews with a man, who claimed his mother was the yeti. Quite. This all looked like harmless fun, a bit of sensationalism that despite academic fears, no-one ever really believed. But there are allegations that there was a much more serious, even sinister side to this. According to former tabloid reporter in his book about this side of the press, Grossed-Out Surgeon Vomits Inside Patient, the American intelligence agencies were planting false stories in them as deliberate disinformation.

The British State and Official Fake News

And it isn’t just the tabloid press that published disinformation and black propaganda on behalf of the government. Over here, the IRD – a department of the British secret state – used to plant fake stories in the newspapers as part of a propaganda battle with the Communist bloc. They also concocted fake stories to destabilise the IRA and other Republican groups in Northern Ireland, and to smear the Labour party as having connections with Communism or Irish nationalist terrorism. Indeed the amount of lies put out by the IRA and other terror groups and the British government was so bad, that academics trying to make sense of what was going on in Ulster stated that they had no idea what was going on. And we’ve seen a resurgence of the British government’s black propaganda against Corbyn and the Labour party with the tweets and fake news sent out across social media by the Institute for Statecraft, which has extensive links with British intelligence and the cyberwarfare section of the SAS.

BBC’s and Private Eye’s Lies about Labour Anti-Semitism

It is also richly hypocritical of the Beeb, and Ian Hislop, to produce a programme on fake news too, because of the role they have both played in promoting fake news against the Labour party. The BBC news team are incapable of opening their mouths about the Labour party without lying. This has become so bad and egregious that there is now a group appealing for funding to produce their own film refuting the lies about anti-Semitism in the Labour party put out in a recent, much criticised edition of Panorama. see, for example, Mike’s article at https://voxpoliticalonline.com/2019/10/03/leading-labour-figure-joins-documentary-to-counter-biased-bbc-panorama/

And Private Eye have been exactly the same in this regard. There is much excellent material in it, but it has shown itself as frantic as the rest of the lamestream press in denouncing Jeremy Corbyn and his supporters as anti-Semites, simply because they are critical of Israel, or have pointed out that those who are, are historically correct. As Mike did when he wrote a piece stating that Ken Livingstone was right about Hitler initially supporting Zionism. That was the piece that got Mike attacked as an anti-Semite, and libeled as such in a series of articles in the press. These also claimed that he was a Holocaust denier. They were all flat-out lies, and the newspapers retracted them after Mike complained to IPSO. Nevertheless, Private Eye and the rest of the press are still pushing their lies about Corbyn and the Labour party, just as Mike, and others like him, like Jackie Walker, are still receiving foul abuse from ignorant fanatics.

And the Beeb’s history of right-wing lies doesn’t stop there. There’s also the infamous case where they put the footage of the police attack on the Miners during the Miners’ Strike the wrong was round. It was reversed, so it appeared to show the miners attacking the police. And I’ve no doubt there are many, many other incidents like this.

BBC Trying to Regain Loss Credibility with this Programme?

It’ll be interesting to see if the programme has anything to say about these incidents. But I’m not holding my breath. This looks very much like the Beeb tackling this subject partly as a way of trying to burnish its own squalid image. The BBC and the rest of the lamestream media are rapidly losing credibility in a digital age, when you can go on the Net and find out what’s really been said and done. Along with real fake news, it has to be said. This is frightening them, as the younger generation are turning away from the Beeb’s news output altogether. The Beeb is also frightened by the fact that they are increasingly unable to shape consensus opinion, and express this in statements that claim that as a society we are in danger of becoming more fragmented as people stick to the media niches they like, which may be very different from everyone else’s. Cut through this verbiage about fears about a more ideological fragmented society, and the real fear is that of the Beeb’s management and news hierarchy that they are no longer as credible or as influential as they were, and thus are increasingly irrelevant. As shown by the fact that BoJob has tried to make the internet work for him by circumventing the Beeb and holding some kind of ‘people’s Prime Minister’s Questions’ on the Net.

The Beeb has rightly become notorious for its fake news against the left, and this programme looks like an attempt by the Corporation to try to reclaim some of its loss credibility. By presenting a programme on fake news, it tries to show that it doesn’t do anything of the sort itself. And you can trust it, because the editor of Private Eye, which did prick the establishment, is presenting it. But Private Eye was set up by people, who were very much part of the establishment. John Wells was the headmaster at Eton, for example. And Ian Hislop is very much part of the same, privately educated, Oxbridge set.

It will therefore be very interesting to see if the programme has anything to say about the Corporation’s role in peddling fake news. But I very much doubt it will.

BBc Drama about Fascist Radicalisation of Deprived White Youth

July 4, 2019

Next week’s Radio Times also says that next Wednesday, 10th July 2019, there’s a drama, The Left Behind, on BBC 1 at 10.35 pm after the news about young White men drawn into Fascism. The play’s set in an unnamed Welsh town, and is about a working class lad, Gethin, who becomes increasingly radicalised as his life collapses through poverty. The blurb for it on page 78 of the magazine runs

Factual drama from the Bafta award-winning team behind Killed by My Debt and Murdered by My Boyfriend. Gethin is a working-class teenager in a south Wales town with no secure job, housing or future. As he seeks solace online, he is increasingly attracted to anti-immigrant sentiment as a way of explaining why he’s been “left behind” in his own country.

The additional piece about it by Alison Graham on page 77 runs

Gethin is a nice lad, part of a fractured family, but he is close to his sister and niece. He has a handful of good mates and not much of a job – he’s on a zero-hours contract in a fast food takeaway shop.

