I think my political views and biases have made an impression on the search engines on YouTube, as these came up in the ‘recommended’ and ‘you may also like’ bars. Not that I mind – they’re classic, American working class folk and jazz. The machines decided that I might like Woody Guthrie’s Tear the Fascist Down, and All You Fascists Bound to Lose, as well as Mr. Hitler by the Blues/Jazz legend Huddie William Leadbetter, or Leadbelly.
Here’s Tear the Fascist Down
All You Fascists Bound to Lose
It’s a bitter fact of history that at the time Leadbelly was singing this, Blacks were still very much treated as second class citizens with Segregation in the south. Still, he was absolutely right to lampoon and attack Hitler. I also think that popular music had a strong role in bringing Blacks and Whites together to challenge racism. The Nazis hated Jazz. They regarded it as ‘Negro music’, whose raw sexuality was corrosive of White culture and would corrupt virtuous White youth. But it and Blues very swiftly became popular amongst Whites as well as Blacks, and produced numerous ‘White Negroes’ like ‘Mezz’ Mezzrow, who not only listened to Black music, but were highly sympathetic to the people and their sufferings, which produced it. And the same thing happened later when Rock ‘n’ Roll emerged from the fusion of Black barrelhouse Jazz and White Country music. A few years ago I was watching a rock documentary, which mentioned Little Richard. One of the speakers was a Black musician, who remembered how the crowd at dance halls were divided before Little Richard came along. The floor of the dance hall was clustered with Black people dancing, while the Whites tended to cluster around the edges. ‘White spectators, we called ’em’, he recalled. Then when Little Richard came along, the Whites joined the Blacks on the dancefloor. ‘And so we had integration before Dr. Luther King’, the muso concluded.
Absolutely. And the very best popular has been entertaining, uplifting and drawing people together ever since.