Posts Tagged ‘Actors’

Aaagh! Tracey Ann Oberman Is In New ‘Dad’s Army’ Series

August 24, 2019

Tomorrow, UK Gold is set to begin screening the first of its recreations of three episodes of the classic comedy, Dad’s Army. As you’ve probably seen from the adverts and the splash page about it in the Radio Times, as well as a piece about it on The One Show, the actual episodes were lost years ago. They were recorded on videotape, which was then re-used for another show. The scripts, however, has survived, and so they’ve decided to re-shoot them using other actors to replace the original cast. Along with other, younger actors, whose names I don’t recognise, is veteran thesp Timothy West, playing Sergeant Godfrey. It looks great, the actors look and sound like their brilliant predecessors, more or less, and have the right attitude. They say they can’t replace the original team, and are just being their understudies.

But there’s one thing that stops me from watching it. They’ve cast Tracey Ann Oberman as Pike’s mother.

Tracey Ann Oberman is Rachel Riley’s best mate in her persecution of bloggers, who support Jeremy Corbyn. Like Riley, she also likes to throw accusations of anti-Semitism around willy-nilly, insulting and smearing decent people simply because they’re Socialists, left-wing Labour party members and/or simply critics of Israel. And if anyone makes a few acute observations about her, she threatens them with a libel suit.

She’s been a firm supporter of Riley in her prosecution of the 17 people, who blogged about Riley’s bullying of a 16-year old girl with anxiety issues. Riley, amongst other things, declared that she wanted to ‘re-educate’ the poor girl, a term I’ve only used in the context of totalitarian brainwashing. When the child refused, Riley smeared her as an anti-Semite and managed to whip up a troll army into bullying and harassing the girl online. When Mike and 16 others blogged about this, Riley claimed that it was libel and initiated legal proceedings.

But when Mike challenged Riley to state what was libelous when she initially complained, neither she nor Oberman could explain why or how. They also haven’t challenged the facts of the case. This seems to me to be another SLAPP suit, in which the forces of the right attempt to shut down criticism through vexatious legal action. Action they know their opponents won’t be able to afford to defend themselves against.

Oberman herself was threatening to do something similar to Ash Sarkar, the head of Novara Media a few weeks ago. She was accusing Sarkar of being anti-Semitic, again based on no evidence or reason whatsoever, except that Sarkar and Novara have supported Corbyn and criticise Israel and the Israel lobby for the country’s maltreatment of the Palestinians. When Sarkar made a few pointed remarks about Oberman’s privileged background, Oberman whined that she was a ‘jobbing actor’, and that these remarks put her career at risk. She also claimed that she was ‘as White’ as Sarkar is. Sarkar is very definitely a dark complexioned Asian, while Oberman is definitely White. Of course, Oberman meant that she couldn’t be White, because Nazis and racists don’t regard Jews as White. Sarkar saw through that subtext, and said that she was not disputing that Jews didn’t suffer victimisation. They do, and horrendously, it’s growing. But as Tony Greenstein, Buddy Hell and many others have pointed out, Blacks, Asians and Travellers suffer far greater levels of racism. And some of this is perpetrated by the right-wing individuals, who are making so much fuss about the supposed anti-Semitism in the Labour party. And Oberman, as an ardent right-wing Zionist, should herself be very much aware that the original Jewish settlers in Palestine were Whites from eastern Europe, who despised the Misrahim, the indigenous Arabicised Jews, or Jewish Arabs, of Palestine and the Middle East. And there is also massive prejudice in Israel against Blacks and Black African Jews, such as those from Ethiopia. And Nazi racism is utter, murderous rubbish, so no-one should believe the bilge about Jews not being proper Europeans. Including spurious racist sputterings that they can’t be as White as they’re European compatriots.

I also know drama graduates and real jobbing actors. They’re immensely talented people, who work hard trying just to get bit parts in TV and other shows, simply because of the intense competition and uncertainty of the profession. They are most definitely not like Oberman, who was boasting a few weeks ago that every time someone criticises her, she gets another job offer.

So the news that the wretched Oberman is going to be in it puts me in a bit of a quandary. I’d like to watch it, but I don’t want to give any support to Oberman. At the same time, I don’t want to deny the other actors their chance to shine. Perhaps one way round this is to put in the equivalence of a swear box. If I watch anything with Oberman in, then I have to give money to help Mike’s defence fund against Riley’s fake libel action. That might do the trick and salve my conscience.

 

 

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Tharg’s Tribute to Kevin O’Neill: When the Comics Code Banned His Art

December 30, 2017

Yesterday in one of the posts I mentioned the dictatorial grip the Comics Code Authority had over American comics from the 1950s to the mid-1980s. The Code was sent up to reassure and protect the American public after the moral panic over Horror comics in the 1950s. This spread to comics as a whole, which were seen as subversive, morally corrupting and un-American. This included bizarre accusations of Fascism and deviant sexuality aimed at those stalwarts of popular American culture, Superman, Batman and Wonder Woman. The scare decimated the American comics industry, and nearly caused its total collapse.