But the fates conspire to send Gethin (Sion Daniel Young, who is excellent) completely off the rails as the fragile thread that hold his life together unravel and snap, leading to tragedy.

The Left Behind looks at the rise of far-right extremism in the poorer parts of Britain through the prism of Gethin, a young man looking for easy targets who blames outsider for robbing him of everything worthwhile.

The mag also has a feature about the programme on pages 20-21 by Claire Webb, pointing out the working class roots of the play’s author, Alan Harris. Harris’ parents were forced to sell their house in Tonteg, near Cardiff, when he was a child, and he grew up in a caravan on his grandfather’s smallholding. After he graduated, he had a series of poorly-paid jobs, including selling Santa hats in the street and working in a car park. He was also homeless for a time, sleeping on friends sofas or in their spare rooms. He got his break into theatre after training as a journalist and submitting scripts to a theatre group encouraging new writers. The article quotes him as saying ‘We don’t see honest stories of White working class men.’ It also states that he spent a lot of time talking to people using food banks and a community centre in one of Cardiff’s most deprived suburbs. He says

“They told me people feel powerless,” he says. “It is a case of being left behind, but it’s also a case of being left out. There are a lot of people in the UK who have no hope of progressing, and once hope is gone, a wedge is driven between different sections of our society and extremism is very good at exploiting that wedge. Online radicalisation does that well: it turns personal problems into a crusade.”

The article contains the chilling statistic that in 2018 there was a 36% increase in the number of far-right extremists referred to the government’s Prevent programme. Harris spoke to a counterterrorism expert working on the programme as part of his research. It says he was frightened by how quickly people can become radicalised, and how the far-right organisations have smartened up their act.

“These are well organised, respectable-looking organisations,” he explains. “They don’t turn up in red braces with a skinhead. They turn up in a suit with a much more professional attitude. They realised that the old model wasn’t working from a recruiting point of view.”

The article also states that these organisations’ supporters are concentrated in Britain’s post-industrial towns and cities, which is why the drama’s producers set in south Wales.

To the possible objection that the programme is a sympathetic treatment of a violent extremist, Harris replies that we need to under where they’re coming from if we are to tackle domestic terrorism.

“Society tries to ignore these things but they’re happening, whether we like it or not. Understanding these people is a movement towards making society better.”

For one scene, in which a chipper councillor is confronted by residents angry at the lack of social housing, the producers used working class extras drawn from that area, and asked them to improvise. And their raw, pent up anger exploded. They ripped the councillor to shreds to the point where Harris felt sorry for the actor.

Asked if he was apprehensive that Cardiff’s working class communities would be offended by the drama, Harris replies

“Not at all. I think it’s a good thing to shine a light on the problems that some people experience. Hopefully those issues of housing, of employment, will ring true with a lot of people from Cardiff and the surrounding area. Hopefully it’s bits of their lives reflected back at them. I don’t have all the answers, but at least we can ask questions.”

While this isn’t a programme I can I’d like to watch, it does seem to be an honest attempt to grapple with the underlying issues behind the far-right’s attempts to reach out and recruit disenfranchised working class Whites. But the responsibility for the growth in racism goes far beyond the Fascist right itself, right to the heart of the neoliberal establishment. At one level, the Nazis are only building on the extreme nationalism and racism that’s been pushed for decades by the Tories and the Tory press – the Scum and the Heil are two notorious examples. But it also includes the supposedly more upmarket Spectator, which, as the Sage of Crewe has pointed out, employs the anti-Semitic Taki and is increasingly Alt Right.

And among the causes of the growth of Fascism in this country is Blair and the New Labour project. Blair abandoned socialism and the party’s traditional working class base to appeal instead to Tory swing voters. They fully embraced and participated in the destruction of the NHS and the welfare state, with Gordon Brown particularly enthusiastic about encouraging a flexible job market. In other words, job insecurity. And Tony Greenstein has repeatedly pointed out how hollow and non-existent are the Blairites’ attempts to deal with Fascism. Margaret Hodge, now the darling of the anti-Semitism smear merchants, was so negligent in her treatment of the growth of Fascism in her constituency, that the BNP actually sent her flowers when seven of their stormtroopers were elected on to Tower Hamlets local council. As for Tom Watson, he was a friend of Phil Woolas, a New Labour politico, who ran a very racist campaign against a Lib Dem opponent, claiming that he was soft on immigration and encouraged Muslim radicalisation. Woolas said that his campaign was about getting White men angry. And David Rosenberg on his blog warned that the anti-Semitism witchhunt was designed to purge the Labour movement of genuine Left-wingers and anti-racists, and that this was damaging real opposition to Fascism in working class communities. The witchhunt and Blairism meant that recent anti-racist counterprotests were, for the first time, outnumbered by the Fascists. And to add insult to injury, the Nazis chanted ‘Anti-Semites! Anti-Semites!’ at their genuinely anti-racist opponents. Rosenberg has shown repeatedly on his blog how proper campaigning in working class communities, by socialists determined to give working people better opportunities and conditions, will devastate Fascist organisations by depriving them of the real, social and economic issues they exploit to misdirect rightly angry Whites into hating Blacks, Asians and other ethnic minorities.

The play looks like a good, honest account to deal with the growth in working class racism by showing that it is partly caused by the real despair in these communities at their poor and declining conditions. And tackling those and combating Fascism means attacking and combating the Tories and New Labour, who have caused them and seek to exploit the anger they’ve caused in turn by scapegoating ethnic minorities.