The Code was set up to ensure that all comics were suitable for a child of seven to read. Its officials were unelected, and in many cases had right-wing views that showed absolutely no understanding of popular politics or culture. It was supposed to be a voluntary organisation, and there were comics creators who worked outside and often against the code. Like Robert Crumb and the underground scene, or the independents Like Dave Sim and Cerebus the Aardvark. In practice, however, those comics were well outside the mainstream, and were only available in head shops and specialist comics stores like Forbidden Planet and the late, lamented Forever People in Bristol.

I discussed how the Code rejected one issue of the Green Lantern Corps, written by Alan Moore and drawn by Kevin O’Neill, on the grounds that O’Neill’s artwork was too grotesque and disturbing for children. This was ironic, as he had been delighting children and adults with his monstrous aliens, mutants, robots and equally grotesque humans for years in the pages of 2000 AD. He was and remains one of comicdom’s favourite artists, and while the other artists who worked on the Nemesis the Warlock strip added the considerable talents to the tale of the Warlock and his foe, the human ‘Ultimate Fascist’ Grand Master Torquemada, I think much of the strip’s initial popularity came from his superb, bizarre artwork.

2000 AD duly paid tribute to him and his censorship by the Comics Code in their anniversary issue, Prog 500, published on 14 December 1986. In it, Tharg took a walk through the contents of his mind, reviewing the comic’s history and revisiting some of the characters that didn’t work. At the end he comes to Kevin O’Neill, who appears as a stunted, crazed sadist. O’Neill admonishes him for censoring the most extreme piece of violence in the strip. Tharg tries to reassure him by reminding him that he won the ‘ultimate accolade’ for which other comics creators all envy him: the day the Comics Code banned his art as totally unsuitable for children. To which O’Neill replies ‘Hmmph. You won’t get around me by flattery’. Unsatisfied, O’Neill then calls down Torquemade, who promptly beats Tharg up.

The different sections of that strip were written and drawn by the different artists and writers, who worked on the comic, so there were different credit cards for them for each section. That section ends with the credits reading ‘Script Therapy: Pat Mills. Art Therapy: Kev O’Neill. Letters: Steve Potter’. Which suggests that the letterer was the only sane one there.

Here’s a few panels.

The real O’Neill is, however, quite different from his portrayal in the strip. It’s been pointed out several times that the fans, who’ve met him, are often surprised that he doesn’t dress in black and silver like the Terminators. And the other rumours about him are also totally untrue. Like he only works at night using a quill pen in the light of candles, and has an occult temple in his basement. I met him at UKCAC 90 in Reading, where I queued with Mike to have him draw a character on the blank badges we’d been given for our fave artists to draw on. O’Neill at the time was a wearing a ‘Solidarity for Nicaragua’ T-shirt, which a left-wing friend of mine at college also wore. He also was wearing a brown leather jacket, and his facial features at the time reminded me a bit of John Hurt. He was affable, enthusiastic, full of nervous energy and completely unthreatening. If you seem him now at comic conventions or footage of them on YouTube, or the occasional interview for television, he’s obviously older and balder, as effects so many of us eventually. He comes across as genial and entertaining British gent, completely unlike the berserk monstrosities that rampage across his strips down the years. Even when he’s telling the stories about how he and Pat Mills went as far as they could in savaging American superhero comics and right-wing, superpatriotic American politics in the violent and nihilistic Marshal Law. Actors, writers and artists aren’t their creations. Fortunately.

Vox Political: Mail Lies about Benefit Claimants Again?

January 28, 2015

Tory Lies Drawing

Mike over at Vox Political has the story about the Daily Mail possibly fabricating another piece in order to smear benefit claimants. The Heil claims to have exposed one claimant, Kamram Kam, as a fitness fanatic, who makes no secret that he does not intend to find a job. Except that Mr Kam is an actor, who has appeared in nine films. the article’s Daily Mail caught stirring up hate against benefit claimants with fake story? and it’s athttp://voxpoliticalonline.com/2015/01/28/daily-mail-caught-stirring-up-hate-against-benefit-claimants-with-fake-story/.

This is, of course, another piece of massive hypocrisy coming from Lord Rothermere’s mighty organ, after the Lord himself claimed nom dom status in order to save on taxes that would be owed when building his mighty mansion at Ferne Park in Wiltshire. Never mind the unemployed, Jonathan Harmsworth’s the real scrounger. And as he’s a nom dom, I strongly recommend him for deportation.